Tag: dark star orchestra

  • Dark Star Orchestra: A Grateful Dead Time Capsule

    “Dark Star” was first performed, without lyrics, by the Grateful Dead in September 1967. The first version with lyrics was heard three months later. The tunes’ sole focus was improvisation. “Dark Star” was played regularly through the 1960’s, but seldom-heard after 1974. It only appeared on odd occasions in ‘78, ‘79, ‘81 and ‘84 and was last performed in March of 1994 – (deaddisc.com)

    Unbox, Dark Star Orchestra; a continuation of spirit, improvisation and the greatest acid-trip, that ever was, the Grateful Dead. In the midst of digging, we teleport back to the sounds we fell in love with in 1965, obsessed over by ‘69, and post ‘96, we’re left, only aching for more. Dark Star (DSO) is NOT a cover band. They give birth to all that is Dead, then reinterpret it in modern day. DSO is a time capsule – like the vivid memories, postcards and totems we buried long ago.

    “I view it as performance art,” said DSO drummer Rob Koritz. “We are blessed to play music that is 95 percent improvisation and when we’re firing on all cylinders, I can play how I want.”

    Dark Star Orchestra is the idiom of self-expression. In true honor of the Grateful Dead, DSO has made this genre all-inclusive – pulling from rock, jazz, country, The Beatles, Chuck Berry, psychedelia and blues. For Koritz, the list goes on.

    Their testimony goes out to Deadheads and non-cult listeners alike. There is a common thread that weaves through our mind and ears. It’s music. “They hear it and say WOW” added Koritz. “Pretty much everybody will find something.” And when you get confused, just listen to the music play.

    Koritz did everything music. He was in opera, theatre, college marching band and even studied as a classical percussionist. From a music major state-side to traveling overseas, and experiencing the Grateful Dead, Rob is an encyclopedic anchor to DSO in his own regard. A band members’ father is a profound  jazz musician, while another roots himself in progressive rock. A melting-pot would be far to mundane to describe this stew.

    Dark Star Orchestra is prepared in the framework of the Grateful Dead’s catalog. Whether they are playing on a beach or filling massive arenas across the world, familiar tunes will be heard. On the bands’ fourth annual return to Frontier Field, earlier this month, they performed two sets with an encore of “Mr. Charlie” and “C’est La Vie (You Never Can Tell).” Read the full NYS review here.

    Set 1: Alabama, Bucket, West LA, Memphis Blues, Lazy River Road, Esau, Blow Away, Ramble On, Sunrise, Music

    Set 2: China Cat > Rider, She Belongs To Me, Lost Sailor > Saint of Circumstance > Drumz > Dear Mr. Fantasy > Throwing Stones > World To Give > Saturday Night

    “We may go way further out than the Dead would have one night,” said Koritz. “Others we may not be as far out [more structured musically], it all depends.” For the lay-listener Dark Star Orchestra is explained as a group playing Jazz, i.e. improvisational music, in a Rock idiom. The experience becomes trance-like at each venue; in the ear of each listener a different note is digested.It is synonymous with the individual experience. It is unique. Memories of the Dead are relived through this music, we deem our own.

    Like Frontier Field, DSO continues to recur at venues around the world. This past May marked the 7th annual Dark Star Jubilee in Ohio and the band has already announced their 7th annual return to Jamaican Jam In The Sand at Jewel Paradise Cove Resort on January 15-19, 2019.

    DSO is excited to return to Pisgah Brewing Co. for a two night outdoor show in Black Mountain, NC on Friday August 17 and Saturday 18th. The Orchestra carries on across the Midwest with dates in Chicago, Illinois and Ohio. NYS Music fans, be on the lookout for more dates TBA in Rochester and Albany, to name a few upstate. DSO plans to reveal more shows throughout the holidays, with a special New Years Eve show announcement.

  • Dark Star Orchestra Through the Eyes of a non-Deadhead

    Despite an intense musical appetite, I have always struggled to understand the draw to major jam bands like Grateful Dead. So it was with an apprehensive but open mind that I ventured to Frontier Field Friday, August 3 to test the waters with Dark Star Orchestra, one of the most prominent GD tribute bands out there.

    Dark Star Orchestra

    This year marked their fourth annual stadium show at Frontier Field, and it’s something DSO and GD fans alike look forward to all year. In the past few months I have been exposed to various live recordings of GD shows throughout their career, but often felt the music had no memorable quality, like if it suddenly stopped playing in the background I might not even notice. I’ve also sought the wisdom of knowledgeable friends who have given their best effort to inform my musical appreciation of the jam scene, but still hadn’t gained much traction.

    With this chip on my shoulder, I walked into the stadium and became instantly optimistic. The setting alone is worth going to see DSO. With the stage nestled near home plate, it is surrounded by an impossibly green field, punctuated by some familiar players in the Rochester skyline, including the infamous Kodak building off to the left. Anyone with Rochester pride would seriously appreciate this venue.

    It’s refreshing that DSO plays slightly more uptempo than a lot of the GD recordings I’ve heard, so the music is more lively. Oh- and they can sing. It’s so frustrating when off key vocals distract from an otherwise enjoyable song. This has always been one of my biggest complaints with jam music.

    In terms of the setlist, more seasoned fans know if you hear “China Cat Sunflower,” you’re gonna hear “I Know You Rider” right after. Same with “Lost Sailor” and “Saint of Circumstance.” I didn’t know the songs well enough to recognize them at the show, but I did recognize that “The Music Never Stopped” and “One More Saturday Night” were both really fun to dance to. I feel accomplished to finally appreciate a couple songs from their extensive catalog without a serious fan explaining why I should. It feels like a rite of passage in terms of understanding this music better.

    Even when things got noodly, it didn’t drag on incessantly as jams often can. For a long time I’ve thought musicians noodling on stage and fans noodle dancing in the crowd was just plain funny. It’s hilarious to me that a silly food describes both technical musicianship and the wiggly dance moves of the people who worship this music. It was too easy to make fun of and I couldn’t take it seriously. I can get down with a quick little jam, but I never understood how the crowd tolerated prolonged noodling where the music sometimes doesn’t even make sense or can go off on boring tangents. But that’s the nature of jamming- sometimes it works out and sometimes it doesn’t. It’s more difficult to make something sound good having never practiced it. It’s taken me a long time to accept this when all I want at a show is to be blown away by the music.

    Interacting with the crowd at DSO also enhanced the experience. The incredibly welcoming crowd swiftly facilitated making friends with total strangers in the beer line or in the bleachers. Of all the music genres, this one encourages a sort of carefree dance expression you can’t find everywhere, and it’s definitely contagious.

    I may still will never be a Deadhead, but I’ve been a music fanatic long enough to warrant some investigative reporting. I will continue seeking to better understand my own misgivings with jam music and to appreciate some iconic music of our history.

    Set 1: Alabama, Bucket, West LA, Memphis Blues, Lazy River Road, Esau, Blow Away, Ramble On, Sunrise, Music

    Set 2: China Cat > Rider, She Belongs To Me, Lost Sailor > Saint of Circumstance > Drumz > Dear Mr. Fantasy > Throwing Stones > World To Give > Saturday Night

    E: Mr. Charlie, C’est La Vie (You Never Can Tell)

  • Saranac Brewery Hosts Classic Tribute Bands

    Saranac Brewery, in Utica NY, has two shows coming up you don’t want to miss. Dark Star Orchestra and Get the Led Out are both making stops at the brewery on their separate tours this summer.

    Dark Star Orchestra

    Dark Star Orchestra is a Grateful Dead tribute band who’s known for recreating historic dead shows. Dark Star Orchestra formed over a decade ago and their determined commitment to ‘raising the Dead’ has drawn them nationwide attention from publications as big as Rolling Stone who say they are, “Quite possibly the most talented and accomplished tribute band out there… they’ve definitely mastered their inspiration’s vagabond nature.”

    Get The Led Out is a Led Zeppelin tribute band who, “have captured the essence of the recorded music of Led Zeppelin and brought it to the concert stage” according to their press release. Get The Led Out consists of six musicians and are based out of Philadelphia. They have been dubbed by the media as “The American Led Zeppelin.”

    Tickets went on sale Friday, May 25th at 10AM from Creative Concerts for both shows.

    Show information:

    Dark Star Orchestra
    July 31- Saranac Breweries – Utica, NY
    Doors: 7PM // Show: 8PM
    All ages.

    Get The Led Out
    Aug. 10 – Saranac Breweries – Utica, NY
    Doors: 7PM // Show: 8PM
    All ages.

    For more information on Dark Star Orchestra visit their website

    For more information on Get The Led Out visit their website