Author: Dakota Gilbert

  • Beck and Cage the Elephant Stampede Saratoga

    Beck and Cage The Elephant arrived in Saratoga on Monday night, as it was the next stop in their Night Running Tour, which will conclude at the end of August. The night was kicked off with a bang, as the New York City based Sunflower Beans brought an energetic indie-rock sound, bringing the early-arriving crowd to their feet. Their set was followed up by Spoon, who kept the same pace and energy as the Sunflower Beans, despite being two decades older.

    Cage The Elephant took the stage shortly after the Spoon’s set. The lights all fell, and the Bowling Green native band was silhouetted by the surrounding pyrotechnics. Eventually Matt Shultz, the band’s lead singer, emerged wearing an outfit you’d only imagine from a Cage The Elephant frontman— a grey trench coat, a masquerade mask, a straw sunhat and an assortment of accessories on various satchels donned by the singer. This was the outermost of many (and I mean many) layers that Shultz was wearing. Throughout the set he unpeeled each layer, revealing strange outfit after strange outfit, until he was left in a nude leotard and red short-shorts. These layers of clothing didn’t impede Shultz’s mobility in the slightest however, as there wasn’t a single minute in the 19-song-set that he wasn’t running, dancing, jumping, or leaning hard into each and every lyric.

    Beck and Cage the Elephant
    Photo by Jim Gilbert

    Cage just released their fifth studio album, Social Cues, this past April, so naturally, they played many tracks from the new record, including; “Broken Boy,” “Social Cues,” “Ready To Let Go” and various others. As the set went on the energy of the band never slowed, keeping the thousands in attendance dancing right along. Playing hits such as “Ain’t No Rest For The Wicked,” “Come A Little Closer” and “Cigarette Daydream,” before finally finishing their set with “Teeth.” However, just because the band was done didn’t mean Matt Shultz was. Midway through the last song the singer left the stage and began to make his way through the crowd, and didn’t stop when the song concluded and his bandmates left the stage. Shultz continued on, making his way through the amphitheatre, eventually reaching the lawn, where he crowd-surfed all the way up to the concourse and eventually made his way to the balcony, embracing and entertaining fans the whole way. It was almost 20 minutes after the set that Matt Shultz made his backstage, however, we hadn’t seen the last of him yet…

    After Cage The Elephant’s long and exhilarating set it was hard to believe we still hadn’t seen the main act. But, sure enough, there was another entire set to be seen, and it did not disappoint. Beck opened his portion of the night with an acoustic slide guitar solo, such as one you may hear in an Old Western, that solo transitioned into arguably his most recognized song, “Loser.” Beck’s set was filled with his signature indie-rock-rap music, impressive solos from him and his band, bright lasers and lights, and fans who had not stopped dancing since the night began. The night did slow down for a few minutes, when Beck gave a touching speech, talking about his mother who was in the crowd, the importance of savouring what you have and not taking anything for granted – this did not disappoint the fans though, as they continued to cheer and show their support. Beck then covered the Korgis “Everybody’s Gotta Learn Sometime,” then played his own “E-Pro,” before exiting the stage in preparation for the encore that was surely to follow.

    Beck began his encore with the sound of the iconic guitar intro of “Where It’s At,” leaving no one unsure of what song was being played. Once that was over Beck gave an unexpected but riveting harmonica solo, beginning his 1994 song “One Foot in the Grave.” Following this, Beck invited the Spoon singer, Britt Daniel, to come back on stage and asked him what he song he wanted to play, Britt replied, “Pump It Up” by Elvis Costello, and so that became the third song of the encore.

    Next, Beck invited yet another singer back on stage, this time Cage The Elephant frontman Matt Shultz (who came out wearing yet another exotic outfit, this time complete with a yellow rain jacket and hat). Beck and Shultz sang their recent single together, “Night Running” (of which the tour was named after), followed by a reprise of “Where It’s At,” during which confetti rained from the amphitheatre before the night finally came to an end. 

  • Lil Wayne and Blink-182 immerse New York State in an Enema

    SPAC’s jam-packed July schedule kicked off Monday night with Blink-182 and Lil Wayne coming into town.  The contrasting styles of the iconic pop-punk band and hip-hop legend, Lil Wayne, made the night all the more interesting, bringing in thousands of fans from each performer. Blink-182 is celebrating the 20 year anniversary of their most notorious album, Enema of the State.

    Lil Wayne and Blink-182

    The night kicked off with Welsh punk band Neck Deep.  After their brief, eight song set, there was a 15 minute turn-around before Lil Wayne emerged from the giant Young Money logo at the center of the stage accompanied by a 4-piece rock band. The set was filled with impressive raps with a voice that is identifiable to only as Lil Wayne, solos you wouldn’t see at most hip-hop shows and an audience that was shouting out every bar through the hour long set. However, Lil Wayne never made the night about himself, constantly shouting out his band, fellow rappers and showing love to his loyal fans.

    Lil Wayne and Blink-182

    The intermission between Lil Wayne and Blink-182 was cut off when all the house lights came down and the voice of Jules Winnfield (Samuel L. Jackson) came over the speakers reciting the now iconic Ezekiel 25:17 from Pulp Fiction.  The moment at the end of the passage when the gunshot a fired, the lights shot on and Blink-182 began playing “Dumpweed,” the first song from Enema of the State. The band played the album straight through, as they have at each show throughout this tour. The album is one of the genre’s greatest, including hits such as “All The Small Things,” “What’s My Age Again?,” and “Adam’s Song.” After playing the record in its entirety, Mark Hoppus (bass) came out into the crowd and played a brief acoustic set. Following this, the band paid tribute to Nipsey Hussle, a rapper who tragically passed away earlier this year.

    Travis Barker and his drum set were encapsulated by a spherical cage.  Barker proceeded to play a two-minute solo and began spinning and flipping in the sphere, accompanied by a mini light show.  Blink-182 finished off the night with a few more of their hits, including “I Miss You” and “The Rock Show, before finally closing the show with “Dammit.” Blink-182 brought the same energy they’ve been showcasing for over 25 years, the same energy their fans have come to know and love.

  • Allman Betts at the Strand

    The Allman Betts Band took to the Strand Center, for their fourth ever show, in Plattsburgh last Saturday.  The newly grouped is fronted by Devon Allman and Duane Betts, the sons of Gregg Allman and Dickey Betts of the Allman Brothers Band.

    Allman Betts Strand

    The night was kicked off by Michael Glabicki of Rusted Root who showed off his impressive vocal range before ending with the Rusted Root classic “Send Me On My Way”.

    The Allman Betts Band began their show with “Gonna Fly Now” (the Theme from Rocky) playing, and just as the song hit its climax, the band kicked in and transitioned into “All Night,” a song off their upcoming debut album. The talent in the room was never hidden, both Allman and Betts showcased their pure skill that can only be compared to that of their parents throughout the night. The band covered some Allman Brothers Band songs during their set and they also played an astonishing rendition of Prince’s “Purple Rain.”

    Allman Betts Strand

    The influence that Gregg Allman and Dickey Betts had on Devon and Duane was shown the whole night, while they certainly have their own sound (especially with their originals), they were both able to play their guitars as only their fathers could.

  • Panic! at the Times Union CenterC

    Panic! At The Disco made their fourth stop on the ‘Pray For The Wicked Tour’ at the Times Union Center Tuesday night. Shortly after openers Betty Who and Two Feet performed, all the lights in the arena went dark and a giant 10-minute timer was displayed; the sold out crowd eagerly waited as the clocked ticked down. During this time Weezer’s cover of “Africa” (Toto) was played over the speakers and the 12,000 in attendance shouted every word.  The clock hit 0:00 and the band rose from beneath the stage, followed by Brendon Urie himself, who was shot several feet into the air. Before landing he started the show with their single, “(F*** a) Silver Lining” from their 2018 record Pray For The Wicked.

    Panic! at the Times Union Center

    Brendon Urie is the only original member of Panic! At The Disco, who are entering their 15th year. With people coming and going, Urie has been able to keep his band unique and their sound ever changing:  from the Pop Punk album A Fever You Can’t Sweat Out (2005) to the Sinatra-esque sound of Death of a Bachelor (2016) and experimenting with electronic sounds in Too Weird To Live, Too Rare To Die! (2013).  The one thing that has remained consistent has been the energy and powerful vocals that Urie has always brought.

    As the set rolled on, Urie continually amazed the awe-struck crowd from his smooth dance moves to his impressive falsetto. Around the midpoint of the show Urie made his way through the crowd interacting with fans, thanking them, giving handshakes and hugs as he sang “Death of a Bachelor.” Eventually he ended up at the far side of the arena, where a piano had been placed. He played a cover of Bonnie Raitt’s “I Can’t Make You Love Me,” a song Urie said his mother used to play for him when he was a kid. The piano began to raise up off the ground. When the platform reached its peak, probably 50 feet above the crowd, it began to move back across the arena towards the stage. Urie then performed the soulful “Dying in LA,” from Pray For The Wicked, as he and his piano flew along the rafters of Times Union Center.  

    Panic! at the Times Union Center

    Shortly after the piano arrived back at the stage, Urie picked up the pace moving right into “The Greatest Show,” a cover form the 2017 film, The Greatest Showman. The group continued with their very theatrical performance and more upbeat songs, eventually moving into “Miss Jackson” from Too Weird To Live, Too Rare To Die! During this piece a drum-set rose in the middle of the stage. Urie then played a 2 minute drum solo, finishing it with a backflip off the riser, then immediately moved into the outro of the song.

    A couple songs later a piano reemerged, this time on stage, and Panic! played their cover of the Queen mega-hit “Bohemian Rhapsody.” The crowd sang along with it as loud as the band was playing. Panic! At The Disco closed the night with a three-song encore that consisted of “Say Amen (Saturday Night),” “I Write Sins Not Tragedies,” and lastly “Victorious”. Brendon Urie was determined to impress the crowd at every turn and he never disappointed. It was a night full of theatrical, energetic and powerful music leaving the sold-out crowd begging for more.

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