Tag: Obituary

  • Sail On, Sailor: A Eulogy for Andy Goessling

    It is said when a Hobo dies, “They caught the Westbound.”

    Lean in, Hobos; one of our own traded in his ticket for a seat on that locomotive ghost. This one hurts.

    To say Andy Goessling lived a life of music would be an understatement. Music was how he communicated. He was never considered a man of many words. In fact, many of the online testimonials include the comments, “We never talked much,” or “I only spoke with him for a moment.” He wasn’t much for words. But the words he did speak, became etched in one’s mind like a poignant moment in a movie forever embedded on that reel tape. I cannot count the times I stood or sat with Andy in silence beyond a hug and a kiss hello. Andy was the quiet observer. His presence was enormous.

    Andy Goessling
    SONY DSC

    Andy loved antiquing. In every town across the U.S., he would find time to visit the antique shops. Mostly, he’d shop for antique instruments. Countless friends recall Andy being a master negotiator when it came to the ancient tools of the trade.

    Longtime friend, former band mate, and neighbor, Jeff Barg (Bovine Social Club) recalls meeting him in the 1980’s and their friendship flourished ever since. Andy mentored him via text when it came to instruments.

    “Andy had a knack for finding old instruments in thrift and music stores. I would find stuff and send him pictures. He would tell me what they were and what they were worth. He vibrated on that plane where the instruments would find him,” said Jeff.

    Quoting Mark Twain, “A gentlemen is someone who knows how to play the banjo and doesn’t.” Perhaps Andy would play on those words, or perhaps he would take spirited jabs at his longtime friend and band mate, Tim Carbone (Railroad Earth). Andy would tease that a gentleman never plays the violin. However, in spite of his silly antics, Andy just recently picked up playing the violin, the last of his instrumental conquests. Tim has always regarded Andy as being the inspiration, but ultimately, in the end, it was Tim that inspired him.

    Upstate NY musician and friend, Kevin Maul (The Nellies) met Andy through his knack of antiquing. Twelve years prior, Kevin’s one-of-a-kind Dobro had been stolen. One day in Buffalo, Andy had come across this unique Dobro and sensed something wasn’t right. Kevin recalls his monumental experience:

    “He called up Beard guitars, the maker of this Dobro, and they told him that it had been stolen…He got my phone number and contacted me. He had said that maybe we would meet up at a festival someplace and he wouldn’t want to have me come up to him and say ‘hey that’s mine’. He was very nice about the whole thing.” Kevin continues to play his lost, but since found Dobro, today.

    Andy was a member of several bands over the years: Kings in Disguise, Blue Sparks from Hell, Secret Admirers, Sleeping Bee, Shockenaw Mountain Boys, and most notably, Railroad Earth. His early musical years were largely shaped by his geographic location.

    Hailing from New Jersey, there is a little known cream-of-the-crop group of artists living in proximity to each other. He’d find himself noodling for endless hours on back porches, or front porches, or at a party, at the local roadhouse bars, farms, studios, and just about every Amen Corner he could find. While on the road, he played everywhere and with anyone. It could be 5 a.m. with the sun dawning on the horizon, but Andy could be found at some campsite at some festival tapping his toes to the beat of his fingertips hitting the frets. It never mattered to him how large the stage was or how small the crowd. Andy was happy with an instrument clutched between his palms. His collaborations were countless. He’s played with so many musicians, it’s too numerous to list, but suffice to say, the six degrees of separation applies here. Playing was his gig.

    Andy met John McEuen (Nitty Gritty Dirt Band) because he tracked him down and sent him and email out of the blue. I recall Andy telling me that the music of the Nitty Gritty Dirt Band was some of the earliest songs he learned how to play. Five years ago, Andy did what many of us fail to do and that is having the confidence and courage to put ourselves out there – he simply asked John if he could join them for a set in New York City. John remarked:

    Two nights later, the ever-grinning Andy Goessling showed up. As the show progressed, whenever I nodded towards him for a solo, there it was – always grabbing the right tool for the job. A master catcher of hot notes no matter what I threw at him. Audience applause showed their appreciation for his solos… I soon started planning a recording with Matt Cartsonis for Chesky Records and Made in Brooklyn came together… the one thing I was not sure of, one I considered essential, was if Andy could make the sessions. He did!  And this time he brought the zither. The way he played made the listener feel as if you had tuned in notes from a distant past on a strange and beautiful sounding instrument…He raised our bar. Following the album, I called on him whenever the show budget would allow, and he came and did it again – made us better.Lucky we are to have known and played with the great Andy Goessling.

    Andy was the unassuming jokester, full of off-the-cuff, witty one-liners. I was fortunate enough to have caught a show Andy was playing with John. At the end of the show, with the intention of greeting fans, he instead gravitated toward me – he always found solace and comfort in the warmth of old friends. We began to speak, albeit briefly, when all of a sudden, another band member blurted out across the lobby, “Hey Andy!” I had just teased Andy that we should relish in the one sober moment we’ve had in the ten years we’ve been friends. The timing was perfect. Andy looks to his music buddy square in the eye and with deadpan face, he proclaims, “We’re having a moment, man.” And then, he laughs. The kind of boyishly cute laughter that is astoundingly infectious, especially endearing because Andy would chuckle after all his own jokes.

    There are endless adjectives used to describe Andy, and they are all true. He was talented, gifted, kind, humble, genuine, peaceful, gentle, introspective, and humorous, just to name a few. But these words barely scratch the surface of Andy’s personality. Andy, the man of few words, spoke via his own actions.

    I’ll never forget one day in January, Andy and I watched Mavis Staples from the side of the stage as we often did at festivals. He could have stood with anyone else, yet he stayed with me as I squealed and gushed over the amazing Mavis Staples. Most would consider my outward displays of fangirlism rather annoying, but not Andy. He savored the joy music brought others, even if it wasn’t his own. I sensed my own expression was one he felt, too. Hours later, he found me in the crowd of 10,000 or so and it was dark.

    Without a word, he reached in his pocket and handed me a folded piece of paper.

    Perplexed, I began to open the folded paper and as I did, it dawned on me what Andy had just done. For once, it was Andy that had left me speechless.

    He had given me the Mavis Staples set list.

    He proceeded to say he didn’t think he’d find me, so he was going to keep it in his guitar case to give to me when he saw me at another show. Andy’s considerate gift will forever be cherished and dear to my heart.

    That is the kind of human this world lost.

    For a man that was not much for words, there are two that would stand out the most: authentic and thoughtful.

    The ripple effect of his kindness extends beyond the music he used as a tool for joy or healing, or communication and that makes it difficult to imagine a world without Andy. I’m grateful I shared a sliver of time with him on this plane. Andy lived the good life, and while we wish he had one more night on the road, souls of his caliber are needed elsewhere, somewhere in the ethereal realm where he heals from the great beyond. He was an immeasurable blessing for all of us.

    We are now left with the deafening sound of his silence and a blindingly brilliant shaft of white light illuminating down on Andy’s now vacant space on stage. Andy deserves that warm applause.

    Andy, please come out…and take a bow.

  • Aretha Franklin Dies at 76

    Aretha Franklin, known world around as the “Queen of Soul,” died Thursday at her home in Detroit after a long and enduring battle with advanced pancreatic cancer. She was 76.

    Aretha Franklin

    With over 100 singles on the Billboard charts, 20 of which were number one R&B hits, and boasting a lifetime achievement award, her name is one surrounded by undeniable accomplishment. However, her marvelous career was molded by not only her God-given talent but also her righteous and compelling activism in the civil rights movement. Perhaps her most dominating record, “Respect,” written by Otis Redding, was released in 1967 and instantly adopted as an anthem by feminist and civil rights supporters alike for its seemingly relentless demand for due recognition as a strong woman in a man’s world.

    Inspired by gospel sounds and accompanied with a positively independent attitude, her stunningly adaptive voice displayed her singing prowess in a multitude of genres including jazz, blues, rock, and opera. Despite her enormous skill, she was in and out of the spotlight as popularity within the music industry fluctuated between new sounds. However, she always returned with a reminder of her capability with a song or an album that could only be described as grand. In her adolescence, Franklin was immersed in music between her pastor father’s famous sermons and other notable names like Sam Cooke and Dinah Washington who visited to partake in their community of Gospel music. Soon enough, she would pursue a professional career and through a series of events, she moved to New York City in 1960 to be signed to the massive label Columbia Records. Since then her career has been celebrated universally and remains significant to this day.

    Tragedies such as these almost seem mythological as we cannot comprehend someone so widely adored and brilliant being taken from this world. The royal titles we gift to select artists such as Michael Jackson as the King of Pop or in this case Franklin as the Queen of Soul is not just because they have truly mastered their craft, but more importantly to immortalize them. Their musical impact goes beyond the confining barriers of mortality and sets a precedent for what is capable despite obstacles of race, gender, or social standards. Essentially, her existence as a musician is more than just commercial success. She represented values, resilience, and an assuring presence many of us seek for the betterment of ourselves.

    Aretha Franklin

  • Dolores O’Riordan, Cranberries Singer, Dead at 46

    Dolores O’Riordan, lead singer of the iconic Irish alternative band the Cranberries, died suddenly in London on Monday. She was 46.

    dolores o'riordanHer death was confirmed in an emailed statement from her publicist, Lindsey Holmes. The brief announcement stated, “Irish and international singer Dolores O’Riordan has died suddenly in London today. She was 46 years old. The lead singer with the Irish band The Cranberries was in London for a short recording session.”

    O’Riordan’s cause of death was not specified. Her publicist did state that her family is devastated by the news and has requested privacy. She is survived by her ex-husband, Don Burton, and her three children, Taylor Baxter, Molly Leigh and Dakota Rain.

    Born in County Limerick, Ireland on Sept. 6, 1971 to Terence and Eileen O’Riordan, she was the youngest of seven children. Her powerfully unique, lilting voice and thick Irish accent combined to form an instrument that propelled her band, the Cranberries to international fame following the release of their debut 1993 album, Everybody Else is Doing It, So Why Can’t We? The album featured the hit singles “Linger” and “Dreams.”  Their 1994 follow-up, No Need to Argue produced the band’s most iconic hit, “Zombie.”

    The Cranberries released an acoustic album last year entitled Something Else. The ensuing tour of Europe and North America was postponed due to health problems O’Riordan was encountering.  Prior to Christmas, she posted an update to the band’s Facebook page.

    Tributes to the gifted vocalist were plentiful, including from Irish President Michael D. Higgins, who wrote, “[She and the Cranberies were an] immense influence on rock and pop music in Ireland and internationally. I recall with fondness the late Limerick TD Jim Kemmy’s introduction of her and the Cranberries to me, and the pride he and so many others took in their successes. To all those who follow and support Irish music, Irish musicians and the performing arts her death will be a big loss.”

    Dave Davies of the Kinks offered the following from his Twitter account:

    “The Queen of Limerick” was raised a devout Catholic and revered Pope John Paul II. After meeting the pontiff at the Vatican, she recalled in a 2007 interview with The Guardian, “(He) was lovely, very saintly. I was mad about him. I thought he really cared for the poor and he loved to meet the people. I saw him when he came to Limerick, when I was a kid. So it was pretty mind blowing to take my mum out to meet him.”

    She performed at the annual Vatican Christmas concerts in 2001 and 2002 at the invitation of Pope Benedict XVI and returned to perform for Pope Francis in 2013.

    O’Riordan’s preoccupation with death was not a secret. She was at her father’s bedside, holding his hand when he died in 2011. She claimed to have felt his spirituality enter her as he died. She also spent time visiting graveyards during her teen years, as she told the Soul Sisters podcast last year:

    You kind of wonder what is all about here. We’re only here for a while, and you can’t find complete happiness here. There is always sadness and there is always problems and troubles. Then you wonder when it will be your time, your calling, your time to die. What happens? That is something that my mind has always been preoccupied with.

    The Cranberriesworld blog has a brief clip of what is possibly O’Riordan’s last public performance, at the Billboard Christmas party in New York City this past December. You can view that here.

    The band broke up in 2002, but reunited with a tour in 2010. The album Roses followed in 2012. Below is their Tiny Desk Concert performance at NPR from that year.