NYS Music 20​18

Tag: SPAC

  • Tough Guys: Caroline Jones is Unapologetically Here to Shine

    Remember this name: Caroline Jones. The 28-year-old country singer and songwriter released her first album, Bare Feet, in March 2018, and has had an outstandingly remarkable concert season opening for country successes Tim McGraw, Jimmy Buffett, and Zac Brown.

    Caroline Jones

    NYS Music caught up with Caroline Jones after she opened for the Zac Brown Band at Saratoga Springs September 29, 2018.  Jones’ performance demonstrated great versatility in her 20 minutes on stage.  Mashing up John Denver’s melodies with her own,  covering Coldplay’s “Fix You,” and even singing her original songs “Bare Feet” and “Tough Guys,” Jones sounded a lot like a female Zac Brown. She even pulled out the harmonica on the last song, unapologetic of her flexibility. She can sing, play guitar and harp, and even writes music.

    Jones was unassuming as she sang on a stage washed in blue-violet light. Her petite frame was relaxed as her arched her voice over two octaves. She walked around the stage, dancing and singing about wanting a man to call her baby, and alternatively, telling people it’s tough if they don’t accept her as she is. Her voice training in opera shone through as she managed challenging transitions with ease.

    After the performance, she graciously met fans at a meet and greet where she authentically appeared both relaxed and interested in each fan’s words. Smiling for the camera and chatting about fans’ love of her music, Jones was right at home during the meet and greet.

    During the interview, Jones revealed her interest in country and pop music started young, at age nine, when she began vocal lessons with a teacher who specialized in jazz and opera. The teacher was her primary coach for many years, eventually guiding her to NYU to study opera. But her love of country was organic to her; she never lost it, and has found her way back to writing her popular tunes.

    Jones offered that her parents, featured in the autobiographical song “County Girl,” were from different backgrounds. Jones shared her father is southern, and wanted her to stay connected to her southern values, including humility and a love of nature.  She excitedly shared she enjoyed walking the grounds of SPAC earlier in the day and had found a babbling brook and the sunlight filtering through the trees. She admitted she often writes her best music in nature.

    When asked about her future, Jones confidently sees herself still writing music in ten years and growing as an artist and woman. She hopes to continue to put out the type of music that communicates her values and connection to nature and womanhood, as she has done so well this year.

    Jones had a sea of plaid flannel fans swaying and singing with her during her versatile twenty minutes on stage. Later in the night, she got the nod of approval from Zac himself as they played guitar together.

    Remember the name, Caroline Jones. She is quite possibly the biggest name about to burst onto the country scene this year.

  • Repetitive but Never Boring: Ringo Starr and his All Starr Band Cover Old Favorites

    Ringo Starr and his All Starr Band brought a bit of nostalgia to Saratoga Performing Arts Center on Friday, September 14, covering 25 well known songs from the ’80s and ’90s. On a stage decked out with a large drape screen-printed with a peace sign, sunflowers, and stars, the former Beatle, Sir Richard Starkey, Jr., brought together an eclectic group of performers. On stage with Ringo in the group were Colin Hay of Men at Work, Steve Lukather of Toto, Gregg Rolie of Santana, and newest member Graham Gouldman of 10cc. Percussion and sax featured Warren Ham, with Gregg Bissonette focused on drums..

    Ringo Starr and his All Starr Band

    Starr bounced out to the stage after everyone else, smiling and singing, echoing back to folks who offered “I love you” praise with “I love you too!” Flashing peace signs and telling jokes that had a canned, somewhat repetitive rhythm, Starr’s fans smiled and seemed to honor his worn humor kindly with the knowledge of a well-seasoned audience. This was Ringo Starr, after all, one of two still living former Beatles. He has earned the right to be silly and predictable. Starr, meanwhile, enjoyed himself tremendously, laughing at jokes tricking the audience and playfully engaging fans with silliness.

    The group rotated through their best-known hits from each ensemble they were known for previous performances in, lending a sort of cover band feeling to the night. From “It Don’t Come Easy” to “Evil Ways,” “Black Magic Woman,” “Land Down Under” and “Africa,” the music had a familiar bounce and four count. Fans had to wait for the third song to get a Beatles tune; Starr recalled that piece, “What Goes On,” was co-written by Lennon, McCartney, and Starr – and he lamented playfully that he knew the audience believed as he did that he should’ve had top billing on the authorship.

    Ringo Starr and his All Starr Band

    Later, when “Yellow Submarine” started, fans howled their approval. This was, after all, why many spent their Friday night at the Spa City venue. Ending “A Little Help From My Friends” with Lennon and Yoko’s “Give Peace a Chance” mixed in, Ringo’s message about peace and love being “the only way” rang out throughout the park.

    The audience members, mainly an over 50 set who appeared to adore Ringo as much today as they did when they were in their teens, had already bought that message years ago. But they sang along, swaying in the moment with the peace of their earlier days. The audience even flashed the peace signs back to Sir Ringo.

    Ringo Starr and his All Starr band were somewhat predictable in their song choices and repetitive rhythm and vibe. But people didn’t come to hear new music, as much as to remember old favorites. Watching the 78 year-old former Beatle flash peace signs and cue folks to believe in peace and love was oddly reassuring though on this cool night in Saratoga. We need repetition sometimes, to remind us that the simplest messages are often the truest. Be kind. Give peace a chance. Smile more. Just like Ringo and his friends.

  • Chicago Celebrates 51 Years

    Chicago celebrated 51 years as a band on July 31, 2018 with REO Speedwagon and Michael Tolcher at Saratoga Performing Arts Center.

    Photos by Shawn LaChapelle

  • Evanescence and Lindsey Stirling – Orchestration and Ballet at a Rock Show

    Evanescence and Lindsey Stirling shared the headline at Saratoga Performing Arts Center on Saturday, July 28th, cutting through the humid and steamy night with ethereal vocals and punchy, athletic dancing.

    Juxtaposed with the ballet at SPAC the previous week, and the Philadelphia Orchestra which is scheduled to open Wednesday at the venue, both Amy Lee and Lindsey Stirling hosted local musicians on stage to fill a full orchestra. Complete with graceful professional dancers, a LED screen with coordinating visuals, and well-timed light shows, both artists offered thoroughly enjoyable and unique performances.

    Amy Lee took the stage promptly at 8, and Evanescence opened with “Overture,” which served both to check and tune the instruments as much as to tune the audience into the heavier orchestrated sound. Lee’s vocals were on pitch as she moved between piano and the microphone on “Never Go Back” and “Lacrymosa.”

    Singing some incredibly sad songs, Lee spoke optimistically to her fans. She voiced gratitude to the musicians on stage with her, and would later remind audience members to be present and “enjoy the music tonight.” Her just be here now message brought a roar of approval from fans, many of whom have followed Lee for 20 years.

    A highlight of the evening was Evanescence’s cover of the Beatles tune “Across the Universe.” Lee was backlit with images from nature as she sweetly sang the lyrics “Nothings gonna change my world.” While better known for heavier sounds contrasted with her voice, Lee’s vocals on this cover shifted the mood during her longer set of seventeen older tunes. “Hi-Lo” followed, with Stirling dancing on stage at the end with her fiddle.

    Lee’s rendition of their famous song “My Immortal,” while still beautifully performed, lacked the usual punch from the bass and orchestration typically associated with the piece. There were a number of moments that the balance seemed a bit off, perhaps due to having different musicians each night in the orchestra, or simply a sound issue? Either way, Evanescence’s performance was still a treat.

    Evanescence ended the set, bowing with bringing their children on stage to wave at fans and enjoy the applause. There was a moment of recognition that Evanescence has traveled a long way as a group, not just this summer, but over the past 20 years, to bring this experience to us. Their coordination with local musicians on songs, old and newer, and ease of performance reflect their experience and wealth of confidence.

    After a brief stage change, Lindsey Stirling’s set began with a video of her quoting Teddy Roosevelt’s famous words from “The Man in the Arena.” She seemed set immediately to disprove judges from America’s Got Talent, who previously reflected Stirling’s talent, while interesting, wasn’t “enough” for her to hold an audience and fill a show. She entered in costume, kicking and dancing with her fiddle on her arm, as she performed her piece “The Arena.”

    Stirling is a dancer and a performer, and each song demonstrated that while her violin playing might not be up to par for a classically trained orchestra, her fiddling while dancing can entrance young and old alike. Her costume changes, use of set, and even role-playing as she danced with the other performers told stories and held the audience’s attention in her unique presentation. She battled ghosts using her feet and bow in dance, she “flew” above the crowd on a rising platform, and she danced with wood nymphs as she rescued them from magic.

    Stirling took a few long breaks to talk to the crowd, including one during which she showed her fifteen-year-old self-dancing with her high school friends to an Evanescence song. She expressed high regard for Amy Lee and spoke to young fans about being willing to chase dreams. “I was not good enough at anything,” Stirling said, “but I was willing to work enough.”

    And she worked the crowd beautifully, inspiring the young faces who looked upon her graceful and playful dancing with dreamy eyes and pursed lips, perhaps imagining their own dreams coming to life.

    Amy Lee joined Stirling, singing vocals on “Shatter Me.” Stirling kept the energy and imagination moving through her set of fourteen pieces, ending with a dramatic “Phantom of the Opera” encore for her fans.

    Stirling offered a unique performance, one you couldn’t get from listening to her CD. She captivated the crowd with motion, and while her fiddling was only mediocre, her spirit soared with her feet as she chased her dream around the stage.

    Not quite the ballet, and not quite the orchestra, both Evanescence and Stirling demonstrated similar components (orchestra, dance) used to entertain Saratoga Springs. And while not classically executed, both performances were unique in offering their authentic voices to the mix of what SPAC brings each summer and, like their classical counterparts, brought great joy to their fans.

  • Charlie Puth Checks All the Boxes for Heartthrob at SPAC

    Charlie Puth brought his tour “Voice Notes” to Saratoga Performing Arts Center on Sunday, July 22nd, much to the delight of thousands of teen girls. After a longer set of familiar pop songs by Hailee Steinfeld, his opener, Puth took the stage dramatically behind a white curtain. Fans swooned and screamed as Puth’s silhouette was first seen on stage, and went wild as the curtain dropped as he crooned “The Way I Am.”

    Puth energetically met the crowd, bouncing and singing in his sugary tenor voice to familiar tunes “Slow it Down” and “How Long.” He impressively controls pitch, demonstrating exceptional vocal talent. He also talked the crowd up a bit, reading their signs and conversing easily with fans about his love of all things Japan.  He endorsed that he is lyrically open before singing “LA Girls,” admitting he made some mistakes in love.  Melodic and perfect for the radio, Puth’s songs were easy to remember and predict.

    charlie puth

    The crowd was overjoyed by him. Even though the setlist was short (only 16 songs), fans knew almost every song and screamed along with Puth. During “We Don’t Talk Anymore,” Puth held the microphone out for the audience to join in, which they did with zeal. For many teens, this was clearly a first concert and a delight.

    Charlie Puth checked all the boxes for a teen heartthrob on tour. He sang familiar love songs, almost all of which had him as the hero. He played keyboard, and also sang and danced. Throughout the night, he unbuttoned his bright green shirt, and by song ten had the shirt completely off. He chatted with the teens like the boy next door, sharing just enough to seem believably ordinary and safe. He wore familiar chinos and sneakers and leaned into the crowd with good eye contact. And of course, there is that voice, that amazingly sweet tenor that was consistently on pitch in its vertical climbs.

    But there was something missing. Perhaps it was authenticity that was lost in Puth’s personality when he checked off all the boxes, and inadvertently put himself in one? Or perhaps he is simply shy, which is what his promoters have reported in the past. Either way, Charlie Puth’s performance, while still a gift to SPAC, is limiting. And somewhat disappointing.

    Because a voice of that talent shouldn’t be checking off boxes, or put in a box, but allowed to sing its true song.

    Let’s hope Puth unleashes his true voice before he gets stuck in that teen heartthrob box forever. Because it’s gorgeous and worth risking some vulnerability to keep him in the music scene beyond a few hits. Puth’s writing and skills could go the distance if he’s brave enough to go.

    Set List: “The Way I Am;” “Slow It Down;” “How Long;” “Empty Cups;” “LA Girls;” “Marvin Gaye;” “Patient;” “Change;”  “We Don’t Talk Anymore;” “Somebody Told Me;” “Done For Me;” “Suffer;” “One Call Away;” “Attention;” “BOY” and “See You Again”

  • The New York City Ballet is Coming to SPAC

    The annual tradition of the New York City Ballet taking up their summer residency in Saratoga, NY at Saratoga Performing Arts Center (SPAC) is upon us. Earlier this week seven tractor trailers began arriving carrying costumes, shoes, lights, sets, and anything else a world class ballet company would require on tour. Crews are working hard to ready the stage for the dancers including hanging the beautiful backdrops, and running over 3 miles of cable. Dancer’s have an entire truck load of costumes for this year’s one week run of performances along with over 1000 pairs of toe shoes.

    This year’s run begins on Tuesday, July 17 with a production of All Balanchine. George Balanchine was a world renown choreographer, who also had a hand in designing SPAC’s stage and acoustics. There will also be performances of Romeo + Juliet, and 21st Century Choreographers, The closing performance will be on Saturday, July 21 with the 2018 Gala featuring a celebration of Jerome Robbins and Leonard Bernstein. Details can be found at spac.org

  • Special Guests join Tedeschi Trucks Band at SPAC for a Night of Rockin’ Southern Soul

    Southern rock and roll rose up in Saratoga Springs at SPAC on July 3rd, with special guests led by Greenville, South Carolina’s Marcus King Band, Tuscaloosa, Alabama’s Drive-By Truckers and Jacksonville, Florida’s Tedeschi Trucks Band. If that lineup of musicians doesn’t conjure images of extended soulful guitar solos and rock n roll in the vein of The Allman Brothers Band, you may need to eat a peach. Over three hours of combined music, these three bands combined for one of the most rockin’ shows this year, and a treat for anyone able to see the Wheels of Soul tour and is treks across New York State and the country this month, headed west for a two-night run at Red Rocks in Colorado.

    tedeschi trucks special guests

    Opening with “Tell the Truth,” TTB’s love for Clapton shone on both ends of the set, with “Key to the Highway” appearing later in the set. “Don’t Know What it Means” with its blaring horn intro and Tedeschi’s pipes never fails to get bodies moving, and a giant sax bridge from Kebbi Williams segued perfectly into “The Letter.” A smooth jam in “Little Martha/Midnight in Harlem” preceded covers of Dylan’s “Down in the Flood,” and the Stevie Wonder written/The Band performed “Loving You is Sweeter Than Ever,” then punctuated by “I Want More,” an original that crescendoed like a rock orchestra, ending with thunderous drums from the duo of J.J. Johnson and Tyler Greenwell.

    The earlier performers of the evening were welcomed to the stage eagerly by both band and audience. Drive by Trucker’s Patterson Hood joined in on “Let me roll with it,” a sing along featuring double driving guitar via Hood and Trucks. Marcus King joined on guitar and vocals for Clapton/B.B. King’s “Key to the Highway” where Mike Mattison showed monster presence with his powerful vocals. To close the night, the band welcomed Eric Krasno of Lettuce and Soulive fame and Tash Neal from London Souls for an enthusiastic “Statesboro Blues.”

    There is as mantle for the wider Allman Brothers Band family, including Gov’t Mule, Les Brers, Great Southern, Derek Trucks Band, Tedeschi Trucks Band, and many more yet to come. To see any is to experience the full southern rock band sound, the real deal, every time.

    Setlist (via setlist.fm): Tell the Truth, Part of Me, Don’t Know What It Means, The Letter, Little Martha/Midnight in Harlem, Down in the Flood, Loving You is Sweeter Than Ever, I Want More, Let Me Roll It*, Laugh About It, Key to the Highway^, Shame, Bound for Glory
    Encore: Statesboro Blues+
    * w/ Patterson Hood
    ^ w/ Marcus King
    + w/ Eric Krasno, Tash Neal (London Souls)

  • The Doobie Brothers and Steely Dan Turn the Heat up at SPAC

    The Doobie Brothers and Steely Dan stopped at SPAC on a scorching Saturday on June 30 during The Summer of Living Dangerously tour.

    Steely Dan Setlist: Kid Charlemagne, Hey Nineteen, Black Friday, Aja, Bodhisattv, Peg, My Old School, Dirty Work, Time Out of Mind, Black Cow, Rikki Don’t Lose That Number, Green Flower Street, Pretzel Logic, New Frontier

  • Music as the Last Real Magic: Imagine Dragons Cast a Spell on Saratoga

    Imagine Dragons brought the sound, look, and energy of a big-time rock show to Saratoga Springs on Friday, June 29 on their EVOLVE Tour. With Grace Vanderwaal opening, the group rolled into town with high energy, showmanship, and a unifying message of music as healing.

    Grace Vanderwaal, the Upstate teenager who made it big on America’s Got Talent, opened promptly at 7pm, bopping onto the stage singing “Dancing in the Moonlight.” Families sang along with the upbeat and likable Grace, who chatted up the audience and reminded folks she was originally from the area. Playing the ukulele and dancing barefoot, she brought a wholesome and organic positive energy to the night.

    The crowd had to wait a bit for Imagine Dragon stars to take the stage but were entertained by a slowly building classical score in the backdrop as folks filed in. Then, with steam, smoke, lights and a wall of sound, musicians were lifted on a stage above the main stage as they sang the very well known “Radioactive.”

    With the energy of big-time stars and a larger venue, Imagine Dragons musicians danced, sang and transported their audience with hit after hit. Lead singer Dan Reynolds appeared shirtless, bringing screams and gasps from many in the audience as he sang and jumped across the stage. ‘High energy’ isn’t sufficient to describe the band’s excitement and mood as they welcomed their fans; dynamic and vigorous, the group members’ smiles were matched with the audiences’ powerful spirited responses.

    Reynolds thanked the audience early in the evening for joining the band, specifying that music is the last real magic that unites people. In a climate of divisiveness, the American born band was clearly making a statement about acceptance and unity at a time when racism and hatred are more pronounced than ever.

    The bands’ vivacious musicianship pounded through the night with a wall of sound paired thoughtfully with visuals to match. Reynolds acted as a conductor, engaging the audience in singing lines like “I’m never changing who I am.” Shaking his finger at the fans, squatting to get closer to the audience, and even rolling his arms toward him in a circle, he drew the magic directly from the young families, teens and older couples who screamed lyrics of hope and self-assurance.

    The love song “Next To Me” seemed to speak directly to anyone who has loved and received unconditional love regardless of errors. Reynolds spoke of lovers and loners, reminding everyone that love needs to start with themselves before it is shared with another.

    Guitarist Wayne Sermon’s riff screamed out his own intense talent during “I’ll Make it Up to You.” For a brief moment, we were back in the 1980s with guitarists whose talent could steal the entire show. Sermon’s control of his instrument and confidence in the vertical riff brought gasps from the audience; it almost didn’t belong in the pop feel of the night, except to remind us that Imagine Dragons is, in fact, a rock band.

    After a beautiful rendition of “Mouth of the River,” complete with backdrop visuals of sunset, the group moved to a second stage embedded in the audience for three acoustic songs. This set, if not moving simply due to the closeness to fans, ended with a heart rendering “I Bet My Life on You,” a song about how parents give up much for their children with little in return, and yet everything in return.

    As if all this emotion and movement wasn’t enough, the band returned to the stage for a powerfully intense version of “Demons.” With fans singing along, Reynolds spoke directly out about depression and seeking help rather than facing demons alone.

    The fevered pitch of the concert had multiple peaks, including confetti and balloon drop punctuated moments during songs about love, appreciation, and the vitality of life. Finishing with “On Top of the World” and “Believer,” fans were mesmerized.

    Imagine Dragons reminded us: music really is the last real magic in the world.

    It unifies us. It reminds us to care for ourselves. It connects us to others. It reminds us to hope. And it stays with us, even after the last note is played.

    Setlist: Radioactive, It’s Time, Whatever It Takes, Yesterday, Walking the Wire, Next to Me, Shots, I’ll Make It Up to You, Start Over, Rise Up, Gold, Don’t Know Why, Mouth of the River, Born to Be Yours, Amsterdam, I Bet My Life, Demons, Thunder, On Top of the World, Believer

  • Mayer and Company Offer Their Weirs to a Packed SPAC

    Saratoga Performing Arts Center hosted Dead & Company with John Mayer on Monday, June 11, bringing in over 17,000 head nodding, barefoot dancing, arms-in-the-air, grooving fans to SPAC.

    Mayer SPAC

    True confession: this was my first experience with a Dead & Company show. And I wasn’t sure what all the fuss would be about. I’d listened to the Dead plenty of times, and while I liked the music, it wasn’t life altering to listen to alone in my room or the car.

    The experience of the jam music, however, surrounded by thousands of joyful, if not chemically altered, adults was entirely different than anything listening to tapes could prepare you for. The band opened up with “Jack Straw,” a well-loved favorite. The band felt slower than usual, and like they were struggling to get their feet under them. But the audience didn’t mind, grooving along and smiling. There was a long guitar introduction and what felt a bit like an extended warm-up; fans were tolerant and were overjoyed by the band’s very presence.

    Mayer SPAC

    John Mayer improved the energy, taking the lead on “Easy Wind” and then “Friend of the Devil.”  There was an ease to Mayer’s voice and playing that fit the folk feeling perfectly.  John Mayer’s ease stepping in Jerry Garcia’s role enhanced the music with a fresh voice and picking soul, refreshing old folk music with a new vibe.

    And the music didn’t stop, it simply picked up the pace in the second set. Varying from jam music to bluegrass to soul, the band played for 90 minutes for their first set, with only a short intermission before returning with a roaring cover of “The Weight.” They played furiously to the end of the set, hitting on old favorites like “Uncle John’s Band” and closing with “Touch of Grey.”

    Mayer SPAC

    While there were some shockers for this writer, including how absolutely stereotypical the drug use and over drinking was among the crowd, the true surprise of the evening was how intensely relaxing and fun the music could be when played live. The mellow groove that shifted into familiar songs as the night wore on made for a really fun community experience with music. Parents with young children, adults who were old enough to know better (but still drank too much), and young people alike danced together, sang together and remembered their common humanity together.

    It is worth a visit to a live Dead & Company concert, if only for the social experiences and energy from the band that changes the sound from what you might hear on the radio to a magical community experience.

    Setlist: Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, New York | 6/11/18

    I: Jack Straw, Easy Wind > Friend of the Devil, Minglewood Blues, Ship of Fools, Corrina, Cassidy

    II: The Weight, Other One Jam > Truckin’ > He’s Gone > New Speedway Boogie > Uncle John’s Band > Supplication Jam > Drums/Space > Uncle John’s Band, Black Peter > Good Lovin’

    E: Touch of Grey

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