Tag: Xotic

  • Behind the Gear: Mike Candela

    Mike Candela is the lead guitarist of the D.C.-based band Of Tomorrow and was previously the lead guitarist of Mister F. Mike brings ripping leads to any show he may be playing, as well as extremely skillful looping abilities as showcased in his cover of Girlfriend is Better by the Talking Heads. Catch Of Tomorrow at their official Funk vs. Bluegrass Umphrey’s McGee After Party in D.C. on Feb. 15th! 

    Guitars & Amp

    2007 Paul Reed Smith Hollowbody II & 2017 Music Man Cutlass Strat

    Supro Royal Reverb 60W 2×10 Combo

    Mike CandelaKeyboards

    Akai Advance 49 & Novation Circuit

    Mike CandelaPedalboard

    Signal Chain-

    EHX Pitchfork > TCE Polytune 2 > Pigtronix Philosopher’s Tone > EHX Micro Synth > Noisekick Almond Blossom > Teese RMC3 Wah > Noisekick Oriole Fuzz > JHS Double Barrel > EHX Small Stone > Xotic EP Booster > Strymon Timeline > Mr. Black Eterna> A/B Box > TCE Hall of Fame > MXR Talkbox > TC-Helicon VoiceTone H1

    Mike Candela
    Behind the Gear: How did you develop your solo show? You have a pretty extensive set up for a one man band.

    Mike Candela: So my one man band set up is actually everything pictured plus a Boss RC 300, and I was heavily inspired by Zach Deputy’s early setups. Basically I needed drums which I get from the Novation Circuit, and keys which I get from the Akai Advance 49. Also the TC Helicon Voicetone gives me some cool harmony effects that correspond to what I’m playing on guitar.

    BTG: How has your new Music Man been treating you?

    MC: This thing is the Strat of my dreams man, haha, the 10″ radius and stainless steel frets make it feel very similar to my PRS, which was refretted with SS by Philtone Guitars in Baltimore MD.

    mike candela
    Photo credit to Matt Way of Moon Daze Photography.

    BTG: What are three pedals on your board that you couldn’t live without?

    MC: The Double Barrel is a really nice sounding 808 clone and a killer Bluesbreaker clone in one box, it’s definitely the foundation of my tone. The EP booster is a great clean boost that’s adds a slight amount of tonal color, but it’s a really great color, I am always using this pedal for solos. The TimeLine allowed me to go from having 3 delay pedals on my board to just 1. The functionality and sound quality is off the charts, and it’s really easy to use live; switching between the different preset banks is a breeze.

    BTG: What kind of synth/keys sounds are you running from the laptop?

    MC: I run a Novation Bass Station plugin to my talkbox and I use the included Akai plugins and VIP software, which groups your VSTs together in a central program that you can control from the keyboard itself.

    BTG: How do you like your Supro Royal Reverb? 

    MC: It’s an amazing clean pedal platform amp. It has a great midrange character that is essentially always there due to the lack of a mid knob, and it’s also got trem and reverb. It also switches between 35, 45, and 60 watts for getting cranked amp sounds at lower volumes, I always run it on 60 watts though since I get all my dirt sounds from the pedals.

  • Behind the Gear: Joe Davis 12/30/17

    Behind the Gear, a new website from Jared Lindquist, covers the fine details of the gear that helps to create a musician’s sound. Each week, NYS Music will bring you Jared’s latest in depth coverage of various musician’s gear.

    Joe Davis is the guitarist of Albany-based band Formula 5. Joe is one of the most precise players on the scene, shredding with a tone so wonderful that you can’t help but smile. He brings the heat every time he takes a solo, and can settle into any groove the band throws at him. Check out his playing on Formula 5’s recent live release from November 24th.

    Guitar

    2012 Gibson SG ’61 Reissue

    Joe’s SG has some serious meaning to him, saying, “It was gifted to me by my Father and has accrued some serious road rashes, including having its headstock snapped off after a show in Canadaigua, NY. It was repaired by Dan Neafsey who built Mihali’s (Twiddle) guitars and speaker cabinets amongst other things in his rig and Zdenek’s (Twiddle).”

    Amp/Cabinet

    Amp: Traynor YBA-1 Bass Master (ca. ’72-75)
    Cab: Fuchs 2×12 w/ Jensen Jets (Debadged)

    Joe runs a pretty impressive head and cab, saying, “My amp setup hasn’t changed much over the last few years. I use a Traynor YBA-1 Bass Master head, which based on the serial number I can date to roughly 1972-75. It’s an old amp and it’s using the original tubes that were in it when it was gifted to James (bassist of Formula 5) from a friend’s dad. Not sure on the model but they are old and sound GOOOD! The head actually needed to have the original ungrounded power cable removed and replaced with a grounded one after it got wrapped around a tube during a show at Mojo’s in Jamestown, NY. Ryan Nogle, gear wizard and former drummer of AQ fixed it for us and we had a good time trying to get the head out of the enclosure chasis. Let’s just say the things a tank and they don’t make em like they use to. My Cabinet ironically is also owned by James Woods and was formerly owned by Andrew Chamberlaine the original guitarist of Mister F and Timbre Coup. Andrew hooked it up with the road case too. That cabinet is a huge part of my tone, loaded up with two Jensen Jet speakers rated for 100 watts each. The thing can SCREAM whilst being buttery smooth.”

    Pedalboard

    Quick note from Joe, “Missing from my chain currently is my Fulltone Deja Vibe, which is on the mend, and my Electro Harmonix Switchblade + A/B Switch that switched between just my amp and the Motion Sound Pro 3 Rotary Speaker.”

    Signal Chain

    Dunlop 535Q Wah > Digitech Whammy II > Ibanez CP-835 Compressor II > Ibanez TS-9 (no mod) > J Rocket Audio Archer Ikon > Xotic Effects EP Booster > Pigtronix Echolution 2 Deluxe (with Preset Controllor) > Mad Professor Silver Spring Reverb
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    He says that a huge part of his tone is the vintage gear he uses, especially his Ibanez CP-835, “The Ibanez Compressor I received as a gift from my sister, Shannon, for Christmas the year I joined Formula 5. Being a huge Trey fan my entire life, I was searching for a set and forget, always on, comp that would smooth out my clean tone and give a lil more transparency to my fully saturated TS-9 tone whilst adding sustain. Another thing I was looking for was a comp that was very quiet during operation. Most comps I tried had a lot of noise and hiss when engaged. A lot of that is to do with requiring 9V power; this old beast, which dates to roughly 1981 and is an original model, runs on an 18 V 1/8 inch power supply and is eerily quiet, even with the sustain rolled to 5. I don’t use it to squash as my sustain knob rests at 9 o’clock, but I use it to boost the signal from my guitar to my amp just a tad to really brighten the attack. That pedal is never off and is a huge staple of my tone.”