I Set My Friends on Fire played at Mohawk Place last weekend. The show on February 25 marked the third sold out show in a row on the 10 Years of Slaughter tour, celebrating the anniversary of their popular debut album You Can’t Spell Slaughter Without Laughter.
Awaken I Am made the trip all the way from their hometown of Brisbane, Australia to tour the US with Kissing Candice and I Set My Friends On Fire. Although far from home, they received a warm welcome from the crowd. Their music was more in the vein of rock than the metal bands that make up the rest of the bill, but it resonated with the crowd. Awaken I Am played a selection of songs which included some off their latest album which they released last year on Victory Records, Blind Love. When I stopped by the merch table, I noticed that the t-shirts and album cover included the words ‘Blind Love’ spelled out in braille, which was a nice touch.
Awaken I Am
Long Island metal heavyweights Kissing Candice was a stark contrast to the previous act. The stage filled with the haze of smoke, as the five piece ensemble took the stage in horror-show costumes and masks. The music was as intense as the theatrics, an industrial metal rage that got the crowd moshing once they were over their initial awe. This band is not for the faint of heart. If you’re a fan of heavy hitters like Slipknot, you need to check them out. While tour with Awaken I Am and I Set My Friends On Fire ends on March 16 in Oklahoma, they are playing a show in Illinois on the 18th, followed by a hometown show when they get back to New York at Revolution in Amityville on the 21st.
Kissing Candice
Then came the act that fans had been waiting all night to see: I Set My Friends On Fire. A decade ago, two teenagers with a laptop posted a punk cover of “Crank That (Soulja Boy)” on MySpace. It’s been an incredible journey for the band since then. Worldwide tours, lineup changes, and two full length albums later, the band is still challenging the status quo. Clever insightful lyrics are paired with experimental sounds that incorporate a myriad of genres including hardcore and funk.
I Set My Friends On Fire
The band is currently comprised of founding member Matt Mehana on vocals, Nathan Blasdell on clean vocals and guitar, Connor Mitchener on bass, Chris Thompson on drums and Hector Bagnod on guitar. Out of the gate, the guys brought an energetic vibe that was contagious. Blasdell was encouraging crowd participation between and during songs, but honestly the crowd didn’t need much encouragement to get moving. A mosh pit opened up on the first song, and it didn’t let up.
The setlist was comprised of all the songs from You Can’t Spell Slaughter Without Laughter. I was expecting them to play all the songs in order, like other bands that I’ve gone to when they had 10th anniversary tours, but they mixed it up a bit, which was a pleasant surprise. The music was intense and raw, but with an overarching sense of fun. The band members just seemed so happy to be up on stage, and grateful to be celebrating the birthday of this iconic album.
I Set My Friends on Fire
There will always be a place for music that captures adolescent antics and questioning of authority and societal standards. Fans of I Set My Fire who turned out at the show included everyone from teenagers who were too young to see the band on previous tours to middle-aged folks who were seeing them for the fourth or fifth time. But the majority of the people in attendance were those who were coming of age when the album came out ten years ago, those who connect on a personal level with the disillusionment and angst of a generation that had their American dream ripped away by the great recession. For them, this concert seemed like both a validation of their experience and a communal catharsis. They purged their emotions in the mosh pit.
I Set My Friends On Fire has come a long way in the past decade. The post-hardcore band that started with two teens and a laptop and has evolved into a full band with members from across the U.S. NYS Music caught up with guitarist Nate Blasdell and bassist Connor Mitchener as they were readying to take off for the tour to celebrate the 10th anniversary of ISMFOF’s debut album You Can’t Spell Slaughter Without Laughter.
photo: Daniel Finkelstein
Paula Cummings: How did you get your start in I Set My Friends On Fire?
Nate Blasdell: I played in a band called The Bunny The Bear. I was pretty young, 18 years old, just out of high school. I learned a lot from that band. It was everything I thought I wanted. We were signed to a label, doing well on tours. We had a booking agent. On the outside, that looks awesome. But there’s a lot of awful stuff that happened. We burned bridges, we made mistakes. We were kids. I was considering what I wanted to do with my life and how I wasn’t a free-spirited 18 year-old looking to run away anymore. I just wanted to play music with people I cared about. Matt Mehana and I started talking and one day I asked if he wanted to get ISMFOF rolling again. We went back and forth for eight months. One day, I was like, “Let’s make a deal, if I can book us a tour in Russia, you’ll start ISMFOF up again and we’ll start touring.” Twelve hours later we had a contract and the plane tickets were fully paid… You have to be crazy to be a musician.
Connor Mitchener: You have to be a masochist.
NB: You have to make a lot of sacrifices. It’s hard to maintain relationships. We sleep in a van, from sleeping in hotels. We went from having plane tickets paid for you to having to front for plane tickets. So we started to lose money and we went through member changes before things fell into place. We had this strand of two months of touring that were horrendous. Not just financially but emotionally. We were in Russia and we all got sick.
CM: I missed a show.
NB: Our drummer got robbed of his camera. My Uber driver ran someone over.
CM: I almost got detained.
NB: He almost got kicked out of the country because his visa expired. We saw money lost from our hotel room.
CM: Literally all the money gone.
NB: All the money we made from tour we lost on our last day in Russia.
CM: That was the kick in the gut.
NB: The biggest thing about that is we flew from Russia to New York and had to play a show in New Jersey that night. We ended that tour with a smile on our faces. Everyone was still laughing, still making the best of it. That’s when we knew we had the right lineup. I think we’ve finally got it right. We’ve all been through the struggle. Instead of being jaded, it makes us that much more hungry and more appreciative of whatever comes our way.
PC: How many countries and continents have you played?
NB: It was thirty last year. Then we did Estonia, Latvia and Sweden. So thirty three. We did Asia, Europe, North America and Australia. Russia was awesome. We didn’t expect to be treated so well there. People were waiting at the train station. We couldn’t walk outside the show. They were really appreciative. We can have that experience, then we can come home and be completely normal people. I think it’s cool because you can experience it, but it’s not your full life.
PC: What was the feedback from your teachers and school counselors when you wanted to pursue a career in music?
NB: I grew up in a suburban area. I came from a good family too. There were expectations. I went through a lot in high school. I used to be all about sports. As I fell out of love with sports, I fell in love with music. Teachers and counselors I had thought I was crazy. Not only teachers and counselors, but some friends of parents and some extended family. I got lucky that I have the most supportive family every. My father has a good job. He saw that money doesn’t buy happiness, and he wanted me to be happy. I went to college when I turned 21. I’m glad I went back. I think that anyone who had a tough time in high school shouldn’t rule out college. It’s crazy. I work as a substitute teacher now alongside of some of the teachers who told me to give up. I had an orchestra teacher tell me I was a failure at music when I was in 6th grade and that I should give up violin. When you tell a kid something like that…
CM: At the most vulnerable age.
NB: It’s funny how that stuff comes around. I had some caring teachers who wanted what was best for me, but I had some who were like, “You have no idea what you’re doing.” We went out and found ourselves.
CM: We learned a lot more than we ever would in school.
NB: It took a couple years to find ourselves. We learned a lot from touring. Every kid has a different plan. I highly advise finishing high school. I know it’s a battle for some people, but once you get that piece of paper, it’s like your life is about to get a thousand times better.
CM: Like Dobby getting a sock.
NB: It will make your life that much better. You can hang it on the wall and no one can take that away. I went on tour thinking I was going to tour for the rest of my life, and I came back as a teacher. That’s one of the reasons I became a teacher is to push kids in the direction of their own greatness instead of society’s standards of greatness, and find themselves. College is always there. It isn’t for everyone, but I encourage people to try it. But there’s no time frame on it.
PC: Connor, did you have similar experiences with teachers and counselors in high school?
CM: Oh, yeah. I come from a way smaller place than Nate did. It’s pretty country. I remember getting called to the counselor’s office to do financial aid. I’m like, “I’m not going to school right away, so I don’t need to do this.” They were like, “Yes you do, because you’re dumb not to.” It sucked. High school sucked. That place just didn’t get it. People in my town never leave. There were teachers who were like “I had your parents when they were in school.”
PC: How supportive was your family?
CM: So my mom was stoked. When Nate called me, he was like, “Buy a bass, learn to play bass and come join me.” We were homies. I was like, “cool.” I go home and tell my mom and she was ok. I was a cross country and track runner. I had scholarships. I go to my dad and say, “I’m going to play music,” and he told me I was pissing away my future. They saw where this led and my dad comes to out of state shows now. They were concerned. It was random. It wasn’t a plan I ever had because I never thought I could do it. Honestly, at face value, our story is kind-of ridiculous.
NB: We both grew up in good families where there was a lot of trust. It’s cool because they’ve been supportive. There was a point where they were worried, but now there are instances like my dad will be at work and say, “My son is in a band.” They’ll ask what band, and he’ll say I Set My Friends On Fire, and they’ll be like, “No way!” Our dads brag about us.
CM: It started like, “My kid plays in a band. He doesn’t really do anything,” and now it’s prideful to say.
PC: What advice would you give to 18 year-old you?
NB: Look at the bigger picture. Don’t be blindsided by the initial look of something. And don’t let hate affect you so much. People are going to hate. I don’t let it affect me at a personal level. Don’t get caught up in what everyone else is doing. Everyone has a different plan. You can’t compare your success to others. Try not to get attached to your idols on an emotional level.
CM: Heroes become human.
NB: Who they portray themselves as and who they are is way different.
Photo: Andrew Parker-West
PC: What is your favorite lyric on You Can’t Spell Slaughter Without Laughter?
NB: Matt’s lyrics are insane. “Don’t drink and park, accidents in cars cause population” from Beauty Is In The Eyes Of The Beerholder.
CB: The end of WTFWJD, “Let me get a sip of what you want me to say, I am so thirsty.” I love the end of that.
NB: IMFOF lyrics are more meaningful than they appear. You can’t deny that we’re a sexual and violent band with content.
CB: It’s more wacky than violent.
NB: The thing that Matt does that’s really cool is that he has lyrics that appear sexual or violent but they are part of a way bigger meaning. It’s not like he’s writing it to be edgy.
As I was thanking them for the interview, they mentioned that they will be doing an interview called ‘How Well Do You Know Your Bandmate?’ while on tour. I threw a few practice questions at them. Having known each other for seven years and spent so much time together, they nailed the answers. In case you were wondering… their favorite restaurants on tour are In-N-Out Burger, Chipotle, Cook Out and Chic-Fil-A. Connor’s favorite beverages are Code Red Mountain Dew and Dr. Pepper. And Nate doesn’t eat candy often, but when he does, his favorite is Lemonheads.
Tickets are on sale now for the I Set My Friends On Fire on their 10 Years of Slaughter Tour. They still maintain their MySpace page, as well as Facebook, Twitter, and Instagram. Find music by I Set My Friends on Fire, from their debut You Can’t Spell Slaughter Without Laughter to their latest single “My Uzi Holds A Hundred Round Conscience” on iTunes and Spotify.
“It’s hard to believe it’s been 10 years since this crazy journey started,” says guitarist Nate Blasdell, a resident of Rochester, NY. “Although the band has gone through so many changes from being two high school students from Miami making music after school on a laptop to five best friends from all around the U.S. touring the world, this album is the footprint that got it at all started. We are so excited to bring this throwback to the fans that have stuck with us for so long.”
You Can’t Spell Slaughter Without Laughter 10 Year Anniversary Tour Dates:
Feb. 15 – Pittsburgh PA – The Funhouse @ Mr. Smalls Theater
Feb. 16 – Fayetteville NC – Drunk Horse Pub
Feb. 17 – Savannah GA – Aura Fest @ S.O.T.S. Maritime Museum
Feb. 18 – Richmond VA – The Camel
Feb. 20 – Stanhope NJ – The Stanhope House
Feb. 21 – Baltimore MD – The Ottobar Feb. 22 – Brooklyn NY – Kingsland
Feb. 23 – Philadelphia PA – The Voltage Lounge
Feb. 24 – Providence RI – Fete Music Hall Feb. 25 – Buffalo NY – Mohawk Place
Feb. 27 – Pontiac MI – The Pike Room @ The Crofoot
Feb. 28 – Chicago IL – The Beat Kitchen
March 1 – St. Louis MO – Fubar
March 2 – Merriam KS – Aftershock
March 3 – Wichita KS – Rock Island Live
March 4 – Denver CO – The Marquis Theater
March 6 – Seattle WA – Studio Seven
March 7 – Portland OR – The Analog Theater
March 9 – Sacramento CA – The Holy Diver
March 10 – San Diego CA – Soma Side Stage
March 11 – Los Angeles CA – 1720
March 13 – Scottsdale AZ – Pub Rock
March 14 – Albequerque NM – The Launchpad
March 16 – Oklahoma City OK – 89th Street Collective