After The Disco Biscuits wrap up their two-night run at The Palace Theatre in Albany, head down to Parish Public House for an after-party featuring the debut of Scumdog Millionaire$. Born out of Funk Night in Albany, the inaugural affair will focus on exploring the sounds of wild improvisation amid heavy grooves.
Scumdog Millionaire$ features Rob Compa (Dopapod), Adrian Tramontano (Kung Fu), Beau Sasser (Kung Fu) and Justin Henricks (Wurliday). The show starts at 11:30pm and goes late – $10 cover at the door. More info can be found here.
Guitarist Rob Compa joins Empire State Music Podcast host Andy Hogan to discuss time away from Dopapod, life in Burlington, various musical side projects, his upcoming debut solo album, and more!
Plus get an exclusive look into Compa’s guilty pleasure bands you will not want to miss. Visit robcompaguitar.com for music, tour dates, and more!
Jazz musicians play The Egg fairly often, so the venue couldn’t have been more perfect when JAZZ IS PHSH came to Albany on June 27. With jazz musicians Domi Degalle (keys) and Felix Pastorius (bass) joining jam scene musicians Alicia Aubin (trombone, Big Mean Sound Machine), Dave “The Truth” Grippo (saxophone, Grippo Funk Band) and Rob Compa (guitar, Dopapod), JAZZ IS PHSH founder and drummer Adam Chase welcomed the audience to a unique performance of Phish’s music. A few dozen fans danced throughout the show in the upper rows of the intimate Swyer Theater, while others sat and enjoyed what could pass for engaging lounge music passively enjoyed while sipping a glass of wine at a neighborhood bistro.
A jazzed out version of “46 Days” began a night-long version of ‘Name that Tune,’ but for Phish songs; it took a moment or two for even the most fervent fan to figure out where each jazz odyssey was about to venture. “Dog Log” featured solos from Grippo and Aubin, followed by Domi’s first moment in the spotlight of the evening, with a re-entry to the final segment of the song done in textbook fashion. A Wayne Shorter/Q-Tip mashup came next in the form of “Ya Mar/ManWomanBoogie,” with a funk form of the calypso beat underlying the musicians, allowing the audience to get lost in the jazz groove while picking out the elements of the Phish cover and Q-Tip original.
“Bathtub Gin” had Felix sitting statuesque on his stool and took a solo that had all but Chase standing and watching, while Domi was steady and academic on “Gin,” one of the most popular tunes of the night, and easiest to identify. After, Chase informed the crowd that they would be playing a song that half the band had never heard, but fans would know off the iconic drumbeat, and with that, “The Wedge (Variations)” began, and the free flowing jam grew from Chase’s drumbeat. You have to think Trey Anastasio, let alone the rest of Phish, would love this band, watching their jazz-influenced compositions get reconstructed by jam and jazz musicians.
“Peaches en Regalia” was as tight as a jazz band could be playing Zappa, with Grippo performing double duty on clarinet and saxophone. Compa shined on “The Moma Dance,” a funky “Cars Trucks Buses” and “Stash,” which wrapped up the set with the audience clapping along to and introducing another element of Phish to the jazz musicians tonight – the fans are part of the show too. A “Camel Walk” encore, called out by Felix, was straight forward with jazz and funk and left the audience buzzing about a return performance down the road.
Setlist: 46 Days, Dog Log, Ya Mar/ManWomanBoogie, Bathtub Gin, The Wedge (variations), Peaches En Regalia, The Moma Dance, Cars Trucks Buses, Stash Encore: Camel Walk^
^Manteca teases
JAZZ IS PHSH is in the middle of their Northeast tour across New York, with stops in New Hampshire and Boston, bringing with them an incredible lineup of musicians who explore the music of Phish with a focus on improvisation of the group’s many compositions. Adam Chase, co-founder of the JAZZ IS PHSH ensemble, is introducing broader audiences to not only the music of Phish from musicians who did not come up in the jam world, but to also introduce Phish fans to musicians that may or may not have been on their radar.
The current tour includes familiar faces in the jam scene such as Rob Compa of Dopapod, a Berklee School of Music graduate who has been performing recently with Mike Gantzer of Aqueous, where you can hear Compa’s jazz influences come out from a smooth sounding acoustic duo. A trio of horns features trombonist Alicia Aubin of Big Mean Sound Machine and Ithaca College alumni who has performed across the country with the high-energy funk band, and as far away as China and Russia. Rounding out the horns section are Carl “Geerz” Gerhard and Dave “The Truth” Grippo of Phish’s Giant Country horns, the latter two of which performed with Phish numerous times in the early 90’s. Grippo continues to perform with Grippo Funk Band in the Burlington area and has toured with Trey Anastasio Band on numerous occasions.
Familiarity with these players will make jam fans feel at home, while Felix Pastorius and Domi Degalle will add in fresh jazz takes on the music of Phish. Son of Jaco, Felix Pastorius walks in his father’s footsteps as a bass guitarist, who at the age of 19 was recommended by Victor Wooten to fill the bass chair in Jeff Coffin’s Mu’tet. He won a Grammy with jazz mainstay The Yellowjackets, and now based in New York City, has started his own projects, including an incredible jazz fusion group The Hipster Assassins. Domi is a teenage musical prodigy and was brought up in a musical family in France and began playing music at age 2, entered Conservatory at age 5 to study classical and jazz. She is now studying on a full scholarship at Berklee College of Music and has performed with the likes of Thundercat, David Gilmour, Ghost-Note, MonoNeon,Louis Cole & More. Both musicians are well known in jazz circles and join the band for a different angle on the music of Phish, a twist on your everyday troupe.
The group will perform this month in Albany at The Egg on June 27, at Buffalo Iron Works on June 28, and ANTHOLOGY in Rochester on June 29. They recently stopped at Brooklyn Bowl to perform with Strange Machines on June 16. Check out a photo gallery over at Relix. Adam Chase, who also plays drums in JAZZ IS PHSH spoke to NYS Music about the upcoming shows and how their interpretations of Phish’s music stands apart from others.
Pete Mason: How did you assemble this tour’s lineup for Jazz is Phish?
Adam Chase: I really like combining musicians from a variety of backgrounds on each show, whether it’s older and younger musicians, male and female, black and white, etc. And for this project the musical backgrounds being diverse is very important, regardless of gender or ethnicity.
Having a combination of musicians that are familiar with the music and musicians that never listened to Phish before I introduced them to it is the best recipe for really doing justice to the compositions while pushing the boundaries of what the tunes can sound like.
For this run I am particularly excited about having the teenage piano prodigy, DOMi, on the road with us. Having grown up in France and having her exposure to music in America be through jazz and classical professors at Berklee School of Music and through her collaborations with Thunder Cat, Knower, and Ghost Note, her lack of knowledge of Phish has been really fun for me. She is so talented that she can take the sheet music I give her and not only play the complex compositions with ease, but is also able to expand the ideas and improvise in a way that I’ve never heard within the framework of a Phish song.
Being able to pair her talents with Felix Pastorius is very exciting for me as well. As many people know, Felix is the son of Jaco Pastorius, which carries a fair amount of weight for the level of talent one would expect, but what a lot of people don’t know is that Felix himself is one of the best bassists around and he has his own voice on his instrument. His knowledge of music and his approach to playing bass is mind bending and he is one of my favorite musicians to play with.
In addition we have Rob Compa of Dopapod who is great guitarist and amazing human being, Alicia Aubin from Big Mean Sound Machine who will be making her debut with us and Dave Grippo of The Giant Country Horns. It’s always fun for me to play music with guys like Carl Gerhard and Dave Grippo, because growing up in the 90s as a Phish head, I had a ton of cassette tapes of those guys playing with Phish. They are quintessential figures in the Phish experience.
PM: What makes the interpretations of Phish’s music done by JAZZ IS PHSH different from those of other Phish tributes?
AC: There are lots of Phish cover bands. I don’t consider this to be a Phish cover band, though it is absolutely a Phish tribute. I may be splitting hair with terminology, but when I think of a Phish cover band, I think of a band trying to play Phish songs like Phish did in attempt to recreate the experience of seeing Phish (or as close to that as they can get). With Jazz Is Phsh our goal is to create a unique experience, where the music is a vehicle for incredible musicians to put their own identity into the music. Not just from an improvisational perspective but also from a compositional perspective.
Every song that we have done arrangements for have happened in a group setting with musicians that range from Chris Bullock of Snarky Puppy and Kofi Burbridge of Tedeschi Trucks Band, but also Michael Ray of Sun Ra Arkestra and Anthony Wellington of Victor Wooten Band. With each arrangement, we have not only reharmonizes the vocal melodies to fit into a horn section but for many songs we have composed original parts, reworked existing parts and even mashed up Phish songs with jazz songs and in some cases even jazz influenced hip hop.
A recent mashup we did took the popular Phish cover “Yamar” (which is actually an old calypso song) and mashed it up with the Q Tip song “ManWomanBoogie”. What makes this mashup so cool is that the Q Tip song was a variation of a sample of a Wayne Shorter jazz piece. What makes this so relevant to me is that jazz is often trapped in a box and held to just being swing music or a sound associated with the legends of the origins of jazz. But jazz is much more than that. Just follow the career of Herbie Hancock and you will see how jazz has evolved into funk, hip hop and so much more. The idea of jam music to me is the intersection of jazz and rock and roll. So to be able to explore the brilliant music of Phish in this way is what jazz is all about.
PM: Is there an era of Phish that lines up with the sound of Jazz is Phish more than any other?
AC: I think what we are doing is very unique and different so it would be hard to say if it lines up with any particular era of Phish. I do however enjoy turning on musicians to some of the early compositions of Phish as the complexity of the arrangements are very “Zappa-esque” and provide a challenge and in some cases an explanation of what a musician would find so charming about Phish’s music. But really there are Phish songs throughout their career that lend themselves so well to a horn driven, instrumental, funky jazzy setting.
PM: This is your first time in Albany, and you’re playing in The Swyer Theater at The Egg – what can fans expect from a show in this intimate venue?
AC: We are particularly excited to play this beautiful room. It’s always special when playing this type of music, to be in a room with great sound and a great feel. It really opens up the dynamics of the music and the creativity the musicians feel. I find that shows in rooms like this, feel like they have room to breathe, which is very exciting. I am looking forward to really giving each musician an opportunity to showcase their talents while also exploring the music collectively in a way that will really connect everyone in the audience with everyone on stage. When everyone on stage and the audience are all listening wholeheartedly and in the moment, magic can be made.
Call on Music, an organization recently launched by Omni Arts Group, will hold its inaugural event, “Get Wet for Chauncey” on Friday, April 14 at Nectar’s in Burlington, VT. Omni Arts Group founder Matt Kolinski and partner Will Ralston with the help of the arts and entertainment community have launched Call On Music and intend to promote events that will raise funds and awareness on behalf of other charitable organizations through live music and other platforms.
The first event, to be held on Saturday, April 14 at Nectar’s in Burlington, is “Get Wet For Chauncey”, which will raise money for the Lake Champlain Committee and the Vermont Clean Water Network. Headlining the event will be The Get Wet All-Stars featuring Michelangelo Carubba (Turkuaz), Craig Brodhead (Turkuaz), Rob Compa (Dopapod), Josh Myers (Sister Sparrow & The Dirty Birds), and Josh Dobbs (Dead Set). Patrons will enjoy opening act Doctor Rick as well as a raffle that will include items from various local Burlington establishments. Tickets are $10, doors at 8, show at 9.
Members of Dopapod, Kung Fu and Wurliday joined forces on Thursday, February 15 for the latest installment of Funk Night in Albany. Held at Parish Public House, the night featured funk tunes, Zappa and Nirvana covers, plus special guests Rob Sommerville of Kung Fu on saxophone and Philippe Chow of Albany on trumpet. Watch video footage from the show, plus a gallery from the night’s performance below.
Set 1: Hot Dog, Miss Riverside, Thank You (Falettinme Be Mice Elf Agin), Stink Foot, All Apologies, Shake Everything You Got, Cold Sweat
Set 2: Ain’t it funky now, Peg, Bodhisattva, Catfish John, Flood in Franklin Park, Windjammer
We’re back with another great slate of shows for you to see in Rochester in February. The typical winter slowdown doesn’t seem to be happening this year. These suggestions just scratch the surface, so time to break out of your cabin fever and go see some live music!
Saturday, February 3 Huntertones @ Abilene Bar and Lounge
During the Xerox Rochester International Jazz Festival, Rochester gets to experience some of the best music the world has to offer. The artists, in turn, get to experience the best Rochester has to offer as a music town. Lucky for us, this gets many of the acts to return, even in the off season. The Huntertones were a hit with their sets at this past year’s festival and they’re back for an encore at the intimate Abilene Bar and Lounge. The old juke joint will be jumping with their big brass sound. They’re not afraid to throw in some uniquely surprising covers in the mix; their version of “God Only Knows” was a highlight this summer.
Monday, February 5 Honeysuckle @ Funk ‘n Waffles Music Hall
Boston’s Honeysuckle bring their acoustic trio to Funk ‘n Waffles Music Hall. It’s traditional in nature, with guitar, banjo and mandolin. But throw in a kick drum and some non-traditional song structures and it becomes something unexpected and exciting. Three-part harmonies and wonderful songwriting bring this young group to the next level. Fans of Americana looking for something fresh but familiar will find lots to warm to here.
Wednesday, February 14 The Ballroom Thieves @ Arbor Loft
Another folk-trio from Boston, The Ballroom Thieves have been a band on the rise the past couple of years. We caught their show here a few years ago and had this to say: “It begins with Earley’s guitar work. Then sprinkle on the unique rhythms from Mauch and engaging cello work from Peters. Layer upon that what might be this bands strongest attribute, their soaring 3-part harmonies. Working all together to perform the music they’ve written, a varied collection of rockers, ballads, hymnals, barroom blues and on.” Can you think of a more perfect way to spend your Valentine’s Day?!
Saturday, February 17 Critt’s Juke Joint @ Anthology
Buffalo’s multi-instrumentalist Eric “Critt” Crittenden plays a fun mix of jazz, funk and soul he has dubbed “Soulprovisational.” His band, Juke Joint, is actually an ever-evolving, rotating cast of musicians. For this iteration he’s employed DJ Logic, Turkuaz’s Michael Carruba (drums) and Craig Broadhead (guitar), and Harry Graser on keys. Put your dancing shoes on and head down to Anthology for a funky good time.
Thursday, February 22 Oval Sandwich @ Flour City Station
Lastly this month we have Oval Sandwich. You’re forgiven if you’ve never heard of them. This will be their first show and there might not be many to follow. Dopapod is taking 2018 off from touring. Rob Compa, the guitarist, is keeping busy with other musical endeavors. He put together this Rochester supergroup of sorts (Paul McCardle: guitar – Doja, English Project, Will O’Riley: keys- The Niche, Swooners, Tristan Greene: drums – Doja, Ocular Panther and Justin Rister: bass – Moho Collective) and right now the only two shows will be this one and one in Syracuse the next night. To find out more about how he put the band together and other things he’ll be up to on the break check out an interview he did with our own Pete Mason. As to how this will sound, your guess is as good as ours. But we definitely recommend being there to find out!
Funk Night in Albany will return on February 15 at Parish Public House with members of Dopapod, Kung Fu and Wurliday. Featuring Rob Compa (Dopapod), Beau Sasser (Kung Fu), Adrian Tramontano (Kung Fu) and Justin Henricks (Wurliday), this night of funk will shake off any Valentine’s Day blues that may be lingering. Tickets available now or at the door.
Watch “Will it Go Round in Circles?,” from Funk Night in September featuring Starbird-Mazer/Skursky/Smith, Joe Davis from Formula 5, Scott Hannay of Mister F and Connor Dunn from Let’s Be Leonard.
Dopapod may be taking 2018 off, but guitarist Rob Compa is keeping busy, unveiling a new side project, Oval Sandwich, which will debut on February 22 at Flour City Station in Rochester, with a follow up show on the 23rd at Funk n Waffles in Syracuse.
Oval Sandwich includes Compa on guitar, Paul McCardle (guitar – Doja, English Project), Will O’Riley (keys- The Niche, Swooners), Tristan Greene (drums – Doja, Ocular Panther) and Justin Rister (bass – Moho Collective). With some originals and covers on tap, the history these musicians have from years of performing and writing music in Rochester will come together for two can’t miss shows. Rob spoke to NYS Music about the band name, how the lineup came together and how Dopapod’s New Years show went.
Pete Mason: So why is the band called Oval Sandwich?
Rob Compa: Ok, good story. When I was going to MCC (Mohawk Community College) around 2005-06, I used to go see Willy’s band The Niche in Rochester all the time. I probably saw them fifty times. After a show one night, I went to Jay Schreiber’s (Niche drummer) house with Willy. I knocked back a few of beers with them, and had never really drank at all. Much to my chagrin, I got, well….drunk, for lack of a better word. We called The Niche’s bassist Todd (Nestor). I told him I’d been drinking and he asked how I felt. I told him I was hungry, and he asked what I would want to eat if I could eat anything in the world. In a slightly slurred, not-so-sober manner, I told him I wanted “one of those oval shaped chicken sandwiches from Burger King (you know the ones I’m talking about). They all cracked up at that, and 15 minutes later Todd showed up, burger king bag in hand. So when we started booking shows, I couldn’t think of a name and asked if anyone had anything in mind, and that was the first idea Willy had.
PM: How did you bring this act of local Rochester musicians together?
RC: The project started with some phone calls between Paul McArdle and I. Without exaggeration, Paul is one of my favorite guitar players ever, and a huge influence for me, so I’ve always wanted to put something together with him. I’m excited to see what we come up with when we’re both playing together. We actually played a little gig at Temple a few weeks back together, and in between songs he said “Man, I can’t not play like you when I’m on stage with you,” and I just thought that was funny because as far as I’m concerned, a huge amount of my guitar personality is just stuff that I soaked up from listening to him for years. So he was really just playing like himself and I was the one playing like him if that makes sense hahaha.
Paul also suggested Justin as the bassist. I don’t know Justin at all, but he sent me some videos of him playing and had great things to say about him. I checked out some videos, and was sold right away. I love bass players who are focused on the pocket and holding the groove together, but can still take some liberties and play ear grabbing, exciting stuff when it’s appropriate. That’s my ideal kind of player, and I Justin had that in the stuff I watched.
Willy, who I also play with in our other group, Borg Party, was really just a no brainer. He’s one of my favorite musicians, keyboardists, and humans ever, and he’s also written some of my favorite music I’ve heard. I’ve never met anyone else who writes music as fluidly and as naturally as him. For these initial shows, we probably won’t have too much original stuff since it’s our first shows, but I’d love to write some stuff together in the future.
Finally, Tristan Greene was a drummer I was just so stoked to play with. Like Willy’s band, I used to see Tristan and Paul’s band Doja at Milestones (now Flour City Station) all the time when I was a teenager, and I was just in awe of those guys musicianship. I even had Tristan play drums for Dopapod at a really early Rochester show of ours in about 2008 that our drummer at the time (Michelangelo Carubba, who is now in Turkuaz and also plays with me in Borg Party) couldn’t make. I love his pocket, and how he doesn’t overplay.
This is really sort of a dream band of Rochester guys for me. If I could have picked anyone, it still would have been these guys.
PM: How was the final Dopapod New Years Eve before hiatus?
RC: It was great! We had been torn between whether or not to play two sets like we always do and have an opener that would help us draw more, or do three sets and not have anyone else on the bill. We went with the latter, and all four of us were so thankful for that. We really wanted to have it be our night, and be able to play for as long as we wanted since it’ll be awhile before we get to do it again. We even played our whole Redivider album, with the weird interludes and everything. It felt great. After the show, our friends backstage were all verklempt and telling us how much they loved us. Some of them were even a little teary eyed. And we were all just tired and pretty satisfied! I think after that much playing and months of knowing this break was coming, we were all just pretty nonchalant about the whole thing. We just had a blast.
PM: How do you see your 2018 panning out?
RC: Lots of teaching guitar lessons, and lots of gigs. I’ve never had to book my own shows until now, so that’s a pretty crazy learning experience. But as I’m moving forward, I think I’d rather have enough students to relax financially, and let gigs come to me rather than me put all of them together. I’m not really a managerial/leader type. I obviously want to play as much as possible and in as many settings as possible, but I like just being the guy who other people call to play guitar for them. I’ve also thought about going back to school to finish my music degree. A major long term goal of mine would be to teach guitar in a college setting someday. I love teaching and get a lot out of it, so I would love to teach in a kind of more advanced setting like that.
Plus get an exclusive look into Compa’s guilty pleasure bands you will not want to miss. Visit 
Oval Sandwich includes Compa on guitar, Paul McCardle (guitar – Doja, English Project), Will O’Riley (keys- The Niche, Swooners), Tristan Greene (drums – Doja, Ocular Panther) and Justin Rister (bass – Moho Collective). With some originals and covers on tap, the history these musicians have from years of performing and writing music in Rochester will come together for two can’t miss shows. Rob spoke to NYS Music about the band name, how the lineup came together and how