NYS Music 20​19

Author: Dave Ostroff

  • Hearing Aide: BURLY ‘Self Titled Demon’

    Slow down, stay a while and unwind with something like you have never heard before. Troy, NY natives, BURLY, have created a lush, warm and plain relaxing collection sure to help you let go of the days struggles – sinking into your chair for a spell. You won’t find anything else like it, and it just might be your odd cup of tea you never knew you needed.

    The album is laced with jazz, folk and indie influences with poetic lyrics layered over the top of each track. They’re literally poems. The “Infinite Broken” lyrics are lifted directly from one of the non-performing member’s own poems. Lyrically, it’s intriguing. But what really sets this group apart is the instrument arrangement: jazz inspired percussion, airy guitar, breathy saxophone, thoughtful bass and mellowing vibraphone. This ensemble is reminiscent of pivotal jazz groups and it’s warming to see a modern revival of this set up. That being said, the group is still in their grassroots stages, so there is a lot of experimentation happening here. We find rockish songs, ones with a western feel and some that are plain melancholy.

    We start out with “Branches of Blood” and to be honest, the whole song is perplexing. Highly interpretive lyrics, unique instrumentation and odd time signatures and tempos make the song intriguing, and a bit discomforting. But it’s still very good. It’s obvious that everything is done with intention and diligence. The fact that the group can evoke so many emotions within the songs is incredible. It’s a great way to kick off the album, but as stated before, things keep changing.

    Another one of their best is “Happy Birthday 2001,” a song about a “half-remembered birthday party of a high school friend.” Lyrically, it’s pretty comical because we’ve all been to those awkward parties, finding the piano in the basement and “stabbing at the piano keys,” playing video games and “smoking weed out of a corn cob pipe” and “talking to cousins, trying not to seem like a kid”. Beyond that, we find a style that’s high energy and rockish, a much different feel compared to the rest of the album. Yet, it still holds a jazzy feel thanks to the vibraphone and sax. “Happy Birthday 2001” gives an otherwise cringeworthy story, a light hearted and airy feel. It’s just fun to listen to.

    “Kent Lame” brings the vibe down. Way down. We’re told a story about, what we can only suspect, is drugs use and the effect it has on people. “I met crystal hazard… two days with two friends of mine confused on acid.” One can only assume. It’s accompanied by a very fitting tone – a soft bed of slow and deliberate instrumentation. This is the vein of the group and they’ve mastered it.

    This is one of the most interesting albums I’ve heard in a long time. And although BURLY has done an incredible job creating such a unique atmosphere, I would hope to see more work like “Happy Birthday 2001” in the near future. And whatever you do, don’t get rid of that vibraphone.

    Key Tracks: Branches of Blood, Happy Birthday 2001, Kent Lame

  • Hearing Aide: Harmonic Dirt ‘Anthracite’

    When I first started to pick apart Anthracite by Harmonic Dirt , I did so just instrumentally. The first track really pulled me in with sweet and simple instrumentation, angelic vocal harmonization and a catchy chorus. I dove deeper into the album and started to pick apart each song lyrically and found that it’s somber – Like really, really sad, in a good way!

    Harmonic Dirt was created by Mike Gridley and Susan Coleman, who began writing songs together about two years ago. Coleman wrote the lyrics, Gridley put them to music and sent their creations off to friend and percussionist, Taylor Bucci. They saw the potential they had as a group, went off to record and just a few months later, created a full length album. ‘This endeavor is a testament to the power of confidence, the magic of compatible musical visions, and blind faith,’ said the bands bio.

    They pull inspiration from Son Volt, Wilco, Neil Young and other heavy hitters of the sixties folk-rock genre. Not many aspiring musicians make music like this anymore. In an era of four on the floor song about partying, mumble rap about money and women, or even jam bands playing 15 minute songs, where 95 percent of a track is the guitarist shredding away, it’s good to fall back on genres like this; where we slow down, simplify, and focus on the more somber parts of life. Harmonic Dirt delivers that.

    “Please,” could absolutely be an unreleased Neil Young song – the formula is there. A sweet, major chord progression and harmonica are the ideal welcome-matt to invite listeners into what Harmonic Dirt has to offer.  The chorus is the absolute best part. The groups vocal harmonization is addictive and well done, but it’s a shame this is really the only time we hear it on the album.

    “Anthracite” is another key track. They again capture the sound of the best folk rock artists, with sultry guitar riffs, catchy harmonica hooks and some very somber lyrics. We hear a story about about deceased coal miners? Perhaps, someone working in a mine that has passed? Is it depressing? Absolutely. But it’s good to get in touch with those emotions and to hear about other people’s hardships and loss.

    “Maybe” is another one listeners should spend some time dissecting. We get some flavors of 60’s pop – The Beatles definitely shine through on here instrumentally and lyrically, as we hear about complex relationships. It’s a common theme these days, but stories aren’t usually written in this way. It’s a nice change of pace.

    This may differ compared to what’s being released lately, but it’s worth trying. Sample this album out at the end of a long day, as a way to wind down. It may be a little melancholy if you look into the lyrics, but it’s softened by the peaceful, and simplicity of, instrumentation, which can make dealing with sadness and somber thoughts just a little easier.