The Stone Temple Pilots have been playing since the late 80’s, and even with a new face on the mic, they don’t seem to be slowing down. Droves of fans packed the wide room of Upstate Concert Hall in Clifton Park, NY on Tuesday September 10th. The crowd was a sea of late 40’s dads and also a young crowd that will keep these memories alive.
The quartet came out to a massive roar as they took the stage. They started off strong, working through “Coma,” “Wicked Garden” and “Vasoline.” After a few classics they moved into their newer songs. They did an incredible job weaving through their repertoire, at one point playing two of their most memorable songs sandwiching their newest singles.
You can catch STP on the last leg of their tour coming up on September 19 and 22 in Philadelphia and New York City. Check out the setlist and photos from Zatchmo Lives Media below.
Setlist: Coma, Wicked Garden, Vasoline, Crackerman, Lounge Fly, Big Bang Baby, Glide, Big Empty, Plush, Meadow, Interstate Love Song, Roll Me Under, Dead and Bloated, Trippin’ on a Hole in a Paper Heart.
Banks brought her energetic live show to Brooklyn Steel on September 10 in support of her fantastic new LP, III. This was a second night added due to the first night on September 8 selling out so quickly.
Kevin Garrett opened the night with a soulful, beat-backed set of ballads. The crowd was full of Kevin Garrett fans as they willed him on by, singing and dancing along. His new album Hoax, released back in March of this year, was a nice complement to the evening, setting a warm tone but not stealing away any energy from Banks.
As the stage hands removed the opening band’s instruments, it was immediately clear that she would be dancing from one end of the stage to the other. With a keyboard set-up far stage left and a drum kit far stage right, the entire Brooklyn Steel stage was turned into Banks’ and Co. personal dance floor – and they sure used every inch.
The audience was in full-throat for every song – belting out all the lyrics and trying to mimic Banks’ dance moves on the packed GA floor. Some of the more adventurous dancers drifted to the back of the room and the balcony where there was ample space to dance.
On Wednesday September 11, the Outlaw Music Festival made its stop at the historic Forest Hills Stadium. The traveling festival treated fans to a lineup that included Lukas Nelson & The Promise of The Real, Alison Krauss, Nathaniel Rateliff & The Night Sweats, and the return to the stage for the legendary Willie Nelson. On a day when we remember the biggest tragedy in the history of our nation, we also remember the unity it brought, and that’s the message these amazing musicians spread to a united New York City audience.
Boris needs no introduction at this point in their career. Their upcoming studio release, LφVE & EVφL, will be their 25th(!) full length LP to date. This is not even counting the numerous live albums, EPs, demos and collaborations they have put out since their formation in 1992 in Tokyo.
The band is currently on a lengthy tour of North America and they rolled through Elsewhere, Brooklyn on Tuesday night in advance of the new album being released. Uniform provided support, delivering a very heavy and frenetic opening set, dense with noise and reverb.
Boris took to the stage with little fanfare, and quietly began setting up their loops and pedals. Then, equipped with a double neck guitar/bass combo, Takeshi Ohtani began laying down the heavy drones. The set had many peaks and valleys as the band transitioned from heavy, nearly uncomfortable drones to more melodic and vocal bits. All three band members contribute to the vocals, making for a very hypnotic sound.
During the encore, Uniform joined Boris on stage for a rendition of “Akuma no Uta,” the title track from their 2013 full length. This was quite the treat for the many Uniform fans in the crowd. The show concluded with the track “Statement,” a track from an alternate version of the album Smile.
Boris continue on their long tour with upcoming stops in the Northeast and on the West Coast before heading back to Japan. The band will end the tour, and their 2019 with a show in Athens, Greece on December 21.
Jason Aldean played Saratoga Performing Arts Center on Thursday, September 5th to a solid crowd of country lovers of all ages. His return to upstate NY was greeted enthusiastically by fans who loved his top pop-country song of the summer “Rearview Town.”
Openers Carly Pearce and Kane Brown set the scene for a fun and energized night of popular country music. Kane’s opening was stylistically a mix that was unique for country, complete with a visual set that replicates more pop and rap music than the traditional country look. Pearce sounded amazing and is a major up-and-comer in the country scene. Watch for her to be one of the new top female artists in the industry.
Photo by Claude Sawyer
Aldean entered the stage in jeans, a black Motley Crue T-shirt, and a cowboy hat with his guitar slung over his shoulder. The words “Ride All Night Tour” shone in bright letters as Aldean’s shadow crossed behind the stage when he arrived, welcoming fans with a giant “What’s Up, New York!”
Aldean gave the fans what they wanted: his most popular hits. While some country stars use concerts to promote new music, Aldean played familiar and loved hits from throughout his career, not just his recent releases.
Every year, Aldean plays “Dirt Road Anthem,” a different song from his others in that it includes some rap elements. The crowd sang along to the song that emphasized the importance of enjoying your friends and being a good person.
Aldean bucked the tradition of waiting for fans to cheer for an encore. Instead, announcing he would stay on the stage and give more music to fans. He then sang a longer than usual end of the concert with upbeat fan favorites that became sing-alongs. Aldean truly can ride all night. Here’s to wishing he performed at SPAC more than once a year.
The celebration they wanted – a weekend of music on the site of the 1969 Woodstock Music & Art Fair – continued following Arlo Guthrie’s opening performance to commemorate 50 years since the festival occurred.
Many alumni from the 1969 festival returned to Bethel Woods over the course of the four days to breathe life into their memories, joined by younger generations looking to enjoy music and learn about a piece of 1960’s history.
Each of the three nights brought back performers from the 1969 festival. The Beatles never played Woodstock as they were busy working on their album, Abbey Road. However, Ringo Starr and his All Star Band brought Santana’s keyboardist back to the stage to jam on a couple of Santana’s early works and paid tribute to other performances from 1969, with a medley of tunes later in the set. Saturday brought Carlos Santana back to the stage, with a little help from The Doobie Brothers. Closing out the weekend was a powerful set by Creedance Clearwater Revival’s John Fogerty who, at age 74, rocked with the stage presence and humor of someone 30 years younger. Other 1969 performers to hit the stage included Blood, Sweat & Tears (new lineup) and Edgar Winter, who sat in with his brother Johnny for part of his Woodstock set.
John Fogerty (photo by Kevin Ferguson/Bethel Woods)
Scenes from the 1970 Woodstock documentary immortalized the weather that mired parts of the festival. Somewhat true to that form, some threats of weather and a short but heavy rain hindered the festivities a little bit. Spirits were kept up; some recreating the “no rain!” chants and others taking the opportunity to chat and share stories while activities were on hold.
The weekend was a perfect pace to celebrate the history, and anniversary, of the Woodstock Music & Art Fair. Although the 50th anniversary weekend is behind us, the conversation will keep going. The Museum at Bethel Woods has done an excellent job at preserving and documenting the history of Woodstock with their permanent exhibit and their special exhibit, “We Are Golden: Reflections on the 50th Anniversary of the Woodstock Festival and Aspirations for a Peaceful Future” which remains open through October.
Stay tuned to NYS Music as we bring you parts three and four of our coverage, featuring stories from people who were there, including Nick & Bobbie Ercoline, Duke Devlin, and photographer/Hog Farm member, Lisa Law.
Photos by Steve Malinski.
Main stage photos below by Kevin Ferugson/Bethel Woods:
For one of SPAC‘s final concerts of the 2019 season, the Outlaw Music Festival brought a full afternoon and evening of music and vendors to the park.
This year’s Outlaw Music Festival tour began in Maine back in June and has featured a rotating roster of performers throughout the summer with Willie Nelson & Family as the anchor for each show.
Joining Willie Nelson at SPAC were Pernikoff Brothers, Brothers Osborne, Alison Krauss, and Bonnie Raitt. Deadheads had been looking forward to Phil Lesh & Friends as part of the bill, but instead found themselves wishing Lesh a speedy recovery from a minor back surgery done earlier in the summer.
Check out a few photos from the Brothers Osborne and Alison Krauss sets below.
Rapper Cardi B brought her ” Femme It Forward” tour to Saratoga Performing Arts Center on Friday September 6th. The South Bronx native had originally been slated to perform on May 26, but rescheduled the show to September, but that didn’t keep the fans from packing SPAC.
Cardi gave fans a short 50 minute set, but fans didn’t mind as she churned through her hits, even though hits like “Money” and others were consensed from their album length. With multiple costume changes, plus Nicole Bus and Teyana Taylor leading the way, Cardi B gave Saratoga a night to remember.
The two-day music and arts event, Adirondack Music Festival, returned to Lake George this past weekend for its fifth year in a row. Held once again on the serene LG section that is Charles R. Park, this year’s ADK Fest felt like the most well-received and celebrated yet, as many attendees seemed to vocally attest. If you were in attendance this weekend, you most likely at some point overheard someone discovering the festival for its special charm. Something along the lines of: “I can’t believe how nice this festival this is” and “Well, I am definitely coming back next year.”
As with every year since its start, ADK Fest opted for a classic setup with two main stages of music, set side by side—the style adopted by big-time events like Gathering of the Vibes and the first few years of LOCKN’. This format, which has bands perform back to back without delays, kept the energy on the field, and white hot, from early morning through sunset, as well as kept collective excitement packed into one shifting, intimate crowd.
A number of recently highly popular musical acts made their debut at ADK Fest. Midnight North, for starters, features members of The Terrapin Family Band and have been a hot ticket over the last year or so. Dead-relation aisde, Midnight North is its own beautiful creation, an americana powerhouse of band that displays a strong breadth of songwriting through dynamic, soulful musicianship. Members of this band were well connected within this music scene from the west coast and sat-in with many other artists as well.
Other buzz-generating artists performing at ADK for the first time ever were artists like The People’s Blues of Richmond, Marco Benevento, and G. Love and Special Sauce. People’s Blues, PBR for short, surely must have unexpectedly knocked a number of ADK patrons out of their musical comfort zone with their fearlessly-intense style of garage-punk blues. But the trio’s ceaseless, air-tight musicianship won many fans over as well. Marco Benevento’s own power-trio took the main stage just a few hours after them and wielded their own no-holds-barred mash of indie-pop, funk, and glam rock.
It felt strange to see G. Love perform a midday set at three in the afternoon -here was an artist, after all, that surfed high through the 2000’s on a number of big hits, but he was a highly received set nonetheless. In addition to a solo acoustic intro, the guitarist and hip-hop-inspired vocalist careened the edge of the stage above a swath of outward hands and starry-eyed expressions. G. Love’s collaboration with Twiddle frontman, Mihali Savoulidis, saw the two trading vocals for guitar riffs on a version of Hall and Oates’ “I Can’t Go For That,” which was much better than the “What I Got” that happened between the two in Twiddle’s headlining show later.
ADK Fest Day 1: G. Love and Mihali cover Hall and Oates. Photo: James Sullivan
Yet the four man dance-ready jamband, Twiddle, still performed a huge couple of sets to close out Saturday evening, to an elated audience that swamped the park’s concert area all the way to the vendors in the back. Highlights of their two closing sets were a guitar-shredding collaboration with Midnight North frontman, Graham Lesh, on their original “Subconcious Prelude” and then the foursome’s searing finish on “The Box.”
Another artist who met the crowd with a freewheeling sense of stage presence was the northeast jam scene’s golden girl, Hayley Jane. Fronting her band, The Primates, for a midday Sunday set, Jane sang face-to-face with a rail-climbing mass of highly excited young women. Hayley and The Primates as a unit announced their decision earlier this year to go on hiatus. This set at ADK Fest was undoubtedly an emotional one for many, despite the fact that Hayley, in her true style, beamed with smiles and soul through her own set. The joy transcended others that she guested on stage such as with polyrhythmic dub-rock band, Bartika, and then Jane sat in with Everyone Orchestra’s set a bit, after her own.
In a very special move, Adirondack Music Festival booked an Everyone Orchestra set for its day two second-to-headlining spot. EO shows are, of course, completely improvisational from start to finish and are always performed by a mix of artists from different bands. Lake George’s set was pretty substantially stacked for its members. Solo artists Haley Jane and Ryan Montbleau handled lead vocals (with the latter also offering some nice guitar solos here and there), while Deep Banana Blackout’s, Fuzz Giovanni, handled lead guitar work.
Saxaphone legend Sam Kinninger was a secret weapon here, shining up the band’s various types of funk and rock jams with amazing melodic work. Kinniger and the rest played beside a hefty rhythm section that included moe.’s Vinnie Amico on drums, TAB’s Tony Markelis on bass and Steve Moltiz on keys. Highlights here were a belly-laugh inducing, reggae-tinged sing-along about golf pirates. Super creative vocals led by Ryan Montbleau followed with an extremely moving, soul inspired jam which Everyone Orchestra impresario, Matt Butler, built a vocal tribute to the recently passed Neal Casal.
ADK Fest Day 2: Everyone Orchestra Pays Tribute to the late Neal Casal. PC: Miles Hurley
While some roll their eyes at cover bands, Pink Talking Fish works extra hard and thinks creatively to stand out from the ever-growing pack. The quartet began their set with a great surprise in The Beastie Boys’ “Sabotage,” which Phish has covered on rare occasion. In a climax to their set, PTF reprised a bit of the magic from their Junta album extravaganza at The Capitol Theatre earlier this year, which had Pigeons Playing Ping Pong’s Greg Ormont act as Master of Ceremonies. Here at ADK Fest, PTF began with a beautiful segue-sandwich from “You Enjoy Myself” to Pink Floyd’s “Wish You Were Here” and back. Upon returning to the Phish hit, Ormont joined the band mid-song, to first engage in some trampoline-style jumping with bassist, Eric Gould, and new guitarist Cal Kehoe. They finished with a very kooky vocal jam.
It was another strong move to have Pigeons Playing Ping Pong return to close the festival Sunday evening, just as they did last year. These four jam-funk players having seen a truly meteoric rise recently (they will be headlining Explore Asheville this coming December). A few highlights for their near-explosive set included an electronically charged collaboration with Steve Moltiz on their own tune, “Live it Up,” and a very colorful jam on Deee-Lite’s “Groove Is In The Heart.”
Major music events in Lake George, NY like Adirondack Music Fest often share in a little community-favorited crown jewel—a post festivities top-off at local music hub, King Neptune’s Pub. Being a time-tested spot for upstate bands to play, King Neptune’s always sees great crowds, but then really turns out when late night performances go down.
For Saturday night’s musical extend, nearby favorites, Funktional Flow from Buffalo, and New Haven, CT’s, Eggy, offered a proper finish to a full first day of music. Eggy, coming from the fertile music scene in New Haven, made a grand introduction for themselves in this venue, and they rocked the opportunity big time. The groove rock four-piece blasted their way through intense versions of originals like “Shadow” and “One More Dance,” along with improvisationally-heavy takes on covers like Traffic’s “Low-Spark of High-Heeled Boys.” For a set-topper, Eggy invited Midnight North keyboardist, Alex Jordan, for a blissful and high-powered take on the band’s “Buying Time.”
ADK Fest Day 1: Eggy rocks late night w/ Special Guest Alex Jordan. PC: Miles Hurley
While night one’s crowd was impressive, festival buzz Sunday afternoon must have spread like wildfire to make late night two’s crowd even more massive and energetic, for Neptune’s at the tail end of the weekend was nearly flooding out the door. After Sunday night’s originally scheduled openers, psychedelic funk outfit The New Motif, had to cancel their slot and the evening switched around to second act, Annie In The Water, opening before a festival-family superjam close out.
Annie in The Water thus kicked off with a very uplifting display of original music, with some cover hits thrown in for good measure. A presentation of styles ranging all the way from folk rock to reggae to even some hip-hop was connected via strong, confident solos and endearing vocals. Members of Lucid, Magic Beans, Pigeons Playing Ping Pong coalesced into one family-type super jam set, for a final set at Adirondack Music Festival, that seemed to represent everything this dynamic music scene is about. At one point in this performance free-for-all, three keyboardists—Magic Beans’ Scott Hatchey, former Formula 5’s Matt Richards, and PTF’s Richard James—hammered away on one rig at the same time, for a spectacle that was also technically impressive.
As with any festival, there’s more musical experiences than can be reported on. From piano wizard Marco Benevento and his trio debuting material from their new record (Let it Slide), to upstate jam favorites Lucid commanding the main stage mid-Saturday as they do with fervor every year, ADK Fest’s fifth year was artistically overflowing. All of this top-notch live music was met resolutely throughout the weekend with a positive and welcoming vibe, upheld via a sense of strong community and creativity. For mid-size festivals Adirondack Music Festival is one of the best you can experience in the ever-musically-fertile land of upstate NY—yet here’s to a steady growth from mid-size to who knows how big.
Check out a gallery of images of Adirondack Music Festival 2019 below, courtesy of photographer James Sullivan.
Five bands on the same bill in one night makes for one long, but rocking evening. With so many bands playing it really felt like Breaking Benjamin brought a mini rock festival to the Lakeview Amphitheater in Syracuse, NY on Saturday August 24.
There was a great mixture of new and well known faces on the stage performing that night. Opening the evening was one rad rocker-chick named Diamante. Her blue hair and Joan Jett inspired style added to her incredible stage presence.
Next up was another amazingly talented rad rocker chick named Dorothy. Dorothy’s fashion and singing style was completely different, but equally as rocktastic as Diamante. It was great seeing two stylish and talented women opening up this tour. Dorothy has an old school rock sound mixed within with her sound. Diamante may have looked like Joan Jett, but Dorothy sounded more like a Joan Jett vibe/sound.
Three Days Grace is one of those bands that you don’t realize how many hits they have on the radio until you see them perform live. They have come a long ways with their lead vocalist change up back in 2013, but their new singer knows how to bring the energy and connect with the crowd.
Direct support for this tour was Chevelle. Chevelle is a three piece and always has played as a three piece live with no additional guitarist or tracks. They pride themselves on playing truly live and they don’t disappoint. Chevelle is a band that is all about the music and their performance reflects that. Chevelle is much like Three Days Grace where you just don’t realize how many of their songs have been on the radio over the years.
Headliners Breaking Benjamin started out strong with “Red Cold River” while lead vocalist Benjamin Burnley walked out giving the crowd a heart sign then began to sing. Breaking Benjamin had a cool stage set up along with pyros.
Breaking Benjamin are known for their song mash-ups during their sets and they brought it to Syracuse. This time their mash up consisted of “The Imperial March,” “Cowboys From Hell,” “Smells Like Teen Spirit,” “Bohemian Rhapsody,” “Enter Sandman,” “Bulls On Parade,” and they finished with a drum solo from Burnley. Burnley turned the mic over to band members guitarist Keith Wallen and bassist Aaron Bruch to sing a few songs.
