Category: Reviews

  • Renovated Lark Hall Opens Doors With Carl Broemel (Of My Morning Jacket) & Deer Tick

    Sunday evening, Justin and Jennifer Miller opened the doors of the beautifully renovated Lark Hall in Albany, NY to friends and family with My Morning Jacket’s Carl Broemel as the featured artist. Ian O’Neill of Deer Tick opened up the evening on guitar and vocals with help from Dennis Ryan on drums and vocals. They played some originals that were just recorded, songs from their side project Happiness and Deer Tick songs from the album Mayonnaise.

    carl broemel
    Photo by Mathew Golden

    The audience, having just been treated by the Miller’s to a Tex Mex buffet and open bar, was all smiles and an amazing listening room shone brilliantly as the last rays of sunlight came into the hall through the balcony windows.

    carl broemel lark hall

    The invite-only audience of about 70 people was in for a real treat next as O’Neill and Ryan closed their set stating, “Well looks like Carl just got here and we have one more for you, then we are going to come on out there and watch him with y’all!” Carl Broemel, guitar, pedal steel and saxophone player for My Morning Jacket, having just finished a four-night run with his bandmates, had quietly been watching the opening set from the side of the hall. Broemel, who has just released the critically acclaimed Wished Out album in 2018 and 2019’s EP Brokenhearted Jubilee was up next.

    We were incredibly honored and grateful to have Carl join us on our maiden voyage… and none of it would have ever been possible without the support and love of our friends who were there to share the experience with us – Truly a dream come true!”

    Justin and Jennifer Miller

    After a quick stage switch and soundcheck, Carl “Snowy” Broemel took the stage armed with his electric, acoustic and pedal steel guitar and a rig of pedals and loopers. The Miller’s entrusted their close friend Matt Hueston as the event coordinator and the evening was dubbed “A Snowy Evening At Lark Hall.” The sound at Lark Hall was the first thing those lucky enough to be in attendance noticed. The sound technicians and natural wood of the theater made for a crisp and perfect quality as each note rung true. This space is perfect as a listening room, but the hall will surely host some barn burners as well.

    carl broemel
    Photo by Matthew Golden

    Broemel opened the set with “Starting From Scratch” from Wished Out. He moved in and out of his original material from his solo records with the same ease as he moved between looping guitars with harmonies that created a rocking atmospheric funk. Then the pedal steel came in, layered over top. You could hear a pin drop as the audience did not make a peep during this very special set. It is no wonder why Rolling Stone magazine listed Broemel in the top 20 modern guitar players in the world. His command and control of all that was happening on stage was flawless.

    carl broemel
    Photo by Matthew Golden

    Having just finished a solo tour with Tyler Ramsey, Broemel decided to play an M. Ward cover, “Chinese Translation,” that they had done together while on tour. This version soared through the hall and out onto the Albany streets outside like the sweet drops of moonlight touching down through the trees. Another highlight of the evening was “Carried Away” from 2010’s All Birds Say. Finally, Broemel was beckoned back onstage to treat the audience to one more tune and decided to close out the evening with a rollicking version of Tom Petty’s “Last Dance With Mary Jane.”

    After the concert, Broemel signed posters, t-shirts and hung out in the hall talking to fans for hours. He even joined fans in a ping pong match in the adjacent Lark Street Yoga Studio run by Jennifer Miller, just voted a Top 5 Woman Operated Business in Albany. All the facilities at the beautifully renovated Hall and Yoga Studio are state of the art. The sound is amazing. The framed posters that line the walls and decorations are incredible. Those lucky enough to attend “A Snowy Evening at Lark Hall” had a once in a lifetime experience and also witnessed the start of what will surely be a successful venture and true listening space for artists to play and feel like family.

    Event organizer Matt Hueston said, “What a magical night, and I don’t think there was one second I didn’t have a smile on my face. I wanted to put this event on not only because I love Carl, My Morning Jacket, and Deer Tick, but to show my appreciation for all of the kindness that strangers, who are now amazing friends, have shown me during my musical adventures. Music brings us together in a way very few things can. Be kind, spread positivity, and as always rock on!” Hueston seems to be onto something here, as Broemel expressed his desire to come back and play this brand new venue again. Be on the look out for so much more from the Miller’s new venue Lark Hall! Scroll past the pictures for the venue’s Mission Statement.

    carl broemel

    Lark Hall is a Historic performance arts and community venue located at 351 Hudson Avenue in Albany, New York.  Located in the heart of Albany’s Lark Street neighborhood, this 14,000 square foot building was constructed in 1916 by the Daughters of the Eastern Star as a meeting and performance hall that includes street level retail and meeting spaces and a 3,000+ square foot venue space with 22’ ceilings, proscenium stage, intricate mezzanine areas, and an artist’s green room and living quarters located above the stage.  Owned and operated from 1977 to 2017 by Electric Body Arts, Inc., Lark Hall was most recently utilized as a not-for-profit dance and fitness school maintaining all original historic details.

    Purchased in March 2018 by a group led by Jeff Buell and Justin Miller, Lark Hall is being developed into a multi-tenanted performance arts and community venue that will build on the neighborhood’s longstanding arts and community-oriented culture.  Carefully designed and engineered, Lark Hall will be developed to provide not only an unmatched guest experience, but also to serve as a one-of-a-kind residency for artists to perform, stay and hone their craft in a comfortable oasis from touring.The building’s first floor at street level boasts over 3,000 square feet of commercial space that hosts Lark Street Yoga Studio (1,400 square feet of high end yoga and fitness studio space) and related amenities, along with an additional approximately 1,000 square foot lobby and common space that will host Lark Juice Bar, Lark Hall Box Office and new elevator bay for ADA and load in access to the upper hall. 

    An additional 1,200 feet of first floor space is under construction to host a locally-owned coffee shop.The main hall currently contains nearly 3,000 feet of main open floor space fronting an approximately 10 x 30 proscenium stage, along with built in mezzanine space on one side that provides incredible sight lines and acoustics in current format.  The hall will be upgraded to include expanded mezzanine amenities for reserved-level ticketing with private bar and bathrooms.  The main floor level will include a large bar area and new bathrooms to service the main floor area.  Among the significant building upgrades to be installed to support the hall and support spaces include a new elevator, extended stage area, bar and related service and office spaces, building-wide sprinkler and fire signaling, HVAC systems and air handling, along with building-wide electrical systems, lighting and tech backbone to support state of the art sound, lighting and front of house equipment. 

    For first phase of built out, Lark Hall will be rated for ~300+ occupants and feature unparalleled acoustics and unrestricted sight lines for every single guest.The hall also boasts a unique 2-3 bedroom apartment located above the stage that is directly connected to the stage and mezzanine areas.  This amenity will be offered to artists and support crew for use during and after performances.  This living space will be a one-of-a-kind green room and residency area to attract and retain artists for multi-night residencies and unique performance opportunities.  This living space also adjoins approximately 1,200 square feet of practice and recording space that will be offered to artists and recording professionals for use as part of regular bookings and extended practice and recording opportunities. 

    All photos by Matthew Golden

    Facility Highlights: Historic ~500 capacity venue with unique multi-level mezzanine layout, 22 foot ceiling and proscenium stage.  The main Hall includes tech and monitor rooms built into the wings of the stage area, with multiple access points from stage to private artist residence areas.Both GA floor and mezzanine levels for reserved ticketing opportunities, along with flexible seating formats to accommodate ADA and general seating preferences for select shows.Artist focused living and practice space to attract and retain local, regional and national touring acts.  Living space may be available for short term stays to support community meetings, weddings and other hall offerings. 

    Practice and studio space will also be available for use as part of enhanced ticketed performances (a la midnight preserves), and for lease and/or management by third-party recording professionals.Built-in flex space on first level that will provide dedicated box office, merchandise counters and flex space availability within yoga studio to support artist meet and greets and integrated gallery space for artist support industry (gallery for pop-up poster artists and photographers, sound check party amenities, and general flex space to support events built around ticketed performances).Designed for both fans and artists, Lark Hall will provide an unparalleled live music and performance experience.

  • My Morning Jacket Storms NYC to Close Out Summer Run

    My Morning Jacket finished out their only four shows of 2019 with an incredible East Coast run this weekend at the The Capitol Theatre in Port Chester, NY and Forest Hills Stadium in Queens, NY. After an incredible two-night run the previous weekend at Red Rocks Park & Amphitheatre in Colorado, the gentlemen from Louisville, KY headed east to celebrate with a very special 20th anniversary concert of their first album The Tennessee Fire, plus songs they covered during that era and a very tight set of fan favorites and deep cuts, all played under a perfect summer night in NYC.

    My Morning Jacket NYC
    ©Jay Blakesberg My Morning Jacket at Forest Hills Stadium

    The Capitol Theatre was buzzing with excitement as fans gathered early to form a queue wrapping around the city blocks of Port Chester. Many had signed up for the VIP packages which included a BBQ with the band, featuring drummer Patrick Hallahan’s famous smoked meats. When the doors opened, many rushed to get spots on the rail, buy posters or just soak in the majesty of this beautiful theatre. The projectors layered the walls images of the first record and hand written song lyrics and, later, images of space during the first encore – a cover of Elton John’s “Rocket Man” with soaring vocals from Jim James (lead singer, guitar) and wailing pedal steel from Carl Broemel (guitar, pedal steel, saxophone).

    My Morning Jacket NYC
    ©Jay Blakesberg The Capitol Theatre

    Before we even got to that, the band ripped into “Heartbreaking Man,” the first song from their first album released 20 years ago, with a tenacious energy. One could see the smiles on bassist Tom Blankenship’s face as the boys brought new life to The Tennessee Fire. It is incredible to see what they can do as a live band now. Revisiting the first record was not only special for the audience, but James noted that it was an incredible experience to think about where they were, what they were doing and how much has happened since those songs were written.

    Even the slower songs like “Old September Blues” and “Picture of You” were given special treatment with wild guitar riffs traded between James and Broemel – and beautiful solos from Bo Koster on keys. Some of the songs featured a few special lyric changes like the last song of the set, “I Think I’m Going To Hell,” which made the experience of being at the venue and witnessing this performance that much more special for the audience.

    My Morning Jacket NYC
    ©Jay Blakesberg The Capitol Theatre

    On Saturday night, the band bid a bittersweet farewell and ended their four-night summer run with yet another incredible performance. Forest Hills Stadium is a beautiful venue located in Queens and the concertgoers could not have asked for a more perfect night. The band sounded tight and packed a powerful punch into the two and a half hour set. “Compound Fracture” was the opening song from their latest album The Waterfall, released in 2015.

    My Morning Jacket NYC
    ©Jay Blakesberg Forest Hills Stadium

    As the sun began to set, the band lit fire to the stage with “Victory Dance” from 2011’s Circuital. “Hope to watch the victory dance after the days work is done / Hope to watch the victory dance in the evenings setting sun,” James sang, motioning to the lingering trails of light over the historic stadium. For fans of the band, it was rewarding to see the full band back together as it had been nearly 18 months since their last performances at One Big Holiday 4. The chemistry was still there and when James and Broemel stood together trading and layering licks over the final two songs of the first set “Steam Engine” > “Phone Went West,” you could see the shape of a heart between their nodding heads with Hallahan, Koster and Blankenship between them.

    My Morning Jacket NYC
    ©Jay Blakesberg

    Both performances were exceptional to say the least and gave the audience the best of both worlds with a night of deep cuts in celebration of 20 years together and a night of fun fan favorites. Hopefully, they are back on the road together again sooner than later.

    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg

    Setlist – Capitol Theatre: Heartbreakin’ Man, They Ran, The Bear, Nashville To Kentucky, Old September Blues, If All Else Fails, It’s About Twilight Now, Evelyn Is Not Real, War Begun, Picture Of You, I will Be There When You Die, The Dark, By My Car, Butch Cassidy, I Tnink I’m Going to Hell.

    Encore: Rocket Man, Weeks Go By Like Days, Tyrone, Tonite I Want To Celebrate With You.


    Setlist – Forest Hills Stadium: Compound, the Way That He Sings, I’m Amazed, Golden, Mahgeetah, Evil Urges, Victory Dance > Circuital, Gideon, Off The Record, Spring, Smoking From Shooting, Tropics, Lay Low, Steam Engine > Phone Went West

    Encore: Wordless Chorus, Touch Me I’m Going To Scream Part 1, Touch Me I’m Going To Scream Part 2, One Big Holiday.

  • Hootie & the Blowfish with Barenaked Ladies: Sounds Like a Party to Me

    The Group Therapy Tour was just the medicine needed for more than 15,000 fans of Barenaked Ladies that packed into CMAC this past Friday night. This being the first time they’ve toured in over a decade, Hootie & the Blowfish was not only celebrating the 25th anniversary of Cracked Rear View Mirror‘s release back in 1994, but also announced their upcoming album Imperfect Circle, due for release this fall.

    Opening and getting the night started was the Barenaked Ladies. With Ed Robertson on lead vocals and guitar; Jim Creeggan on bass and vocals; Tyler Stewart on percussion and vocals; and Kevin Hearn on keyboards, guitar and vocals; this quartet have perfected their harmonies and playing over the years, but it’s their stage presence that really lifts them above most bands. The one thing that hits you first (if this is the first time you’ve seen them live) is they have so much fun playing together. Racing across the stage, playing to not only the crowd but to each other, fun has to be their middle name (Barenaked Fun Ladies), just has to be.

    They are known for their improvisation – their number one hit “One Week” was added to the album Stunt to demonstrate their flair of improv and the energy they exude during their live shows. Capturing it perfectly on the album and again Friday night, these fun loving guys have proven they still have what it takes to get the crowd out of their seats, dancing and singing. In fact, if the band “Had a Million Dollars,” they wouldn’t have to buy their love because it was right there in front of them as the crowd sang the lyrics word for word while the band pitched and knocked stuffed animals out of the park. Closing the set out with a mash up of some favorite rock songs, percussionist Tyler Stewart demonstrated what his and the other band members’ strongest qualities are: their versatility and talent, both vocally and musically.

    With a quick changeover, it was just minutes before Hootie & the Blowfish took the stage. The moment they came out, the crowd rose to their feet. With hands in the air and phones on record, the crowd ate up every moment they played, hungry for more.

    The setlist was outstanding, giving the crowd a taste of an expanse of music from their library, those that have influenced them along the way, and just favorites of both the crowd and the band. Joining them a few songs into their set, one of the best moments of the night was when Barenaked Ladies sat in for a cover of the Beatles’ “A Little Help from My Friends.” This classic song was just an epic choice to feature all these talented musicians and what they bring to the stage.

    Like a storybook unfolding, Darius told a story the whole evening through music. Sharing past hits from music that influenced them, such as R.E.M.’s “Losing My Religion,” and showing how music can soothe and collectively unite as he and the band dedicated “Will the Circle Be Unbroken?” to the families and victims of the past week’s shootings, it once again demonstrated how music heals and is a universal language to which everyone can relate.

    With a new album to be released on September 6, those in attendance got just a taste of what’s to come. This will be the first album they’ve released since 2005’s Looking for Lucky. A performance of “Rollin’ as an appetizer left the crowd wanting more, at least it did for this photojournalist.

    Despite a slow start to the evening that included the massive number of people coming in to the venue, the issues with ticketing (CMAC is a Ticketmaster venue so buying from third parties is not encouraged or honored) and a strange rain storm that occurred in the beginning of the evening, (rain on one side of the amphitheater and not the other), all in all, it was an amazing night of music that made all the gray moments shine like the rainbow that appeared right before the show began.

    Barenaked Ladies Setlist: Bringing It Home, Odds Are, It’s All Been Done, Gonna Walk, The Old Apartment Matter of Time, Brian Wilson, Lookin’ Up, Pinch Me, Big Bang Theory Theme, One Week, If I Had a Million Dollars, Barenaked Rap: Shallow / Old Town Road / Sicko Mode / High Hopes / Whole Lotta Love / Another One Bites the Dust

    Hootie & The Blowfish Setlist: Samuel L. Jackson Ezekiel 25:17, Hannah Jane, State Your Peace, I Go Blind (54-40 cover), Sad Caper, Not Even the Trees, With a Little Help From My Friends (Beatles cover with Barenaked Ladies), Hold My Hand, I Will Wait, Let Her Cry, Hey Hey What Can I Do (Led Zeppelin cover), Will the Circle Be Unbroken?, Desert Mountain Showdown, I Hope I Don’t Fall in Love With You (Tom Waits cover), Alright (Darius Rucker song), Running From an Angel, Losing My Religion (R.E.M. cover), Time, Rollin’, Wagon Wheel (Old Crow Medicine Show cover), Old Man & Me, When I Get to Heaven / Fight the Power / Freaks of the Industry Encore: Goodbye, Go and Tell Him (Soup cover), Only Wanna Be With You / Get Down on It, Country Roads (John Denver cover)

  • In Focus: Guster Strikes SummerStage in Central Park like Lightning

    Guster made the best of weather malfunctions at SummerStage 2019 in Central Park on Thursday, August 8. The beautiful stage and lush canopy of trees created a secluded, intimate environment in the heart of New York City. The day was filled with beautiful skies, and the weather forecast was partially cloudy without indication of showers, up until later on in the day.

    Rubblebucket has delicious clouds as they perform

    Indie rockers, Rubblebucket, opened for Guster, and were fortunate to have blue skies and incredible cloud mood throughout the show. The Brooklyn based bunch includes: Alex Toth (trumpet, leader), Kalmia Taver (vocals, saxophone), Adam Dotzon (trumpet, vocals, flutero), Ryan Dugre (guitar), Noga Shefi (bassa), Jeremy Gustin (drums), and Sean Smith (trumpet). Their vibrant, colorful outfits and art-pop spirit descended upon Central Park, and offered synchronized dancing on stage, as well as a high level of connectivity as they grooved together. At one point, the energetic Taver had the audience sing “Love, Love, Love, Love” while pointing with one finger in the air, transitioning into “Came Out of a Lady.” Rubblebucket made many new fans that night.

    Kalmia Taver interacts with the audience

    Boston, MA’s Guster took the stage at 7:46 pm, with storm clouds moving Northeasterly, towards the Rumsey Playfield in Central Park. Guster consists of Ryan Miller (guitar and vocals), Adam Gardner (guitar and vocals), Brian Rosenworcel (drums and percussion), and Luke Miller (bass). They brought their signature blend of rock and roll as long as they could, starting with “What You Wish For” from Lost and Gone Forever.

    Luke Reynolds of Guster is loving his job

    A deep orange and pink sunset began during Ganging Up on the Sun’s “The Captain,” followed by “Don’t Go” from Look Alive. “Stay with Me” brought lightning in the west, and the orange sky transitioned into black clouds. Drops were felt during their final song, “Satellite,” another tune from Ganging Up on the Sun

    The stunning pink and orange cotton candy sunset behind Guster at SummerStage

    At 8:04 pm, the rain came down, the venue cancelled the show, and the band announced that everyone needed to leave immediately. Within 10 minutes, ferocious lightning strikes rolled in, and pouring rain soaked anyone who wasn’t under cover. Mother nature took over to end the evening, but outstanding musical performances and great summer vibes were had until that point.

    These Guster fans soon wished those clouds were not there!

    Guster Setlist: What You Wish For, The Captain, Don’t Go, Stay With Me Jesus, Satellite…

  • Hearing Aide: Dysfunktone ‘Collective Perspective’

    Dysfunktone is a four piece jam rock band from Long Island, comprised of Rob Meza (guitar/vocals), Brandon Hanna (guitar/keyboards/vocals), David Wolfsohn (bass/vocals), and Dakota Henry (drums). The group released their first studio effort in 2017 with EP, Illegitimate Business, a mix of funk, rock, soul and rap, that gave the world its first look into the band’s sound. Last month Dysfunktone put out their first full length record, Collective Perspective, which expands on their melting pot sound and gives the world a detailed look at what the group is capable of.

    Dysfunktone

    Collective Perspective features a fairly consistent vibe throughout the album, creating this dreamy, sonic landscape that each track seems to relate back to. The music flows, yet is progressive and funky, and lyrical themes deal with different aspects of life that the majority of listeners can relate to.

    “Dementia,” is a highlight of the album, with lyrics coming from the perspective of a person dealing with the confusing headspace of dementia, such as: “swim in memories, but always drown, my thoughts are nowhere to be found, my world is upside down.” The musicianship on the track is impressive, melding reggae vibes of the verses with the swirling, psychedelic sounds of the chorus and funky interstitial sections, all crescendoed by a blazing guitar solo that drops the tune into its instrumental counterpart, “Reflection Collection.”

    Another highlight is “Hourglass,” which is part of a larger suite of songs that flow into each other, preceded by “Clouded” and “Mirror.” The track features just a handful of verses, and is instrumental for the majority of the song, but the lyrics leave the listener inspired to take hold of their life and make themselves who they want to be. The instrumental section flies through several different musical styles and the tension builds with each shift, with just the last minute of the track bouncing from progressive riff rock to a middle eastern sound and into a heavy metal breakdown -exemplifying that melting pot sound, mentioned before.

    The aforementioned “Clouded” is a song worth checking out, melding its laid back, yet dark lyrics with its funky instrumental sections, featuring the best solo on the album.

    Collective Perspective as an album is a good representation of Dysfunktone’s sound, merging several different genres together to create an album that takes the listener on a musical journey, though it could improve on one thing. Some of the songs sound a little too similar musically during the lyrical sections, all sharing that flowy sound mentioned earlier, which helps keep the vibe of the album consistent, but leaves the listener kind of tired of that sound by the end of the album. That being said, the album as a whole works well, and the musicianship on tracks like “Toasty” and “Feelin’ Time” is really impressive. The album is definitely worth listening to if you’re a fan of jam rock. Catch Dysfunktone at Art Jam 2019 in Whitingham, VT from September 6-8 and purchase Collective Perspective on the group’s Bandcamp here.

    Key Tracks: Dementia, Toasty, Clouded, Mirror, Hourglass

  • Greensky Delivers Tasty Bluegrass to Pier 17 in NYC

    Greensky Bluegrass brought their signature bluegrass with a jam twist to a sold out crowd at the elegant Pier 17 Rooftop in lower Manhattan. Residing in Michigan, the band members include Michael Bont (banjo), Dave Bruzza (guitar), Paul Hoffman (mandolin), Michael Devol (bass) and Anders Beck (dobro). The country boys felt right at home against the iconic NYC backdrop of the Empire State Building and Brooklyn Bridge.

    Greensky Bluegrass on stage at Pier 17

    “Past My Prime” from Shouted, Written Down & Quoted kicked off the first set. More originals followed with “No Idea,” “Living Over,” also from Shouted, and All for Money’s “Like Reflections” and “What You Need.” The band channeled the great Paul Simon and delivered a tasty bluegrass cover of “Gumboots” from the Graceland album. Next up was a more traditional cover of “White House Blues” by Charlie Poole. The set wrapped up with a well executed segue of Tuesday Letter’s “Broken Highways” into “It’s Not Mine Anymore.”

    Anders Beck on the Dobro

    Set two opened with more delicious originals like “For Sure,” “Uh Huh,” and “All for Money” from the album of the same name. Live at Bell’ s “Old Barns” preceded a nice sequence of old and new songs with “Broke Mountain Breakdown Reprise” segued into Jimi Hendrix’s “The Wind Cries Mary” before revisiting “Broke Mountain Breakdown Reprise.” Another All for Money tune, “Ashes,” was played followed by “Hit Parade of Live.” Guitarist Scott Metzger joined the band on stage, adding mind numbing depth to “I’d Probably Kill You” and “Don’t Lie.” 

    The crowd loves Scott Metzger on stage with Greensky Bluegrass

    The band closed out the night with an encore of “Just to Lie” into Billy Joel’s “Big Shot” and had their fans yelling for more. They are one skilled team of traditional bluegrass musicians who aren’t afraid of new territory or a big city. Greensky Bluegrass will be back in New York State at the Borderland Festival in East Aurora, NY on September 22. Head over to their website for tickets and information.

    Setlist

    Set One: Past My Prime, No Idea, Living Over, Like Reflections, What You Need, Gumboots (Paul Simon cover), White House Blues (Charlie Poole cover), Broken Highways > It’s Not Mine Anymore

    Set Two: For Sure, Uh Huh, All for Money, Old Barns, Broke Mountain Breakdown > The Wind Cries Mary (Jimi Hendrix cover) > Broke Mountain Breakdown Reprise, Ashes, Hit Parade of Love, I’d Probably Kill You*, Don’t Lie*

    Encore: Just to Lie > Big Shot

    Notes:

    * w/ Scott Metzger

     

  • Hearing Aide: Mark Nanni ‘Towns & Spaces In Between’

    Syracuse-based keyboard player Mark Nanni has recently released a CD titled Towns & Spaces In Between. It is a wide-ranging disc that represents the breadth of the artist’s playbook, encompassing jazz standards, original tunes, popular songs from James Taylor, and selections from the Jerry Garcia/Grateful Dead songbook. He touches on classical, blues, and ragtime as well. It begins with a twist on Irving Berlin’s “Russian Lullaby” that allows Nanni to showcase his technique with precision and elegance. A different take on “Bye Bye Blackbird” catches the listener’s ear before leading into a couple of original songs such as “Sweet Danielle,” and “Royalty.” Perhaps the biggest surprise on the recording is the last tune, “Sonatina in G,” by Beethoven.

    The CD was recorded live with no overdubs. While I admire the artist’s choice, there were a few places in which the vocals maybe could have used a little touch of enhancement, when overtaken by Nanni’s impressive keyboard playing. A minor point, to be sure, as his vocals serve the songs well. It’s just that Nanni’s piano and organ skills are so dazzling.

    Photo Credit: Sandy Roe

    For those unfamiliar with the work of Mark Nanni, Towns & Spaces In Between is a great introduction to the range of his abilities. I would hope the CD, and this review, each serve as an impetus to go see him live. The artist is at his best when able to stretch out on pieces, whether as a solo artist, or with the Grateful Dead tribute band Dark Hollow, or The Intention, Mark Nanni’s long-standing jazz ensemble.

    Highlights: “Changes” “Nobody Knows You When You’re Down And Out” “Sonatina in G”

    The artist’s schedule is available at through his Facebook page here. The artist’s CD can also be purchased at his shows, or through his website here.

  • Shinedown Stops in Syracuse

    There is a saying that it takes 15 years to become an overnight success and, with a lot of hustle and hard work, that statement rings true for the band Shinedown.

    Back in February of 2004, Shinedown headlined at a small club in Syracuse with maybe 50 people in attendance. Flash forward to July 6, 2019 and they practically sold out the Syracuse Lakeview Amphitheatre. It was truly a sight to see all of their hard work back then paying off with a fan-filled amphitheatre.

    Shinedown’s band members, lead vocalist Brent Smith, drummer Barry Kerch, guitarist Zach Myers and bassist Eric Bass, pour their energy out into the crowd as soon as they hit the stage. They keep a curtain up to build up anticipation but once that curtain drops, Shinedown hit the ground running.

    Brent Smith took the time to shake hands with photographers in the photo pit.

    Lead vocalist Brent Smith is a tremendous performer and front man because of his magnetic engagement with the audience, his band members and even the photographers down in the pit. Smith loves his band and his fans, which shows in how he interacts with everyone he comes in contact with at Shinedown’s shows. Smith is always very humble and thankful for Shinedown’s fans. No matter how much a fan loves a band and their music, it is always heartfelt and touching to know the band appreciates the fan in return. All relationships are a two-way street and Shinedown helps to pave both sides.

    Halfway through Shinedown’s set the entire band disbursed throughout the huge audience at the amphitheatre, playing stripped down versions of “Amaryllis,” “I Dare You,” “Through The Ghost,” and “Second Chance.” It is a challenging feat to play together so well being so far apart, but they pulled it off and it was a unique way to give audience members stripped down versions of the songs.

    One of the highlights of the night was when they performed one of their latest singles, “Get Up.”  Smith had the crowd light up the amphitheatre with their cell phones. It was a chilling site to see and the song portrays such a positive message that it almost served as a pep talk from the band to keep going no matter what life throws at you.

    Shinedown is one of those bands that simply puts on an amazing show every single time and the Syracuse, NY show was no different. When a band truly loves and appreciates their fans and truly love what they are doing it shines through in their music and performance. It may have taken the music world a little longer than Shinedown’s earlier fans from that night back in 2004 to see their amazing talent, but now the music world is aware and it’s truly apparent with the filled Lakeview Amphitheatre a few weeks ago that Shinedown has touched so many fans  throughout their still growing career!

    Be sure to check out one of Shinedown’s shows when they come back to NY in September. You can see Smith & Myers acoustic on September 12 and the full band with Papa Roach, Asking Alexandria, and Savage After Midnight on September 20 in Albany, NY and September 27 in Buffalo, NY.

    Shinedown’s Setlist:

    Devil, Diamond Eyes, Enemies, Monsters, Black Soul, I’ll Follow You, Unity, 45, Bully, Amaryllis, Through the Ghost, I dare You, Second Chance, Simple Man, Cut the Cord, Get Up, Sound of Madness, Brilliant

  • Karl Denson Brings Tiny Universe, Big Smiles to Jersey City

    Karl Denson’s Tiny Universe brought their brand of optimistic funk to White Eagle Hall in Jersey City on July 31 for an enthusiastic Wednesday night crowd. With them for an opening set of reggae and saxophone showmanship was DeLa and Steady Rock Easy. DeLa is the saxophone player for Slightly Stoopid, the San Diego reggae outfit with which Karl Denson has recorded and performed with as a sought after horn player himself. And I must say… Karl Denson is a hell of a bandleader!

    Seriously, this guy is relentlessly generous. When you share the stage with some of the top-notch talent in the music business, there’s plenty of room to share in the groove.

    karl denson jersey city
    DeLa and Steady Rock Easy

    Pulling from a selection of bouyant reggae beats from his latest studio effort Opening Night, on which Denson is a guest musician, DeLa and Steady Rock Easy provided a straight up and joyful delivery. DeLa’s chops are seasoned, and tasteful, greasing the wheels for the ride Karl Denson and Co. were about to venture on. For the finale of the opening set, DeLa spoke, “If Karl Denson is in the house, we’d like to get him up here…. Oh I guess he is here!” Denson then came out for a collaborative saxophone duo to close out the Steady Rock set.

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    Karl Denson’s Tiny Universe

    The most glaringly obvious thing about Karl Denson is his humility. Tiny Universe is widely regarded as one of the most talented and lively acts on the planet and, in addition to being a founding member of Greyboy Allstars, Denson was tapped by legendary rockers The Rolling Stones in 2014 as their touring saxophone player. In fact, the Stones played Metlife Stadium just one day after this gig. That’s quite a resume’ already, not even counting his impressive list of studio sessions and sit-ins. All of this, suffice to say, is enough to fluff anyone’s ego. Despite that, it seems that Karl Denson keeps a tighter grasp on his own humbleness than he does on his instruments. He grins and dances on stage with a tambourine as much as he fires on all cylinders with his saxophone or flute.

    Gnomes and Badgers (out now via Seven Spheres Records) is Karl Denson’s commentary on today’s political atmosphere. A handful of the songs from that album made their way into Wednesday nights set, like “What If You Knew,” “Gossip” and “Can We Trade.”  Each track is toe-tapping, no matter the pace, and laced with positivity. It’s uplifting that there is so much music being created right now that is built on optimism as opposed to avoiding hope for the future, given the state of affairs around the world.

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    Karl Denson shakes the tambourine during “Under My Thumb”

    There were also some throwbacks. “New Ammo,” from the album of the same name, is a racer. There’s also the Rolling Stones cover “Under my Thumb,” which abandons the lyrics in favor of harmonized horn lines of the vocal melody instead. Throughout all of it, Denson took a lot of opportunities to point, glance, and shift towards other members of the band as if to say, “You take a solo! Now you take a solo!” Again, hell of a band leader.

    The closer, “Time to Pray,” was a fresh reminder that none of us are in a competition. Each member of the Tiny Universe team was shining bright and grinning in delight, reveling in each other’s stamina. The lyrics “Kneelin, kneelin, there is no other way / You think it’s time to win, I think it’s time to pray” gives weight to this idea; it’s not about being right, it’s about sharing in hope for a more positive and optimistic future. A blazing guitar solo, plenty of flute action, an up-tempo beat to drive the dancing festivities, and a huge, rising organ build up drove it all home on a high note.

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    Karl Denson’s Tiny Universe

    Karl Denson’s Tiny Universe is on tour through the end of August and takes on a Fall Tour from September through November.

    Setlist via guitarist Dj Williams:

    Catching Sparks, Everybody Knows That, Satisfied, Gossip, What If You Knew, Rich Man’s Welfare, I’m Your Biggest Fan, Can We Trade?, Under My Thumb, New Ammo, Time to Pray.

    karl denson jersey city
    DeLa of Slightly Stoopid
    Tiny Universe guitarist DJ Williams
  • Train and Goo Goo Dolls Bring Summer Fun and Positive Energy to CMAC

    On Friday, August 2, Train, The Goo Goo Dolls and Allen Stone entertained a sold out crowd on a perfect summer night at CMAC. All three bands brought an amazing vibe and positive energy to the evening while The Goo Goo Dolls and Train performed all their classic hits from their respective extensive catalogs spanning from the 1990’s to the present.

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    Allen Stone entertains the crowd

    Kicking off the evening was Allen Stone, an amazing R&B and soulful artist from Chewelah, Washington. He and his band definitely had the sold out crowd primed and energized for the night. Stone, who has been on the scene since 2010, cites his influences as Stevie Wonder, Marvin Gaye, Aretha Franklin and other legends. Stone is a very dynamic exceptionally entertaining showman, not to mention a phenomenal singer. It is apparent in his music and performance from where his musical inspiration originates. His set included his songs “Brown Eyed Lover” and “Chippin’ Away.” Pat Monahan even joined them on stage for a number.

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    John Rzeznik and Robby Takac perform “Slide”

    Making their way to the stage at 7:45 p.m. were co-headliners The Goo Goo Dolls. The enthusiastic crowd was already on its feet in anticipation as John and Robby made their way to the stage. The Goo Goo Dolls launched their hour-plus set with “Stay With You” and immediately followed with “Big Machine” before swapping out guitars. John greeted the crowd while making a reference about being close to his home town of Buffalo, NY before the band performed their third hit in a row, “Slide.” The Goo Goo Dolls continued playing their mainstream hits that span two decades, including “Black Balloon,” which, you guessed it, included what seemed like thousands of black balloons floating down into the crowd, “Name”and “So Alive,” before closing out the night with “Iris” and “Broadway.” They also played “Miracle Pill” in support of their upcoming album of the same name which is due out on September 13.

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    John Rzeznik performs “Stay With You”
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    Robby Takac

    Finally, taking the stage at 9:20, were co-headliner Train. Train seemed to pull out all the stops on this gorgeous summer night during their performance. Not only did they play an impressive hour and forty minute, 18-song setlist which included two encores, they also brought along confetti and streamer cannons as well as some pretty dazzling pyro effects. Despite the cool bells and whistles that helped make for a mesmerizing and stunning visual performance, there seemed to be something else, something uplifting and moving during Train’s performance.

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    Pat Monahan and Train sending love to the sold out crowd at CMAC

    Train, formed in 1993 and hailing from San Francisco, CA , has been a hit-producing machine since the release of their self titled debut album Train in 1998 with “Meet Virginia.” The multi-platinum and Grammy award winning band kicked of their set with “Calling All Angels.” It was during this song when frontman Pat Monahan put his hands up towards the sky and asked the audience to follow him in sending love to all loved ones near and far as everyone sang along. Monahan’s energy seemed to flow through the audience and back, giving a sense of connection and tranquility that flowed throughout the venue. Train’s second song, “50 Ways to Say Goodbye,” incorporated blasts of colorful confetti into the audience which continued to enthrall the crowd along with their third song, “If It’s Love.”

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    Confetti shoots into the crowd at CMAC during Train’s set
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    Pat Monahan of Train

    Train continued throughout the night with hit after hit including “Meet Virginia,” which featured a blazing solo by guitarist Luis Maldonado, “Hey Soul Sister”, “Play That Song,” as well as a house-rocking rendition of Queen’s “Under Pressure” and Tom Petty’s “American Girl” where John Rzeznik joined them on stage. Allen Stone also made a guest appearance on “Bruises.” Train ended the night with two encores, including a Led Zeppelin cover with “Heartbreaker” and, finally, “Drops of Jupiter,” which also included visually stunning pyrotechnics. Train rocked into the night with the energy and power of a locomotive steaming full ahead, yet the atmosphere was fun, happy and positive. I mean with balloons, beach balls, streamers, confetti and sparklers, the show was definitely a fun experience for all that attended. Despite the fun and positive hoopla, let’s not forget about all the songs that these two bands with over 50 years of combined experience deliver flawlessly night after night, while still having a blast and keeping their crowds entertained and dancing ’til the last drop.

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