The Hollow was home to Connecticut’s own West End Blend on Friday, October 12. The jam-friendly funk group brought The Age to open and then put on a funk clinic for a packed room. Erica T. Bryan‘s soul flowed through the band as their jams crashed onto the dance floor again and again.
West End Blend has quickly worked their way up through the ranks to become one of the best live acts touring the northeast. You can catch them this weekend at Disc Jam Presents Holloween Horror Camp. And, if you can’t make it to one of their shows coming up, you really ought to pick up their new live album, Live at the Waterhole, because there’s nothing like listening to a jam band jam.
Downtown Albany celebrated in style on Saturday, September 29, with two birthdays and a first-time performance at The Hollow Bar + Kitchen.Formula 5 hosted the night, as the Upstate NY group helped close out one member’s birthday while ringing in another during an appropriate hometown throwdown. Warming things up for the night ahead was a new-to-Albany band, Swimmer.
Founded in the depths of rickety Plymouth State University basements in 2013, the funky, improvisational quartet has grown with the seasons and emerged on the scene as quite a contender in their genre. The Burlington, VT musicians have been able to corral flocks of fans from their shared bills with top tier performers like Dopapod and Pigeons Playing Ping Pong. Adding Formula 5 to the mix, it only made sense that Albany and it’s strapping live music scene was their next destination to become acquainted with.
Aiming to set themselves apart from every other jam-band to emerge from the hippy depths of Vermont, Cotter Ellis (drums), Matt Dolliver (keys/sax), Joe Agnello (guitar) and Jack Vignone (bass) tapped into their truly zany nature, showing off their musical chops and refreshing individuality. It was their tasty covers of Frank Zappa’s “Son of Orange County” >”Trouble Every Day” that found all patrons swiveled in their barstools and cheering on foot, asking their neighbors what band was playing.
Ready to bring the high-energy festivities to the stage, birthday boy Matt Richards (keys) along with Joe David (guitar) and James Woods (bass) brought their “Widespread’s Dead” covers to their NY fans. Their latest tour boasts an assortment of tracks from the well-loved artists Widespread Panic and Grateful Dead, with Formula 5 originals interwoven throughout the set.
Richards kicked off the night manning the mic for F5’s own “Bird Song” before tossing in an array of anticipated covers. Although Grateful Dead cover bands certainly aren’t lacking, you can’t help but smile and sing along whenever a Dead tune begins. Once Davis sang the opening notes of the Dead’s “Tennessee Jed,” there was nothing left for anyone to do but smile, smile, smile. Widespread Panic’s “Coconuts” acted as the fan-favorite pinnacle of the night as it was sandwiched between “Tennessee Jed” and a soothing take on “Terrapin Station.”
Normally celebrating the day after Thanksgiving at The Hollow, Formula 5 took the time to address the crowd for an announcement that their Black Friday gig would make the jump over to The Palace Theatre. On Friday, November 23 the quarter will support the Disco Biscuits during their two-night Albany run.
Swimmer Setlist: Murphy’s Law, Do it Myself > Son of Orange County* > Trouble Every Day*Jig -> Hyperbole, Curious Spaniard, Cornwallis *zappa cover
Formula 5 Setlist: Bird Song^-> Blue-> Bird Song^, Greta~-> Booher’s Pass, Tennessee Jed^ Coconuts~ Terrapin Station^ Nu-Gen*-> In The Sand-> Gettin’ Tough Again, Hot Box, Love Tractor~
Formula 5 and Space Carnival packed The Hollow in Albany on Saturday, April 28 as part of a Disc Jam Music Festival pre-party. Filling in the crowd early, Space Carnival‘s heater of a set included the funky “Queen of Cups” and “Mooshbah,” threw in a crowd-pumping “Africa” by Toto and wrapped up with their classic “Moon Boots.” Formula 5 got the party going with “Trout Waters, Pt I & II”, then threw in a few covers over the course of the night, giving nods to Bob Dylan with “Tangled up in Blue,” Widespread Panic, Little Milton and wowed the crowd with their debut of Rush’s “La Villa Strangiato.” The energy from the crowd was electric and wrapped up with a 20+ minute version of “Sad Bed.”
Catch Space Carnival at Summer Camp Music Festival later this month, and Formula 5 at Sterling Stage Folk Fest on May 25. Both artists will appear at Disc Jam Music Festival, June 7-10 in Stephentown, MA.
Space Carnival setlist
Sirius Rising, Uh Oh, I slipped my Disco, Queen of Cups*, Mooshbah, Pleasure in Sin*, Africa^, Moon Boots
*Moon Boots teases
^Toto cover
Formula 5 setlist
Set 1: Trout Waters, Pt. I & II, Blue -> Booher’s Pass, Tangled Up In Blue^, Albatross and Wolves, La Villa Strangiato•
Set 2: Tall Boy+, Breaking Glass, That’s What Love Will Make You Do^^, Sad Bed*
Encore: Come Along~
^ Bob Dylan cover
• Rush cover, FTP
+ Widespread Panic
^^ Little Milton cover
~ w/ extended outro and chorus reprise
I first caught Hartley’s Encore late last year when they performed at Guthrie Bell’s 25th anniversary show at The Hollow. Funk is on the rise in Albany, and Hartley’s Encore honed in on the reason why – the influence of funk forefathers Soulive whose albums are influencing the next generation of funk musicians. Their self-titled debut album is an alive EP, all killer, no filler.
The core of Hartley’s Encore – Luke Malamood, Jeff Nania and Chris Oliver – graduated from Guilderland High School in 2003, but their playing together goes back to the early 90’s when they were in first grade and Luke learned to play piano at Jeff’s while Jeff was learning trumpet. The core of Hartley’s Encore, Luke Malamood (keys/vocals), Jeff Nania (saxophone) and Chris Oliver (guitar) sat down with NYS Music to get behind the band name, talk about their early introductions to funk and their love of Soulive.
Pete Mason: Where does the band’s name originate from?
LukeMalamood: It comes from the time Chris and I were working on this project in fall 2016 and Titanic was on TV and my daughter was watching it and as the ship is sinking, the band keeps playing even as they know they are going to their certain death, but it provided relief for those who were trying to survive. The band leader, Wallace Hartley, is the one who says ‘it’s been an honor and a privilege’ and it was easy to find some info about him. In a loose way, this is right around the time we’re gearing up for the craziest presidential election ever, and people were saying the world is coming to an end, so Hartley’s Encore is a loose tribute to the band and bandleader and we think it’s important that we do what we do.
Chris Oliver: For me, the encore thing, when we decided on it, it was real in an historical sense, but Luke and I have played together for years, and he and I reuniting was its own encore. So it made sense to have the name Hartley’s Encore.
PM: What was the experience like working with Alan Evans (Soulive) at Iron Wax Studios?
Jeff Nania: We did the second Chronicles album with Alan and one thing I like about this approach is that he doesn’t make you try to sound a particular way, he has the mics and know-how to make you sound the best. Before having heard us, because we didn’t have any recordings yet, he asked for three records we really liked that he could use to get a vibe for our sound.
CO: Tower of Power Tower of Power, The Meters Rejuvenation and Dr. John Desitively Bonnaroo were the three we shared, and it’s pretty clear to some extent that we wear our influences on our sleeve. When we got there, he said ‘give me a year’ to reference, and I said “Whatever year ‘Hey Pocky Way’ came out.” (1988) Alan was pretty hands off and wanted to make us sound as good as he could. I was pretty intimidated from a musical standard but I went in there and he lets you go in there and do you. He prioritizes the artist remaining true to who they are, and as a guitar player and songwriter we were allowed to go in there and just be us.
LM: There was an intimidation factor working with Alan that grew out of the first time I saw Soulive in October of 2003. We had just graduated from high school and a bunch of our friends had gone to Bonnaroo and everyone was all about Soulive. When we went to see him, it was incredible seeing any of them. Neal Evans is my hero, he has to be one of the funkiest dudes on the planet. His left hand I would put up against any bassist in the business. When Neal was active in Lettuce, even with Jesus Coomes who’s a monster bassist, Neal was also hold down the bass parts. Even though I’d met Neal and Alan, it felt like hallowed ground just being there with Neal’s brother. It was like hip hop beats with jazz and funk. He was probably the biggest question mark having met Neal and (Eric) Krasno in the past, but Alan I didn’t know too well. He was the coolest guy and I couldn’t have asked for this experience to be any better and professional. I got to play on one of Neal’s organs and he was the coolest, sweetest dude. Justin Henricks had a great experience working on the Wurliday record so it was a no brainer for us to work with him. He met and exceeded our expectations. Both Wurliday and Hartley’s Encore had the album mastered by Brad Smalling at EverGroove Recording Studio, so two funk bands from the Albany area got the same treatment done on their first albums.
PM: What were the early funk experiences that tipped you towards making genre of music?
CO: I was probably the last person to get on the funk train. When I moved back to Albany a few years ago, Luke sent me a Meters album and “People Say” was the one that hooked me.
LM: I have been obsessed with Soulive since I first saw them play at Rev. Hall in the fall of 2003. Are they a “funk” band per se…I mean, I hate labels in music to begin with. Plus, I’ve yet to read a definition of the word “funk” anywhere that I can wholeheartedly endorse. To me, with funk, it’s like, I know it when I hear it. Soulive is jazz, soul, hip-hop, and of course, funk. More importantly, I look at Soulive, and their cousins Lettuce (really the whole “Royal Family”), plus probably Dumpstaphunk and Galactic, as the godfathers of the growing modern funk/soul scene, as it currently exists. I was in college from 2003-2007, at Villanova, right outside of Philly. Between being at home and being away at school, with all of the incredible Philly venues at my fingertips, I got to see all of these modern funk/soul godfathers when I was relatively young, and I listened to them a lot (Jamiroquai too). Those guys never shied away from celebrating their influences, so through them, I got really turned-on to a lot of the funk/soul OGs: James Brown, Parliament/Funkadelic, Stevie Wonder, The Meters, Earth, Wind & Fire, Tower of Power, and Average White Band, to name a few. Of course I had heard “Cold Sweat,” “Superstition,” “September” and even “Cissy Strut” before, but these modern godfathers really wet my appetite to go back and dig in some more.
Then, (though I’d spent one boozy night in NOLA with some buddies during my senior year in college), my first real trip to New Orleans was in March 2009, a that trip changed my life (in more ways than one). Among other things, I made my first trip to the Louisiana Music Factory, a legendary record store in New Orleans, and got my hands on my first Meters record, which I believe was Rejuvenation. As one of my favorite singer/songwriter/pianist/keyboardists, Jon Cleary, has said, “Funk is the ethnic folk music of New Orleans,” and once I got my first real taste of that, being down there, I was hooked. Ever since then, with multiple trips back to New Orleans, countless nights at Brooklyn Bowl (especially for Bowlive!), and really me just digging deep into the genre, I’ve connected the dots between the modern funk/soul godfathers of today’s scene and the OGs. I am now way down the funk/soul Rabbit Hole, have been for years! It feels real good in here, and there’s a lot of love to go around, so I’ve got no plans of coming out any time soon!
JN: I think I discovered Soulive in my sophomore year of high school. When I was younger my dad was a jazz head and I was constantly listening to jazz in high school, especially Blue Note records which was legendary label, with Wayne Shorter and Coltrane’s most famous albums. I was dating a singer/songwriter who she worked at Coconuts in Stuyvesant Plaza and she gave me a handful of CDs. There were two that popped out – Medeski Martin and Wood’s Shack-Man and The Dropper. Soulive Turn it Out was the first record I had heard of theirs. I dug it at the time because Blue Note was putting out some new jazz and I was coming at it from a new angle.
PM: What has the Albany reception been like, having only started out a little more than a year and a half ago?
LM: I’d give credit to Justin (Henricks) who started the Funk Night at City Beer Hall (ed note: now held at Parish Public House) that started to be a time when I could get out to see live music again after having two kids. Much like funk night, the reception has been pretty consistent and incredible as we’ve had max capacity shows and shows with like seven people there. In the funk and soul genre, we’ve only had a jam band thing in Albany and that overlaps to the funk scene, as well as an Indie scene. I think there is a healthy scene here in Albany and we can do it with the best in terms of being a small city. There are a lot of things that go into the reality of venues on given nights. Early on, we leaned heavily on friends and family to turn out. But gradually, slowly, we started to organically make some fans, the kind who keep coming to shows and we know by name. We were lucky enough to have Greg Bell add us to some big shows, including his 25th anniversary show. Slowly but surely, we started to see some people organically catching onto this, and that’s really what I think our goal would be – play once or twice a month and get people out to the show and have a celebration.
CO: Both Luke and I will admit we are better songwriters than musicians. When we put our heads down and kept getting big on our own, Jeff took us under his wing, and given his playing in the region for the past seven or so years, we started to meet musicians and people who were in the scene and it kind of allowed us to get to where we are now and it helped us tremendously. I got out to see Justin Henricks and people who were doing it in Albany and that connection came from Jeff.
LM: this is a snapshot of who we are now, and we can attribute it to people like Greg Bell putting us on shows and NYS Music giving us some love and helpful in getting us to be able to be welcomed in this community.
Hartley’s Encore released their self-titled debut album on April 20 and will have to album release shows in coming weeks. Catch them at The Hollow on Friday, April 27 with Victory Soul Orchestra and at Bowery Electric on May 18 with Sauce on the Side. At both shows, Luke, Jeff and Chris will be joined by a rotating rhythm section of Josh Gordon and Brad Monkell (bass), Mike Gilet and Erik Pravel (drums), Phil Chow (trumpet), and Alex Gonzalez (percussion). Hartley’s Encore is now available on Spotify and Apple Music.
Albany’s breakout funkateers Hartley’s Encore are slated to release their eponymous debut EP on April 20, and have released the first single, also titled “Hartley’s Encore,” through NYS Music. The track was written by Hartley’s co-founders Luke Malamood and Christopher Oliver, and the album was recorded and mixed by Alan Evans of Soulive at Iron Wax Recording Studio in Millers Falls, MA.
The refrain “Gonna give you an encore” fits perfectly as the last track of this 6-song EP, a party starter live and sure to leave those enjoying the EP wanting more. Driving horns stand out over a rous built by Luke Malamood’s keys and organ. Sax and trumpet interludes from Jeff Nania and Phil Chow, respectively, keep the flow of this funky number moving, just as your feet and hips will be once you get a taste of this funky troupe’s flavor.
Hartley’s Encore will be released on Friday, April 20, with a Record Release Party on Friday, April 27 at The Hollow in Albany with special guest Victory Soul Orchestra and hosted by Guthrie/Bell Productions. They will also perform at Bowery Electric on May 18 in Manhattan. Pre-order the album now.
The Hollow Bar and Kitchen was in a New York state of mind on Friday night. Albany progressive rock quartet Ampevene, celebrating the release of its new album Ephemagoria and Brooklyn-bred Cousin Earth threw down the perfect blend of Led Zeppelin-esque energy and a quirkiness in the Frank Zappa vein at Albany’s leading rock club.
Kicking things off with “Rometheu,” Ampevene put on display its prowess for technical proficiency, led by guitarist Gabe Stallman and bassist Mack Hogan trading runs. Hogan’s thumping rhythm was a constant throughout the group’s set. “Tracalysis” was followed up with an all out rock ‘n roll drum solo from Brian Fahey.
Pulling from one of their main influences, Ampevene launched into the chunky opening chords of the Nirvana mega hit “Smells Like Teen Spirit.” Stallman added a unique spin to his short solo, making the song take a psychedelic spin. “Goliath” preceded “Tumultous,” the latter of which morphed into a crowd pleasing segment featuring Zeppelin’s “Dazed and Confused.” The jam saw the crowd grow a little rowdy and the band responded with the highlight of their set. “New Song” and “Valencia” closed out the set to a roaring applause from the band’s friends and family in attendance.
Up next was Cousin Earth, playing their first headlining show at the venue. The five-piece group melds together a wide array of musical variety, proved right out of the gate with a searing take on the “Zelda” theme song. Joey Calfa, on his trusted electric ukulele, showed his prowess on the unconventional rock instrument by transforming each note into a blend of guitar and ukulele.
“Zelda Sarias Song” > “Think of all the Things” > “Tale Spin Theme Song” was next, as Calfa and bassist Corey Feldman, who plays on a Kala U Bass the size of a ukulele, continued to feed of each other’s energy. Tara Lawton, who also plays the melodica, and Terry Brennan held down the vocals with the confidence of a seasoned opera singer, giving the band a sometimes Vaudeville-like feel.
(Side note: I first saw Cousin Earth a little more than three years ago, just as they were transitioning into their new name from Ukulelian. They opened up a small festival and the crowd was sparse to say the least. I was unsure what this band was going to be like given the irreverent instrumental selections, but the band blew me away that afternoon. Since then, Cousin Earth has been on a steady upward climb, and their headlining slot at the Hollow was proof of their professional work ethic.)
“Dancing Fool,” “Keep it Greasy,” “Super Fun Laser Beams” and “Alive” allowed each member to stand out at times, while also showcasing their incredible improvisational skills. Drummer Nate Searing held it all together throughout the night, while at the same time providing a loose and fun atmosphere.
The funniest part of the night is when they burst into a cover of actress Natalie Portman’s rap from Saturday Night Live. Attendees sang along and the band had some trouble containing laughter on stage.
The closing segment of “Blisters,” “Keep On”>”Scuttle Buttin’”>”Little Wing”>”Capricorn on the Cob” saw Calfa switch between his ukulele and his cherry red Fender Stratocaster to do his best Jimi Hendrix impression.
All told, this show was great in every aspect. As both Ampevene and Cousin Earth continue to ascend and grow, both groups still put all of their effort into a pleasing live experience.
Ampevene setlist
Rometheu, Tracalysis, Drum jam, Smells like Teen Spirit, Goliath, Tumultuous*, New Song, Valencia
*with Dazed and Confused jam
Cousin Earth setlist
Zelda Main Theme> Zelda Sarias song > Think of all the things > Tale Spin Theme, Dancing Fool > Keep it Greasy, Super Fun Laser Beams, Alive, Womp > Natalie Portman Rap (SNL) > Womp > Space Worms (future folk) > Tarantella Napolitana, Spiritual Spun, Blisters, Keep On ( show me the numbers, Ian), Scuttle Buttin’ > Little Wing > Capricorn on the Cob
Complex isn’t always good, but in Ampevene’s case, it’s raw, emotive and highly expressive. The Albany-based quartet will unveil their latest live album, Ephemagoria at The Hollow Bar + Kitchen on Feb. 9 with the helping hands of their friends in Cousin Earth. Having teased fans along the way with the releases of “Valencia” and “Rometheu,” the complete live effort commands attention from its earliest, distorted notes. Over a 10-track sonic highway, the prog rockers take listeners for a noisy ride as they blend blatant psychedelic rock influences with their own gritty flair and unique cocktail of spellbinding genres.
Branching off of Gabe Stallman’s solo project as a guitarist,Ampevene is completed by Stallman on guitar and vocals, Mack Hogan on bass, Brian Fahey on drums and Ava Smith on keys. Seeing a minor lineup change, Fahey is the current drummer who took over for Darryl Kniffen, the recorded drummer on the album. The first few tracks come as an attack on your senses, kicking off with a myriad of sound and distortion as an 8-minute journey unfolds within “Florida.” While the group is undoubtedly influenced by psychedelic rock before its time, (think Pink Floyd’s Syd Barrett era) Ampevene channels those visceral tendencies and matches them with the gripping mood and scaling of metal progressions and often hard to compute math-rock.
Just when you get settled into a groove, it doesn’t last for long before you’re tossed into new kaleidoscopic arrangements and time signatures. The first half of the album relies solely on storytelling through music before a 12-minute “Rometheu” introduces the first glimpse of vocals on the album, although that’s not the pinnacle of the track. While fleeting, Stallman’s vocals are comparable to the tone and echoing of groups like Circa Survive and the Mars Volta, with the latter covered later on the album. With the first and fourth beats emphasized in each measure, the song picks up speed with compositional mastery as the foursome jerk the steering wheel into fresh segments, a common thread throughout Ephemagoria.
“Hill” comes as a hard-hitter with all the focus placed on tight drumming at the album’s peak with an explosion of sound before introducing the first cover in a somber, slowed down version of Nirvana’s “Smells Like Teen Spirit.” With a new age take on a beloved classic, the warped arrangement and unique style almost makes the song unrecognizable at times, if not for the lyrics. A second cover comes as a crisp version of the Mars Volta’s “Goliath,” mimicking the song’s natural sound and Omar Rodriguez-Lopez’ distinct vocal inflections.
The live album as a whole features classic and never before recorded Ampevene songs as well as covers, capturing the feel of a live performance at The Recording Company in Esperance, NY, and mixed by Tim Lynch with mastering by Alan Douches of West West Side Music. Ampevene has the raw talent of making their multi-segmented tracks seem like effortless jams spliced together at all the right, unexpected times. With the ability to entice fans to try to follow along and eventually surrender to the flow, the quartet seems to have mastered their live presence and execution while diving deep into guitar solos, exploratory jazz segments and thrash metal elements.
Catch the high-energy release Friday night when Ampevene takes The Hollow stage at 9:30 PM!
It is that time again to start planning all the great musicians you are going to see this month. NYS Music is here to help you out and give you the run down of when to mark your calendar in February for all the live music around you that you cannot miss.
Buffalo – Nietzsche’s
February 1st – The Plate Scrapers are making their Buffalo debut to start off the month at Nietzche’s with The Observers. Come out for some original bluegrass and folk music. Event link.
February 7th – Buffalo-local rowdy jazz and bluesy roots band Folkfaces will be playing with American roots band Swampcandy. Event link.
February 16th – The award winning electronic-rock band, Space Junk will be having their CD Release at Nietzche’s and will be joined by the psychedelic jam trio Vibe & Direct. Event link.
February 24th – Starship Mantis, the funk, dance and R&B band, “dedicated to making you move,” is sure to do just that when the come through to Nietzche’s and you do not want to miss it. Event link.
Rochester – Funk ‘N Waffles
February 1st – Come out for the groovy experimental beats and loops from “a DJ for people who are not fond of DJs,” Weazildust featuring drummer, Packy from JimkataEvent link.
February 2nd – Dirty Blanket, the Finger Lakes native bluegrass band will be performing joined by The Plate Scrappers, and Steel Guapo Event link.
February 3rd – Tragically Hip Tribute “Fully Complete Hip” will be bringing a crowd pleasing set with selections from the Hip’s library with theatrics and visuals that complete the experience. Event link.
February 8th – Continuing their sweep through upstate New York, Folkfaces and Swampcandy will be coming to Rochester following their Buffalo show for more bluegrass and good times. Event link.
February 9th – Come find out why Kyle Hollingsworth’s genre can only be described as “keyboard wizardry.” Kyle Hollingsworth Band will be performing with special guest funk and hip-hop band Sophistafunk and it is sure to be a night of incredible music you don’t want to miss. Event link.
February 10th – For some indie roots music that will make you want to sing a long and will without a doubt have you smiling along with the band, come see Parsonsfield with special guest Old Deer Ensemble. Event link.
February 16th – The Rochester-native Moho Collective will be bringing their “sonic arsenal” with a healthy mix of jazz, funk, rock, folk and traditional sounds of the Middle East, Africa and Latin America to Funk ‘N Waffles with special guest Overhead Sam. Event link.
February 17th – Singer-songwriter Aaron Rizzo will be performing his acoustic funk music that will please fans of artists from John Mayer to BJ The Chicago Kid, with special guest Tyler Pearce Duo and Sam Nitsch. Event link.
February 23rd – If the name Cosmic Brownie doesn’t sell you enough, maybe the promise of more of their funky electronic music will. Come out for their EP release party with special guest and futuristic funk band Eclat, as well as the hip-hop duo Carousel. Event link.
February 24th – Mother Funkin’ Planets, the Rochester-based “funk groove powerhouse” will be taking on Funk “N Waffles with the Charles Walker Band. Event link.
February 25th – It’s going to be a full night of high energy music as “punk-hop” artist Tommy Traina, rap and hip-hop artist Lamaj, hardcore punk band Citizens Against People, El Jefe, and Jiggy take over Funk ‘N Waffles for the night. Event link.
February 26th – Don’t miss a night full of infectiously upbeat ska music featuring Bim Skala Bim, the Beaumonts, and Some Ska Band. Event link.
Syracuse – Funk ‘N Waffles
February 2nd– Before they hit Rochester, the Tragically Hip Tribute band “Fully Completely Hip” will be bringing their immersive live music experience to Syracuse the night before. Event link.
February 3rd – If you miss them when they swing by Rochester the night before, don’t miss the “dirty string-slingin’” bluegrass sounds of Dirty Blanket wth special guests, The Plate Scrapers Event link.
February 7th – Chris Merkley, Bea, and Charley Orlando will be performing in Syracuse and will be bringing a great live show full of alternative folk and folk rock. Event link.
February 8th – All the way from Michigan, don’t miss your chance to see the Motown inspired folk rock band Joe Hertler & The Rainbow Seekers joined by Boston’s hottest young rock, R&B, and funk band, Juice Event link.
February 9th – Following their Buffalo and Rochester shows, Swampcandy and Folkfaces will be stopping by Syracuse. So if you miss their two shows before, be sure to make it out for this one! Event link.
February 10 – For another funky night at Funk ‘N Waffles, don’t miss Kyle Hollingsworth with special guest Sophistafunk. If you didn’t catch them in Rochester the night before, be sure to make it out on the 10th! Event link.
February 14 – Sundrop Rise will be filling the night with their groovy soul, funk, pop and reggae blended sounds with special guest The Cooled Jets. Event link.
February 16th – The 16th is bound to be a night filled to the brim with fantastic live music and starts off with the blues sounds of Joe Louis Walker at 8 o’clock. Event link.
February 16th – Continuing the night with more blues music, Nat Gross will be taking the stage at 11. Event link.
February 17th – Come out to hear the Americana-inspired sound of Steel Guapo with special guest Gerry Jarcia String Band when they roll through Syracuse. Event link.
February 22nd – The jazz/groove quartet, Forq will be performing featuring the members of one of their favorite artists, Snarky Puppy & David Bowie. Event link.
February 23rd – Following their debut the night before, Oval Sandwich, the side project of guitar player Rob Compa from Dodapod, will be performing in Syracuse with Wiley Riley on the keys and Paul McCardle on guitar. Event link.
Albany – The Hollow Bar and Kitchen
February 9th – Presented by Guthrie/Bell Productions, the progressive ukulele rock band, Cousin Earth will be joined by Ampevene who will be releasing their new live album at The Hollow Bar + Kitchen. Event link.
February 16th – The contemporary rock trio Lespecial will be performing at The Hollow Bar + Kitchen with the soul/rock band, Front Business Event link.
February 23rd – Following Moe.’s show at the Palace, come out to the afterparty and see Floodwood, the Americana Newgrass band from Upstate New York and Space Carnival. Event link.
February 24th – Following the second Moe. show marking their return to the Palace, the second afterparty will be featuring Electric Beethoven and Scott Haney Plays Video Games at the Hollow Bar + Kitchen. Event link.
The Lizards they have….. arrived! Toronto-based Phish tribute band The Lizards will tour throughout New York and New England this winter, with the first show taking place on January 26 at The Westcott Theater in Syracuse, followed by February stops in Ithaca, Rochester and The Hollow in early March. Phish fans in need of a winter fix can catch one of Canada’s finest exports and let their 20+ minute jams warm you up as you await Phish to announce Summer 2018 dates.
Known for recreating the authentic Phish experience for dedicated phans, and even featuring their own light show directed by the infamous TG5, The Lizards put on a must-attend show. For their first foray throughout the Northeast, The Lizards guitarist Rich Grossman talked to NYS Music to chat Baker’s Dozen, the origins of The Lizards and what the scene is like north of the border.
Pete Mason: Let’s get the backstory on The Lizards – you’ve played the states a bit already, but when did the band first get together and start playing?
Rich Grossman: We started up in 2013 right after Phish had come to Toronto. It was the first time they had been here since 2000 and I was stoked to get to see them in my hometown. After a cancelled and rescheduled show, it got me thinking about the “state of affairs” of the jam scene in Toronto. There used to be a number of clubs that serviced the scene in TO, but they had long closed and we eventually found ourselves having to travel stateside to see this music often. Not that we don’t love making the pilgrimage, but the real heart of the jam world has always been the community. By Canadians being nomadic, and not rebuilding at home, we weren’t strengthening our side of the community. I thought starting a Phish tribute would be an amazing way to bring new life into the scene.
I had known Ben (drums) for years and we had played together in a number of bands, jam and not, so I contacted him first. Neither of us had real candidates for piano or bass so I went to Facebook. I posted something like “does anyone know a piano player who wants to jam some Phish tunes?” and a buddy tagged Joel, our keys player. We’d never met, but I got his number and asked him if he was into it. Not only did he say yes, but when I mentioned we couldn’t find a bass player, he brought Phill to the table. The first time we jammed was the first time a lot of us met each other. We charted out a lot of material, rehearsed it even more and booked a show at The Comfort Zone. Back in the day, this was the hub for jam music in TO. Growing up I would see Charlie Hunter, Ominous Seapods, Merl Saunders and other jam acts there, but management changed over the years and it became a late night rave scene. For whatever reason, they let us put on a show there for next to nothing and we must’ve had 250 people show up the first time. A lot of friends for sure, but a lot of people that just caught word of it showed up. Since then, we’ve done countless more shows in Toronto and in the past year, have started to take it down to you guys. The response is always the same. No matter what country we’re in, people are so grateful that they get to hear this treasured music. It’s very endearing to me, and I know that if I had seen a Phish tribute band and not started one, I would react the same way.
PM: What aspects of Trey’s guitar playing and tone drew you into honing his sound?
RG: Once we started the band, the game was on to get the sound. On the first gig, I played a PRS Santana III.The guitar has a very different sound than Trey’s Languedoc, but I could mask the differences with some of the other gear Trey would use like specific pedals. He’s famous for using 2 tubescreamers going into a compressor, so I started there. Over the year or two I amassed almost all pieces to recreate his mid 1.0 sound (93-97) including the Mesa Mark III red stripe, the ross compressor, the whammy II and more. I then started using a Languedoc clone that was built by a luthier in Toronto. It was based off of the Koa 98 model. Once I got that, the tone was really happening. After that, I would add pieces here and there that came later in his career like the boomerang, super tremolo, supa-puss, black cat vibe, etc. I haven’t really “updated” my rig in a few years, because I feel like I have enough pieces of the puzzle to make the gig happen. Trey changes his rig so often these days, to keep up would put me in debt.
PM: How much of Baker’s Dozen did you get to see?
RG: I was one of the lucky ones this summer 🙂 Bought my tickets well in advance and lucked out pretty good. I’m a full time musician and to take weekends off in the summertime can prove to be challenging, so I bought tickets to the first Sunday, Tuesday and Wednesday show. Red Velvet, Jam Filled and Powdered night. Thank you Phish!
PM: For those of us down south, what’s the scene like in Toronto and elsewhere in Ontario and Quebec for Phish and jam fans?
RG: To be honest, it’s the best I’ve seen it in years. Since The Lizards started, there have been a few Dead and Allman Brothers tributes that have started to perform as well. The other American “Phishy” tributes like Pink Talking Fish and Jazz is Phish have started to come up as well. Toronto has over 2 million people in it, but the jam band community is pretty niche, so we usually see a lot of the same happy faces at shows. Outside of Toronto, I’d say the scene is pretty small. There’s a dedicated group of heads out in Southwest Ontario like Hamilton and St. Catherines but not much else in our province or in Quebec. We have a huge country, but only 35 million people live here so an already small community gets smaller up here and more sprawled out.
PM: How do The Lizards stand out among phish tribute bands?
RG: I think what sets us apart from the other bands is that we really try to recreate the live experience aurally and visually. We have a dedicated lighting director (Toby) and sound engineer (Kory) that tour with us, bring, set up and tear down their own gear and work just as hard as us to make the show as much of a spectacle that it can be. Musically, everything is subjective. Some people will like us and some people won’t, but the show looks and sounds amazing, so that’s where I think we stand out.
Aiming to set themselves apart from every other jam-band to emerge from the hippy depths of Vermont, Cotter Ellis (drums), Matt Dolliver (keys/sax), Joe Agnello (guitar) and Jack Vignone (bass) tapped into their truly zany nature, showing off their musical chops and refreshing individuality. It was their tasty covers of Frank Zappa’s “Son of Orange County” >”Trouble Every Day” that found all patrons swiveled in their barstools and cheering on foot, asking their neighbors what band was playing.
Catch Space Carnival at Summer Camp Music Festival later this month, and Formula 5 at Sterling Stage Folk Fest on May 25. Both artists will appear at Disc Jam Music Festival, June 7-10 in Stephentown, MA.
February 2nd– Before they hit Rochester, the Tragically Hip Tribute band “Fully Completely Hip” will be bringing their immersive live music experience to Syracuse the night before. 
Pete Mason: Let’s get the backstory on