NYS Music 20​19

Category: Reviews

  • Jonatha Brooke’s Naked Performance

    “So, I have a new EP out,” Jonatha Brooke said to the crowd gathered at Caffè Lena on Thursday night. The news was received with warm applause. “And I’m naked on the cover.” At this point she posed, arms stretched outwards and upwards, ready to take on whatever the audience sent her way.  

    Jonatha is the second performance of Caffè Lena’s pride series, which has a way of making performers feel safe enough to be completely honest.  Jonatha’s vulnerability is only accentuated by her presence on the stage, a lone woman with a mic and a guitar. 

    jonatha brookes

    The performance was incredibly satisfying. Perhaps it was the way her voice eased through the room, settling in comfortably with the crowd. Or it could be the fact that she is a self-proclaimed “terrible liar” and her brand of off-beat candor was refreshing. 

    Jonatha spoke openly about her relationship with her mother, doing impressions of her throughout the night. She has written and performed in a musical based on living with her mother while she dealt with Alzheimer’s. The musical is called My Mother Has 4 Noses and is based off a quote made by her mother, who said, “After all, how many people do YOU know who can say they have FOUR noses?”

    After “mothering her mother” as she so put it, Jonatha spoke about how it had helped her better understand herself on a new level, one in which she experienced what she described as a, “I would take a bullet for you feeling.” This led into a performance of a song that she played as a member of The Story – “So Much Mine.” This song describes the perspective of a mother watching over her child and the worries that spring to mind when one thinks about them. 

    Many of Jonatha’s songs revealed different aspects of her inner workings, such as her song “Imposter,” off of her new EP of the same name. The song is played on mandolin, and in it, she calls herself the imposter. She said that the song was about her own feelings of self-doubt that sometimes haunt her, a relatable feeling to be sure. “Liar, loser, phony. No one ever says so, but I know it’s true. Poser, lightweight, cheapskate. I wanna be, but woe is me. Someone better muster up the truth,” she sang, her voice clear in the small space. She calls herself her “own best saboteur,” harkening on the very realistic feeling many have of having to fake their way through the day, to bend themselves to appear less weak or to hide their flaws from others.

    And yet, there was no denying that Jonatha Brooke wasn’t as uncertain of herself as “Imposter” may have led the audience to believe. Before performing her song “Fire,” Jonatha strolled casually across the stage and proclaimed, “I am kind of liking getting older sometimes because I don’t give a shit anymore.” Amen to that.

    She chose to end with “Linger,” her big hit from 2001. It was comforting to hear that someone as successful as she is could still harbor doubts. In this, Pride Night at Caffè Lena has once again provided Saratoga with a space of security where doubts were eased. 

  • John Mayer Makes Musical Magic for Albany in Tour Opener

    John Mayer chose Albany to open his 2019 tour at the Times Union Center, and a sold-out crowd was there to greet him. Playing two full sets that each could have been stand-alone concerts, Mayer required no opening band for his fans, some of whom held up signs with recommended setlists.

    Photo by Jim Gilbert

    Mayer casually strode across the neon backlit stage after band members set up, picked up his guitar, and gave the room chills during this heatwave with his easy, bluesy playing. They would play two full songs before Mayer greeted the crowd with a gentle “Good Evening,” and he swapped out his electric guitar for his acoustic one. The stage was bathed in purple light as Mayer responded to a fan holding up requested songs, “You’re going to get your way, well at least half of your requests” he smiled. The crowd was entranced.

    There was a mix of old and new songs, songs from Mayer’s earlier career as well as hits from the present. The crowd sang along as he played “Who Says You Can’t Get Stoned” like they were away at a summer camp, except the volume of the singalong was higher.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer and his band took a few longer breaks between songs, leading one to wonder if this first night together performing brought up some unexpected moments they needed to problem solve. But no problems came through to the crowd; Mayer’s relaxed performance, joined by his very joyful band of 8 musicians, seemed like it was simply a continuation of a longer standing tour.

    Mayer announced mid-first set “Hey we’re back everybody” with a big grin and was very chatty with the crowd. He struggled to let go of the fan’s request list, even sharing he has “low-grade guilt” thinking of a fan holding a sign and getting disappointed during his performance. He presented as a giant sweetheart, seeking to please others and humble about his own musical talent. He even gently shifted his setlist to include a fan’s request, stating, “So I did some thinking,” and added “Age of Worry” to the second set to please her.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer is talented, too, possibly beyond what most folks who listen to him on the radio will realize. He started in Boston’s Berklee School of Music but left the conservatory to begin performing before completing his degree. Mayer pulls melodies out of the guitar like magic; his fingers look incredibly loose as he moves them over the strings, and somehow he brings a great groove line out of the instrument. It looks effortless, but as anyone who has ever played guitar knows, that reflects years of practice.

    His lyrics, too, often reflect aching and longing that the timbre of the guitar matches perfectly. Sometimes sounding like bluegrass, other times like pop, and again changing to blues, Mayer’s versatility is constantly pronounced.

    John Mayer Albany
    Photo by Jim Gilbert

    By set two, the laser cut backdrop had added some trees and sun, and some fun (if not irrelevant) visuals played behind the band as they performed “Still Feel Like Your Man.” The dancing panda was completely adorable on the video, bringing a lighter vibe out. He shifted back to blues quickly with “Love is a Verb,” where he stayed for a few more songs.

    Mayer can really do anything, and the crowd at the Times Union was swaying with him, mesmerized by not only his talent but the clear talent of fellow guitar player Isiah Sharkey. Sharkey has emerged as a guitar giant in his own right, and many fans were screaming out his name in recognition of his also stunningly riffs on the guitar.

    John Mayer Albany
    Photo by Jim Gilbert

    For many fans, the best song of the night was the raw and brutally honest “In the Blood,” a recent hit by Mayer that asks if we can escape our family of origin or if we are forever slaves to repeat earlier generations’ mistakes. The crowd was clapping and singing along with the lyrics, highlights of which were on the screen overhead. This is a brutal song, if really listened to, and was a truly intense and authentic experience to watch Mayer take so many in the audience on this honest line of inquiry.

    Mayer followed with a more upbeat but similarly honest “Waiting on the World to Change.” He thanked the crowd for keeping the songs alive, stating “We only play these songs because you’ve made these great songs.” He spoke about how each song brought him back to earlier days, and noted that songs hold memories for all of us, allowing us to go back and visit our earlier selves.

    John Mayer Albany
    Photo by Jim Gilbert

    Mayer is a thinker, an artist who attempts to reach for joy but isn’t afraid to grind into anxiety, sadness, lost love and the depths of despair. His writing and playing reflect that with integrity, and this resonates with fans who see themselves in that very human and raw experience.

    By the close of the concert, Mayer had performed 27 songs, some of which included long jam sessions showcasing the guitar talent he shares with band members. And he never missed a beat.

    Photo by Jim Gilbert

    Set One: Belief, Love on the Weekend, Who Says, Helpless, Moving On and Getting Over, Something Like Olivia, Edge of Desire, Vultures, Wildfire, I Guess I Just Feel Like

    Set Two: The Age of Worry(Acoustic), Emoji of a Wave(Acoustic), Daughters(Acoustic), Something’s Missing(Acoustic)(First verse only), In Your Atmosphere(Acoustic)(First part only), Still Feel Like Your Man, Love Is a Verb, Why Georgia, The Beautiful Ones(Prince cover) (David Ryan Harris solo), Slow Dancing in a Burning Room, Rosie, If I Ever Get Around to Living, In the Blood, Waiting on the World to Change, Gravity

    Encore: Born and Raised, New Light

  • Hearing Aide: Marty Wendell ‘Rock and Roll Days’

    Ticonderoga native Marty Wendell has been a local superstar since the 1960’s, sharing the stage and touring with musical titans such as Carl Perkins, Arlo Guthrie and Johnny Cash. Drawing from a rich and storied career, nearly sixty years in the making, Wendell returns triumphantly in 2019 with Rock and Roll Days: A Celebration of Sun Records – a stalwart tribute to the early days of rock, and ultimately, a retrospective on the music that shaped his own career.

    On a surface level, Rock and Roll Days stands as a straightforward rockabilly jaunt, full of groove and levity. The occasional solo troubadour, Wendell comes fully backed by his touring band this time around and delivers a clear, strong and confident performance. Subtitled “A Celebration of Sun Records,” Rock and Roll Days was crafted to pay homage to the legendary record company famously considered to have fostered the early development of Rock and Roll in the Mid to late 1950’s.

    Originally founded in Memphis, TN, Sun Records was the support system that helped launch the careers of Sam Philips, Roy Orbison, Jerry Lee Lewis, Elvis Presley and Johnny Cash, among many others. Like young musicians of the time, it was this monumental moment in music history- the birth of rock and roll- that captured Wendell’s imagination like no other, inspiring him to pursue a career in music that would last the rest of his life. Returning to those early days with song, it is that same feeling of youthful inspiration that Wendell tries to preserve on the new album.

    Marty Wendell

    Combining a tasteful blend of new originals and time-honored standards, Rock and Roll Days plays like a love letter. Tracked “old school” in the recording studio (that is to say, live, with the recording musicians all together at the same time), Wendell and his tour band have seen to every detail in creating an album which would speak directly to the history from which is was inspired. The result is something of a sonic scrapbook- a photo album composed of songs in lieu of pictures which serve as aural windows to the past through the scope of one man’s experience. It is a joy to be invited down this hall of memories. Yet we are invited to look forward just as much as we look back thanks to the spattering of new tunes written specifically for the record and the refreshing sincerity of Wendell’s earnest delivery.

    As a young man, Marty Wendell first got his start playing for his church congregation in the 1950’s. Cementing his desire to pursue performance, Wendell went on to continue performing all through his college years. Venturing out of upstate New York in the mid 1960’s and heading into Greenwich Village, Wendell began working with producers who brought him into the recording studio for the first time. Here he produced hits such as “Hey Hey Mama,” “An Ode to Burtis Dean,” and “Bring the Circus Back to Town.” Since that time, Wendell has toured with John Anderson, Lacy J. Dalton, The Hager Twins, Bluesman, T. Graham Brown, The Statler Brothers, and The Carter Family. He has produced more than 10 albums to date and is one of a select few artists to have recorded music in Memphis’ historically renowned Sun Studios.

    Those previously familiar with his work will delight in the re-recorded rockabilly version of “Hey Hey Mama,” arguably Wendell’s biggest hit and the one that gained him a supporting role on Johnny Cash’s Folsom Prison album tour. Cash had remained a tremendous influence on Wendell throughout his entire life. This sentiment is later addressed during the latter half of the album on the heart felt single “Teardrops of Gold,” which is preceded by the story of how Cash came to Marty Wendell in a dream to inspire the writing of that song. The album then closes with a recorded conversation between Cash and Wendell taken from the Folsom Prison tour in 1968.

    With a life-long career to reflect upon, Wendell’s youthful enthusiasm for this music has lost none of its luster in his late adulthood. With timeless authenticity, Rock and Roll Days brings a wholesome and charming facet of one man’s life as a musician, from inspired young man to seasoned veteran, into sparking clarity.

    Key Tracks: Rock and Roll Days, Blue Suede Shoes, Hey Hey Mama.

  • Tedeschi Trucks Band’s Wheels of Soul Rolled Through Canandaigua

    Susan Tedeschi and Derek Trucks are no strangers to the Rochester area. They’ve both been frequent visitors since their beginnings – forming a mutual love affair with the area’s music fans. Tedeschi Trucks Band have made it a point to stop here on every one of their tours, making Wheels of Soul their fifth area visit in just as many years.

    Derek and Susan (and management) have proven themselves to be curators with exceptional taste and vision. Each of their Wheels of Soul tours have come with its own distinct flavor. The lineups have been soulful one year, rocking another, and folky another. Each year their own band fits in with their openers regardless, the ultimate chameleon that can match wits no matter the genre.

    This year, rambunctious duo, Shovels and Rope, from Charleston, SC and Country-rock jammers, Blackberry Smoke, out of Atlanta, GA joined the Jacksonville, FL headliners for Southern-fried flavor on stage. The combo cooked-up a succulent, meaty and juicy flare, with a nice crispy exterior.

    Playing for a fanbase that knows you inside-and-out leaves little room in the way of surprises. Surprise isn’t really TTB’s game though, and they wowed the judges with pure power and finesse. The band, still twelve-members strong, did bring some fresh meat since we last saw them. Gabe Dixon has taken over on keys and Brandon Boone is now on bass. They also come supporting a new album, Signs. They introduced the crowd to three of the new tracks, “I’m Gonna Be There,” “Hard Case” and “Signs, High Times.” “I’m Gonna Be There” was a clear highlight among those, with a slick and slow building solo that ended with Trucks’ guitar exhibiting its signature growl over the backup singers’ building vocals.

    One of the elements of the Wheels of Soul tours that after five years fails to surprise, but nevertheless always wow’s, is when Tedeschi Trucks Band brings out their openers for a guest spot or two. This year Charlie Starr from Blackberry Smoke, plus Michael Trent and Cary Ann Hearst from Shovels and Rope emerged for a cover of Leon Russell’s “Stranger in a Strange Land.” Despite the clear talent both openers exhibited in their sets, this performance didn’t rise to the high expectations of past guest spots.

    One of the reasons for Derek and Susan’s strong connection with Rochester is the champion they’ve found in local radio personality Brother Wease. As a thank you for his consistent support, Tedeschi lead a stripped down quartet on an emotional interpretation of John Prine’s “Angels of Montgomery” that she segued into Jerry Garcia’s “Sugaree” as the backing vocalists joined in. A stunning moment to be sure.

    Not to be outdone, her husband closed the set in a ball of flames, turning “The Storm” into a full-on “Whipping Post” jam, pushing the set right up to the 11pm curfew. They couldn’t possibly leave this crowd hanging so they risked “getting in big trouble” by coming back out for a quick encore.

    Michael Trent and Cary Ann Hearst

    Shovels and Rope drew a great crowd for their early opening set that focused mainly on material from their 2019 release, By Blood. Each played a bevy of instruments, drums, guitars, keys, harmonica, on songs ranging from emotive ballads to fuzzed out rockers. The variety was all held together by their wonderful two-part harmonies and incredible songwriting.

    Blackberry Smoke came out guns blazing, whooping up the crowd with their Allmans-esque Southern rock jams and fist pumping country rock numbers. It was a big and dense sound that kept it fun for even the least familiar listener, with a slew of heavy teases and jams that included “Third Stone from the Sun,” “Amazing Grace,” “When the Levee Breaks” and a foreshadowing “Mountain Jam.”

    Blackberry Smoke

    Setlists:

    Tedeschi Trucks Band: I Want More, Don’t Know What It Means, The Letter, I’m Gonna Be There, Hard Case, Border Song, Down in the Flood, Swamp Raga > Midnight in Harlem, Part of Me, Angel From Montgomery > Sugaree, I Pity the Fool, Stranger in a Strange Land (with Charlie Starr, Michael Trent and Cary Ann Hearst), The Storm > Whipping Post.

    Encore: Signs, High Times.

    Blackberry Smoke: Fire in the Hole, Let It Burn, Believe You Me, Mother Mountain, One Horse Town, Ain’t Much Left of Me.

    Shovels and Rope: I’m Coming Out, Hammer, The Devil is All Around, C’mon Utah, Birmingham, Forsaken Blues, Carry Me Home, Mississippi Nuthin’, I Know, The Wire, Hail Hail.

    Shovels & Rope
    Michael Trent and Cary Ann Hearst
    Blackberry Smoke
    Charlie Starr
    Paul Jackson
    Richard Turner
    Brit Turner
    Brandon Still
    Tedeschi Trucks Band
    Derek Trucks
    Susan Tedeschi
    Kebbi Williams
    Ephraim Owens

  • Lord Huron Sells Out Beak & Skiff On A Misty Summer Night

    Despite a 90% chance of rain predicted throughout the night, the skies seemed to magically part over Beak & Skiff Apple Orchards for the sold out Lord Huron show. An incredible sunset over the rolling hills of Upstate NY with a cool mist lifting in the valleys was a perfect backdrop for the incredible set.

    Photo: Sarah Eiley Cowherd

    Ben Schneider led his band mates, most of whom he had grown up with in Michigan, unto stage with thunderous applause and cheering from the audience. Dressed as a modern cowboy, Schneider dug right into a career encompassing set of songs. The set moved with ease from mellow sing-alongs to rowdy foot-stomping moments. Most of the audience had moved forward in the entirely General Admission outdoor venue and were very attentive, not shy, about singing along. Some chose to bring blankets and chairs enjoying the show from the slowly sloping hill, lined with festive food trucks and drink options.

    Much of Schneider’s writing is about his love of nature and the importance of that in his life. Beak & Skiff was the perfect venue for this, with surrounding apple orchards, beautiful views and amazing amenities. The shows at this venue are getting larger every year, as they have moved from the central campus to an adjacent field. The effect of this allows for more space, and the sound was mixed perfectly. Schneider recognized this with the only break in the music, halfway through the set to say: “Thanks to all that stuck around and I’m so glad the storms passed through. This is so worth it what an incredible place you have here.”

    Photo: Caitlin Phofl

    After a high energy set, Lord Huron closed with two of their biggest hits, “End of The Earth” from 2012’s album Lonesome Dreams and “The Night We Met” from 2015’s Strange Trails. After another successful release, Vide Noir, in 2018 it is clear that this band is more than on their way. The sold out crowd, at one of Upstate NY’s premier outdoor venues, would surely agree. All in attendance were lucky the skies cleared. As the sun sank the smiles and energy of those lucky enough to get a ticket and the echo of the songs across the hills and valleys kept Beak & Skiff bright until the last note faded.

    Setlist: Love Like Ghosts > Meet Me In The Woods, Ancient Names pt. 1, Dead Man’s Hand, Back from The Edge, Time To Run, Hurricane, The World Ender, The Ghost On The Shore, She Lit A Fire, Wait By The River, The Birds Are Singing At Night, Lost In Time & Space, Never Ever, Secret of Life, Emerald Star, Yawning Grave, Way Out There, When The Night Is Over, La Belle Fleur Sauvage, Fool For Love, Ancient Names pt. 2.

    Encore: Ends Of The Earth, The Night We Met

  • The BrokenHearted – Tom Petty Tribute gives us ‘The Best of Everything’

    The BrokenHearted – Tom Petty tribute band, has a goal to produce the “vibe” of a Tom Petty show.  Johnny insists he is not Tom Petty, but rather a really big fan who loves the music. I believe many will disagree when Johnny takes the stage. The best part is, the band members seem to be having a blast up there on stage. They seem to be the best of friends. As a band they want you to enjoy the performance. They are entertainers. They promise you a good time. If you’re a Petty fan, and who isn’t, you will enjoy the show.

    What do you do if you are a superfan, and you have talent? Well, you start a tribute band of course, which all began in 2007 when Johnny Clifford had an idea – something he was thinking about for a while. His friend, Philip Bacon, was in a Neil Young tribute band and mentioned The Hudson River Music Hall, was hosting other tribute bands. This suggestion planted the seed. Johnny didn’t believe he could get other musicians to be onboard, since a band starting from scratch, with no immediate financial gains is not the easiest sales pitch, but it worked and a mad adventure began.

    Johnny Clifford of The BrokenHearted

    Johnny Clifford has been a Tom Petty fan since the early ’80s. He loved the songs and appreciated Tom Petty’s brash confidence, stage presence and overall vibe. When Clifford was asked, Why Petty?, he responded: “The Heartbreakers are my kind of band. Mike Campbell has been his lead guitarist since the beginning. Mike has such a great tone and always plays just the right part for the song. (Mike Campbell is currently on tour with Fleetwood Mac). I hung on to The Heartbreakers like I was clinging to a life raft.”

    The BrokenHearted tom petty
    James Cappello The BrokenHearted – Bass/backing vocals

    Although none of the early bands Clifford played in were Petty tributes, the bands covered much of Petty’s early material. It wasn’t long before Johnny became known for singing and performing Petty tunes. So a tribute really does make sense for him.  He states he is not acting, but for the most part, he is just being Johnny.  After four decades he still loves the music and Heartbreakers are still his favorite.

    Frank Affinito – Drum/backing vocals

    Johnny Clifford’s voice is eerily similar to Petty. His on-stage presence is spot on. The Broken Hearted- Tom Petty Tribute band, will bring you back to the days when Tom was speaking (singing) for the Average Person. Expressing things in love, relationships, and life, that most of us find difficult to communicate. He touched our inner soul, he just had an easy way of telling stories. He somehow found the words to express the feelings within every one of us.

    Philip Bacon

    The setting was the beautifully renovated Strand, in Hudson Falls, NY on July 12, 2019. The crowd started to enter and were treated to a wonderful performance by Kelly and Son. Father, Shawn Kelly, and Son, Josh Kelly, are an acoustic/electric duo. Their wide range of songs and comedic interaction left the crowd mesmerized, not knowing what to expect. Shawns deep-toned voice, with a hint of Kris Kristofferson, crooned songs and mixed with a quick wit and laughs, blended well with Josh’s full-toned voice as they had an eclectic mix from The Beatles and Mumford and Sons to original songs.

    Kelly and Son’s Setlist: Ho Hey (Lumineers), Rocky Raccoon (The Beatles), Mad World (Tears for Fears), Breathe/Welcome to the Machine (Pink Floyd), No Vacancy (Original), Forever (Mumford and Sons), Scientist/Zombie (Coldplay/Cranberries), Dear Prudence/Awake my Soul (Mumford and Sons).

    Shawn Kelly
    Shawn and Josh Kelly of Kelly and Son

    Now, was time for the main event. The Show was originally going to be two full sets, however, no break was taken, and the band just forged on pounding one fantastic tune after another. At one point, Clifford reached into a trunk and pulled the famous Mad Hatter Hat out- the crowd loved it! The fans knew what to expect- They knew Clifford and the band would not disappoint. The first few strums and everyone knew the opening song, “I Need to Know,” where the upbeat selection set the stage for the remaining songs. Even though it was a long set, the crowd wanted more, and begged. The band obliged with a fantastic rendition of “Kings Highway”

    Setlist: I Need To Know, Don’t Do Me Like That, Mary Janes Last Dance, You Wreck Me, Learning to Fly, You and Me, Won’t Back Down, Breakdown, Listen to Her Heart, Walls, Don’t Come Around Here No More, Here Comes My Girl, Handle Me With Care, Rock & Roll Star, Feel a Whole Lot Better, Free Fallin’, The Waiting, Face in the Crowd, Yer So Bad, You Don’t Know How it Feels, Refugee, Runnin Down a Dream, American Girl.

    Encore: Kings Highway

    Clifford, Cappello, Affinito and Donnelly make a great team. True fans, enjoying what they are doing. After so many years, most bands would appear to just be going through the motions, you don’t get that feeling here. There is a comradery, band of brothers so-to-speak. These guys love what they do, and it shows throughout their performance.

    If you have not experienced this band yet, be sure to catch them at these upcoming shows:

    Sat. July 20 – Powers Park Concert Series – Troy, NY 6:00 PM
    Friday July 26 – Putnam Place – Saratoga Springs, NY 9:30 PM
    Sat. August 10 – The Eddies – Gloversville NY 2:40 PM

    Check out their Facebook page for updates



  • In Focus: Phish Shines at Mohegan Sun

    Two mid-week shows in Connecticut wrapped up Phish’s east coast portion of their summer tour, before heading west for three nights at Alpine Valley in Wisconsin, and three nights at Dick’s Sporting Goods Park in Commerce City, CO.

    While at Mohegan Sun for their first ever shows at the venue, on Tuesday Phish brought back a cover of Apples in Stereo’s “Energy,” had fun with “Weekapaug Groove” in both sets, and took “Beneath a Sea of Stars Part 1” for a long psychedelic spin. A “Foam” encore, the first ever, was heartily enjoyed by fans chasing it all tour. Wednesday night fans were treated to impressive versions of “Wingsuit” and “David Bowie” as well as more love for Ghosts of the Forest with “Ruby Waves” appearing twice in Set 2.

    A unique encore involving “Kung” and “I Saw it Again” preceded “Slave to the Traffic” light, which bid farewell to the East coast for five or so months.

    Phish Mohegan Sun

    Setlists via Phish.net

    Tuesday July 9, Mohegan Sun Arena

    SET 1: Energy -> Weekapaug Groove, The Moma Dance > Maze -> Lengthwise -> Maze, Petrichor, Things People Do > Sample in a Jar, Bathtub Gin

    SET 2: Soul Planet -> Wider -> Undermind, The Final Hurrah, Beneath a Sea of Stars Part 1, Ghost -> Birds of a Feather, Waste > Golgi Apparatus

    ENCORE: Foam, Contact, More

    This show featured the first Energy since August 4, 2013 (226 shows) and the Phish debut of Wider. Trey and Mike teased A Love Supreme in Beneath a Sea of Stars Part 1. Ghost contained an Under Pressure tease from Trey and a Weekapaug Groove jam with lyrics. Birds of a Feather featured The Birds samples from Page and Third Stone From the Sun teases from Trey. 

    Phish Mohegan Sun

    Wednesday July 10, Mohegan Sun Arena

    SET 1: Buried Alive, Cavern > Dogs Stole Things, Sugar Shack, Stash, Wingsuit, Limb By Limb > Gumbo, Stray Dog, Steam > David Bowie

    SET 2: Party Time, Chalk Dust Torture > Ruby Waves > Seven Below, Stealing Time From the Faulty Plan > Piper ->Ruby Waves > I Always Wanted It This Way > Drift While You’re Sleeping

    ENCORE: Bouncing Around the Room > Saw It Again -> Kung[1] -> Saw It Again > Slave to the Traffic Light

    [1] Sung over Saw It Again music.

  • Silversun Pickups Bring the Rock to 95X’s Big X Cuse

    Baldwinsville’s picturesque Papermill Island was the scene for a gathering of upstart and veteran alternative rockers Friday night as the Big X Cuse, presented by Syracuse alt-rock station 95X, rolled into town.

    The second-year event featured veteran alt-rockers Silversun Pickups alongside singer-songwriter Meg Myers, indie pop duo I Don’t Know How But They Found Me, and Syracuse-bred shoegazers Trench.

    Silversun Pickups wasted no time getting into their brand new album Widow’s Weeds, opening the show with the slow building lead-off track “Neon Wounds” and the second track from the album “It Doesn’t Matter Why.” Joe Lester’s synth and backing vocals from bassist/vocalist Nikki Monninger provided a dreamy, danceable feel, complete with handclaps in the latter tune.

    Silversun Pickups
    Silversun Pickups

    The band got into rock star mode with a couple of early career tracks. “Well Thought-Out Twinkles” featured some stellar distorted basswork from Monninger and intense beats from the band’s secret weapon, drummer Christopher Guanlao. “Panic Switch” from their 2009 breakthrough album Swoon followed, kicking the crowd into high gear. Guitarist/vocalist Brian Aubert whipped up a frenzy playing to the sides and front of the stage while furiously riffing.

    A mix of old and new songs throughout the night kept fans on their toes. The new songs were as well-received as the standards, showing a band still at the top of its game. They closed out the set with their hit “Lazy Eye,” introduced by Aubert asking the crowd to promise to meet back here at this beautiful island in ten years to catch up with each other.

    Preceding Silversun Pickups was singer-songwriter, Meg Myers. In her stripped-down set, which included just Myers and her guitarist, she proved that’s all that was needed. Her voice, at times a whisper and other times a roar, commands the listener’s attention. Shades of Tori Amos and Kate Bush can be heard in her vocal style, the latter influence coming to the fore in what was the highlight of Myers’s set, a cover of Bush’s “Running Up That Hill.” Myers has the songwriting chops, passion, and vocal ability that will have her sticking around for a long time.

    Silversun Pickups
    Meg Myers

    The unwieldy-named I Don’t Know How But They Found Me had early-arriving fans dancing along to their electro-pop bass and drums that recalled Panic! At the Disco, which shouldn’t be surprising as bassist/vocalist Dallon Weekes spent several years touring with Brandon Urie’s ever-changing Las Vegas outfit. Weekes had a tremendous stage presence and utilized an array of pedals and synths to round out the duo’s sound. Drummer Ryan Seaman was a whirlwind behind the kit the entire set.

    Silversun Pickups
    Dallon Weekes – I Don’t Know How But They Found Me

    Opening the evening was Syracuse-based alt-rockers Trench. Their sound echoed mid-90s shoegaze bands such as My Bloody Valentine and the Jesus and Mary Chain with an emo slant. Vocalist/guitarist Chris Reilly’s dreamy vocals complimented guitarist Ron Ballweber’s distorted guitar to belie the sun-swept skies of Baldwinsville.

    Silversun Pickups
    Chris Reilly – Trench

    Trench has been getting a lot of play on local airwaves, especially the weekly 95X show Locals Only, hosted by recent SAMMY Hall of Fame inductee Scott Dixon. The station, along with its sister station, The Rebel, has long showcased local talent not just in specialty programming but during the day as well. The number of people at the front of the stage as Trench began playing is a true testament to this type of counter-programming local radio is doing to combat the rise of streaming and satellite radio. Also of note was the near-sellout crowd filling this island in the middle of the Seneca River. Alternative rock has evolved to include several different styles, many of which were represented at the Big X Cuse, and it is alive and well.

    • Ron Ballweber – Trench
    • Chris Reilly – Trench
    • Ryan Seaman – IDKHow
    • Dallon Weekes – IDKHow
    • Dallon Weekes – IDKHow
    • Ryan Seaman – IDKHow
    • Meg Myers
    • Nikki Monninger – SSPU
    • Jon Lester – SSPU
    • Christopher Guanlao – SSPU
    • Brian Aubert – SSPU

  • Hearing Aide: Frightened Rabbit ‘Tiny Changes’ is a Monumental Act of Love

    Frightened Rabbit’s Tiny Changes released on July 12 pays tribute to the former frontman, Scott Hutchison.  The album is a collection of covers off their 2008 album, Midnight Organ Fight, which marked the band’s breakthrough into the music scene. Originally, Tiny Changes was meant to be a celebration of the ten year anniversary of Midnight Organ Fight, to be released in 2018. The project was Scott’s, and upon his passing it was shelved until this year. It has now taken on a new meaning for the band.

    The title for the album comes from a lyric in the song “Heads Roll Off” in which Hutchison sang, “While I’m alive, I’ll make tiny changes to Earth.”  It’s a fitting title for a work made to remember a man who did exactly that.

    Whether Scott was aware of his reach, his songs impacted many. Hutchison’s lyrics were always honest and raw, not hiding from the rough emotions stirred up by depression and his own thoughts on suicide. His voice was unmistakable, unique in its rolling Scottish tones and humble sound. Scott had a way of always singing from deep within himself as if he were imploring you for forgiveness for the flaws that come with being human.  Even in his final tweets under the moniker of his solo project, Owl John, Scott asked people to “Be so good to everyone you love. It’s not a given. I’m so annoyed that it’s not. I don’t live by that standard and it kills me. Please, hug your loved ones.”

    Tiny Changes is also the name of the charity started by Scott’s family, created with a goal to raise awareness about mental health issues amongst young people. To donate to the charity please go here.

    Listening to the album Tiny Changes is incredibly cathartic. Each song is a loving memorial to a man who was cherished. The artists took it on themselves to produce a work that carried a tenderness to compliment the sincerity of Scott’s original vocals.

    It’s hard to escape the echoes of Scott’s voice while listening to the album. Even while hearing the covers, his voice still lingers at the edges, vulnerable and raw.

    The album begins with Biffy Clyro’s cover of “The Modern Leper.” Biffy Clyro is a fellow Scottish band who Frightened Rabbit originally toured with in 2008, around the release of Midnight Organ Fight.  In the album liner, Grant Hutchinson, Scott’s brother, says that Biffy Clyro “gave us inspiration and motivation to be as true to ourselves as we could but still aspire to be as big as we hoped we could be.”  

    The song, originally performed with gentle honesty, takes on a harder edge. There are moments of softness when Simon Neil’s vocals are just a quietly spoken plea, but these moments are broken by the jagged rhythms of the guitars. When talking about the song itself, Biffy Clyro comment that “There are very few songs I wish I’d written: ‘The Modern Leper’ is most definitely one of them.”  It’s easy to understand why. The lyrics are brutally sincere, speaking to all the times a person has felt too inadequate for the person they love, too crippled by their own faults and unable to believe that someone would still find value in them. Despite the disbelief throughout the song, there is an ending note of hope, a promise to start over, beginning with a simple conversation about their day. 

    Another particular track that stands out is Benjamin Gibbard’s cover of “Keep Yourself Warm.” In the original version, the song builds, progressing in momentum until the music stills, and you are left with Scott’s voice. It’s as if he’s teaching a lesson. As Scott sings, “It takes more than fucking someone to keep yourself warm” it is almost as if he has come to the realization himself. The naked reality of the lyrics contrasts against the music which comes across as almost upbeat and hopeful.

    Gibbard approaches the song through a haunting distance as if he is transmitting from afar. His words are slightly obscured, only bringing about clarity at the same point in Scott’s version where the music stills. Once more the song crescendos and crashes into you with a wave of emotion. Gibbard found this song particularly striking because he, “…had never heard anyone write about the ugly side of sex with such brutal honesty…”

    This album is meant to be played on long winding car rides into the night with someone you care about.

    When Frightened Rabbit released their album Midnight Organ Fight, they were unaware of the presence it would have on the indie music scene. There was something about the juxtaposition of the hopeful upbeat progressions of the music and the seriousness of the lyrics that struck the heartstrings of listeners. Tiny Changes speaks more to the nature of the lyrics, the singers’ are voices softer, and the songs take on an entirely different tone than they had before. Scott’s raw nature, his willingness to be vulnerable with the world left a mark with his fans. Tiny Changes serves as a loving memorial and a bittersweet reminder of what has been lost. 

    Key Tracks: The Modern Leper, Old Old Fashioned, Bright Pink Bookmark

  • moe.down 17: Bringing it Back Home

    moe.down 17 took place at its original home July 4-6, 2019, at Snow Ridge in the Tug Hill Plateau town, Turin, following a one-year hiatus. The Independence Day weekend featured steamy temperatures and equally scorching sets.

    The host band performed seven sets over the course of three days, as well as stints with side projects and sit-ins throughout. This festival has always been a family-oriented affair and this year’s moe.down proved no different — from guest spots from moe. bassist Rob Derhak‘s kids to drummer Vinnie Amico’s dedication of a cover of the Allman Brothers’ “Blue Sky,” to his daughter, who was celebrating her 19th birthday over the weekend. moe.down XVII was the family affair it has always set out to be.

    moe.down 17

    The moePods reunited at moe.down for a Friday afternoon set. Comprised of members of Ominous Seapods and moe., the band first got together at a sold out show at Cohoes Music Hall in January of this year and reconvened at moe.down. A true Wetlands reunion took place during this set when Lo Faber of God Street Wine, another of this year’s moe.down bands, joined the moePods onstage. All three bands came up through the second wave jamband scene of the early ’90s together and the mutual love was obvious onstage.

    Highlights of the weekend included an amped-up set from Cory Wong of Vulfpek with his band, all in matching outfits. The guitarist displayed his fret skills while the band funked up the main stage to kick off the music Saturday afternoon.

    Drive By Truckers brought a little bit of southern grind to the Tug Hill Saturday, delivering a blistering late afternoon set on the main stage that attracted more and more festival-goers throughout the set.

    The weekend was filled with a lot of positivity and small-town vibes one can only find at Snow Ridge this time of year. moe.’s seven sets over the weekend proved that they’re not standing still. Several new songs made it into the setlists and the accompanying light show was on point throughout.

    Cory Wong
    Karina Rykman
    Drive-By Truckers
    Mike Cooley
    Kat Wright
    Al Schnier
    Rob Derhak
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