NYS Music 20​18

Tag: wurliday

  • Best Of NYS 2018: New Bands On The Block

    Its that time of the year again. We have been blessed with so much great music throughout 2018 and it will be impossible to cover it all. Stay tuned throughout the next few days as we delve into some of the best bands, albums, festivals and towns in New York State – and beyond. These picks have been curated from our wonderful staff to expose you the vast talent of musicians that pass you on the streets and dwell in your neighbouring towns. Each day will introduce new music for you to listen to, but for now – the good stuff – THE BANDS.

    Best Under the Radar band from New York

    Witty Tarbox

    The Buffalo=bred indie-surf ensemble will celebrate their two year anniversary on New Year’s Day. Their first EP The Adventures Of Schmitty: Issue #1 V. Rare puts an edgy twist on Upstate’s jam-band culture. Listening to “Schmitty & Bags” will open up an electrified rabbit hole, riddled with screaming guitar, thunderous toms and over-the-bar groves. Witty Tarbox is multifaceted, dumping all your musical inspiration into a blender where none of the flavors get lost. Instead, they have their own layered place in the mix, complemented by unorthodox instrumentation. Crack one open and find out for yourself.

    Escaper

    After discovering Brooklyn’s Escaper, you will be gridlocked centerstage wondering: What the hell just happened? Escaper released their second studio-album this year, Edge Detection, that detonates musical genres and resonates through the shrapnel. They are the explosion – a mess of sounds that shouldn’t fit together, but they do. It’s exhilarating. Ironically, there’s no escaping. From smooth jazz-saxophone to a vortex of organ, arena-rock guitar and metal-esque drum fills, Escaper delivers. Edge Detection captures their free-form performances and jam roots that make you almost-obligated to the live experience. Escaper has only been around for a few years, but have shared the stage with John Fishman (Phish), Galactic and Aqueous and are taking New York State by storm.

    Best Under The Radar Bands: Discovery

    Cold Lazarus: Reggae-infused intellifunk jam rock – Jamestown, NY – Est. 2017

    The Goodnight Darlings: Indie-pop rock – New York, NY

    Dirty Blanket: Dirty string-slingin’ bluegrass – Finger Lakes Region

    Groovestick: Powerhouse funk trio – Albany, NY

    Intent To Sell: Hip-Hop/Rock – Buffalo, NY

    Rootbrew: World-beat infused americana – Rosendale, NY

    Mike Powell (& The Black River): Renegade-Folk Songwriter – West Carthage, NY

    Space Bacon: Jamtronica rock quartet – Brooklyn, NY

    Wuriliday: Soul-funk goodness – Albany, NY – Est.  2017

    Best Band EVERYONE Should Be Listening To

    Phish

    Like them, or not, Phish remains a staple in the world of jam-band music. It is expected that they swept the competition for Best Of. It’s the simple fact that: they have done it before. From books, boxsets and fanclubs, the sea of Phish is endless. Start swimming.

    For you newbies, swing on over to your local Ben & Jerry’s and pick up a pint of “Phish Food,” and indulge. Again: it’s been done before (hint hint). Go to LivePhish.com and listen to every live performance with a click. Your marshmallow-fudge covered lips will grin when you realize who that cutting-edge band got the idea from or when you recognize that solo-lick, jamming in your parents basement.

    “The intention that this band is so great at, is to stop thinking,” said Mike Gordon. It is the reason Phish was, and still is, the example in jam-band culture. They remain at the top because they are captivating and, in-truth, one could argue that it is you, the Phans, who are propelling their motion. “When we feel a surge, we surge, it happens all the time. Thunder will happen or lightning and I’ll hear the crowd go Wahhhh. Then we just ramp up,” said Trey Anastasio.

    Phish is set out to do another New Year’s Eve run at Madison Square Garden starting on December 28. Phish made their debut at Madison Square Garden in 1994. The four-day run sold out, expectedly so, and will mark 60 Phish performances at The Garden as we break into 2019.  Catch more details on Today’s (Monday) SiriusXM ‘Ask Trey’ on Phish Radio, Channel 29.

    Best Live Cover or Tribute Performance

    Pink Talking Fish

    Founder and bassist, Eric Gould came up with the idea of a fusion tribute to three of his most beloved bands: Pink Floyd, The Talking Heads and Phish. The intent is to “heighten people’s passion for music by creating something fresh.”  Collectively, the musicians of Pink Talking Fish are equally inspired by these crossroads, as are their fans.

    “If you enjoy the adventure of music, this is its epitome” said Gould. Pink Talking Fish embarks on a musical journey filled with rhythms you already know and love.

    In their rendition of Phish’s “Makisupa Policeman,” PTF incorporates Pink Floyd’s “Brain Damage” without straying from Phish’s Reggae feel. The band is further driven by the concept of setlists. Gould has always been intrigued by the construction of sets and how they influence the audience. Setlists are “musical candy to read on paper. And people are salivating over it.”


    Setlist: Speak To Me, Breathe, Down With Disease, On The Run, Thank You For Sending Me An Angel, Time, Mike’s Song, *Great Gig In The Sky, Weekapaug Grove, ^Money, ^*Take Me To The River, ^*Us & Them,  ^*Any Colour You Like, Ghost, Down With Disease Reprise, Once In A Lifetime, Brain Damage, Eclipse

    Encore: 18 ^*Julius
    * w/ Elise Testone on Vocals, ^ w/ Matt Wayne on Sax

  • It’s a Funk Night Ugly Christmas Sweater Party in Albany on December 13!

    On December 13, celebrate a Funk Night Christmas with an Ugly Sweater Party at Parish Public House in Albany! Join the band and sing some Christmas songs at this special holiday rendition of NYS Music’s Albany Funk Night! Take $5 off the cover charge when you bring a toy for our Jam for Tots drive.

    The Funk Night Christmas lineup includes Hayley Jane, Beau Sasser (Kung Fu), Chris DeAngelis (Kung Fu), Justin Henricks (Wurliday), and Bryan Brundige and Phil Chow (The Chronicles). Tickets and more info are available here.

  • Wurliday: A Whirlwind of Funk to play Hollow Bar Albany

    Albany’s Wurliday will fill The Hollow Bar in downtown Albany on Saturday, November 10, for the final release of a two part EP-series, Bedtime Blazer.

    Bedtime Blazer Vol. II is a more-produced studio effort, where core bandmates come together in full fruition. In comparison to the 2017 EP, the six-track response takes a risky and adventurous leap. The music pushes and pulls constantly around soulful lyrics and enticing melody.

    “The idea behind Bedtime Blazer Vol. II was collaboration; taking a Steely Dan approach and making a record featuring special guests,” said bandleader/songwriter Justin Henricks (Beau Sasser’s Escape Plan/The Chronicles). “From the moment we step on stage I become another piece of the puzzle, but it has been really cool to see the band transform into something we can take on the road. In the grand scheme, we all do our thing and I am just there to drive the ship.”

    The opening track “Mill House” is infectious; Wurliday’s energy cannot be concealed. A guitar slide-in and hi-hat backbeat leaves the music weighted in your chest – juxtaposed to airy funk-guitar licks and spunky bass, as the full band takes force. The sound is refined and booms throughout your body. Synth spurts and complementing pads color higher frequencies, while drums texture the groove with up-beat ride bell and hi-hat splashes.

    “For the first record, the band was all playing in a live room together, right to tape. It was raw with track bleed,” said Henricks. “I was excited to embrace the studio in Vol 2. We really used the recording process to our advantage – for a more isolated, more produced, sound. We got deep into synth parts, layering guitars, strings and vocal harmonies.”

    Despite the synthetic creation, Bedtime Blazer Vol. II captures the essence of Wurliday live, wholeheartedly. The evolution of Vol. II is a realtime sight-window into Henrick’s effort with his new adventure. Each song brings a new vision, panning-out on the bands’ boundless limits.

    “Give It Up” is a tight-driving funk-rock track, spotlighting Girl Blue’s (Arielle O’Keefe) soaring vocals. Whereas, “Who Are You Anyways” is vibey – complemented with a pocket-sealed shuffle on drums. Girl Blue’s voice stands firm in the track at intimate and forte levels, while the rhythm section floats with the tide. Both songs were co-written by O’Keefe and Henricks, in addition to “Mill House” and “Take Me There.”

    “Clyde,” which was nothing more than an interlude track, morphed into one of Henrick’s favorites. It features master-talkbox and multi-instrumentalist Steveland Swatkins, who is relentless. “We had a little riff at the studio and I didn’t think much of it,” said Henricks. “I asked Steve if he was down and it just came together organically.”

    The collective of Bedtime Blazer Vol. II does not stop there. Both parts of Bedtime Blazer were recorded with Alan Evans at Iron Wax Studio in Millers Falls, MA. Vocals were recorded in a ‘dope attic studio,’ where Henricks used to live and Keyboards were tracked with Paulie Phillipone (West End Blend) at Funkhaus Nebularium in Hartford, CT. “We spent several long days tracking keyboards and live guitars, as he [Paulie], likes to do,” added Henricks. The Jazz-Funk group takes on Pop-Punk influence from longtime friend and State Champs frontman, Derek Discano, who has producing credits on the record. Henricks coins him as a ghostwriter. “It takes a village, man.”

    “The strengths in our band hinge on sticking true to the art of songwriting and having a really strong chorus’. There is depth and meaning in our lyrics that will get you dancing,” said Henricks. “Of all the songs we know and love, you could sing one back to someone immediately if asked to – because they have strong melody and lyrical content. We bridge that gap. It’s music we can all eat and get behind; while creating, being innovative and making something you can believe in – all at the same time.”

    Bedtime Blazer Vol. II was released this past Friday in-junction with a show at Arch Street Tavern in Hartford, CT; tying in Henricks’ roots as a Hartt School music graduate. A second show followed in New Haven, CT at Pacific Standard Tavern which was a mass of wind. This trifecta of shows roots Wurliday in the musical ecosystems to which they were born, and will take it all home for their Albany show next weekend.

  • Scumdog Millionaire$ plan Inaugural performance post-Disco Biscuits in Albany

    After The Disco Biscuits wrap up their two-night run at The Palace Theatre in Albany, head down to Parish Public House for an after-party featuring the debut of Scumdog Millionaire$. Born out of Funk Night in Albany, the inaugural affair will focus on exploring the sounds of wild improvisation amid heavy grooves.

    Scumdog Millionaire$ features Rob Compa (Dopapod), Adrian Tramontano (Kung Fu), Beau Sasser (Kung Fu) and Justin Henricks (Wurliday). The show starts at 11:30pm and goes late – $10 cover at the door. More info can be found here.
    Scumdog Millionaire$

  • Catch Phunk Night after Phish in Albany on October 16

    Funk Night becomes Phunk Night on October 16 when Wurliday and NYS Music host a Phish After-Party at Parish Public House in Albany, just one block away from the Times Union Center and right after Phish wraps up Night 1 of their Fall Tour.

    Phunk Night features Natalie Cressman (Trey Anastasio Band), Chris Bullock (Snarky Puppy), Beau Sasser (Kung Fu), Adrian Tramontano (Kung Fu), Chris DeAngelis (Kung Fu), Justin Henricks (Wurliday), and Ilana Morris (Wurliday). Tickets are on sale now and this event will sell out. Tickets are $15 in advance and $20 day of show. More info and tickets can be found here.

    phunk night phish albany

  • Photo Gallery: Wurliday and Super Doppler at Troy’s Rockin’ on the River

    Rockin’ on the River in Troy hosted Albany’s Wurliday on June 20 for some lively funk and soul, with guest vocals by Tyrone Hartzog and Ilana Morris, and led by Justin Henricks on guitar. Super Doppler followed with their brand of country rock and roll from Norfolk, VA, who perform later this year at The Sloss Music Festival in Birmingham, AL.

  • Hartley’s Encore discusses the Albany scene, working with Alan Evans and Titanic connections

    I first caught Hartley’s Encore late last year when they performed at Guthrie Bell’s 25th anniversary show at The Hollow. Funk is on the rise in Albany, and Hartley’s Encore honed in on the reason why – the influence of funk forefathers Soulive whose albums are influencing the next generation of funk musicians. Their self-titled debut album is an alive EP, all killer, no filler.

    The core of Hartley’s Encore – Luke Malamood, Jeff Nania and Chris Oliver – graduated from Guilderland High School in 2003, but their playing together goes back to the early 90’s when they were in first grade and Luke learned to play piano at Jeff’s while Jeff was learning trumpet. The core of Hartley’s Encore, Luke Malamood (keys/vocals), Jeff Nania (saxophone) and Chris Oliver (guitar) sat down with NYS Music to get behind the band name, talk about their early introductions to funk and their love of Soulive.

    hartley's encore

    Pete Mason: Where does the band’s name originate from?

    Luke Malamood: It comes from the time Chris and I were working on this project in fall 2016 and Titanic was on TV and my daughter was watching it and as the ship is sinking, the band keeps playing even as they know they are going to their certain death, but it provided relief for those who were trying to survive. The band leader, Wallace Hartley, is the one who says ‘it’s been an honor and a privilege’ and it was easy to find some info about him. In a loose way, this is right around the time we’re gearing up for the craziest presidential election ever, and people were saying the world is coming to an end, so Hartley’s Encore is a loose tribute to the band and bandleader and we think it’s important that we do what we do.

    Chris Oliver: For me, the encore thing, when we decided on it, it was real in an historical sense, but Luke and I have played together for years, and he and I reuniting was its own encore. So it made sense to have the name Hartley’s Encore.

    PM: What was the experience like working with Alan Evans (Soulive) at Iron Wax Studios?

    Jeff Nania: We did the second Chronicles album with Alan and one thing I like about this approach is that he doesn’t make you try to sound a particular way, he has the mics and know-how to make you sound the best. Before having heard us, because we didn’t have any recordings yet, he asked for three records we really liked that he could use to get a vibe for our sound.

    CO: Tower of Power Tower of Power, The Meters Rejuvenation and Dr. John Desitively Bonnaroo were the three we shared, and it’s pretty clear to some extent that we wear our influences on our sleeve. When we got there, he said ‘give me a year’ to reference, and I said “Whatever year ‘Hey Pocky Way’ came out.” (1988) Alan was pretty hands off and wanted to make us sound as good as he could. I was pretty intimidated from a musical standard but I went in there and he lets you go in there and do you. He prioritizes the artist remaining true to who they are, and as a guitar player and songwriter we were allowed to go in there and just be us.

    LM: There was an intimidation factor working with Alan that grew out of the first time I saw Soulive in October of 2003.  We had just graduated from high school and a bunch of our friends had gone to Bonnaroo and everyone was all about Soulive. When we went to see him, it was incredible seeing any of them. Neal Evans is my hero, he has to be one of the funkiest dudes on the planet. His left hand I would put up against any bassist in the business. When Neal was active in Lettuce, even with Jesus Coomes who’s a monster bassist, Neal was also hold down the bass parts. Even though I’d met Neal and Alan, it felt like hallowed ground just being there with Neal’s brother. It was like hip hop beats with jazz and funk. He was probably the biggest question mark having met Neal and (Eric) Krasno in the past, but Alan I didn’t know too well. He was the coolest guy and I couldn’t have asked for this experience to be any better and professional. I got to play on one of Neal’s organs and he was the coolest, sweetest dude. Justin Henricks had a great experience working on the Wurliday record so it was a no brainer for us to work with him. He met and exceeded our expectations. Both Wurliday and Hartley’s Encore had the album mastered by Brad Smalling at EverGroove Recording Studio, so two funk bands from the Albany area got the same treatment done on their first albums.

    hartley's encore

    PM: What were the early funk experiences that tipped you towards making genre of music?

    CO: I was probably the last person to get on the funk train. When I moved back to Albany a few years ago, Luke sent me a Meters album and “People Say” was the one that hooked me.

    LM: I have been obsessed with Soulive since I first saw them play at Rev. Hall in the fall of 2003.  Are they a “funk” band per se…I mean, I hate labels in music to begin with. Plus, I’ve yet to read a definition of the word “funk” anywhere that I can wholeheartedly endorse. To me, with funk, it’s like, I know it when I hear it. Soulive is jazz, soul, hip-hop, and of course, funk.  More importantly, I look at Soulive, and their cousins Lettuce (really the whole “Royal Family”), plus probably Dumpstaphunk and Galactic, as the godfathers of the growing modern funk/soul scene, as it currently exists. I was in college from 2003-2007, at Villanova, right outside of Philly. Between being at home and being away at school, with all of the incredible Philly venues at my fingertips, I got to see all of these modern funk/soul godfathers when I was relatively young, and I listened to them a lot (Jamiroquai too). Those guys never shied away from celebrating their influences, so through them, I got really turned-on to a lot of the funk/soul OGs: James Brown, Parliament/Funkadelic, Stevie Wonder, The Meters, Earth, Wind & Fire, Tower of Power, and Average White Band, to name a few.  Of course I had heard “Cold Sweat,” “Superstition,” “September” and even “Cissy Strut” before, but these modern godfathers really wet my appetite to go back and dig in some more.

    Then, (though I’d spent one boozy night in NOLA with some buddies during my senior year in college), my first real trip to New Orleans was in March 2009, a that trip changed my life (in more ways than one). Among other things, I made my first trip to the Louisiana Music Factory, a legendary record store in New Orleans, and got my hands on my first Meters record, which I believe was Rejuvenation.  As one of my favorite singer/songwriter/pianist/keyboardists, Jon Cleary, has said, “Funk is the ethnic folk music of New Orleans,” and once I got my first real taste of that, being down there, I was hooked. Ever since then, with multiple trips back to New Orleans, countless nights at Brooklyn Bowl (especially for Bowlive!), and really me just digging deep into the genre, I’ve connected the dots between the modern funk/soul godfathers of today’s scene and the OGs.  I am now way down the funk/soul Rabbit Hole, have been for years!  It feels real good in here, and there’s a lot of love to go around, so I’ve got no plans of coming out any time soon!

    JN: I think I discovered Soulive in my sophomore year of high school. When I was younger my dad was a jazz head and I was constantly listening to jazz in high school, especially Blue Note records which was legendary label, with Wayne Shorter and Coltrane’s most famous albums. I was dating a singer/songwriter who she worked at Coconuts in Stuyvesant Plaza and she gave me a handful of CDs. There were two that popped out – Medeski Martin and Wood’s Shack-Man and The Dropper. Soulive Turn it Out was the first record I had heard of theirs. I dug it at the time because Blue Note was putting out some new jazz and I was coming at it from a new angle.

    PM: What has the Albany reception been like, having only started out a little more than a year and a half ago?

    LM: I’d give credit to Justin (Henricks) who started the Funk Night at City Beer Hall (ed note: now held at Parish Public House) that started to be a time when I could get out to see live music again after having two kids. Much like funk night, the reception has been pretty consistent and incredible as we’ve had max capacity shows and shows with like seven people there. In the funk and soul genre, we’ve only had a jam band thing in Albany and that overlaps to the funk scene, as well as an Indie scene. I think there is a healthy scene here in Albany and we can do it with the best in terms of being a small city. There are a lot of things that go into the reality of venues on given nights. Early on, we leaned heavily on friends and family to turn out. But gradually, slowly, we started to organically make some fans, the kind who keep coming to shows and we know by name. We were lucky enough to have Greg Bell add us to some big shows, including his 25th anniversary show. Slowly but surely, we started to see some people organically catching onto this, and that’s really what I think our goal would be – play once or twice a month and get people out to the show and have a celebration.

    CO: Both Luke and I will admit we are better songwriters than musicians. When we put our heads down and kept getting big on our own, Jeff took us under his wing, and given his playing in the region for the past seven or so years, we started to meet musicians and people who were in the scene and it kind of allowed us to get to where we are now and it helped us tremendously. I got out to see Justin Henricks and people who were doing it in Albany and that connection came from Jeff.

    LM: this is a snapshot of who we are now, and we can attribute it to people like Greg Bell putting us on shows and NYS Music giving us some love and helpful in getting us to be able to be welcomed in this community.

    Hartley’s Encore released their self-titled debut album on April 20 and will have to album release shows in coming weeks. Catch them at The Hollow on Friday, April 27 with Victory Soul Orchestra and at Bowery Electric on May 18 with Sauce on the Side. At both shows, Luke, Jeff and Chris will be joined by a rotating rhythm section of Josh Gordon and Brad Monkell (bass), Mike Gilet and Erik Pravel (drums), Phil Chow (trumpet), and Alex Gonzalez (percussion). Hartley’s Encore is now available on Spotify and Apple Music.

  • Funk Night in Albany announces April 5 show at Parish Public House

    After an incredible Funk Night in February, members of Turkuaz, Kung Fu, Eric Krasno Band and Wurliday will come together for the April edition of Funk Night in Albany on April 5 at Parish Public House. Featuring Mikey Carruba (Turkuaz), Beau Sasser (Kung Fu), Mary Corso (Eric Krasno Band), Justin Henricks (Wurliday), Reed Sutherland (Wurliday) and John Drabik (Wurliday), get ready to spring into a night of funk with an incredible array of talent. Tickets are $10 in advance or $15 at the door.

    Watch video from the last Funk Night in Albany featuring covers of Sly and the Family Stone, Frank Zappa and Nirvana. Yes, Nirvana.

  • NYS Music’s 2018 March Madness: Round 1

    It’s March and that means it’s time for NYS Music’s 2018 March Madness, Round 1! We have brought together 64 of New York State’s up and coming bands for a friendly tournament-style competition throughout the month of March. Some of these bands you may know, some may be unknown – and that’s a good thing! These artists who hail from the Empire State are a sampling of the next generation of artists and come from all corners of the state, from Buffalo to Binghamton, from Plattsburgh to Patchogue and all points in between. Discover your new favorite band and vote for your favorites!

    These are 64 bands you might not know about, but should. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We’d like to thank our regional sponsors Putnam Place, Anthology, Funk n Waffles and CEG Presents. These venues and promoters are small businesses and a sample of the backbone of the statewide New York music scene that helps artists grow and reach ever-widening audiences.

    Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

    Get to know the 16 artists in the Putnam Place region and vote below

    The Crooked North (Americana/bluegrass) vs Mikaela Davis (singer/songwriter)
    Haewa (fusion rock) vs Cousin Earth (ukulele rock/folk)
    Funktional Flow (jam/rock/funk) vs The Dirty Pennies (indie rock)
    FLOTUS (funky rock hop) vs Sprocket (high power technical jam)
    The Sea The Sea (indie folk pop) vs Eastbound Jesus (Northern rock)
    Black Mountain Symphony (symphonic groove pop) vs King Buffalo (psychedelic rock)
    Hartley’s Encore (funk/dance) vs Fondude (groove/jam)
    Of Clocks and Clouds (psychedelic/electronic rock) vs Let’s Be Leonard (jam/jazz fusion)

    Check out the 16 artists in the Anthology region and vote below

    Tart Vandelay (indie pop) vs Iudica (alternative/grunge)
    Ampevene (experimental prog rock) vs Candy Ambulance (alternative/grunge)
    Sun Parade (grunge power pop) vs Dave DiPrimo Band (alt-folk)
    Lord Electro (electronic/house) vs Folkfaces (roots folk/jazz)
    Witty Tarbox (indie/surf groove) vs Chris Eves and the New Normal (jam rock)
    Moho Collective (creative instrumental) vs Necrostalker (extreme death metal)
    Boogie Low (acid rock reggae fusion) vs Jiggawaltz (funk metal)
    Ballroom Thieves (alternative rock) vs Wavy Cunningham (New wave hip hop)

    Here are the artists in the CEG Presents region. Check them out and vote below

    ShwizZ (progressive funk rock) vs Barroom Philosophers (reggae/rock fusion)
    Dirty Blanket (bluegrass/newgrass) vs Wild Adriatic (rock n roll)
    The Late Shift (rock) vs Intrepid Travelers (funk/jazz/rock)
    Escaper (space funk psyche rock) vs Begging Angels (alt-country)
    Polyvamp (funk and rock) vs Noon Fifteen (progressive soul)
    Bad Mothers (groovy grunge) vs Space Carnival (psychedelic groove rock)
    Sophistafunk (funk/hip-hop) vs Bushicks (rock n roll)
    Cold Lazarus (reggae jam rock) vs Wurliday (soul funk)

    Get to know the 16 artists in the Funk n Waffles region and vote below

    Holly and Evan (blues alt-rock) vs Sydney Worthley (pop/folk/rock)
    The Demos (indie power pop) vs The Switch (rock/funk/blues)
    Ponder (alt rock) vs Formula 5 (jam/rock/fusion)
    Gowanus (jazztronica) vs The Other Brothers (soul/funk/R&B)
    Teddy Midnight (electro dance funk) vs Periodic Table of Elephants (garage/punk)
    Space Bacon (electronic rock jam) vs Backseat Bullets (punk/shoegaze)
    Hudson’s Crew (alt rock) vs Space Junk (progressive jam trance)
    Jess Novak Band (blues/rock/soul) vs Dark Honey (indie pop rock)

    First Round voting begins at 10AM EST on Monday, March 5, and closes at midnight on Wednesday, March 7. Second Round begins at 10AM EST on Thursday, March 8 with the remaining 32 artists. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Funk Night returns this February with members of Dopapod, Kung Fu and Wurliday

    Funk Night in Albany will return on February 15 at Parish Public House with members of Dopapod, Kung Fu and Wurliday. Featuring Rob Compa (Dopapod), Beau Sasser (Kung Fu), Adrian Tramontano (Kung Fu) and Justin Henricks (Wurliday), this night of funk will shake off any Valentine’s Day blues that may be lingering. Tickets available now or at the door.

    funk night dopapod kung fu

    Watch “Will it Go Round in Circles?,” from Funk Night in September featuring Starbird-Mazer/Skursky/Smith, Joe Davis from Formula 5, Scott Hannay of Mister F and Connor Dunn from Let’s Be Leonard.