Tag: New Album

  • Hearing Aide: Waydown Wailers ‘Backland Blues’

    Canton, NY  based electric blues outfit Waydown Wailers have released Backland Blues, their third album released on Woodstock Records.  The band, which was formed in 2011, is composed of brothers David Parker (vocals, guitar) and Christian Parker (rhythm & lead guitar), as well as Connor Pelkey (bass, backing vocals) , and Mike Scriminger (drums).Waydown Wailers Backland Blues

    Backland Blues is Waydown Wailers‘ third release and was produced by Aaron Hurwitz aka Professor Louie on the  Woodstock Records label.  Hurwitz who was given the moniker “Professor Louie” by Rick Denko of The Band, plays Hammond Organ on multiple tunes on the record including No Mercy,” the fifth track. The song also features some excellent guitar work by Parker and illustrates why this band has garnered so much attention by music critics in the U.S. and Europe as an outstanding electric blues outfit.  Another highlight of the album is “Another Bump In The Road” which feels more like an electrified Country and Western Tune.

    The band also included two covers on Backland Blues, “Dizzy Miss Lizzy” (Made famous by the Beatles and Elmore James’ “Done Somebody Wrong.” The band did a superb job covering these vintage tunes and it was probably a calculated gamble that paid off handsomely for a band that has a large following in the United Kingdom.  My personal favorite track on the album is “I Want Your Soul,” which is a tight little rocking number that demonstrates how well the boys play together as a band.  The tune also features a nice hard rocking tone with great slide guitar.

    The Waydown Wailers will be supporting the new album this summer, with their next date slated for Friday, August 23 at the Concert in the Park series held in Massena, New York.

    Key Tracks:  Back Door Woman, I Want Your Soul, No Mercy

  • Hearing Aide: Komrads ‘Resistor’

    Komrads 'Resistor'Before I start this review let me disclose that I am not well versed in electronic music, my expertise lies within metal so I will be reviewing this album from that perspective and will be comparing elements of songs to other groups in an attempt to best review the album.

    The first track “Resistor” is full of industrial glitchy instrumentals accompanied by drums in the back leading the beat. A little after halfway through vocals start chanting about the resistance. “Resistor” is definitely a great intro track while the second track “Midnight Sun” was an abrupt change from “Resistor”, with its slow paced and droning styled vocals and notes that echo.

    “Prom Dress” was one of my favorite tracks with vocals that are reminiscent of Marilyn Manson and Element A440 and has a rock sorta sound to match. Any fans of Manson style vocals should take a look.

    “Petra” felt like an experiment that was attempting the same thing as some doom metal projects with what sounds like a few bass strings and a deep bellowing whisper that is a departure from the rest of the tracks.

    “Sick Boy” instantly reminded me of “Plur Police” by Knife Party. It’s full of those edm sounds that I have no clue what they’re called and had humorous lyrics like “why you bring him to this office can’t you see he’s too big” and “can you do one thing for me?”  This track should definitely be a top contender for a single if Komrad decides to release any singles.

    “Lay Me Down”, “Pocket Full Of Knife” and “Midnight Sun” were completely out of my realm of music and I couldn’t find anything in them to personally latch onto.

    Overall this has more of a rock and roll sound than a metal sound but that’s not a bad thing- I enjoyed multiple tracks. I don’t know who to recommend this to me but my electronic music tastes are limited to Knife Party and Master Boot Record so if you are into either of them you might enjoy this album.

    Resistor was released online May 25. Head to their Bandcamp to purchase.

    Key Tracks: Petra, Sick Boy, Prom Dress

  • Interview: Jon Lewis discusses his band’s latest album and making a living as a full-time artist

    Rochester’s Jon Lewis Band is experiencing its fair share of notoriety on the heels of releasing their eighth album in four years, Get Wild Somewhere. In the month of May, lead singer Jon Lewis made the media rounds, appearing on WXXI’s Connections with Evan Dawson to talk about how streaming is impacting musicians, as well as on college radio stations WRUR and WBER, and the band opened the Rochester Lilac Festival.

    Jon Lewis interviewJon Lewis recently spoke with NYSMusic about the process of making music with his best friends, eeking out a full-time career in music and art, and the largest pizza he’s ever seen.

    Amy Cavalier: What inspired this album? Why did you feel the need to fly out of Rochester to record this album?

    Jon Lewis: After we finished recording our previous EP “Baby Brother,” we were given an amazing opportunity to record in our friend’s newly built studio in Los Angeles. With that in mind, we began to write and practice songs that were all intentionally constructed to be played and recorded live. We didn’t want to do any overdubs or try to manipulate our sound too much. This made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths. All the songs were written for this album. A totally fresh brew of tunes.

    AC: Despite some major weather delays, you were able to record this in just a few days. What types of challenges arose and what did you learn from the process?

    JL: This experience was insane. We were supposed to have a solid three to four days in the studio, but because of nearly two full days of weather delays, we only had a day and a half to record the album. In the end, we had prepped for such a thing and ended up recording the entire band live in one day. We never wanted to take a long time, and it almost seemed like Mother Nature was challenging our convictions and everyone in Jon Lewis band rose to the challenge.

    We showed up ready to play, and everyone at the studio made it possible by prepping and being on-hand for the whole process. Plus, there was a brewery across the street, so we were well taken care of. We also ate the biggest pizza I had ever seen that had to be taken in through the loading dock door because it was too large to fit through the door.

    AC: What was the idea behind the creation of the video for “Cinnamon Only,” the sixth track on Get Wild Somewhere? How long did it take to create? Do you plan to make videos for more of your songs?

    JL: I animated the video entirely using colored paper and sketches I made. It took about a month from start to finish. I drew and cut out the characters, then photographed/animated them against a green screen. Then I put all the layers together to create something I like to call “Paper World.”

    I’ve done several of these projects and it’s truly a joy and passion of mine. This video was created as I went; I started drawing a face and then thought, “she should be riding a motorcycle” and then when I drew that I thought, “and she should be accompanied by a wolf spirit guide” and then just kept drawing and writing as I went. The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery. I will definitely be making more videos, just as soon as I get some time.

    AC: How do you find the inspiration to keep coming up with new material on such a regular basis? What does the songwriting process look like for the JLB?

    JL: The songwriting for the band has been an ever-evolving creature. In the beginning, I did a majority of the song writing, taking songs from my acoustic catalog and then translating them into a full band format. As time has passed, Dave Drago and I have become more of a battery for song writing. This new album is an example of how far we’ve come.

    The inception of songs coming from Dave and myself, and then constructed and enlightened by everyone in the band. A true commutative effort. I still write quite a lot of songs specifically for my acoustic performances, as well as songs intentionally created for my alter-ego “Mr. Loops.” I am incredibly lucky to have different purposes for songs I write and that definitely helps the creative energy.

    AC: You put out a very fun social media presence….your band seems like the kind of guys you could really just hang out with. Have you put thought into the image your band emulates? Or is this organic?

    JL: Marketing and managing social media is a fun and yet also a very daunting task. I manage it all. Our band’s main purpose and function are that each member feels a no-stress and all-joy connection to the music. We are brothers and friends and family and without that feeling, we would not care to exist. It helps put out the right vibe and deep down that is because we feel it on a very real level.

    AC: Your fans helped fund the recording of this album. Why do you think your fans are so willing to support you and eager to see you succeed?

    JL: This album would not exist without the incredible love and support we got from our fans through our fundraiser. Once we decided to make the album in LA and to track it live, we knew this was the album to press on vinyl. We were successful after a few weeks time and that sent us to LA feeling so much positive energy, most certainly fueling our ability to overcome obstacles and make the music the best we could. I know our fans are invested in hearing what this journey has meant for our sound and how far we’ve come since our last release and I cannot wait to share it.

    AC: If you could describe each of your band mates to a stranger (as a person and a musician), how would you describe them? And if they could describe you, what would they say?

    JL: Dave (Drago, bass) is dad. He’s the reason any of the music exists as he has engineered/recorded and produced all of our albums in his studio 1809 Studios (link). He’s got vision, he’s upfront and he sees the infinite potential in a song and person unlike anyone I’ve ever met.

    Jake (Walsh, drums) is our heartbeat. Consistent, positive and present, he has maintained the beat of the band since the very beginning. One of the most talented and empathetic human beings you can ever wish to meet.

    Shawn (Brogan, lead guitar) is our hot sauce. His lead guitar licks and dissident sounds create the soul of our music. He’s technical and always creates a well-constructed lead lick. He’s “ride or die” and balances our sound and our group with energy and support.

    Alex (Northrup, keys) is our bed. When Alex joined the band we knew we were finally comfy and complete. One of the most talented musicians I have ever met, he can pick up literally any instrument and make it sing. He’s technically proficient and also carries an edge of insanity that fits in with us so well. He’s a compassionate and amazing human.

    Jon Lewis (lead vocals and rhythm guitar) I literally have no idea how the band would describe me but I would hope they would say something nice (or else).

    AC: You are currently making a full-time living with music and performance art. Was this always your intention? What does it take to be a successful full-time musician in a small pond such as Rochester? Are there advantages to doing this here vs. in a bigger city with more competition?

    JL: I am a full-time artist. I dropped out of college before I incurred any debt and went straight into the workforce. I worked sales for 10 years before building a foundation to quit and make art full-time.

    It’s not easy, and I have to find new and innovative ways of making a living outside of just performing and making music. I do documentary film making for local historical societies, I animate and create music videos, and I perform music for kids as “Mr. Loops” – this combination has created an ever spinning wheel of work for me that keeps the dream of not going back to “work” possible.

    If you want to chase a dream like this, you have to keep your eyes and doors open to different ways of being creative, and getting what you deserve for your creations. Rochester is certainly a more affordable place to live and play than larger cities, making this sort of crazy notion possible.

    AC: Do you have a bigger vision for the Jon Lewis Band…not just to dominate the local Rochester music scene, but to make yourself known to a wider audience?

    JL: I definitely keep an ever-expanding vision alive for my art and my music. I have very little expectations but I truly pour all of myself into every creation with the knowledge that there’s no way of knowing how long I will be lucky enough to be alive and make music. I would love to tour more, and still have many different adventures to take with performing.

    AC: You recently traveled back to LA to audition for Blue’s Clues…how did that come about? Although you did not get a call back, what did you take from that experience?

    JL: I sure did! After never being to LA as an adult I found myself there twice in a three month period. I couldn’t resist the opportunity to send my information and videos into Nickelodeon when I heard from a dear friend Malcolm Whitfield that they were looking for a new Blues Clues host.

    They did respond, inviting me out to audition in person and I jumped at the chance. It was an amazing experience and one I will never forget. More than just the insanely cool audition experience, I was able to spend some serious quality time with my long-time friend Johnny McHone and soak up the sun more than we had a chance to when we were recording Get Wild Somewhere. I learned that, especially in LA, if you bring a positive and giving attitude to the city (no matter if you “win or lose”) that the city and life will repay you tenfold.

    AC: How often do you perform as Mr. Loops? What other ways do you cobble together your living? Would you describe yourself as a starving artist? Or do you feel like you’re finally making headway?

    JL: I perform regularly as Mr. Loops but would like to perform even more. I love to play music for kids and it keeps me silly and having fun in a business that can certainly be hard to manage. I find that the “struggle” of being an artist full-time greatly outweighs the “comfort” of a less rewarding career. I feel truly connected and alive making music and making art.

  • Hearing Aide: Jon Lewis Band ‘Get Wild Somewhere’

    Everyone loves rooting for the hometown star to catch a big break. Rochester’s very own Jon Lewis Band’s  latest offering Get Wild Somewhere has the potential to expose them to their widest and most diverse audience yet. It has nothing to do with luck though. The eighth album they’ve recorded in four years stands solidly on the five member’s pure and unadulterated passion, dedication, friendship and, most importantly, talent. 

    The band’s namesake, Lewis is on lead vocals and rhythm guitar, accompanied by Dave Drago on bass, Jake Walsh on drums, Shawn Brogan on lead guitar and Alex Northrup on keys. With more time spent traveling to Los Angeles to record than actually spent in the studio, Get Wild Somewhere’s classic sound was accomplished through the use of vintage recording gear. All ten tracks were written with the intention of being played and recorded live.

    “We didn’t want to do overdubs or try to manipulate our sound too much,” said Lewis. “That made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths.”

    Fueled by adrenaline, backed by fans who crowdsourced over $2,000 to support the band’s trip to LA to record, and fed by the largest pizza they’ve ever seen (it had to be delivered through the loading dock door) Get Wild Somewhere has a polished, timeless sound that could only be done justice with vinyl.

    The Jon Lewis Band consists of Dave Drago, Shawn Brogan, Jon Lewis, Alex Northrup and Jake Walsh.

    Written by Lewis and produced, mixed and mastered by Drago in his 1809 Studios in Macedon, NY, Get Wild Somewhere tears onto the scene with the catchy opening track “Jerry My Berry.” Borrowing from the piano track that was used in famous recordings like “Werewolves in London” and “Summer Breeze,” combined with a catchy chorus, driving beat and melodious guitar licks, “Jerry My Berry” kicks the album off on an energetic note.

    Track two, “Charity,” is a beautiful opus with rich vocal harmonies complimenting mournful wails from Northrup’s organ.

    “You Don’t Wanna,” the third offering on the album, has a Beach Boys, surfer rock vibe to it. The clavinet introduces listeners to a an easy, breezy, likeable song that encapsulates the vintage vibe.

    I just want to see your face

    I just want to waste your time

    I just want to talk to you

    Cause you will see that I’m alright

    The rough riding “Cinnamon Only,”carried by a driving lead guitar, is the first song on the album to have a full-length video to accompany it. Lewis created the video over one month’s time entirely with colored papers and sketches.

    “I draw and cut out the characters, then photograph/animate them against a green screen, then I put all the layers together to create something I like to call ‘Paper World,’” he explains ,”The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery.”

    The album’s closer, So Familiar,“ is a gorgeously dark and stormy, mostly instrumental, song that hits to the core.

    Get Wild Somewhere is the sound of five friends pouring their hearts out and having the time of their lives producing fresh, original and crush-able jams, heartfelt ballads and indie rock. Each song come together effortlessly and stands on their own, as if they were just waiting to be born.

    The energy and connection on the album translates easily to the stage. Check the Jon Lewis Band out for yourself Friday, May 18 at their Album Release Party at Three Heads Brewing. Here’s hoping that this is just the start of something even bigger for these five Rochester musical dynamos!

    Key Tracks: Jerry My Berry, You Don’t Wanna, So Familiar

    https://www.facebook.com/jon.lewis.1401/videos/1781207945233793/

  • Hearing Aide: TJ Foster ‘First Person, Volume One’

    Anyone who’s ever questioned their purpose (so all of us) will relate to the sentiments laid out in TJ Foster’s recent release First Person, Volume One. The album unfolds like a diary decorated with a mix of acoustic guitar, piano, harmonica and occasional drums. Each song explores the obstacles that emerge as people struggle with defining their own identity and finding their place in the world.

    The lyrics won’t shock the ear with poetic potency but Foster’s words will validate the listeners’ own questioning of self. The first track, “I Don’t Know,” sets the tone for the album with modest guitar elevated by strong vocal harmonies. The title offers a simple and honest response to the questions that escape our grasp. “57” wrestles with the desire for human connection but hauntingly echoes the chorus “Should I just be alone.” The melancholy ensues with “Basement,” which details a few of the emotional hardships Foster has experienced including losing a friend to suicide and dealing with his parents’ divorce.

    “An Ode to my Twenties” surprises the listener with the most upbeat tune on the album, recounting important milestones including graduation, getting married, having two kids, getting a first tattoo, and perhaps most notably, finding a taste for wine. It’s may seem like a minor adult accomplishment, but detecting the subtle nuances in a glass of merlot is an ability often lost on younger drinkers. In “Upside Down,” Foster almost whispers the line “I may act like I’m awake, but I’m perpetually dreaming.” It speaks to the human tendency to be caught up in our thoughts and not actively participating in our own lives, too busy focusing on the negative to revel in the positive.

    Though First Person, Volume One offers no comforting solutions to the numerous existential questions it poses, perhaps comfort can be found the questions themselves, as they are familiar to many of us. Released on April 13, the album is available for purchase here.

    Key Tracks: I Don’t Know, An Ode to My Twenties, Upside Down

  • Album Review: Hartley’s Encore ‘Hartley’s Encore’

     

    hartley's encore albumJoining the ranks of Albany’s tasteful and expansive live music scene over the last two years, Hartley’s Encore has become a recognizable name, plastered on fliers at favored venues and taking on hosting duties for local funk nights, and after rounding up a collection of distinguished tracks, the spunky Capital Region locals finally put forth their first, self-titled album on April 20, 2018. 

    The 6-track effort was recorded and mixed by Soulives’ Alan Evans at Iron Wax Recording Studio in Millers Falls, MA and comes stacked with talent, including Luke Malamood (Lead and Backing Vocals, Keyboards, Hammond B3, Percussion), Chris Oliver (Guitars, Backing Vocals), Jeff Nania (Saxophones), Josh Gordon (Bass: tracks 1, 3, 4, and 6), Mike Gilet (Drums: tracks 1, 3, 4, and 6) and the help of Erik Pravel (Drums: tracks 2, and 5), Phil Chow (Trumpet) and Brad Monkell (Bass: tracks 2, and 5).

    From the album’s opening notes, it’s apparent the assortment has one goal in mind: create funky, dance-leaning tracks that leave the live crowd and listener at home no choice but to groove in their immediate proximity. “Take ‘Em Down” and “Can’t Fake the Funk” are full embodiments of dance anthems, complete with transitions between soulful vocals and an impressive horn section splashed throughout. Groovy, harmonized background vocals and a splash of falsetto are quick to grab an ear as well as carefully placed elements of rock and roll.  Although generally funky and soulful, a fiery nugget of psychedelic rock is thrown into the mix with wailing guitar solos by Oliver.

    Rotating focus on which instruments shine, “Keep That Bright Light Shining,” “All My Funky People” and “Hooklynn” highlight the ability to swap musical hats with tasteful drum lead-ins, tickling of the keys and fleeting solos on guitar. Appropriately named “Hartley’s Encore” and placed as the closing track of the album, the repeated mantra of “gonna give you an encore” paired with jazzy pockets of saxophone and trumpet leave you feeling the funk up until the final notes.

    Over six tracks, Hartley’s Encore manages to fuse their chosen genres in a seamless way, weaving rock and roll amidst funk and jazz while keeping the message lighthearted and fun. Between catchy hooks, tasty riffs and feel-good tunes, the up and comers pieced together a collection of tracks suitable for those live on the dance floor, cookin’ and dancin’ at home or anxiously wiggling in the car during rush hour traffic.

    A record release party took place on Friday, April 27 at The Hollow in Albany with special guest Victory Soul Orchestra and was hosted by Guthrie/Bell Productions. They will also perform at Bowery Electric on May 18 in Manhattan. Hartley’s Encore is now available on Spotify and Apple Music.

    Key Tracks: (Keep That) Bright Light Shinning, All My Funky People, Hartley’s Encore

  • Hearing Aide: Townhouse Warrior ‘Words, Unsaid,’

    Reigning from Upstate New York, the group Townhouse Warrior are set to release their third full-length album on March 20. This four-man punk rock band released their debut album just three years back and followed it up with their sophomore album in 2016. The group is back with their newest project and is ready to share it with the world. The latest addition to their group is guitarist Tim Hall who joins original members Zack Fitzgerald on lead vocals/guitar, Kyle Malfa on drums and Joshua Rivet on bass to take their high-energy sound even further.

    Words, Unsaid, features twelve songs; each one is a powerhouse track in its own right. Every song brings a level of upbeat intensity starting with track one, “Echoes.” The opening to track three, “So Left, It’s Right,” slightly differs from the others as the guitar and drums are panned left and right respectively. This adds more layers to the song and encourages a head-bobbing reaction to its rhythm right off the bat.

    I am personally a big fan of the album title namedrop in the song “Fake Confrontations.” The lyrics tell the story behind the title Words, Unsaid, giving this title a deeper meaning. Other noteworthy tracks on this album include “Toll Taker,” as it begins with an almost soothing electric guitar solo before introducing the sound from rest of the band. Likewise, “Daydreaming” is an inherently dynamic song as takes its listeners on a journey through soft and high-energy segments.

    In my opinion, Townhouse Warrior is the perfect fit for the DIY music scene. Their fast-paced musical style has the power to electrify an audience and I would personally love to catch them performing in a basement venue.

    Key Tracks: Echoes, Far Away, Daydreaming

  • Hearing Aide: The Plot In You ‘Dispose’

    The Plot In You premiered their latest album, Dispose, on February 16 on Billboard Music. Lead singer and songwriter Landon Tewers co – produced the album in Los Angeles with Drew Fulk, known for his work with Crown The Empire and I Prevail. As their first album with Fearless Records, Dispose contains ten tracks total and steers away from the band’s signature, heavy sound, leaving just a risky, yet shell of their previous work — and in its place a calculated contingency away from the past.

    For the most part, the album backs off the heavy guitars, defiant lyrics, and warmongering breakdowns. Once classified as a metal band, The Plot In You both proves their versatility and bends unspoken rules characteristic in their previous albums, such as 2011’s First Born, instead turning to multiple genres such as pop, rock, and electronic.

    Dispose opens up with “Rigged,” a slow, intense build of a track centered around a few clean, crisp guitar riffs which transition into a tense progression of Nine Inch Nails – esque industrial electronic sounds and a chaotic blitz, culminating with Tewers asking the question, “What’s left in me? Guess we’ll see. Didn’t see this coming.” This question sets the tone for the rest of the album.

    While every track experiments with the extensions of the band’s songwriting abilities, such as “One Last Time,” and “Paid in Full,” Dispose falls victim to the bane of many modern releases: tracks set in a difficult – to – follow order. However, this is not an unforgivable sin as many of the songs stand well on their own to be played as one – offs as opposed to a back to back listen. A few points’ deduction, but not a total loss.

    In fairness, The Plot In You, takes an exciting artistic risk. While their heavy side still exists in songs such as the anthemic “Feel Nothing,” they leave room for a Frank Ocean/Ed Sheeran – type ballad with “The Sound,” which introduces a soulful, lounge saxophone solo to accompany Josh Childress’ shining, dramatic guitar performance. Tewers plays with this same concept on “I Always Wanted to Leave.” Both songs deal lyrically with the stages that many relationships go through: comfort and security, and then betrayal and loss.

    The band’s unsung heroes, however, are drummer Mathis Arnell and bassist Ethan Yoder, who hold down the basis of this rock/pop – driven album. Songs such as “The One You Love” and “Disposable Fix,” both use a building block approach, starting with input from the rhythm section and centering around their pocket. Along with Childress, Arnell and Yoder keep the instruments minimalistic yet intentional. The space left in each song provides a mysterious effect which draws the listener in and allows for the breathing and taking in of fine details in each painting. This is also true for the music videos of the album, “Feel Nothing,” “Not Just Breathing,” “I Always Wanted to Leave,” and “Disposable Fix,” all of which Arnell directed.

    Although Dispose has been met with mixed criticism over the band’s changed sound, their songwriting, engineering, and production deserve acknowledgment. And whether most fans enjoy these changes or not, some credit must be given to the group for sticking to their intentions and musical wishes. Independent of any previous claims, songs, or performances, Dispose objectively displays cohesion, weighted movements, experimentation, and vulnerable soul. At the very worse, it could be a small misstep in a continuing career; at best, a welcome change in direction, an honest set of thoughts, and a passionate description of current events with a unique blend of genres. That is to say, overall, it’s a solid effort that The Plot in You can be proud of.

    Dispose is available digitally and physically at all major platforms.

    Key Tracks: “Feel Nothing,” “The One You Loved,” “The Sound”

  • Hearing Aide: Bobby Paltauf “Why”

    Connecticut based Bobby Paltauf featuring The Package released their debut studio album Why, on Jan. 10 on Spotify and iTunes. The albums holds, “songs that will challenge the status quo, posing questions about how we live life, how we engage and communicate with each other, society, religion and politics.” The majority of the album is lyrically driven and on the lighter, easy listening side of the spectrum, which is a bit of a change from Paltauf’s prior work which was heavily influenced by rock and blues.

    What’s most impressive is that no one in this group cracks the age of 30. Lee Falco (drums) Will Bryant (keys) Bobby Paltauf (guitar/vocals) and Brandon Morrison (bass) work effortlessly together to create unique, expertly produced tracks filled with bluesy, smooth and sometimes funky sounds.

    Their opening track, “Put It Down” speaks about society’s addiction to technology, mainly our phones. Instrumentally, the track is smooth and light, a theme which transcends the majority of the album. Other songs like “Why,” “Now” and “It’s Own Way” are laid back but could use some more energy in spots. The songs are full of emotion and climaxes, but could use more power. 

    Paltauf hasn’t lost sight of what made his first studio tracks so attractive, though.  Songs like “A Day Late” and “Wasted Grooves” are undoubtedly the key tracks off the album. They’re lyrically impactful and their catchy funk tones separate them from the rest of the tracks.  They’re beaming with energy and are exactly what we’d like to hear from a young and talented group of musicians.

    Find the album on iTunes and Spotify and keep an eye out for any upcoming shows on Bobby’s Facebook page.

    Key Tracks: Day Late, Wasted Grooves, Searchin

    https://www.youtube.com/watch?v=J3tHb0rpDwQ

  • Hearing Aide: Cosby Gibson ‘Into Mid-Air’

    Albany local Cosby Gibson has released her new album Into Mid-Air on November 17, 2017. Gibson’s previous album, Talking to Echos is an award winner for Best Folk Album in 2017 and was also accepted to the first ballot for Grammy consideration. Gibson performs in solo and duo acts, and leads a non-profit music performance troupe.

    Cosby GibsonWith a positive reputation, Gibson’s music is an experience to be had. Into Mid-Air contains thirteen tracks, one of which holds the title of the album. “Whispers on the Water,” the third track on the album, starts with the happy, twinkling sound of guitar, only to then blend with Gibson’s voice. Her voice is soulful and holds a carefree quality to it, making her songs that much more down to Earth. All of her music is “low-fi,” meaning that the sound is more organic. In this case, that sound adds to the “self-made” feeling Gibson’s music gives off. “Into Mid-Air,” the title track of the album, is a shorter tune with a deeper sound quality, adding some contrast to the album. There is a recurring theme in her lyrics, showing off the fact that her musical inspiration oftentimes comes from nature itself. Gibson’s style could be considered “earthy” as a whole, making each of these musical elements blend together quite nicely.

    Gibson herself seems to be a free spirit. It is notable in her songs, in her style, and in her live performance. If carefree, folky tunes are a sound you would enjoy exploring, Gibson might just be a listen for you.

    Key Tracks: Whispers on the Water, Never Did Let Go, Into Mid-Air

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