Author: Kaitlin Lembo

  • C.K. and The Rising Tide set to release second album ‘Perfect Stranger’

    Few things are more poetic than the lyrical talent of Curtis Flach. It’s been quite the year for C.K. and The Rising Tide. The band, a five-piece Americana and folk powerhouse, is relatively new on the scene, but they have slowly been playing every major venue and more, grabbing new fans along the way. Flach released a solo EP in 2016 before finding his band members.

    In 2018 the band, then only a trio and managing itself, released American Romance, a 10-track homage to the finer things in Americana. Armed with fun songs like “Friends” and slower ballads like “Road to Damascus,” American Romance ushered in a wave of success, two new members and new management.

    Flach and his bandmates, who include keyboardist and violinist Danny Boudreau, drummer Rob Piccola, bassist Chris Brant and lead guitarist John Lenio (who joined the band in the last few months) are set to release 10 new songs later this month. The album, Perfect Stranger, is said to be more positive, more at peace and quite frankly, “more mature.” Perfect Stranger was released August 16, and followed up with a show at Lost & Found in Albany the next day.

    “With this album, we approached things much differently,” Flach said. “When we recorded American Romance, we all recorded our parts separately and didn’t hear it all together until it was fully mixed. We actively worked as a whole this time around.”

    Boudreau concurred with Flach’s statement. Boudreau, who has only been playing the violin for a few years, was concerned about his parts in American Romance. This is his first time participating in a band, let alone one that’s successful.

    C.K. and The Rising Tide

    “I didn’t understand how I was going to write my parts because I had no idea what everyone else was doing,” he said. “Luckily, once it came together, it all worked. It was amazing.”

    Flach, Brant and Boudreau were the original trio, with some help from Flach’s brother. After recruiting Matthew Copperwheat and Piccola, the band came into its own.

    “I’m no longer handling a lot of production tasks, which gives me more time to write and work on music,” Flach said. “Andrew and Rose are amazing at not only keeping us on track, but they are getting us gigs and marketing us in a way we never could have imagined.”

    Andrew and Rose Gabriel are the owners and managers at the band’s record label, Ambassador Music Group. The Gabriels pride themselves in handling all the business and marketing for their clients so everyone can focus on what they do best.

    “Andrew is really good at keeping us going with deadlines and making sure we fulfill whatever responsibilities we have,” Flach said. Brant added his managers are really good at keeping the group organized. All band members said Rose Gabriel is absolutely amazing with her marketing and social media management, garnering the band significant recognition.

    “Between the two of them, we’ve been able to keep it moving along and stay focused,” Brant continued. “It’s been a great fit for us and I hope for them too.”

    The Management

    Andrew and Rose Gabriel said their business is in “permanent beta” mode. What does that mean? It’s pretty simple; they keep seeing what works for each client and then adjust the business accordingly.

    The Gabriel force, who are also partners in life, has made quite a name for itself in the local community. They’ve worked with many of the acts in the Capital District music scene — including Grape Juice, Sydney Worthley and El Modernist — either through doing business directly or featuring bands on their hit live social media show, “AMG Live!”

    “AMG’s slogan is ‘focus on music, we’ll take care of business,’” Andrew said. “During this album cycle, we did just that. We were pretty hands-off with the artistic direction of the album. We heard a few demos early on and knew that [C.K. and The Rising Tide] had something special in the works, so we got out of the way and did what we do best: take care of business.”

    It’s definitely a lot of work. The hardest part of managing groups like C.K. is no rest. “We get no rest because this band accepts and accomplishes every challenge we throw at them,” Rose said. “We offer feedback one night and the next night they’ve implemented it. We push them to be the best artists they can be and, likewise, they push us to be the best managers we can be.”

    Ambassador and C.K. and The Rising Tide just celebrated its one year anniversary together. Flach said he’s hoping the Gabriels are drafting the second year contract. But that’s the thing — the partnership works for the band as well as it does its managers. Both parties have learned a lot about their respective roles in the past year, but neither would change anything.

    “We honestly wish we found them sooner,” Andrew said. “…this year [has] made our team stronger, more connected and more ambitious.”

    The camera’s eye

    Attend any C.K. show, and you’ll probably see a petite blonde with a camera in her hand. If you’ve seen any artwork for the band, the same woman is behind it. Looking at most photos of the group, an A.K. Photography and Design logo is visible somewhere in the frame.

    Ann Kielbasa is the official C.K. and The Rising Tide photographer and graphic designer. But she’s special — she’s been there since the group was rehearsing in a garage. She’s a critical part of the foundation that keeps it going because she’s spent so much time showing it off in her work.

    “It’s been a whirlwind to watch them grow like this,” Kielbasa said. “It’s very hard to put all of these emotions into words because I’ve watched them blossom into what they are now.”

    Kielbasa, while not a part of the official five-piece group, is considered one of the most important parts of the squad. While balancing her full-time job, she’s essentially working another 40-hour-plus gig keeping up with the men and developing her photography business.

    “There’s such a sense of pride because I’ve seen all of the encouragement they’ve received and how hard they work behind the scenes,” Kielbasa continued. “I’ve only heard snippets of what’s coming and all I can say is wow. I can’t wait to hear the full thing.”

    In regards to her photography, her goal is simple; she aims to visually epitomize the C.K. sound.

    “I want to show people what they sound like and who they are without having to know the context,” Kielbasa said. “I’m so lucky to have such an insider view of this and I want to convey some of that knowledge through my lens.”

    The Gabriels can’t get enough of Kielbasa either, calling her an “incredibly fun and professional person to work with.”

    The Buzzards are Circlin’ ‘round

    Drummer Piccola, who was recruited from Craigslist, said it didn’t take him too long to learn his parts on American Romance. Taking over for Flach, who provided drums on the first album, has been exciting.

    “Honestly, I think Curtis might be a bit better of a drummer than I am,” he said. “But we all have a corner of the group that works best for us.” Piccola added he’s excited about the release because, like his bandmates, he wants to see how people connect with the music.

    A chance to connect came on July 26, when the quintuple-threat released its first single from Perfect Stranger on YouTube, a hauntingly beautiful song called “Follow The Buzzards.” The MP3 track was released several days later. Boudreau explained how “Buzzards” is only a glimpse of what’s to come.

    “I feel like Perfect Stranger is much more excited about the prospects of the future, while American Romance talked about things long gone and bitter loss,” Boudreau said. “One lyric that really stands out to me is ‘Follow the sweet, sweet sound / leave it all in the cold, cold ground’ because it’s kind of a way to break with the past of hurt and move into happier times.”

    The music video for “Follow The Buzzards” reached 1,000 YouTube views within three days. At print time, the video is close to 2,000. Boudreau said if “Buzzards” is good, listeners will love the rest of the album.

    “We’re heading more into indie rock while still maintaining our roots of folk and Americana, which we love,” Brant explained. “This album is definitely a bit different than what we released last time.” Despite the differences, the band assures fans they will still recognize that signature C.K. sound.

    Flach is excited, but he’s cautious. He explained that he’s afraid to really go into how much the band’s sound has matured because he doesn’t want to “shoot [himself] in the foot.” However, he admits he’s stepped up his game. No longer the sit-in drummer with 50 different jobs — he’s now the frontman.

    “Six months after American Romance, I presented some demos and it has now blossomed into this,” he said. “We’re feeling confident that we’ve been able to top what we put out last time in what’s coming soon. We’ve really been working hard on this.”

    The band’s sound has evolved. What was once simple and characteristic of a band getting on its feet is now layered with advanced production and the sound of musicians who know what they’re doing. You can hear the improvement in Flach’s voice, and he’s blessed to have support from four men who are rapidly improving in their own right. It’s a pretty impressive feat, especially when you consider how all five band members work full-time jobs.

    C.K. and The Rising Tide will be playing Rocktoberfest 2019, Ambassador’s one-day music festival, at Colonie Park on Oct. 5. It shares a bill with Madison VanDenburg, El Modernist, Vince Palmeri (another Ambassador talent) and more.

    “I think we’re all excited to just connect with people some more,” Piccola concluded. “We use our music to convey emotions and thoughts. I’m just excited to see how the public will connect with us.”

    Perfect Stranger will be available on iTunes, Spotify and in CD format.

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Five Questions with Katie Louise

    It’s been about four months since local singer/songwriter and classically-trained pianist Katie Louise released her debut EP. Unleash, a seven-track collection of originals, was a labor of love — and an expression of pent-up baggage — that resulted in an album that somehow makes a piano fit in seamlessly with modern-day pop music. Since the release, a lot has happened for Louise, including gigs, wedding planning and buying a new house.

    katie louise

    Kaitlin Lembo: It’s been four months since you released Unleash and we’ve seen you in several shows since then. How has life been since the release?

    Katie Louise: To be honest, this year has been crazy. Right after I released the EP, I was hit with a lot of new milestones: wedding planning, my fiancé and I buying our new home, starting all the renovations. I definitely haven’t had time to market Unleash the way I wanted to, but I’m hoping after the wedding in September to make music videos for some of the songs.

    Kaitlin Lembo: What made you decide to release merch with the EP?

    Katie Louise: I’ve always had merch, but I believe in ‘new EP, new merch.’ It’s a complement to the EP and it’s also a fun creative outlet. This merch has done better than ever; stock is moving quickly and we’ve gotten so much love! It’s been a slam dunk.

    Kaitlin Lembo: How was the response to your EP?

    Katie Louise: People seem to really enjoy it. Again, I haven’t had time to market much, so I know it could be much better. We had originally sat aside a bit of money for marketing and we just haven’t had time to touch it yet; we are hoping to dip into it after the wedding and do some serious marketing. But those who have heard it seem to give overall very positive feedback. It’s an amazing feeling to have people love what you write!

    Kaitlin Lembo: Do you think you’ll be releasing another EP in the near future?

    Katie Louise: Ideally, I’d like to release something new every two years. It seems like a nice time period for something to do well, while not becoming boring or overplayed. I have been working on some new stuff but it’s taken a backseat to the things happening in my personal life. But I would love to release something else at some point.

    Kaitlin Lembo: You played with Skeeter Creek and now you’ve performed with SIRSY just this past Sunday. What has it been like to perform with two staple upstate acts?

    Katie Louise: It’s absolutely exciting. When I first started, I was booking a few gigs here and there. My fiancé helps me book gigs now and since he’s taken over, he’s everywhere and booking me with some really incredible people. I loved performing at Wicked because it’s a whole different world musically from Trick Shot, even though it’s in the same place. I used to perform here when I started gigging, and to come back full circle and perform with SIRSY and see where I’ve come from is so motivating and inspiring.

    Unleash can be streamed or purchased on Spotify and Apple Music.

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Rock Voices provides healing its members never knew they needed

    Nestled in an unassuming building next to a Russian Orthodox church is a passionate and energetic group of people with a common interest. That interest? Singing music they actually want to sing. Music that is well known, loved and mainstream.

    Seventy-percent of the members of Rock Voices can’t read music. Some have never had any sort of vocal training or musical practice, yet everyone shows up. The members applaud one another (literally and loudly) for doing something right. They also lean on one another for support in both music, and everything else.

    Rock Voices

    After the rehearsal, a few members and director, Nate Altimari, joined me at a local restaurant to chat and have some dinner. Contemplating over a spread of nachos, cheese fries and beverages, bass vocalist, Brian Rose, was tired. “I love being tired from singing,” he said. “It feels like we accomplished something and it feels great.”

    Altimari, who conducts the Albany and Saratoga chapters, was attracted to the prospect of having his own chorus for many years.

    “When my family and I moved from Boston and settled down here, I went through a significant period of time with no musical outlet,” Altimari said over a beer and steak nachos. He’s sitting with five of his longest members. “The opportunity presented itself several times to have my own choir. This was the first one that felt right.”

    Altimari had never had his own group like this one. He’s an award-winning singer for his Boston-based group Firedrill!, but this was new territory. After four seasons, he’s learned to let it go. Not everything will be perfect, and that’s perfect in itself.

    Rock Voices

    “This is such a casual, inclusive environment,” he said of his group, which hosts people of all ages, races, ethnicities and religions. “We have no divas or anyone who thinks they are better. We all just love music and want to sing.”

    Rock Voices was founded on a simple motto:

    Healing ourselves and others through song.

    Born from the brain of Tony Lechner, the performer and Rock Voices Executive Director creates of the program’s harmonies himself. Boasting an impressive 15 chapters across the Northeast, the groups all take advantage of the same programs. This makes it easier for those who travel a lot or have scheduling conflicts to attend rehearsals. Even if you can’t make the group you enrolled in, you’re welcome to join other rehearsals to get the practice you need. Because most members can’t read music, Rock Voices provides tracks for each vocal part to help members learn what they need. There are also sheets with strictly lyrics for those who find sheet music daunting. Altimari has 20 years of vocal experience and can smoothly hit all notes, including the sky-high soprano register.

    Even after the rehearsal, the five members flanking Altimari have a contagious energy that could ignite passion in even the coldest of souls. Every single one invited me to join the group and asked me about who I was, as well. They listened as intently as they spoke. Their warmth to a stranger they met just three hours ago was like an incubator; I felt at home, accepted and at incredible ease.

    Rock Voices

    Rose is usually the only bass at his rehearsals. With a rehearsal size of 65 (120 people will be on stage at the May 5 show at Sage), you could hear his booming, smooth voice as clear as day.

    “It’s just fun,” Rose said. “I walked in a couple of weeks after Mike Hyrny in season one. I came because I wanted to sing “Africa,” [by Toto] which was on the program. I didn’t know this was what I needed, but the feeling I get when those harmonies marry and that moment when it all clicks in rehearsal is something I cannot explain. It feels incredible. I’m hooked.”

    Rose expressed the added pressure, if you will, of being the only bass at most rehearsals actually helps him learn his part better because he has to carry his own. Unlike the women and the tenors, there isn’t anyone else to cover for him if he makes mistakes.

    Hyrny is sitting two seats down from Rose. Like Rose, he joined without knowing it was what he needed.

    Rock Voices

    “I had gone through some major surgeries before getting here,” Hyrny explained. “Nate had spoken to the Daily Gazette about the first season in February 2018.

    “The first rehearsal was actually the day of my surgery,” he continued. “Four weeks later I came in and saw this little chorus of seven or eight people. We had 17 people at the first concert.”

    The sound those seven or eight people produced that night was so energetic and impressive, Hyrny immediately joined. In the 16 months and four seasons, Rock Voices has been in Albany; he’s been involved in every one.

    Ronnie D’Alauro is Hyrny’s junior high classmate. One day over lunch, Hyrny was telling her about the chorus with a bit of embarrassment. They met again a couple of weeks later and he invited her to the show.

    “Everyone looked like they were having fun,” she said. “I didn’t know the background of this group, but I wanted to join.”

    D’Alauro described the emotional experience she had at the first show, where she knew this was a group of people who wanted to sing and just have fun. As she talks, her eyes are bright and animated. Her personality is big and intriguing; you want to be around her, as you do the other members.

    “I can make any conversation come back to Rock Voices somehow,” she said. “The way we connect, the way we sound — it’s a no brainer.”

    Ronnie D’Alauro

    The connection is what keeps Altimari coming back and what keeps his chorus stronger than anything the members could have imagined.

    “When the music comes over you and the adrenaline is pumping, there’s nothing like it,” soprano Penny Blaisdell said. Blaisdell’s presence at rehearsal was prominent; every single time the group started singing, she would break out in dance. She moved with the music effortlessly. As I moved around the room, her warm smile greeted me whenever we made eye contact. Her church choir roots bred her for this exact situation.

    “This music brings me so much nostalgia,” she said. “This music brings me back to those moments from long ago and simpler times. It’s freeing.”

    Perhaps the biggest breakout story of the night was Kim Strosahl. A self-proclaimed introvert, Strosahl joined in season one with a fear of singing in front of people. Today, you’d never know that was the case. Since joining, she’s had a solo in each performance. At rehearsal, she belted the iconic “Brighter Than The Sun” solos with confidence and exuberance.

    “I was looking for friends and that’s something that’s so hard to find in the second half of your life,” she said. “I wanted something with music in my life. I heard about this and realized it was exactly what I was looking for. No auditions and rock music. I’m in.”

    The five singers credit Altimari for bringing the group into its own. A kind soul with the patience of a saint, he corrects with a soft voice and refrains from chastising.

    “I couldn’t have done this the way Nate did,” Rose said. “The charisma that Nate has and his ability to bring us all together is something unique to him.”

    The other four agreed. D’Alauro called him a kind person in an odd way. Altimari’s energy and presence is something that people seem to be drawn to in practice. Everyone wants to talk and give input.

    Altimari struggles with his own expectations, he said. There will be times where he feels the group is much further ahead than it is and it promptly slapped back to reality during rehearsal.

    “A couple of weeks ago, I was frustrated with how much we had to do and I was just biting off everyone’s heads,” he explained. “I had to check myself in the car on the way home and then had to email all the members and apologize.

    “I have to remind myself that this isn’t about being perfect,” he continued. “The brand of Rock Voices is about fun and expressing yourself. We’re going to be a little rough around the edges sometimes because we are human beings and that’s just human nature.”

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com

  • Hearing Aide: Katie Louise ‘Unleash’

    When I first interviewed Katie Louise, it was hard to wrap my brain around her talent. A classically trained pianist who is now trying to break into the pop scene? How is that even possible?

    Well, she proved it’s possible. She’s even proved it’s not only a formidable attempt, it’s a smash hit.

    The seven song EP, Unleash, released March 15. Louise and her team kicked off the new album with a show at Jupiter Hall.

    Katie Louise Unleash

    Before I heard the full EP, I spoke with Louise. I had listened to two songs before the interview. Even then, I knew she was onto something special. The sultry “Imprisoned in Paradise” is slow, but poignant and powerful. I could feel her emotion throughout the song, and could identify with her rhetorical opener (Why would I want to sit all day and stare at only black and white?). Louise’s ability to speak about how she can see things and feel things, that those around her do not understand, is phenomenal. I felt her pain. “Imprisoned in Paradise” is truly one of my favorites on the EP, which is hard to believe because I’m a die-hard rock ‘n’ roll, go as fast as you can music fan.

    spotify:album:6JAdwa5YmQtd4fjh60xXp2

    Another true highlight is “Broken,” which Louise told me was one of the first songs she wrote. Another sultry, breathy ballad, Louise is able to use language as a medium to communicate the pain and sorrow the song is based on. A gentle piano melody supports her gentle, but strong voice: “I need you to hear me before we’re fighting because I don’t want to lose you / but I can’t do this without you / I need you to love me when I’m not broken.

    This is by far the strongest lyric in the song written by Louise, with her vocals bringing you to the scene of her pain, with a front row seat to watch it all unfold. I felt this lyric; I was able to relate my own emotional journey and feel the exact same pain. As the song picks up, the song becomes a little faster and is complimented with a drum beat that brings the element of pop into the forefront.

    Louise talked about how this EP was a work of “baggage,” as she used some of the harder parts of her childhood and earlier life as a vehicle for her songwriting. Each song demonstrates a different part of her journey, with “Damn Good” bringing a danceable beat and feel-good lyrics (I ain’t gonna lie/ life is pretty damn good/ and I’m sure as hell proud of it) to an album of raw pain and redemption. The guitar solo also gives rock listeners, like myself, something to latch onto, making sure almost any listener has something they like within the brief EP.

    Louise’s piano skills are not lost in this album. The solo in “Unleash” gives you just a taste of what she is capable of. I truly felt an old soul in this solo, as if I’ve heard this a million times, yet not heard it at all. Louise uses her impressive talent to introduce you to the world of piano in a way you might have never seen it before. As she’s clearly demonstrated, piano doesn’t have to be classical; it can be the melody and co-star of a modern pop album.

    If I had to pick only one song from this album, it would be “You Can’t Talk To A Woman Like That.” A female empowerment anthem about what women want in a relationship and the bouncy beat will have you singing along with your sunglasses on, and windows down, as you drive home. The lyrics will have you singing for days (trust me, I sang it on loop for almost a week), while subconsciously thinking about what a woman should, or should not, demand in her life. The lyrics (You call it feminist/ I call it common sense/ and maybe baby you should get some of it) gives the listener an insight of the woman Louise is; you understand she’s here to fight for the respect, platform and place she rightfully deserves in the music industry, and for that matter, life in general.

    Overall, Katie Louise has made a formidable splash into the scene with her first EP. I’m already a huge fan.

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com

  • Modern Day Music School is Hotspot for Upstate Talent

    Music transcends all. The staff (more like family) at Modern Day Music School, snugly located in an unassuming plaza on Route 9, understand this. All family members use this knowledge to make a difference in the lives of those they touch. The school, known for its powerhouse students Moriah Formica and Madison VanDenburg, has more behind the door, and in its heart, than the voices it trains and musicians it tunes.

    “I once had a student who had a friend pass away and for whatever reason, she couldn’t go to the wake,” said vocal coach and musical instructor, Laura Beth Johnson. “The student came in here and said, ‘I want to write a song about this.’ So, we put pen to paper and she was able to write through the grief and use her music as a way to channel that grief into something positive and productive.

    modern day music school

    “I was so grateful and honored to be a part of that process and help her find her voice,” said Johnson.

    Johnson (one of fourJohnson family members who work at the studio) was amazed at how her student has grown since that day.

    “She’s writing all the time,” said Johnson. “It has given her the confidence she needs and she has blossomed since that day into even more of an artist.”

    This is just one example of the way that Modern Day Music School is able to be there for its students. In music, you’re vulnerable. You’re open. You’re bearing your soul. For some, it’s incredibly intimidating at first. For others, it’s a relief right away. For all, the studio is a sanctuary; a place where they can be free, vulnerable and most importantly, themselves.

    modern day music school

    “The students develop these incredible bonds with their coaches and teachers that makes them want to work even harder,” owner Paul Benedetti said. “They come in for this 30-minute session. Sometimes, they only sing for about five minutes of that. They’re working through something tough in their personal life and they feel safe enough to come in here and talk to us. We want them to feel safe.”

    These bonds were evident as our staff visited the studio on a rainy Friday afternoon. As pictures were being taken, Formica and VanDenburg were belting into a mic. Their vocal coach, Lesley O’Donnell, was standing outside the sound-proof booth. The doors were open, the vibe was good. As the girls tried to find their pitch, O’Donnell was offering encouraging words even though the girls were just goofing around.

    “There it is!,” O’Donnell exclaimed as the teen stars belted out an impressive harmony. “There we go! Awesome!” A smile spread across her face. “It’s amazing,” she said.

    Benedetti started Modern Day Music School in 2011 with a partner, who he bought out in 2013. The need for the school was a response to his own son’s musical talent. When his oldest son was a teenager, he was playing drums and decided he wanted to start a band. The problem was, there was nowhere in the area that made it easy to coordinate young musicians who wanted to get together with peers. Benedetti said it was a “nightmare” because there was always curve balls thrown; some kids really wanted to play, while others weren’t ready for the commitment it held. On top of that, where the bands would eventually play weren’t kid-friendly. The teens would play at house parties, where Benedetti didn’t feel was a good place for these young musicians.

    “I come from the studio business and I’ve been playing, teaching and singing forever,” he said. “My partner and I had a thought during this time period; wouldn’t it be awesome to create a space where these kids could find like-minded students, and even better, have a safe space to play?”

    modern day music school

    The school opened with its well-known band program. Essentially, students signed up and are paired into a band with three to four other students with the same essential goal. Benedetti said these kids usually don’t know one another at first, and even more, they don’t always want to play the same thing or even like the same music.

    “It’s not only a music session, it’s team-building,” he said. “These kids learn that you sometimes have to work with people you wouldn’t pick at first for whatever reason. That’s something you’ll run into regardless of where you end up in life.”

    It sometimes takes a bit for the band to adapt. The band program is offered in three-month sessions. Despite the initial uncertainty, the kids not only learn to work well together, but they become friends and will often ask to play together again at the beginning of the new session.

    “They’ll want to do more, work harder and see where they could potentially go as a cohesive unit,” said Benedetti. “If we feel it works as a whole, we will happily try to accommodate those requests.”

    The band program eventually was joined by music lessons when Benedetti realized how needed it was. Now, the studio employs at least a dozen coaches with all different abilities and talents. While those like Formica and VanDenburg are jumping into the mainstream, 7-year-old Ella Dane Morgan is a student with a different passion — performing on stage. At 5 years old, she was starring with pop sensation Sara Bareilles in the singer’s smash hit “Waitress.”

    “I have reverse stage fright,” Morgan explained. “I don’t really like performing in front of friends and family, but I love performing on stage.”

    Morgan’s mother Laura agreed, explaining she’s had to physically carry a crying Morgan as she pleaded to get back on stage, long after the curtains closed.

    “We were bitten by the Broadway bug at a young age,”said Laura Morgan. “Once she got the taste for it, she wanted in. We sometimes commute between here and the city three to four days a week for whatever she has going on.”

    The young Broadway star has learned so much from her three years of instruction. Laura Morgan said they picked Modern Day Music School because of the school’s command of music — they know what they’re doing.  There are not a lot of roles for children on Broadway, but the Morgans have made it work and the young star has been consistently in her element, doing what she loves most.

    “I’ve learned to belt by opening up my mouth like a cave,” Ella said. “I pretend I’m stuffing all of these marshmallows in my mouth. It’s helped.”

    Another belter, 11-year-old Ashlynn Boyce, has been working on the same techniques. The two-time winner of Clifton Park American Idol has always known she could sing, surprising even her parents.

    “I was shocked when I first heard her,” Boyce’s father, Jesse, said. “None of our family has this skill and she can command it so well.”

    Boyce has been attending Modern Day Music School for two years. Having just relocated from Pittstown, Boyce and her dad were passing through one day and she saw the sign for the school.

    “I just knew I wanted to go here,” she said. As shy as she is, she knows what she wants. “I had a feeling about it.”

    Jesse Boyce put all his trust in Benedetti. Soon Boyce, who was sent home early from Clifton Park American Idol the first year she tried out, was in command of her talent like never before.

    “She can be so successful at this,” he said. “You just want the best for your kid. No place is perfect, but this is pretty close.”

    Boyce said her warmups have completely changed her. They help her get ready for the big notes she loves to hit, ones she hopes to sing with Demi Lovato someday. Two years later, she still wants to go here. It’s become as much of a sanctuary for her as anyone.

    Students like Boyce are how the teachers summarized what they feel the school does for students. The initial intimidation of coming in and bearing a part of your soul that many are self-conscious about — even those who know they have talent — is overridden when they step into that studio and feel validation about something they’ve worked on for so long.

    “It’s music. That’s what we know,” said O’Donnell. “It makes sense for us to teach it. We are simply the vehicles for these kids to hone in on the thing they love so much.”

    Tony Garza, the jack of all trades of the school, agrees. Garza teaches guitar, bass and ukelele. He is the head of the school’s Little Rockers program and is the rock school director. For him, it comes down to helping the students learn important life lessons, like they have to be ok with not being perfect.

    “I always tell my students they are good, they are special and they are worthy,” Garza explained. “I want to help them find their voice.”

    Katie Johnson, another vocal coach and the song writing teacher, agreed. “Music has changed the lives of these kids, and they’ve changed all of us,” she said. “They come in not believing in themselves and they find who they are through the music.”

    The teachers are assisted by the helpful Benedetti and Cailin Burke, the studio manager. Burke explained students are not just randomly assigned — rather, the studio takes the talents of each individual into consideration and pairs them with the coach that can address those specific needs.

    “No curriculum here,” was echoed by every single employee of the studio. Benedetti added, “We use music that the students want to learn about to construct our lessons. If they love Taylor Swift, we will visit her music and learn notes, harmonies and how the song is constructed. We want to make learning fun for these students. Curriculum is great, but we want to take an individualized approach to each student. This is not one size fits all.”

    Eighteen-year-old Formica, 17-year-old VanDenburg and 15-year-old Cassie Cenzano are on their way to superstardom. All three said they owe so much to their coaches; while it’s taught them how to sing, it’s also taught them how not to.

    “I hate it when people come up to me and tell me how they’ve never taken lessons,” said Formica. “We take pride in our lessons because they’ve taught us how to maintain our voices. Not taking lessons is great, but when you accidentally blow out your voice because you didn’t maintain it, that’s definitely not fun.”

    Formica and Cenzano landed at Modern Day Music School around the same time, right after the school opened. Formica is a rock powerhouse, effortlessly having both the voice and stage presence to make audiences question why rock went away. Cenzano is influenced by the sultry vocals of Adele and Stevie Nicks, a stark contrast to Formica. VanDenburg finds her influence in singers like Celine Dion and once said she prides herself in the ability to sing ballads “decently well.” As her recent appearance on “American Idol” has shown, she was maintaining the level-headed kindness and humility all three girls embody.

    “Moriah was actually the one who encouraged me to come here,” said VanDenburg. “I think that’s what sets this place apart from everywhere else. It’s welcoming, it’s chill and our coaches genuinely want to get involved in our lives and provide the support we need outside of this.”

    Cenzano agreed. Her low, soothing voice articulates her gratefulness to the studio for its ability to reach out to her. She’s in the studio too, working as hard as her peers.

    “The key to these lessons is listening and taking it all in,” she said. “We all practice a lot. We’re open to what we’re being told. We want to learn.

    “Being a musician is always in you,” Formica concluded. “True artists, like the three of us and those who are here with us, love music in all of its forms, and we love that we can make our own music.”

    Benedetti chalks up his impressive staff and students to the “vibe” he puts out. While they frequently get applications for new employees, Benedetti said it’s so much more than having the ability to sing or play.

    “If you can come in here and you have the talent, great,” he said. “But the vibe is so important. We want to create a modern, safe, welcoming space. We want to give our students an experience, not just a lesson.”

    Modern Day Music School is actually looking to expand its team, with Benedetti promising new staff members will have the qualifications, vibe and personality its customers have come to know and love.

    “When we are told by parents that their child is excited about that 30-minute lesson, I know we are doing something right,” he said. “It’s 30 minutes, once a week. Yet, the students long for the time here. They have siblings come and hang out while they practice, and we provide a space for them to grow too with whatever they need.

    “I know we are doing something right when we see these kids so happy,” he concluded. “We want things to make sense for each individual student, and we think we’re achieving that.”

    This article was originally published by The Spot 518, is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSMusic. TheSpot518 and NYSMusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com