A jazz legend in the making, Kamasi Washington, will perform on Thursday, August 1 at White Eagle Hall in Jersey City, NJ, bringing his West Coast jazz sound and multi-instrument skills to an eager audience. Born in Los Angeles, Washington’s 2015 debut album The Epic received critical praise and was awarded the inaugural American Music Prize. Subsequent albums Heaven and Earth and Harmony of Difference received similar acclaim, with the latter debuting at the 2017 Whitney Museum of Art Biennial.
When Kamasi Washington released his tour de force LP, The Epic, in 2015, it instantly set him on a path as our generation’s torchbearer for progressive, improvisational music that would open the door for young audiences to experience music unlike anything they had heard before. The 172-minute odyssey featuring his 10-piece band, The Next Step, was littered with elements of hip-hop, classical and R&B music, all major influences on the young saxophonist and bandleader, who exceeds any notions of what “jazz” music is. Washington followed that work with collaborations with other influential artists such as Kendrick Lamar, John Legend, Run the Jewels, Ibeyi, among others. Washington’s mass appeal continues to grow, drawing vibrant, multi-ethnic and multi-generational crowds with tour stops at the world’s most prominent festivals such as Coachella, Glastonbury, Fuji Rock, Bonnaroo and Primavera. He is currently on tour with Herbie Hancock in August.
Since the 2018 release of Heaven and Earth and its counterpart The Choice, Washington has toured the world over with sold-out shows in North America and Europe, including New York’s Apollo Theater and London’s Brixton Academy. Washington recently debuted his short film As Told To G/D Thyself which originally premiered at the 2019 Sundance Film Festival. Watch an interview with Washington discussing the movie below.
Joining Washington at White Eagle Hall is Taylor McFerrin, who recently released Love’s Last Chance, his first full-length album since his 2014 debut Early Riser. The collection, which featured Nai Palm, Thundercat, and Taylor’s legendary father Bobby McFerrin, earned praise from Pitchfork who hailed it as “an album built for slow weekend mornings spent in bed with a loved one.” Love’s Last Chance is McFerrin’s first album with his own voice on it. “Over the years, I’d learned how to convey myself well through my instrumentals,” says McFerrin. “But singing brings me closer than ever to being able to share everything that’s going on inside of me.”
Brooklyn-based The Upstart Crows today debut their first ever music video for “Melancholy Haze” off their self-titled record. The video was inspired by the movie Eternal Sunshine on the Spotless Mind and the memory-wiping machine Joel (Jim Carrey) uses to forget about Clementine (Kate Winslet). The video was filmed in less then 24 hours and offers a dreamy glimpse into love lost and how we all try to move past it.
The Upstart Crows self-titled album was released on August 24th of last year and earned them the best alt-rock band of 2018 award by LA Music Critics Award. Listen to Upstart Crows “Melancholy Haze” below.
The Upstart Crows formed in the basements of Keene, NH during Jon Adams’ (lead singer/guitarist) and Forest DeCoste’s (drummer) college years. After cutting their teeth in the area’s party scene, the two made their way to Brooklyn, NY and deliver a varied mix of folk, punk, and Americana to their audiences. Always backed up by manic energy, their songs give a nod to the two’s theatrical background and wax poetic over catchy guitar riffs and booming drums. Their tongue and cheek demeanor and danceable riffs create a fun, high-energy experience for everyone.
The Upstart Crows perform on August 2 at Red Hook Roxx in Brooklyn with Flyin’ J & the Ghostrobber and La Coy. More details can be found here.
Full of energy in constant motion, Fela! The Concert will bring the award winning Broadway musical to Saratoga Performing Arts Center (SPAC) on Monday, July 29. The sensual, eclectic sounds and powerful lyrics of Fela Kuti, the founding father of Afrobeat, prove why he became one of the world’s most celebrated and rebellious music legends of the 60’s, 70’s and 80’s. Set against a soaring canvas of projected images, Fela! The Concert is driven by the electrifying rhythms from a live Afrobeat band, with singers and dancers who bring to life Fela’s provocative spirit. Fela! The Concert features members of the original Broadway cast from the highly acclaimed Tony Award winning production Fela! This unique concert experience radiates joy and leaves audiences on their feet wanting more.
Prior to Fela! The Concert, at 7 p.m. SPAC will present a high-energy, professionally choreographed final performance by 80 local children who have been participating in The Performance Project: Youth in Motion. Led by the award winning National Dance Institute and presented in partnership with the Capital District and Saratoga Regional YMCA’s, SPAC’s Performance Project is a two-week dance intensive designed to teach children dance skills while instilling in them a belief in their own abilities and capacity to achieve success.
More information on Fela at SPAC can be found here.
It is a crowded field of rising bands out there, and one band from Norwalk, CT is setting themselves apart from the flock. Goose, a four piece indie-groove act today released their most recent single, “Time to Flee,” which features a distinctly Steely Dan sound coupled with inspired-by-real-life lyrics. Written by Peter Anspach (guitar/keys), “Time to Flee” follows the release of last month’s “All I Need,” the band’s first studio content in over three years.
Anspach says of the single: “‘Flee’ is about setting your soul free, especially when a leap of faith seems the most daunting. It is a lyrical self reflection, humorously encapsulating the mental disquietude of leaving lost love in the past.”
The single was recorded and mixed by Kenny Cash at Factory Underground in Norwalk, CT, and mastered by veteran engineer Emily Lazar with assistance by Chris Allgood at The Lodge in New York City. Catch the band on tour all Summer in a city near you. Dates can be found at goosetheband.com.
With a summer tour progressing steadily along, and each subsequent venue seemingly raising the bar higher at each stop, expectations for the upcoming set of Phish shows at Saratoga Performing Arts Center were at a fever pitch. The band never seems to disappoint at this classic Upstate NY shed, showing us this is what SPAC sounds like when the boys from Vermont come to town. Coming off of three stellar shows in Camden, marked with a notably missing “Tweezer Reprise” from the final night, expectations about the SPAC opener (and rest of the show) were rampant and lofty.
In vintage Phish fashion, the band bypassed the “Tweezer Reprise” opener many expected to happen as a nod to the unfinished business in Camden and replaced it with a first-time-played cover of The Everly Brothers’ “Cathy’s Clown,” leading to a confusing and somewhat mellow start. Afterwards, the expected “Reprise” was delivered in full force which fired up the crowd instantly and began a long stretch of high energy rock anthems, including “Carini,” a song that’s already opened two previous shows this tour. A silky smooth transition of funk from “AC/DC Bag” to “The Moma Dance” then followed before a mid set “Theme From the Bottom” that served as a respite of sorts. A rare performance of “Home” was a welcome surprise in the first set and set the waves in motion for the powerful “Bathtub Gin” that followed. That would have been more than sufficient for a complete first set, but Phish had other ideas and tacked on the perennial “Walls of the Cave” set closer in typical high octane, raucous fashion.
After a brief “Cool Amber and Mercury” to open Set 2, Mike Gordon provided the opening bass slaps to “Down with Disease” and with that we were off and running with a 21 minute gem of a jam. This instant classic found its way into the full “Scents and Subtle Sounds,” complete with intro which was soundchecked earlier that night, then dipped into “Twist” to continue a set of deep exploration. From there, the energy was sustained with “Wilson” > “Scent of a Mule” and “Fuck Your Face,” before a mild breather in the form of “Halley’s Comet.” The set closed out with a “Harry Hood” that closed out yet another Phish set that sustained the all killer/no filler trend that has been steady since Camden.
For the encore, much discussion led to Fishman tapping the kick drum to signal the start of “Fee,” which found Trey having megaphone issues but still pushed through with the help of the audience. “A Life Beyond a Dream” from Ghosts of the Forest, built up towards a pleasant landing ground, and after slight discussion, Phish wrapped up their second 3-song encore in a row with “First Tube.” Trey ran around the and marched from stage left to stage right hamming it up with the fans as he burned through the pinnacle show closer.
Kris Kelly has released his newest single “Cracked Porcelain,” featuring an all-star team of musicians, including” Todd Sickafoose (“Hadestown”, Ani DiFranco) on bass and arrangements by John Philip Shenale (Tori Amos). The track will appear on his forthcoming album, Runaways, due out on August 29, which also features previously released singles “Birthplace” and “We Flew.”
Kris Kelly is a singer/songwriter based in Brooklyn, NY. Originally from Austin, TX, he moved to New York City to attend NYU, where he studied classical vocal performance and music composition. For years he performed his original compositions for guitar, vocals, flute, violin, bass, and percussion at many popular NYC venues. He then spent five years traveling through South America with just his guitar and a suitcase. Living mostly in Argentina and Brazil, Kelly met his husband, and his travel experiences inspired the core of Kelly’s album – pure love, loss, discovery, and growth.
Kris shares some insight into ‘Cracked Porcelain:’ “This is a story about two gay men who find freedom in defining their relationship in an unconventional, ‘open’ way but who end up getting lost in the revelry and ultimately drive each other apart. I think the LGBTQ community has a unique opportunity to redefine our relationship with sex within our partnerships. Not having forced onto us the traditional ways of defining a healthy partnership gives us the freedom to discover it for ourselves, but it also comes with a great responsibility, and I think we often fail. I failed at least. And that’s OK, because I realized if I wanted to be happy, I had to make a change. I’ve been forced to reevaluate constantly my relationship with my partner and to figure out how to respect each other while maintaining a healthy individuality, and we’re still navigating it to this day.”
“It’s easy to go unconscious and do whatever feels good in the moment, but without consciously, intentionally taking care of the relationship, it falls apart. There has to be a balance in order to nurture both carnal desires and the spiritual connection with another human being (if that’s something that you value). And when things are out of balance, suffering is inevitable. That’s what happens in ‘Cracked Porcelain’.”
Glens Falls will become a mecca for the arts, with the return of the 4th annual GEM Fest on July 26 and 27. The Glens Falls Entertainment and Music Festival brings together bands from across the greater Glens Falls area, as well as national acts, and combines comedy, live art, film, theater, photography and more at venues around Glens Falls for a FREE two-day event.
The focus on the arts started when Brian Michael visited Gugs in April of 2016. “Gugs is the central venue in Glens Falls where a ton of bands were just starting to cut their teeth at the time – Candy Ambulance, Joe Mansman, William Hale, Asa Morris and The Mess, among others. Mike Rios put together an open mic night on Thursdays, but Gugs was only open from Thanksgiving Eve until April 20,” said Michael, GEM Fest Director. So with the venue closing for the season, and there being very few places in the city of Glens Falls for live music, Brian and Joe Mansman had an idea to hold a Venue Festival in Glens Falls, where venues would host music throughout the day.
The organizers went to the owner of Mean Max Brewing and asked to back him on the festival concept. That led to the owner of 190 Grill and Cinema (now the Downtown Social) getting on board as well. From there, GEM Fest was born and the event became a one-day street fest in the Summer of 2016, which was entirely free to the public. It featured a art gallery presentation at the two venues, and several local bands.
From there, a team effort has helped bring GEM Fest for four consecutive years. Local venues are on board, and local businesses see better business on the day of GEM Fest than they do any other day of the year, according to Michael. With the help of Candice Frye, the Executive Director of LARAC (Lower Adirondack Regional Arts Council), which supports the in Warren and Washington counties, Brian was able to secure grant funding. The ever growing event received maximum funding for this year, and with sponsors on board, the fest remains free for the fourth year in a row, accessible for everyone who wants to attend.
The impact of GEM Fest can be seen already. In 2016, there was one venue in town with regular music, plus Gugs was only open part of the year. Now, in 2019, there are four venues that book bands on a regular basis, with a fifth soon to open. Michael says of this development, “GEM Fest helped clue the local businesses in on the music in the region, and certain niche markets – Helping to elevate the visibility of the music & arts in our city. The integration of this festival into an organization called Art in the Public Eye has also further solidified our commitment to creating platforms for local / and now regional musicians – as well as many other forms of art – to be seen and heard in the heart of Hometown USA.”
Since 2016, GEM Fest brings an immense crowd out in support of the arts, with a benefit to local businesses, who are patronized by those who attend. The direct support of local businesses is supplemented by the careful selection of craft vendors – while encouraging patrons to eat and drink at local businesses, due to a markedly low acceptance of food type vending.
Thanks to grants and sponsors, GEM Fest is 99% free, with a fee charged only for the comedy shows each day. Since events are free, venues don’t sell out, although last year three venues reached capacity, a sign of growth after only three years of GEM Fest. In order to bring fans out, Michael says GEM Fest “keeps a high level of integrity, adding the best local musicians and a few national headliners. Getting the local support and financial backing is key to maintaining the fest, and we’re glad to have that for four years now. We are a destination event and it helps grow the scene and throws art in the public eye.”
There is history in the area as well, as plenty of art to be found that GEM Fest has brought greater attention to. The Hyde Collection, which includes work by Rembrandt, Picasso and Edward Hopper, is one of the greatest collections of art in the 518. The Park Theater has recently undergone a $13 million dollar renovation, and the Charles R. Wood Theater in downtown Glens Falls plays host to a wide variety of arts, from plays to concerts to comedians.
With the support of LARAC, Glens Falls can be viewed as always having been an artistic town, with a great deal of artists and painters emerging from the Lower Adirondack area. “There might be five different artistic communities within the city and we want everyone to work together on that day to exhibit what we’ve got as a community.”
GEM Fest is designed so that everything is going on at once, making it a challenge to decide what to see. “What we are encouraging people to do is to come out and see art they may not see otherwise. The music draws them out – if they like comedy, they can check that out, and maybe they see more comedy that year. Some kids might walk by a live painter and be inspired to become a painter. Everywhere you look, there’s something else going on. Walk about the whole city because for the two days, it’s an artistic showcase of Glens Falls.”
In just a few short years, GEM Fest has established itself as a destination event where music and art collide. Find out more at the official website for the festival and check out the music artists who will be performing around town July 26-27.
The Village of Menands, just north of Albany, has announced their summer concert series. The concerts are held on Tuesdays, starting July 9 at Ganser-Smith Memorial Park (Menands Park). Shows go from 6-8:30pm, rain or shine. All are welcome, including families, dogs and those with lawn chairs. Food and beverages available for purchase from the Menands Fire Co.
Menands Summer 2019 concert series lineup: July 9 New York Players July 16 Oldies Show July 23 Hotshot Hillbilly’s July 30 Hair of the Dog August 6 The 317 August 13 The All Paul Show
After the untimely death of lead singer Mark Fletcher, the surviving members of Brooklyn, NY indie rock band Stringer completed a posthumous music video for “Through the Walls.” In a joint statement, Stringer band members said, “Mark Fletcher, our brother and bandmate passed on Feb. 19th, 2019. For six years we made music. We lived our lives together with a bond that can only be forged by the most intense and ecstatic experiences, we spoke in our own language. Mark and filmmaker Chris Elia made this video featuring a collection of strangers and his best friends singing his words. We think this is fitting because Mark made friends so easily and it didn’t take long for a stranger to become a best friend.”
Elia, a longtime friend of the band and frequent collaborator adds, “When Mark was in the Bay Area this past winter, he used his camera phone (as well as his outgoing & charming personality) to start filming the 1st verse in my old neighborhood. We spent literal hours talking on the phone during his trip, part of which involved his vision for a lyric video. He was so ecstatic about the initial rough cut I had sent him, so I can only imagine the happiness it would have brought him to see the completed video full of familiar faces singing his song.”
Members of Stringer, along with family and friends of Mark’s have also banded together to launch The Mark Fletcher Studio, a non-profit that has been set up in his memory. Stringer’s practice room in Bushwick, Brooklyn has been refitted to host analog recorded sessions that are free for artists.
The band adds, “We are running this studio solely on community donations so any help is greatly appreciated! Even $5 or $10 will go a long way. You can donate here.
Produced by Adam Reich (So So Glos, ex-Titus Andronicus), Stringer’s critically-acclaimed album My Bad was released in July on Wiretap Records.
Below The Moss Forgotten: Phish in the Pacific Northwest was a three-day pop-up museum exhibit presented by The Phishsonian Institute and PhanArt, recently held in the Horizon Lounge at Oregon State University’s Memorial Union. Held during the inaugural Phish Studies Conference, the exhibit represented shows from the band’s PNW debut in Ashland in 1991 to the band’s recent run at the Gorge in 2018.
Presented by Alex Grosby of the Phishsonian and Pete Mason of PhanArt, immense thanks is owed to the Oregon State School of History, Philosophy, and Religion, OSU Theatre, and the Benton County Historical Society for their strong support and all of the conference attendees for their kind words and enthusiasm for this inaugural project.
Private collectors and numerous artists contributed works to this vision to bring it to life. The exhibit made the Memorial Union a welcoming environment for scholarship and added a level of experience to the event. We hope to continue to present Phish exhibits in the near future. You can revisit the exhibit by viewing the slideshow below.
Check out more photos from the Phish Studies Conference by Derek Finholt and visit Phish.net for an in depth recap of the conference by Jnan A. Blau.
