Author: Sean Nevison

  • Gregory Alan Isakov Mesmerizes At Ithaca’s State Theater

    They say “never miss a Sunday show” and whoever “they” are were right about the packed house turned listening room at the beautiful State Theater of Ithaca for a magical night of music from Gregory Alan Isakov with support from Luke Sital-Singh. The clocks were set back earlier in the morning and the audience was also taken on a trip through time when singer-songwriters ruled the land, everyone hung on each word and the music became part of the environment, like listening to the waterfalls just up the road in Treman State Park.

    Isakov commands the stage with such simplicity, like a circa 1962 Bob Dylan, when a personality becomes the music. His showmanship exists only in the respect he has for his bandmates and the humble nature of how he addresses the audience and the nature of his songwriting. It is as if one can hear the wind wailing through the Colorado mountain passes in each harmony drifting through the five pieces of his band over the land Isakov farms and writes on. He is, after all, billed as a farmer first – a most important trade, becoming harder and harder in our current world. However, just as obvious as his love for the land, his touring band captures a mystic and ghostly quality that enriches the often forlorn lyrics. It’s as if the dust bowl of “The Grapes of Wrath” meets Neal Cassady and Jack Kerouac stranded under millions of mountain stars with the music of Hank Williams trickling out of a passing train. One could try to categorize Isakov’s music as indie or folk, but there is far more at play and it is a show that must be seen to be believed.

    “Oh, highway boys all sleeping in
    With their dirty mouths and broken strings
    Oh, their eyes are shining like the sea
    For you, the queen of San Luis
    I’m a ghost of you, you’re a ghost of me
    A bird’s-eye view of San Luis.” – Isakov

    Photo: Aurora Roe

    Isakov was born in Johannesburg and immigrated at the age of seven to the US. He started touring at the age of 16 and released his first album in 2003. His musical career is very interesting and he even dusted of an old song, “I’ll Feed Your Horses,” that he wrote about recording with Brandi Carlile. It was a very tight set that prominently featured two guitars, violin, bass, drums and a few songs with banjo. The band played several songs in the middle of the set around one microphone, which added to the beauty and “old timey” feeling of the evening. Towards the end of the first set, Isakov brought out opening act Sital-Singh for a cover of Bruce Springsteen’s “The Ghost Of Tom Joad,” noting that as they walked around Ithaca, NY they both spoke of their passion for “The Boss.”

    Photo: Jordan Rucks

    Sital-Singh played a beautiful opening solo set, alternating with an acoustic and electric guitar. His stage presence was endearing and fun and he captured the audience with witty banter between songs. Just as with Isakov, it was a complete listening room for Sital-Singh and he definitely made many new fans. The tour continues throughout the Midwest and South, moves abroad for a few shows, and then comes back to the West Coast of the States. Many of the shows are already sold out. You can follow the tour HERE.

    SETLIST: DesdemonePlay, Amsterdam, Southern Star, Dark, Dark, Dark, Soldiers Drum, Chemicals, Was I Just Another, I’ll Feed Your Horses, This Empty Northern Hemisphere, Wings in All, Time Will Tell, Saint Valentine, (Unknown) “Our love is hungry and cold”, The Ghost of Tom Joad (Bruce Springsteen cover w/ Luke Sital-Singh), ENCORE: San Luis, The Universe, Liars

  • Marco Benevento’s Slick New Album ‘Let It Slide’ Drops

    Marco Benevento who hails from New Jersey and now calls Woodstock home, could be described as a jack-of-all-trades, playing in jazz groups, the premier Grateful Dead cover band and touring with members of Phish and numerous other projects. With Let It Slide we get a true taste of the genius of Benevento’s tastes, influences and abilities with tight arrangements and gorgeous songwriting.

    Photos: Matt Long

    After his first album Invisibile Baby was nominated for the prestigious Independent Music Awards’ Best Jazz Album, it is interesting to see how far this Berklee School Of Music has delved into the indie and jam band scene, covering artists such as My Morning Jacket and The Knife on his second record. Much of this was self-produced, so now with Let It Slide, Benevento has an incredible treasure trove of experience and influences. Combined with the incredible producer Leon Michels, also from Upstate NY, this record flows together impeccably. Benevento claims, “This record has a really nice mix of what Leon does at his Diamond Mine Studio and what I do at Fred Short Studios. The final call on everything was always Leon’s though, because I trusted him completely. I’d never put my music in someone else’s hands before. I’d been hesitant to work with outside producers in the past, but the experience of making this record ended up being so freeing and exciting! I loved every single minute.”

    The new record showcases Benevento’s ability to slide in and out of genres. At one moment he can catch you with the seemingly endless hooks and beautiful layers of the title track and then move to an atmospheric love song like “Solid Gold,” celebrating the joys of living in the moment, a notion often lost in this day of technology and dating services.

    One of the most beautiful tunes on the record is the John Lennon-esque “Lorraine,” co-written by Simone Felice. Benevento says of his songwriting, “I started as an instrumentalist so I tend to write the music first and come to the words after. Often I don’t know what the song is about at first and then I see my own personal philosophies subconsciously bubbling up throughout.”

    Another favorite of this reviewer is the very catchy and groovy “Send It On A Rocket” that almost sounds like a Beck tune from Mutations. Fans both new and old can be thankful that this new record really hits an incredible stride and works as an entire piece of art. The maturity of the songwriting showcases Benevento’s more than 20 years long career of creativity. Upstate, NY is truly lucky to have such a talent, so be sure to catch him on the road with his own band, JRAD or “The Duo” with Joe Russo. Let It Slide is another incredible installment on the continuous journey of an amazing player and poet.

    Let It Slide comes out September 20 and can be pre-ordered on vinyl, cassette and CDs currently HERE. The record is under Beneveto’s own label, Royal Potato Family. The official album release party is October 12 with support from Mikaela Davis at The Cohoes Music Hall.

    TRACK LIST:

    1. Let It Slide
    2. Solid Gold
    3. Baby Don’t Make Me Wait
    4. Gaffiano #1
    5. Say It’s All The Same
    6. Humanz
    7. Gaffiano #2
    8. Send It On A Rocket
    9. Lorraine
    10. Nature’s Change
    11. Oh Baby Can’t You See
    12. You Got Away
    13. Gaffiano #3

  • The Historic Colgate Inn Sparks Interest With New Speakeasy Venue In Hamilton

    The staff at the Historic Colgate Inn in Hamilton, NY have been working extra hard this summer in preparation for their new music venue. “The Library” speakeasy will be open Thursday, Friday and Saturday each weekend featuring music, special events and opportunities for private parties. The venue is set to open September 14 with Colgate University Professor, Glen Cashman (saxophone/keys), with a three piece band visiting from the West Coast.

    The Colgate Inn in Hamilton NY

    This new venue is sparking interest among locals and more, as they put the finishing touches on the cocktail menu and small plates offered. The space in the basement of the Colgate Inn is also finishing a renovation with new lighting, seating including lounge furniture and bar stools as well as a stage for musicians. The Inn features 40 rooms and suites as well as several dining areas, a patio that overlooks downtown Hamilton and a cozy tavern room complete with a fire place.

    The Tavern Room at The Colgate Inn

    The music series is complete with jazz acts, folk singers, horn and rhythm pieces and much more. For the complete line up scroll to the bottom. The Library is billed as a sophisticated speakeasy serving a variety of bourbon, whiskey, wine and chef inspired plates to pair. This prohibition era style venue will offer music that compliments the dusky, intimate atmoshphere where you can settle into comfy seats or join patrons at the bar. It’s a great reason to visit Hamilton, NY and try this new space and see local, regional and national acts in a fun space.


    List of Events:

    GRAND OPENING: September 14, 8-10 PM.

    GLENN CASHMAN TRIO: Seattle based trumpeter Jay Thomas and former Ithaca College Jazz Director/guitarist Steve Brown join jazz organist/Colgate Associate Professor of Music, Cashman.

    STOCK MARKET SWING ORCHESTRA TRIO: September 27, 8-10 PM.

    They will take you back to those swinging days of flappers, speakeasies, and doing the Charleston til dawn. Playing the best popular music of the 1920s, 30s, and 40s, the band’s library consists of several hundred arrangements from the Great American Songbook, including well-known tunes of the era. Greats such as Glenn Miller, Tommy and Jimmy Dorsey, Duke Ellington, Irving Berlin, Louis Armstrong, Benny Goodman, Rudy Vallee, Fletcher Henderson, Harry James, Bunny Berigan, Fred Astaire, and Bing Crosby form the backbone of the group’s repertoire. “Party Like It’s 1929!”

    MARK SHINER’S STRUGGLEBUS: October 5, 8-10 PM.

    Part jazz, part funk, and a whole lot of fun! Mark has played with musicians all over the world and as a Hamiltonian knows how to make any space better with his presence alone.  With Dave Solazzo riffing on keys these guys will have you moving and grooving and you never know you might pop in and sing along!


    THE DOVETONES: October 12th 8-10PM.

    The Dovetones! Classic hits of the 1920s, 30s, 40s, 50s, 60s and beyond! Popular Swing, Blues, and Rock-n-Roll Classics; Ska & Rocksteady hits, Americana & more. 

    CHRISUNITED: October 19th 8-10 PM.

     Left handed 17 year-old guitar prodigy ChrisUnited has been playing guitar for 17 years. Chris’ passion arose from within when he was two years old.  His influences range from such artists as Bob Dylan, classic rock and even the classics. At a young age, Chris is becoming quite a name on the scene and we are so happy to have him in our series.

    THE JES SHELDON DUO: October 26th 8-10 PM

    Jes has been on the circuits her whole life, music being her passion since she could walk and talk. She is the lead singer of Syracuse, NY favorites, The Lightkeepers, and can transition from a rocking original or cover into a smooth jazz sing along.  It will be a delight to hear her pipes soaring at this intimate show!

    J. METTLER: November 1st 8-10 PM

    Poetic, profound, folk-rooted and often blues oriented acoustic epics. Melodies that plod along on an R.S. Muth parlor guitar. An occasional pause for breath, perhaps a story, an account of his childhood or of a lingering sentiment. Frontman of the forthcoming band “Rabbit in the Rye,” his contrasting peaceful presence and soulful intensity during his performances rouse the faintest of hearts and instil a sleepy fondness for the romanticism of our everyday lives. Joseph lives in Sherburne, New York with his rabbit.  

    JJ MURPHY TRIO: November 9th 8-10 PM

    JJ Hamilton, born and bred musician, will delve into all areas funk and jazz with his bandmates from Nashville, TN. This intsrumental three piece can regale you, and hear a pin drop on a Bill Frissell cover, then throw some country-jazz twang on a Hank Williams tune. They move in and out of jazz, funk and cover many standards as well.

    THE DOVETONES: November 16th 8-10 PM

    The Dovetones! Classic hits of the 1920s, 30s, 40s, 50s, 60s and beyond!; Popular Swing, Blues, and Rock-n-Roll Classics; Ska & Rocksteady hits, Americana & more.


    MASON MCDOWELL: November 22 8-10 PM

    Mason McDowell is equal parts storyteller and songwriter. He creates intricate stories from a theatrical perspective, and delivers them with a powerful voice and piano rock edge. 

    CHRIS “ISTO” WHITE:  November 23 8-10PM 

    Hamilton favorite and native Chris White returns from Brooklyn for a special one night only, live and in person rendition of his favorite and covers and amazing originals.


    JESS NOVAK (SOLO): November 29th 8-10 PM

    She got a fiddle on fire and a pen on the page. Jess writes songs and writes stories. She plays shows all over this great country and is happy to call Syracuse home. With a passion for music, she was just voted The Best Female Vocalist of 2018 by the Syracuse New Times!

    MARK SHINER’S STRUGGLEBUS: December 6th 8-10 PM

    Part jazz, part funk and a whole lot of fun! Mark has played with musicians all over the world and as a Hamiltonian, knows how to make any space better with his presence alone. With Dave Solazzo riffing on keys these guys will have you moving and grooving. You never know, you might pop in and sing along! 


    MELISSA GARDINER (feat. ANDREW CARROLL):December 14th 8-10 PM

    Emerging jazz trombonist, Melissa Gardiner, has been described by Curtis Fuller as ‘technically creative and emotionally powerful.’ Her improvisation is inspiring and motivating for the listener, and she draws you in with a raw expression that directly relates to life experience. Gardiner has shared the stage with several legendary musicians including: Aretha Franklin, Geri Allen, Wycliffe Gordon, Steve Turre, Gerald Wilson, Patti Austin, The Temptations, and Vulfpeck. As a bandleader, she performs regularly with her jazz organ trio, MG3, and Second Line Syracuse.  


  • Aaron Kamm and the One Drops Light Up The Yard Amphitheater

    In the rolling hills of Central NY The Yard Amphitheater at Ray Brothers BBQ has emerged as one of the best run outdoor amphitheaters in New York State. When they hosted Aaron Kamm and the One Drops with support from Nina’s Brew Saturday night it was very easy to see why. The huge crowd came for the amazing smoked meats and stayed for an incredible show. On a cool summer night the trees glowed with bulbs, a fire-pit roared and the outdoor bar was rocking, as was the stage.

    Burlington, VT based four piece band, Nina’s Brew, kicked off the night with a set of originals and covers that drew the audience in. Giovanina Bucci has been playing professionally for many years now and since moving back east from Colorado, has exploded onto the music scene. This past year they were voted into Grace Potter’s Grand Point North Music Festival sharing the stage with Nathaniel Rateliffe and the Night Sweats and more. Nina’s Brew is a tight soul band, mixed with elements of folk, rock and the blues. Their harmonies are some of the tightest in rock history which really sets them apart.

    Nina’s Brew – Photo by Pam Merritt

    After a quick breakdown, the stage was set for Aaron Kamm And the One Drops hailing from St. Louis. The sun had just sunk and trails of pink hung underneath the stars illuminatin the silhouettes of windmills on the surrounding hills that backdrop The Yard Amphitheater. Kamm wasted no time into showing of his chops. The sound was crystal clear and captured each note with a precise mix for this tight three piece unit. The band would be swaying with a reggae beat one moment, and the next, delving into a funk jam that could be compared to some of Stevie’s Wonder’s best material. Kamm would then surprise you with an all-out blues riff, laced with solo trades between himself and the back line that if one had their eyes closed would think Gary Clarke Jr, or The Black Keys were onstage.

    Photo: Pam Merritt

    The crowd immediately rushed the stage as the first notes dropped, as this was Aaron Kamm and the One drops return show after a very successful gig on the same stage in 2018. The combination of this band blowing up and this music venue selling thousands of tickets to their shows this summer made for a perfect night under the stars at Ray Brother’s BBQ. This band and this venue suited each other so well, and be sure to check out both Aaron Kamm and Nina’s Brew in your neighborhood. Swing by Ray Brothers BBQ for some tasty food and exploding summer concert series.

    Photo: Pam Merritt
  • The Felice Brothers Rock Good Nature Brewing

    Sunday night in beautiful Hamilton, NY at Good Nature Farm Brewery, the Felice Brothers drove on over from the Hudson area and put on a rollicking rock show for a great crowd. It was the perfect late summer evening as The Old Main warmed up the crowd enjoying the sun in the courtyard. Diana Demuth played a beautiful short set as well before turning the stage over to The Felice Brothers.

    the felice brothers rock
    Courtyard Opening Set – Photo: Aurora Roe

    Ian (guitar) and James (organ, accordion) are the brothers that make up this rootsy Americana four-piece band. Both brothers are at the top of their game in songwriting. Each tune uncovers the beauty and horrors of modern life; James can leave you swooning with a ballad while Ian can channel The Band and touch your heart with the poetry of a laid back folk song and the next minute shred through a barnburner, trading licks with his brother.

    The set started with some of the songs off their new album Undressed, “Salvation Army Girl” and “The Kid” were huge crowd pleasers. The band had a magnetic draw and the audience crept forward during the night and was fully dancing and rocking away as The Felice Brothers dove into some of their older material like “Whiskey In My Whiskey.” They closed the night with two encores: “White Limousine,” which is an absolute ripper, was followed by “Frankie’s Gun,” a fan favorite from their self-titled album. James Felice said of the night, “I feel a close connection with the people of Upstate, where we were born and raised. We play all over the world, but nothing beats home. It’s just an honor people come see us play, whether it’s for thousands or just a room of ten.”

    the felice brothers rock
    James Felice on accordian – Photo: Aurora Roe

    The Felice Brothers have 13 albums and are on numerous soundtracks. With the songwriting ability, fun stage presence, hysterical banter with the audience and ability to perform in any space, these rockers have had a great career that can only keep getting better. The sound at Good Nature Brewery was on point and the band was exceptionally tight all night. Folks enjoyed craft beer and wine and incredible food, and old fans were smiling the night away while the band made many new fans, especially with returning Colgate University students moving back to campus enjoying the show. It was a great night and the first time they had played this new venue, but hopefully they will be back again soon. Ian Felice said after the show, “We love this place, the folks treated us great and it was a fun crowd. We love finding new places!”

  • Renovated Lark Hall Opens Doors With Carl Broemel (Of My Morning Jacket) & Deer Tick

    Sunday evening, Justin and Jennifer Miller opened the doors of the beautifully renovated Lark Hall in Albany, NY to friends and family with My Morning Jacket’s Carl Broemel as the featured artist. Ian O’Neill of Deer Tick opened up the evening on guitar and vocals with help from Dennis Ryan on drums and vocals. They played some originals that were just recorded, songs from their side project Happiness and Deer Tick songs from the album Mayonnaise.

    carl broemel
    Photo by Mathew Golden

    The audience, having just been treated by the Miller’s to a Tex Mex buffet and open bar, was all smiles and an amazing listening room shone brilliantly as the last rays of sunlight came into the hall through the balcony windows.

    carl broemel lark hall

    The invite-only audience of about 70 people was in for a real treat next as O’Neill and Ryan closed their set stating, “Well looks like Carl just got here and we have one more for you, then we are going to come on out there and watch him with y’all!” Carl Broemel, guitar, pedal steel and saxophone player for My Morning Jacket, having just finished a four-night run with his bandmates, had quietly been watching the opening set from the side of the hall. Broemel, who has just released the critically acclaimed Wished Out album in 2018 and 2019’s EP Brokenhearted Jubilee was up next.

    We were incredibly honored and grateful to have Carl join us on our maiden voyage… and none of it would have ever been possible without the support and love of our friends who were there to share the experience with us – Truly a dream come true!”

    Justin and Jennifer Miller

    After a quick stage switch and soundcheck, Carl “Snowy” Broemel took the stage armed with his electric, acoustic and pedal steel guitar and a rig of pedals and loopers. The Miller’s entrusted their close friend Matt Hueston as the event coordinator and the evening was dubbed “A Snowy Evening At Lark Hall.” The sound at Lark Hall was the first thing those lucky enough to be in attendance noticed. The sound technicians and natural wood of the theater made for a crisp and perfect quality as each note rung true. This space is perfect as a listening room, but the hall will surely host some barn burners as well.

    carl broemel
    Photo by Matthew Golden

    Broemel opened the set with “Starting From Scratch” from Wished Out. He moved in and out of his original material from his solo records with the same ease as he moved between looping guitars with harmonies that created a rocking atmospheric funk. Then the pedal steel came in, layered over top. You could hear a pin drop as the audience did not make a peep during this very special set. It is no wonder why Rolling Stone magazine listed Broemel in the top 20 modern guitar players in the world. His command and control of all that was happening on stage was flawless.

    carl broemel
    Photo by Matthew Golden

    Having just finished a solo tour with Tyler Ramsey, Broemel decided to play an M. Ward cover, “Chinese Translation,” that they had done together while on tour. This version soared through the hall and out onto the Albany streets outside like the sweet drops of moonlight touching down through the trees. Another highlight of the evening was “Carried Away” from 2010’s All Birds Say. Finally, Broemel was beckoned back onstage to treat the audience to one more tune and decided to close out the evening with a rollicking version of Tom Petty’s “Last Dance With Mary Jane.”

    After the concert, Broemel signed posters, t-shirts and hung out in the hall talking to fans for hours. He even joined fans in a ping pong match in the adjacent Lark Street Yoga Studio run by Jennifer Miller, just voted a Top 5 Woman Operated Business in Albany. All the facilities at the beautifully renovated Hall and Yoga Studio are state of the art. The sound is amazing. The framed posters that line the walls and decorations are incredible. Those lucky enough to attend “A Snowy Evening at Lark Hall” had a once in a lifetime experience and also witnessed the start of what will surely be a successful venture and true listening space for artists to play and feel like family.

    Event organizer Matt Hueston said, “What a magical night, and I don’t think there was one second I didn’t have a smile on my face. I wanted to put this event on not only because I love Carl, My Morning Jacket, and Deer Tick, but to show my appreciation for all of the kindness that strangers, who are now amazing friends, have shown me during my musical adventures. Music brings us together in a way very few things can. Be kind, spread positivity, and as always rock on!” Hueston seems to be onto something here, as Broemel expressed his desire to come back and play this brand new venue again. Be on the look out for so much more from the Miller’s new venue Lark Hall! Scroll past the pictures for the venue’s Mission Statement.

    carl broemel

    Lark Hall is a Historic performance arts and community venue located at 351 Hudson Avenue in Albany, New York.  Located in the heart of Albany’s Lark Street neighborhood, this 14,000 square foot building was constructed in 1916 by the Daughters of the Eastern Star as a meeting and performance hall that includes street level retail and meeting spaces and a 3,000+ square foot venue space with 22’ ceilings, proscenium stage, intricate mezzanine areas, and an artist’s green room and living quarters located above the stage.  Owned and operated from 1977 to 2017 by Electric Body Arts, Inc., Lark Hall was most recently utilized as a not-for-profit dance and fitness school maintaining all original historic details.

    Purchased in March 2018 by a group led by Jeff Buell and Justin Miller, Lark Hall is being developed into a multi-tenanted performance arts and community venue that will build on the neighborhood’s longstanding arts and community-oriented culture.  Carefully designed and engineered, Lark Hall will be developed to provide not only an unmatched guest experience, but also to serve as a one-of-a-kind residency for artists to perform, stay and hone their craft in a comfortable oasis from touring.The building’s first floor at street level boasts over 3,000 square feet of commercial space that hosts Lark Street Yoga Studio (1,400 square feet of high end yoga and fitness studio space) and related amenities, along with an additional approximately 1,000 square foot lobby and common space that will host Lark Juice Bar, Lark Hall Box Office and new elevator bay for ADA and load in access to the upper hall. 

    An additional 1,200 feet of first floor space is under construction to host a locally-owned coffee shop.The main hall currently contains nearly 3,000 feet of main open floor space fronting an approximately 10 x 30 proscenium stage, along with built in mezzanine space on one side that provides incredible sight lines and acoustics in current format.  The hall will be upgraded to include expanded mezzanine amenities for reserved-level ticketing with private bar and bathrooms.  The main floor level will include a large bar area and new bathrooms to service the main floor area.  Among the significant building upgrades to be installed to support the hall and support spaces include a new elevator, extended stage area, bar and related service and office spaces, building-wide sprinkler and fire signaling, HVAC systems and air handling, along with building-wide electrical systems, lighting and tech backbone to support state of the art sound, lighting and front of house equipment. 

    For first phase of built out, Lark Hall will be rated for ~300+ occupants and feature unparalleled acoustics and unrestricted sight lines for every single guest.The hall also boasts a unique 2-3 bedroom apartment located above the stage that is directly connected to the stage and mezzanine areas.  This amenity will be offered to artists and support crew for use during and after performances.  This living space will be a one-of-a-kind green room and residency area to attract and retain artists for multi-night residencies and unique performance opportunities.  This living space also adjoins approximately 1,200 square feet of practice and recording space that will be offered to artists and recording professionals for use as part of regular bookings and extended practice and recording opportunities. 

    All photos by Matthew Golden

    Facility Highlights: Historic ~500 capacity venue with unique multi-level mezzanine layout, 22 foot ceiling and proscenium stage.  The main Hall includes tech and monitor rooms built into the wings of the stage area, with multiple access points from stage to private artist residence areas.Both GA floor and mezzanine levels for reserved ticketing opportunities, along with flexible seating formats to accommodate ADA and general seating preferences for select shows.Artist focused living and practice space to attract and retain local, regional and national touring acts.  Living space may be available for short term stays to support community meetings, weddings and other hall offerings. 

    Practice and studio space will also be available for use as part of enhanced ticketed performances (a la midnight preserves), and for lease and/or management by third-party recording professionals.Built-in flex space on first level that will provide dedicated box office, merchandise counters and flex space availability within yoga studio to support artist meet and greets and integrated gallery space for artist support industry (gallery for pop-up poster artists and photographers, sound check party amenities, and general flex space to support events built around ticketed performances).Designed for both fans and artists, Lark Hall will provide an unparalleled live music and performance experience.

  • My Morning Jacket Storms NYC to Close Out Summer Run

    My Morning Jacket finished out their only four shows of 2019 with an incredible East Coast run this weekend at the The Capitol Theatre in Port Chester, NY and Forest Hills Stadium in Queens, NY. After an incredible two-night run the previous weekend at Red Rocks Park & Amphitheatre in Colorado, the gentlemen from Louisville, KY headed east to celebrate with a very special 20th anniversary concert of their first album The Tennessee Fire, plus songs they covered during that era and a very tight set of fan favorites and deep cuts, all played under a perfect summer night in NYC.

    My Morning Jacket NYC
    ©Jay Blakesberg My Morning Jacket at Forest Hills Stadium

    The Capitol Theatre was buzzing with excitement as fans gathered early to form a queue wrapping around the city blocks of Port Chester. Many had signed up for the VIP packages which included a BBQ with the band, featuring drummer Patrick Hallahan’s famous smoked meats. When the doors opened, many rushed to get spots on the rail, buy posters or just soak in the majesty of this beautiful theatre. The projectors layered the walls images of the first record and hand written song lyrics and, later, images of space during the first encore – a cover of Elton John’s “Rocket Man” with soaring vocals from Jim James (lead singer, guitar) and wailing pedal steel from Carl Broemel (guitar, pedal steel, saxophone).

    My Morning Jacket NYC
    ©Jay Blakesberg The Capitol Theatre

    Before we even got to that, the band ripped into “Heartbreaking Man,” the first song from their first album released 20 years ago, with a tenacious energy. One could see the smiles on bassist Tom Blankenship’s face as the boys brought new life to The Tennessee Fire. It is incredible to see what they can do as a live band now. Revisiting the first record was not only special for the audience, but James noted that it was an incredible experience to think about where they were, what they were doing and how much has happened since those songs were written.

    Even the slower songs like “Old September Blues” and “Picture of You” were given special treatment with wild guitar riffs traded between James and Broemel – and beautiful solos from Bo Koster on keys. Some of the songs featured a few special lyric changes like the last song of the set, “I Think I’m Going To Hell,” which made the experience of being at the venue and witnessing this performance that much more special for the audience.

    My Morning Jacket NYC
    ©Jay Blakesberg The Capitol Theatre

    On Saturday night, the band bid a bittersweet farewell and ended their four-night summer run with yet another incredible performance. Forest Hills Stadium is a beautiful venue located in Queens and the concertgoers could not have asked for a more perfect night. The band sounded tight and packed a powerful punch into the two and a half hour set. “Compound Fracture” was the opening song from their latest album The Waterfall, released in 2015.

    My Morning Jacket NYC
    ©Jay Blakesberg Forest Hills Stadium

    As the sun began to set, the band lit fire to the stage with “Victory Dance” from 2011’s Circuital. “Hope to watch the victory dance after the days work is done / Hope to watch the victory dance in the evenings setting sun,” James sang, motioning to the lingering trails of light over the historic stadium. For fans of the band, it was rewarding to see the full band back together as it had been nearly 18 months since their last performances at One Big Holiday 4. The chemistry was still there and when James and Broemel stood together trading and layering licks over the final two songs of the first set “Steam Engine” > “Phone Went West,” you could see the shape of a heart between their nodding heads with Hallahan, Koster and Blankenship between them.

    My Morning Jacket NYC
    ©Jay Blakesberg

    Both performances were exceptional to say the least and gave the audience the best of both worlds with a night of deep cuts in celebration of 20 years together and a night of fun fan favorites. Hopefully, they are back on the road together again sooner than later.

    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg
    ©Jay Blakesberg

    Setlist – Capitol Theatre: Heartbreakin’ Man, They Ran, The Bear, Nashville To Kentucky, Old September Blues, If All Else Fails, It’s About Twilight Now, Evelyn Is Not Real, War Begun, Picture Of You, I will Be There When You Die, The Dark, By My Car, Butch Cassidy, I Tnink I’m Going to Hell.

    Encore: Rocket Man, Weeks Go By Like Days, Tyrone, Tonite I Want To Celebrate With You.


    Setlist – Forest Hills Stadium: Compound, the Way That He Sings, I’m Amazed, Golden, Mahgeetah, Evil Urges, Victory Dance > Circuital, Gideon, Off The Record, Spring, Smoking From Shooting, Tropics, Lay Low, Steam Engine > Phone Went West

    Encore: Wordless Chorus, Touch Me I’m Going To Scream Part 1, Touch Me I’m Going To Scream Part 2, One Big Holiday.

  • Hearing Aide: Melissa Gardiner ‘Empowered’

    Empowered, the new album from trombone player-extraordinaire Melissa Gardiner is a powerful ride of jazz, funk and dreamy atmospheric tracks that captures the listener from start to finish. Gardiner has been on the circuits playing with legendary acts like Aretha Franklin, The Temptations, and Vulfpeck.

    On this record she reaches above the male dominated world of jazz with support from fellow musicians Ingrid Jensen and Tia Fuller. The timing of this inspirational record that dropped on June 21, is a statement against women being a placeholder, rather than featured musicians. On the track “Smile,” which features a brief conversation about entertainers being told they need to ‘appear happy’ on stage and, “Mask,” about women feeling like they must hide their emotions, it is clear that these recordings are not only empowering musicians, but all women. A beautiful sentiment set with incredible harmonies, amazingly-fun and catchy back beats, layered with the strong horn lines are only expected from a Juilliard graduate.

    Another strong tune from Empowered is “Slowly.” Gardiner says, “It’s about feeling invisible, where people are looking at you, but not really seeing you – They’re only seeing your physical body.” With the message of abuse, sexism and trying to breakthrough into an incredible challenging profession, “Slowly” is a wonderful sight on the idea of taking steps forward and finding your way by pressing on. With lovely falsetto vocals and a soaring trumpet leading the way, this is another winner on an outstanding record.

    Engineer and producer, Jeremy Johnston, has worked with Gardiner over the years on various records. He said: “This is such an exciting project. She came to me with her story and I immediately said yes, I want to help you tell it. We had phenomenal musicians and it tuned out to be fun, and I think she made a great one!” Assistant engineer, Alex Lavon, and Johnston recorded in Syracuse at multiple locations, brought in Weedie Braimah on percussion who tracked from New Orleans, and traveled to NYC to work with Ingrid Jensen and Tia Fuller. Naomi Clark added to the post-production of Empowered, with a keen eye on the final touches.

    With Gardiner’s career over many years of taking these steps forward, it is inspiring to see a talent like this rising above and truly shine with her own voice and powerful message. Empowered is a must-listen. The production is next level, as is the artistry.

    Key Tracks: Slowly, Brass Ceiling, Mask.

  • The Lizards Rock Good Nature Farm Brewery

    On a beautiful sunny day in the rolling hills of Central New York, Toronto based Phish tribute band, The Lizards, played a fun filled set at Good Nature Farm Brewery in Hamilton, on Sunday, July 21. Many families came early to tour the brewery, sample delicious craft beer and snack on the farm’s menu. The Lizards delved deep into their playbook and gave an exciting, fun performance on many of Phish’s greatest hits and deep cuts.

    Photo: Allen Landesman

    The opening band, Peak, led off the show with a super funky set. Despite not having their bass player, due to a family emergency, they jammed on with funky grooves. Peak riffed off each other and were the perfect opening act to set a great evening up. Johny Young (keys) said, ‘It’s great to get up to the country out of Brooklyn. And we got to test out a few songs from our new album droppin in Spring of 2020!’

    Photo: Allen Landesman

    With the heat reaching nearly 93F, it was a scorcher. The Lizards played a hot set and the many in attendance left the shade of picnic tables and umbrellas to dance at this wonderful amphitheater. Rich Grossman (guitar) said, ‘We’ve never played here before so we didn’t know what we were getting into. We love this stage, this atmosphere and the venue has treated us so well.’ The crowd seemed very pleased as well, at this family friendly space while dancing and singing along with the beautiful sunset views over Good Nature Farm Brewery.

    Photo: Allen Landesman
  • Lord Huron Sells Out Beak & Skiff On A Misty Summer Night

    Despite a 90% chance of rain predicted throughout the night, the skies seemed to magically part over Beak & Skiff Apple Orchards for the sold out Lord Huron show. An incredible sunset over the rolling hills of Upstate NY with a cool mist lifting in the valleys was a perfect backdrop for the incredible set.

    Photo: Sarah Eiley Cowherd

    Ben Schneider led his band mates, most of whom he had grown up with in Michigan, unto stage with thunderous applause and cheering from the audience. Dressed as a modern cowboy, Schneider dug right into a career encompassing set of songs. The set moved with ease from mellow sing-alongs to rowdy foot-stomping moments. Most of the audience had moved forward in the entirely General Admission outdoor venue and were very attentive, not shy, about singing along. Some chose to bring blankets and chairs enjoying the show from the slowly sloping hill, lined with festive food trucks and drink options.

    Much of Schneider’s writing is about his love of nature and the importance of that in his life. Beak & Skiff was the perfect venue for this, with surrounding apple orchards, beautiful views and amazing amenities. The shows at this venue are getting larger every year, as they have moved from the central campus to an adjacent field. The effect of this allows for more space, and the sound was mixed perfectly. Schneider recognized this with the only break in the music, halfway through the set to say: “Thanks to all that stuck around and I’m so glad the storms passed through. This is so worth it what an incredible place you have here.”

    Photo: Caitlin Phofl

    After a high energy set, Lord Huron closed with two of their biggest hits, “End of The Earth” from 2012’s album Lonesome Dreams and “The Night We Met” from 2015’s Strange Trails. After another successful release, Vide Noir, in 2018 it is clear that this band is more than on their way. The sold out crowd, at one of Upstate NY’s premier outdoor venues, would surely agree. All in attendance were lucky the skies cleared. As the sun sank the smiles and energy of those lucky enough to get a ticket and the echo of the songs across the hills and valleys kept Beak & Skiff bright until the last note faded.

    Setlist: Love Like Ghosts > Meet Me In The Woods, Ancient Names pt. 1, Dead Man’s Hand, Back from The Edge, Time To Run, Hurricane, The World Ender, The Ghost On The Shore, She Lit A Fire, Wait By The River, The Birds Are Singing At Night, Lost In Time & Space, Never Ever, Secret of Life, Emerald Star, Yawning Grave, Way Out There, When The Night Is Over, La Belle Fleur Sauvage, Fool For Love, Ancient Names pt. 2.

    Encore: Ends Of The Earth, The Night We Met