Author: Chuck DeFilippo

  • Best Of 2019: Best Under The Radar Bands, Uncovered.

    Best Of 2019 Radar

    Welcome to New York State Music’s Best Of 2019, with a twist. Whether you are racing down the interstate, or planing your holiday travels, radar detectors can be extremely useful. For those of you who don’t know me, my name is Chuck DeFilippo, Features Editor of NYS – and I am about to acid-bath you from the glam of national touring acts and replant you in the roots of NYS Music: Underground Bands.

    We have been blessed with so much great music throughout the Best Of 2019. My edge stems from discovery. If a spark fires, it not only excites, but is guaranteed to captivate readers.


    Combing through over 40 votes, only two-and-a-half bands had coupled votes. The Best Of 2019 podium is shared with Consider The Source, Hartley’s Encore, and Mike Powell (with his second vote for Mike Powell & The Black River).

    Consider The Source, a fairly (too) well know group to be considered Under The Radar, breeds music where galaxies collide. The NYC Sci-fi trio combines the energy of progressive rock, Middle Eastern, Jazz-Improv. and psychedelic math topped with Indian spices. Good luck getting through their flavourful artist bio, let alone the first set. Hang on! The Best of 2019 is just getting off.

    Albany’s apocalyptic dance party, Hartley’s Encore, is just one of those bands that cumulates the epitome of NYS Music. Under their own label, Hartley’s Encore, LLC, the band draws influence from a precise blend of new jam band’s and classics: Lettuce, The Rolling Stones, The Meters, Marvin Gaye, B.B. King and Stevie Wonder.

    The weekend warriors mission: making music equal parts soundtrack to your Saturday night & bacon for your Sunday brunch, since their inception in 2016.

    Hartley’s Encore Live – 12/13/19 in Albany.

    Mike Powell snagged the last spot for top-three with votes for his solo act and with The Black River. NYS Music has dubbed him as “One of the premier singer/songwriters in music today,” and we continue to follow him, as he is no stranger to the big stage. From sharing bills with Martin Sexton, to crafting his own art studio, Rising Feather in Cazenovia, NY, Powell is a musician’s musician.

    The most apparent difference between this record (Gypsy Winnebago, 2019) and their first is the vocal harmonies. “I had a long conversation with the band and emphasized how much I felt these songs needed more voices,” says Powell. “There’s something really powerful about human voices singing one message together. The guys obviously have great ears so they grabbed ahold of the harmonies right away and it really brought these songs to life.”

    Mike Kohli – Mike Powell & The Black River ‘Gypsy Winnebago’
    Read more at NYS Music…
    Mike Powell interviews Chris Merkley

    Stay tuned as Mike Powell has a slew of shows, exclusive to New York State booked out through May of 2020. See details HERE.


    Connecticut Is Close Enough, Right?

    New York State Music’s Connecticut duo, myself and photographer Chris Sidoruk, are proud to see bands blooming outside of NY State into the shoreline. From New York City down through Connecticut cities Bridgeport and New Haven, the underground music scene is running rapid. Connecticut’s capital, Hartford, is also a hot bed for Albany and Upstate natives. It’s beautiful how these neighbouring bands and scenes are truly one in the same.

    One Time Weekend @ The Acoustic – Brigeport, CT – Photo By: Chris Sidoruk

    One Time Weekend‘s self titled track (video below), is offsetting from the first full band entrance. You don’t expect it. And it’s so good – so rock, only to be backdropped by a mellow reggae grove – sending you into an internet-search-furry for what else these cats have to offer. Go ahead, explore.

    Other Connecticut votes include: No Mind, Creamery Station and Joon.

    Stay tuned throughout the next few days as we delve into some of the best music, entered around New York State – and beyond. These picks have been curated from our staff and contributing writers to expose you the vast talent of musicians that pass you on the streets and dwell in your neighbouring towns. Each day will introduce new music for you to listen to, but for now – The Best Under The Radar Bands, you’ve never heard of. And that’s a beautiful thing.


    Under The Radar: Discovery

    Annie in the Water – Albany, NY

    Rock Funky Reggae Jam-Fusion with a conscious dose of posivibes. Read More on NYS: The Evolution Of Annie In The Water: An Interview With Mike Lashomb

    Barroom Philosophers – Syracuse, NY

    Energetic, dynamic, charismatic reggae-rock fusion, muddling the barriers of soul, funk, blues and the space-time continuum.

    Bear Grass – Troy, NY

    Folk, rock, and homespun trip-hop that soothes your wounds.
    BushicksBrooklyn, NY

    Bushicks are a REAL Rock and Roll band. There are many imitators out there, but these guys don’t need to fake it. Drawing upon inspiration from our heroes of yesterday, I had the pleasure of recording a band that is building for the future and continuing the spirit of great Rock and Roll music. For a young band, I am excited to hear them grow and I hope you do too.

    Bushicks Engineer, Phil Duke at Continental Recording Studios, Long Island.
    Read more at NYS Music…

    Birkby – Buffalo, NY

    NYS Music’s own, Gabe Birkby, is not only a talented writer and contributor to the site, but his talents shine all alone, onstage, or in his bedroom. NYS writers and contributors wear many hats, to which many of us are musicians, like Gabe. This Best Of 2019 features a beam of light, to shine, and thank all of our staff who continue to follow their passion, while working so hard to bring our readers quality content. With Gabe, he’s totally stripped down as a solo artist with nothing but a microphone, his guitar and loop pedal. Enjoy.

    Folk, Singer-Songwriter, looping guitar, with a captivating voice.

    Brighton Beat – New York, NY.

    Brighton Beat at Peekskill Brewery Takeover – Photo by: Steve Malinski.

    NYC’s freshest Afrobeat-Jazz-Funk Dance Party; The Brighton Beat is a positive musical force for all ages, aimed at getting the crowd dancing. This diverse group combines elements of classic Afrobeat, Modern Jazz, New Orleans Funk, and World Music into their own sound that gets booty’s shaking and the bar flowing, according to the band’s bio.

    C.K. and the Rising Tide – Ravena, NY.
    Indie-rock/Americana band fronted by poet C.K. Flach transcends songwriting norms.
  • In Focus: Phish Dunkin’ Donuts Center Gig Kicks off Fall Tour

    Phish geared up for two nights at Dunkin’ Donuts Center in Providence, RI to cap the month of November. It was long overdue, nine years since Phish had performed DDC. Even more thrilling than the Phish stage presence at Dunkin’, both dates directly infected the community with musical-euphoria, as were fans Friday and Saturday night. Phish, along with the Mockingbird Foundation have donated a $1,500 in tour grants to New Urban Arts in Providence.

    Friday 11/29/2019

    Set 1: First Tube, The Final Hurrah > NICU, Steam > Scent of a Mule, Bye Bye Foot, No Men In No Man’s Land, Gumbo> My Soul, Maybe[1], Sand > Fire.

    Set 2: 46 Days > Back on the Train > Plasma > Farmhouse, Light -> Plasma Reprise > Birds of a Feather, Joy, Simple -> Set Your Soul Free -> Plasma Reprise, Walk Away.

    Encore: Meatstick > Sleep, Driver, Bug.

    [1] Phish debut.


    Saturday 11/30/2019

    SET 1: Turtle in the Clouds, Punch You in the Eye > Llama, Meat, The Old Home Place, Lawn Boy, I Didn’t Know, Maze, Horn, Gotta Jibboo > Stash -> Plasma Reprise > Golgi Apparatus.

    SET 2: Bathtub Gin > Alaska > What’s the Use? > Piper > Golden Age -> Plasma Reprise > Harry Hood.

    Encore: Big Black Furry Creature from Mars > Kung > Wombat, Possum > Plasma Reprise.

    Setlists via Phish.net

  • NYC’s Fever Dolls blur ‘The Distance’ between Music and Art with New Video.

    New York City’s Fever Dolls, a pioneered quintet hinged on being “brash and over-the-top,” are hot off the release of their new music video for “The Distance.” Released this past Wednesday, November 27, the video evokes the limitless nature of modern music with a vintage film.

    Fever Dolls The Distance

    With an endless supply of irresistible hooks and lyrics about sex addicts, according to the band’s website, “The Distance” follows suit. The band’s leading duo, Evan Allis and Renn Mulloy, fuse musical queues that are equally as provocative as the video’s visuals. With each step, or foot traveled, the viewer picks up on a new detail once overlooked – meanwhile, the stereo proves to be growing in complexity.

    “The Distance” is one of the first songs Renn and I sang when we started playing together. It has always been a favorite of ours to perform live and a favorite of our audiences to sing along with. It’s the kind of song that makes people lose their minds and jump for joy.

    Evan Allis

    While we’ve played “The Distance” in different bands and different forms for a few years now (even releasing a version in 2016 with our previous band Iron Eyes Cody) we never felt like we captured the live energy and spirit of the song in a recording until now. We feel like we caught something special with this cut of “The Distance,” and are excited for people to hear it.

    Evan Allis

    The Fever Dolls are no strangers to NYS Music after Sammy Steiner dubbed them as musical populists, transcending as visual storytellers for their release of “Mr. Carver.” They are on the rise with a constantly sharpened sword, ready to disrupt the music scene with a vengeance. Check out “The Distance” on all social media platforms, such as Spotify, where the band draws over 9,000 monthly in.

    Fever Dolls are playing Mercury Lounge on January 12 with West End Blend and Travers Brothership. The show is 21+ with an 8 pm start time. Tickets can be purchased HERE.

  • Exclusive: Moonroof Music Video ‘Trojans’ debuts Tomorrow

    Philadelphia indie-rock trio, Moonroof, will officially release their new music video for “Trojans,” tomorrow – Friday, November 22. The band has set their sights on conquering the music scene, recently winning Radio 104.5‘s 12th Birthday Show, sharing the stage with The Lumineers, Death Cab For Cutie and Grouplove. The 2016 Bloomsburg University inception wrote “Trojans” this past spring and debuted the single in August.

    Unlike the Greek folklore, Moonroof’s release is more synonymous to a lego-horse, or one dressed in vibrant-drag. “Trojans” music video flips the famous tale inside-out, as if the trio is mocking themselves, unconcerned with its reception; they’re focused on their target.

    As lead vocalist Dave Kim walks his band into a movie theater, prior to “Trojans” taking the screen, there is a clear smirk and airiness of joy across his face. After prompting the audience, it is comical that the band does not care if their video is well-received.

    Guitarist, Danny Walsh, and Drummer, Dan Rendine, carry the airy-spring groove the against a white-windowed, underwhelming backdrop. How long did it take you to figure out the trio is missing a bassist? The track release, onset of winter, is ironic but refreshing. As the movie-theatre crowd moves out one by one, the band continues to groove on the pop-electronic narrative, increasing with feeling.

    According to the press release, “‘Trojans’ entails a story of betrayal and heartbreak through a personal experience…the anthem that gets you hyped to finally break off that toxic relationship that’s holding you down.” However, Moonroof is onto something bigger here; Make fun of yourself when nobody else will (deliberately) – have fun – be happy – live. And most importantly – follow your dreams.

    Moonroof
    Philadelphia Trio, Moonroof – Press photo courtesy of Effective Immediately PR.

    You can stream “Trojans” on all music platforms, and follow the band social media: FACEBOOK / INSTAGRAM / TWITTER

  • Sister Sparrow & The Dirty Birds Plan Final Shows Before Maternity Leave

    Sister Sparrow & The Dirty Birds have announced a final stint of shows before lead singer Arleigh Kincheloe embarks on maternity leave, with a second baby on the way, due in October. But that has not stopped her from holding true to the nitty-gritty Dirty Bird funk that goes down each and every time the band hits the stage.

    sister sparrow maternity
    Press Photo By Kevin Condon

    The Dirty Birds had just performed a free show at Athens Riverfront Park in Athens, NY. For the last three dates fans will flock to Chattanooga, TN; Jersey City, NJ and a final cap at Brooklyn Bowl on September 14.

    Kincheloe told NYS in a phone interview how it is just time to take a break from the road, rightfully so. However the front-woman stuck out the entirety of her pregnancy touring on the road, where as she did not with her first child. Despite the reactions by some fans, mothers especially, this is a true gift, taking the bands family ties to a second generation. Kincheloe is nothing short of grateful and glowing to be moving around stage with her child. Spiritually, and quite literally, Kincheloe feels her newborn-to-be on stage with her, making for a unique and special run of final shows.

    Arleigh, rocking out with her newborn-to-be in Athens, last Friday.

    Touring vigorously with Kincheloe’s latest realise Gold, the band spent the latter half of 2018 and early 2019 on the road selling out venues, including the accliamed Levon Helm Studios. Gold was produced and co-written in collaboration with Carter Matschullat (Chef’Special, Secret Weapons) at Brooklyn’s DØØM Studio, and made NYS Music’s Best Album of the Year in 2018, below.

    The glimmer of Gold  has caught our eyes. The overanxious wait for another Dirty Bird release had us on edge. In the past three years we have been deprived of the nitty-gritty funk powerhouse and soulful horn section that is Sister Sparrow & The Dirty Birds. While Gold is everything we want, this record is a spotlight on the undeniable front-woman Arleigh Kincheloe, a.k.a Sister Sparrow. This razors edge has captivated fans – a blend between modern-pop shimmer, electronic accents and that Dirty Bird flare.

    Read more at NYS Music…

    September 7  | Moon River Festival  | Chattanooga, TN

    September 13  |   | Jersey City, NJ

    September 14  |   | Brooklyn, NY

  • The Claypool Lennon Delirium Party Take-over at The Cap

    The Flaming Lips along with The Claypool Lennon Delirium upset The Capitol Theatre in Port Chester, NY with an absolute party of stage props, light shows and massive balloons towering the crowd. Riding a unicorn in through the crowd, Wayne Coyne set the bar high for an amazing set to come. The fact that it was a hometown show for Sean Lennon made it an even more special event.

    Claypool Lennon Delirium

    Claypool Setlist: There’s No Underwear in Space (Intro Tape), Astronomy Domine (Pink Floyd), South of Reality, Blood and Rockets: Movement 1 > Saga of Jack Parsons -Movement II Too the Moon, Little Fishes, The Court of the Crimson King (King Crimson), Breath of a Salesman, Boriska, Easily Charmed by Fools, Like Fleas, Tomorrow Never Knows (The Beatles). Cricket and the Genie (Movement II, Oratorio Di Cricket), Cricket and the Genie (Movement I, The Delirium).

    Check out the live stream of the show here!

    The Flaming Lips Setlist: Also sprach Zarathustra, OP. 30 (Richard Strauss), Race for the Prize, Yoshimi Battles the Pink Robots (Pt. 1), There Should Be Unicorns, She Don’t Use Jelly, True Love Will Find You in the End (Daniel Johnston), Feedaloodum Beedle Dot, The Star-Spangled Banner (John Stafford Smith & Francis Scott Key) [Two Takes], The Yeah Yeah Yeah Song (With All Your Power), Are You a Hypnotist??, All We Have Is Now.

    The Flaming Lips Encore: Do You Realise??

    Photos By Chad Anderson


  • Dark Star Orchestra to Pair with Stony Creek Brewery August 1

    New York State is boasting with amazing talent and artists across all genres. Inevitably an overwhelming sea of music has drifted down the shorelines into Branford, CT. This coming Thursday, August 1, Dark Star Orchestra will find themselves split between Stony Creek Brewery and the picturesque Branford River that runs out into Long Island Sound.

    What’s better than beer and Music? In tandem with GoodWorks Entertainment, The Cranky Concert Series, named after the breweries iconic IPA, has hosted several groups ripe in NYS Music’s wheelhouse of regularly coverage. And for those heavy IPA drinkers, the Double Cranky is a must try at 9.5% ABV. So kick back, relax and jam on as Dark Star takes you on a trip, that you can sip along to.

    The show is 21+ with tickets ranging from $45 to $97 for VIP with open bar on the brewery’s second level, with balcony viewing. GA tickets are standing room and food trucks will be available. Doors at 4:30pm and the show kicks off at 6:00pm, rain or shine. Stony Creek Brewery is located at 5 Indian Neck Ave. in Branford, CT.

    We work with a company called GoodWorks who books all the talent, we’ve done a couple concerts with them so far and its been amazing. The fact that we have such an amazing location on the water; and we have gotten so many more people that would not have normally come to the brewery before to see great music.

    Ali Turnbull, Event Coordinator – Stony Creek Brewery

    Unbox, Dark Star Orchestra; a continuation of spirit, improvisation and the greatest acid-trip, that ever was, the Grateful Dead. In the midst of digging, we teleport back to the sounds we fell in love with in 1965, obsessed over by ‘69, and post ‘96, we’re left, only aching for more. Dark Star (DSO) is NOT a cover band. They give birth to all that is Dead, then reinterpret it in modern day. DSO is a time capsule – like the vivid memories, postcards and totems we buried long ago.

    Chuck DeFilippo
    Read more at NYS Music…

    Dark Star Orchestra is the idiom of self-expression. In true honor of the Grateful Dead, DSO has made this genre all-inclusive – pulling from rock, jazz, country, The Beatles, Chuck Berry, psychedelia and blues. For Koritz, the list goes on. A melting-pot would be far too mundane to describe this stew.

    Their testimony goes out to Deadheads and non-cult listeners alike. There is a common thread that weaves through our mind and ears. It’s music. “They hear it and say WOW” added Koritz. “Pretty much everybody will find something.” And when you get confused, just listen to the music play.

    Stony Creek Brewery
    Citizen Cope at SCB with beer, music and good vibes. Photo by: Alessandra DiFortunato

    Vermont heavy-hitters, Twiddle, will be keeping the brewery-party alive on August 29 & 30 apart of Stony Creek Brewery’s Cranky Concert Series.

  • WAR: Doctors of Music To Harmonize MLK’s Manhattan Square in Rochester

    We, the people, live in a world of deception and violence, plagued with its unknown burden at every corner. What is so beautiful about the human race, is that we are natural born fighters. Hence, we must wage WAR. Our allies, the multi-platinum, genre-less fusion group WAR, have been by our side since their inception in 1969. You are familiar with their renowned hits “Why Can’t We Be Friends,” “Low Rider” and “The World Is A Ghetto.” Fifty years later, and more than 50 million records sold, founder and last standing original member, Leroy “Lonnie” Jordan is rooted in the bands original message of peace, the people and love.

    Paralleling messages of Martin Luther King Jr., it is extraordinarily special that the band will be performing at King’s Memorial Square in Manhattan Park in Rochester, NY on Thursday July 25. WAR will headline alongside stout openers Taz Niederauer and Grupo NextLevel apart of Five Star Bank’s Party in the Park series. Tickets can be purchased here or at the doors for $7 –  VIP, season passes and amenities available, where kids 12 and under are free. Bazaar in the Park, a collection of rotating local artists and vendors selling unique wares across from the fountains will return as well.

    war
    Lonnie Jordan @ Paramount Hudson Valley in Peeskill, NY. Photo By NYS’ Mickey Deneher.

    “People can remember that this gentleman, Martin Luther King, was a non-violent. Thats bottom line. He had the same message we did through our music. He was a doctor of communication and a troubadour himself. He preached NON-violence, that’s the key. The fact that he could get so many people together to march and express that, and show that you can stand up against violence when you’re together as one – totally for peace. 

    WAR was well ahead of their time back in 1969, so much that their sheer versatility hindered them, unable to be classified for any awards or music recognition. Their timeless approach and harmony proved in the long run and has earned WAR the title of the first and most successful musical crossover phenomenon, that forever fused rock, jazz, Latin and R&B, while transcending racial and cultural barriers with a multi-ethnic line-up.” Lonnie didn’t even think their music would play on the radio, in shock.

    war
    WAR @ Paramount Hudson Valley. Photo By NYS’ Mickey Deneher.

    Multi-instrumentalist Lonnie Jordan has been a last-standing original member for over 20 years – keeping the essence of WAR alive. “We’re still a jam band like we were back then. I still feel blessed by the people that stayed and supported us over the years. Thank God we have different genres of music that can put us on any stage at any time. It’s been a good ride, and I don’t plan to drop anytime soon [chuckling]. This is my healing power – for me and the people – I am a doctor of music. 

    Lonnie dubs WAR as universal street music, which is way beyond the mass of categories that the band carries. 

    WAR Press Photo by Dan Atiliano.

    “This goes into the universal. Even other aliens from other planets can groove off of our music and understand it. That’s all it is: grooves and messages. Our Rock and roll hall of fans [the people and fans] – they put us here and can take us out.

    Lonnie Jordan, WAR.

    With age comes experience and Lonnie definitely has some stories to tell, all of which are built and prided in his people. When Lonnie speaks of the people, better known as the bands’ rock and roll hall of fans, there is no doubt Lonnie is speaking to the world in its entirety – down to each molecule, to the stars and beyond. “Just like Jimi Hendrix used to say: are you experienced? Well, we took that message and said: yes we are experienced – because everyday is a new song. We realized it everytime we go into the studio, our engineer would turn the tape on and we would just jam,” said Jordan. In fact, Lonnie said that Hendrix jammed with them back in the day, including the night before Jimi passed. 

    Everything shapes WAR and Lonnie himself. From listening to his mother play old classics from Jimmy and Tommy Dorsey, Harry James, Glenn Miller and all of the bands serving our country as far as entertaining the troops, to old black and white films, Lonnie was on the hook. He broke out into Frank Sinatra’s “Laura” after mentioning the title and drifting off into a melody across the phone line. 

    A pivotal song inspiring Lonnie, as well as black and white films, humming across the phone.

    “All of these movies had beautiful love stories, and they had beautiful music – and that is what inspired me. I was a couch potato as a kid – laying on the floor right in front of the TV (with no room on the couch). After pretty much being tortured by four brothers, and you’re the youngest , all I did was cry. And my brothers used to always tease me and say: Oh yo- you gonna be a singer; you scream loud. And indeed I did,” said Lonnie, reminiscing with spurts of laughter. 

    Lonnie connects with his rock and roll hall of fans. Photo By NYS’ Mickey Deneher.

    From there Lonnie stuttered on a backlog of musical influences from: Ray Charles, Elvis Presley – when country western music was actually country and western, Ray Price, Bill Evans, Coltrane, Monk, Billie Holliday-types, James Brown, and a slew of Latin influences from Tito Puente and blues acts Jimmy Reed and Memphis Slim. The list goes on, including Bellafonte, “when it wasn’t even called reggae – it was calypso. That’s what I brought to the table back in the day, bringing all these genres together in one salad bowl – that is what WAR is all about,” said Lonnie.

    WAR’s Mission states: Our instruments and voices became our weapons of choice and the songs our ammunition. We spoke out against racism, hunger, gangs, crimes, and turf wars, as we embraced all people with hope and the spirit of brotherhood. It’s just as apropos today. Lonnie takes this one step further. 

    “We We were raging against wars – a sign of the times. The Vietnam war was raging so we said: hey we are gonna call ourselves WAR – our basis behind it is to wage war, to stop the war and to stop wars in our own neighborhood back in those days. And just let people know they do have a choice not to use guns and bombs, (rather) to use love, or for musicians use your instrument to shoot out rhythms and melodies and most of all harmony – harmony bringing people together; it is also apart of music. We are doctors of communication. Thats how we express ourselves.

    “Turf all looks the same. The ground all looks the same. The jungle, concrete, all looks the same. If you asked me to categorize it – I can’t – I conveniently do not remember, especially at 71.

    Lonnie Jordan

    Unfortunately the bad people [in this world] outweigh the good; the only way the good people can stand strong, and stronger, is by coming together with peace because love outweighs people – bottom line.” 

    ‘It’s all the same’ – Photo By NYS’ Mickey Deneher @ Paramount Hudson Valley in Peeskill, NY

    Be sure to catch WAR this Sunday (7:30-8:30 Set) at Great South Bay Music Festival, and stay tuned for our set coverage on War!

    See NYS’ Complete Festival Guide

  • Brooklyn’s Shiragirl Empowers Female Musicians with Punk Edge: The Post Warped Interview

    Shira Yevin, better known as Shiragirl, upset The Vans Warped Tour atop her pink tour bus in 2004, so much that the following year she was given her own SHIRAGIRL stage to curate the amazing female talent in the industry. Since, she has been drawing fans with her edge and overwhelming personality – full of energy. So infectious that she has shared the stage with Joan Jett, NOFX, and Rancid, whom she is currently working on her upcoming album with. 

    “I’m Stoked to be playing the Warped 25th Anniversary in AC. I lived in Brooklyn for a long time, but I am originally a Jersey Girl, little known fact, so it’s pretty cool to be here.

    Shiragirl
    Shiragirl. Photograph by Lisa Johnson – Rock Photographer. All Rights Reserved.

    I’ve played in a lot of awesome, fun Jersey shows and obviously all the Warped Tours over the years. In Jersey we would do a lot of basement shows and in New York it’s about the clubs. I love New York City, it’s my favorite city in the world.”

    Shiragirl just released a new single on Tuesday, July 2, called “Nothing to Loose” off their upcoming EP, Andi Underground. Produced by Rancid’s Tim Armsrong, the album weaves a mysterious concept loosely inspired by Alison in Wonderland. “It’s a dystopian tail where black mirror meets the runaways,” said Shiragirl. The album was recorded at The Boat studio, mixed by Cameron Webb and mastered by Andrew Alekel. Shiragirl features co-performers Raine Palladino and Leanne Bowes.

    Finally, Andi’s crew hacks the system and takes down the 
    filter software, and all that it upholds: social control, apathy and compliance. Now the people are free to see reality how it 
    really is, rise up, empower themselves, and most importantly, do as they please.

    Depicting “Creepin” – Andi Underground (To Be Released July 19).
    “Nothing To Loose” when Andi follows Rabbit down a dark hole to an underground world.

    “This is the character Andi Underground,” as she pulled a pair of anime-esque stickers out of her bag and showed me. “It’s about this girl that runs away from home and falls into an underground world and decides she needs to save everyone. I’ve always loved Alice in Wonderland. There’s a lot of different ways you can spin it; a lot of metaphors.”

    The record is also inspired by our current political climate. “I feel that as much as we escape into TV and movies talking about futures, it is here already. Technology controls our lives, there’s a lot of things happening in the news where one could say we’re already in borderline dictatorship. There’s a lot of scary things happening so the record is an artistic way to make a statement about what I think, or dangers of the cultural norms that grow from being so technology based.”

    “I think its hard in the social media day and age you have to put everything out there, you have to be on it – on it- on it. It’s hard to live in the moment with that, but constantly sharing content, music, videos and sharing, speaking to the fans and being connected to the fans. It is so cool to meet people after the show, just to feel like we made their day better is a great feeling.”

    “It’s amazing to see how the tour has grown and affected so many people,” said Brooklyn’s Shiragirl. “To be apart of this is a huge honor – there are so many amazing bands. We are super stoked to be apart of the final chapter. Last year we were lucky enough to bring back the stage for the final full cross country tour. I just have nothing but great things to say about Kevin Lymann. I wanna be like him when I grow up.”



    Part 1: Time Warped: Saturday Storm Warning In Atlantic City

    Part 2: Vans Warped Tour: Sunday On The Beach

    Connect with SHIRAGIRL on Facebook, Instagram and Twitter.

  • A Trip through 1969 with Author Sea Gudinski

    Each new day is carved under the shadow of yesterday in the light of our hope for tomorrow. Our environment, society, and culture are forged and shaped by memories, some more recent than others. In 1969, I lifted a single snapshot out of the photo album of time, one that depicts a critical juncture in the world’s recent past.

    Sea Gudinski

    Music is a medium that transcends time, culture and the stories kept – then transformed into song. The crossroads of 1969, music, pop-culture and the political climate grew into a timeless entity for millions – in particular Woodstock. A lifetime spent obsessing over every minute detail of the era would still not prepare you for what author, Sea Gudinski has done with her first novel, 1969: A Brief and Beautiful Trip Back. The high school graduate opted out of college, and in result, this book appears inevitable from her birth. 

    Both Gudinski’s parents lived through the 1960’s; her father was a veteran, musician and immersed in the counterculture of that time. In fact, the 1969 Woodstock experience was “an event that he felt dramatically influenced his life,” said Gudinski in an article by Susan Murphy (seagudinski.com). But how can a young author depict events decades before her time? Perhaps, her parents and surroundings sparked the flame, but six years of calculated, and frankly impressive, research led to all 569 pages appearing in print. It is something your high school curriculum of Jack Kerouac’s On The Road, or Tom Wolfe’s The Electric Kool-Aid Acid Test could not prepare you for. Gudinski was lost in an era, between the pages, and soon, you will be too.

    1969: A Brief and Beautiful Trip Back begins behind the eyes of  the naïve Rhiannon Karlson, a female drummer, dreamer and typical-teenager. In the first few pages Karlson lost herself in a dream amongst the Fresno heat. My daydreams always begin with a drumbeat: slow, concise–like a heartbeat manifesting the imagery I conjure up into the realm of reality. At first, that is all I hear–my drumbeat–and then quickly, quietly, the rest of the band begins to fade in. 

    Gudinski overloads the readers stimulus with the precise details and feelings of each object, and character. Tangents on the soup-like air, introspective assumptions of her friends thoughts, and the powder-blue bubble letters on her band’s flyer seem unnecessary or irrelevant. However, the reader soon will lose sight of the words and become lost, dead-center of Karlson’s world. These details paint a tapestry of emotion as they reel on vividly in your mind – the key that will soon unlock Karlson’s world, and yours. 

    Desperate to land a record deal with her band, The Descendants, Karlson is a music-junkie through-and -through, that is, when she is not bickering with her mother. The clash drives Karlson to take a magical crystal substance out of a pink baggie. A silver pipe ‘intricately decorated with motifs that had been rubbed smooth from use,’ sparks Karlson’s imagination as to who used it before her; and where it had taken them. Rightfully so, she is swept up in a dream. For the reader it is hard to differentiate between Karlson’s daydream, a trip or reality. Gudinski does a beautiful job creating a fervor in the hearts of each reader for what is to come. And down the rabbithole we go.

    A specially curated playlist highlighting the music of Gudinski’s novel.

    For NYS Music fans, and musicians alike, 1969: A Brief and Beautiful Trip Back delves into the greats: Janis Joplin, Hendrix, the Grateful Dead, The Beatles, Clapton and more. Hints of Karlson’s musical quest mirrors that of the musicians she idolized and tastefully sounds an era that undeniably shaped the industry for the better.

    Gudinski is passionate and unyielding in her quest to turn ever pebble in the sea of 1969. Nothing goes unnoticed and is explored through a kaleidoscope, ever-changing and beautiful. This book is great for anyone curious – a young teenager, aspiring musician or someone who wants to relive their formative years in the 60’s. It is relatable and enjoyable to the masses. 

    Although,  it would be interesting to debate the thoughts of those who shaped the 1960’s counterculture against Gudinski’s work. All of which would seamlessly collide.

    Not only did the popular books on 1960’s counterculture and beat movement shape Gudinski’s novel, but also films: Michael Wadleigh’s 1970 documentary, Woodstock; Easy Rider (1969); Twilight Zone; and Authors: William Brautigian, Michael McClure, Horatio Alger and more. Remarkably, 1969 hinges on the personal encounters and stories of Gudinski’s loved ones and peers – which makes each page so addictive.

    Although this is Gudinski’s first published work, she has written a total of six books. An impressive debut novel only begs the question: what will Gudinski reach for next? When? Looking up at the stars, limits simply do not exist for the creative mind of Sea Gudinski.

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