NYS Music 20​18

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  • Mike Gordon Band at the Egg: So Glad We Made It

    Albany gave Mike Gordon Band a warm welcome for their fourth performance at The Egg this past Sunday. With it’s odd shape designed specifically to create incredible acoustics, it is no wonder that a musical genius/eccentric like Gordon has openly expressed his affinity for this venue. The band even featured their first show here in 2011 as a specially released live recording. Since their last visit in 2016, the band has released their fifth studio album, OGOGO. This album was created with the current touring members, featuring Scott Murawski on guitar, John Kimmock on drums, Robert Walter on keys, and Craig Myers on percussion.

    Mike Gordon Band at the EggThe band opened the show this Sunday with a clean start, playing OGOGO’s ninth track, “Stealing Jamaica,” showing us that the band has had plenty of time over this past tour to get properly dialed in. With these “psychotropically transform(ative)” sounds reverberating throughout the room, we are instantly reminded of just how incredible the acoustics in this room truly are. This song featured a tight jam that included “Waking Up Dead” teases before coming to a slow and steady halt, leading us into the haunting intro to this familiar tune. Written by Gordon and Murawski, this was the only Gordon original to land a spot on Phish’s latest studio album, Big Boat, released in 2016. This featured a dark and funky jam that led the band into the Leo Kottke original “Noon to Noon,” which Mike Gordon Band debuted at the tour opener in Seattle. Kottke has collaborated with Gordon in the past on the two studio albums Clone and Sixty-Six Steps, and Gordon has recently revealed that a third album is in the works. This tune kicked into high gear and could be considered the heavy hitter of the first set, causing the room to heat up and make Gordon shed his scarf.

    After a brief acknowledgment of the crowd, the band played the Max Creek original “Cruel World,” which has been a part of the bands repertoire since 2003. This included “Steps” teases coming from Gordon before a seamless transition into this tune, which was the first single released off OGOGO.  A definite crowd pleaser, it is no wonder why the band repeated this song for the third time in the past three consecutive shows this weekend. The song featured a heavy organ jam from Walter, during which Murawski switched guitars to match Gordon’s luminescent Moire bass.

    Mike Gordon Band at the EggGordon gave a shout out to local friends and family, expressing gratitude for being so close to home this past run. The band then closed the set with a cover of Tower of Power’s “You Strike My Main Nerve” off the album Bump City, a track which has stayed in rotation since the band started touring in January.

    Set two Gordon came out scarf-less with guns blazing, opening with the West African influenced song “Angatta,” featuring Myers on the Ngoni. With it’s upbeat, exotic tempo, the crowd is given a natural boost of energy and reminds us that Gordon has a world of influences outside of the jam world. Next, they played OGOGO’s seventh track, “Up and Down,” which featured an upbeat jam that kept the energy in the room lively. The band stopped before playing “Pendulum,” also off OGOGO. Consistent with the theme of the album, these two tracks are a reflection of of the ebb and flow of life, our ability to see the light and do our best while also inevitably having darker moments, and tonight’s jam within this song was a perfect interpretation of that concept. With a catchy, bouncy swing, the band brings us to a point where it feels like the Egg itself is a spaceship getting ready for take off, before landing gracefully back into familiar, lighthearted territory. Gordon’s words couldn’t seem more authentic while singing the lyrics, “thankful that I have reentered this room with all this vibrating gear.”

    “Peel” came next, the Overstep original that has been in rotation since it’s release in 2014. This led into a jam layered with ominous sound effects, leading us from another dark and haunting jam into an irresistibly danceable beat. This was followed by a cover of Tame Impala’s “Mind Mischief,” a song which has been a reoccurring favorite for MGB since the debut of their own version in 2017. This transitioned back into the familiar territory of “Crazy Sometimes,” which is one of two OGOGO tunes that Phish has borrowed in 2017, (the other being “Marissa,” played once in Pittsburgh this past summer). This heavy jam featured teases from The Guess Who’s original “American Woman,” before transitioning into another Overstep original, “Say Something” to close the second set.

    The band came back for an encore, playing Spencer Davis Group’s “Gimme Some Lovin’,” which left everyone in the crowd singing along with a final burst of energy, reminding us that we are “so glad we made it.” From the quality of this show, it is safe to say that Gordon will be planning another visit here in the near future.

    Mike Gordon Band at The Egg, March 11, 2018

    Setlist via Phish.net

    Set 1: Stealing Jamaica, Waking Up Dead, Noon to Noon, Cruel World > Steps, You Strike My Main Nerve

    Set 2: Angatta, Up And Down, The Pendulum, Peel, Mind Mischief > Crazy Sometimes > Say Something

    Encore: Gimme Some Lovin’

  • Cobblestone Live Announces 2018 Lineup including Broken Social Scene, Chicano Batman, Aqueous and more

    The Second Annual Cobblestone Live Music & Arts Festival will be held on July 27 and 28, 2018 in the heart of the historic Cobblestone district in downtown Buffalo. This year’s festival will include two outdoor main stages located on Illinois and Columbia streets, a stage inside Buffalo Iron Works, an electronic music stage/lounge inside Lockhouse Distillery & Bar, and an acoustic stage on South Park Avenue. Headlining acts include Broken Social Scene, The Sheepdogs, Turkuaz, Aqueous, Chicano Batman, Golf Clap, Andy Frasco & the U.N., Michelangelo Carruba Super Jam, Ratboys, Dynamo, Madaila, & more.Cobblestone Live 2018

    Over the last decade, the historic Cobblestone district has become a breeding ground for live music and entertainment. Cobblestone Live is a single neighborhood of bars, restaurants, and venues coming together to put on a two-day festival which will continue to grow to a national sized festival in the years to come.

    This year’s highlights will include more than 30 artists and bands across 5 stages, festival games and activities for all ages, local food trucks and vendors, beer, wine, cider, & beverage tents, VIP tickets including exclusive VIP areas and additional perks, and festival drink menu from Lockhouse Distillery & Bar and Buffalo Iron Works.

    “Cobblestone Live Music & Arts Festival is set to be an incredibly special event for Buffalo as we return for our second year,” noted Josh Holtzman, General Manager of Buffalo Iron Works and one of the planners of Cobblestone Live. “With more stages, larger acts and a greater festival experience, Cobblestone Live will certainly leave it’s mark not only on Buffalo but the music industry as a whole. In addition, our entire organization is thrilled to be working with the Child Advocacy Center of WNY as our beneficiary. Child abuse is a real problem in today’s society and we can’t think of a better cause to get behind.”

    A portion of the proceeds of this year’s festival will go to the Child Advocacy Center (CAC), a one-of-a-kind service in Erie County which brings together local law enforcement agencies, mental health services, child protection, medical services, and the District Attorney’s Office under one roof to investigate, treat and support victims of child sexual abuse and severe physical abuse.  The Child Advocacy Center ensures that these young victims and their caregivers receive immediate, effective and sensitive support. Nationally, Child Advocacy Centers and their multidisciplinary teams have improved conviction rates for perpetrators of child abuse by up to 94%.

    Festival gates will open at 4pm on Friday, July 27th and at 1pm on Saturday, July 28th. Full festival passes will be $45 presale/$60 walk up, single day pases are $25 presale/$30 walk up.  VIP packages will be available for $100. Late night only passes will be announced as the festival approaches. Tickets are available immediately at www.cobblestonelive.com.

  • Arctic Monkeys Detail North American Dates

    A total of five years have come and gone without fresh Arctic Monkeys material, leaving fans with AM to hold them over until the English rockers’ latest musical venture. Promising fans fresh content in the near future, it seems the seasoned performers will stay true to their convictions with newly announced North American tour dates for Arctic Monkeys as the warmer weather rolls in.

    One gig at LA’s Hollywood Forever Cemetery kicks things off in May, before hopping to the other side of the states for three-show runs in Raleigh, Nashville and Atlanta. The foursome will take on the East Coast on July 24 at Queens, NY Forest Hills Stadium before moving onto Boston and DC as well as Midwestern territories in Pittsburgh, Detroit and Toronto.

    Pre sale tickets went on sale March 13 at 10 a.m., while tickets go on sale to the general public on March 16. In tandem with the freshly announced European gigs, this will be the first tour since 2014.

    Check out their tour dates on their site and below:

    May 5 – Los Angeles, CA – Hollywood Forever Cemetery
    June 14-17 – Dover, DE – Firefly Festival
    June 16 – Raleigh, NC – Red Hat Amphitheater
    June 18 – Nashville, TN – Ascend Amphitheater
    June 19 – Atlanta, GA – Coca Cola Roxy Theatre
    July 24 – Queens, NY – Forest Hills Stadium
    July 27 – Boston, MA – TD Garden
    July 28 – Washington, DC – The Anthem
    July 31 – Pittsburgh, PA – Petersen Events center
    August 1 – Detroit, MI – Masonic Temple Theatre
    August 5 – Toronto, ON – Air Canada Centre

  • David Byrne Continues American Utopia Tour In Kingston, NY

    David Byrne brought his American Utopia Tour to Kingston at the Ulster Performing Arts Center on Saturday, March 10. This was the 6th show on his new tour, which he claimed would be “the most ambitious show I’ve done since the shows that were filmed for Stop Making Sense.” David hired 11 other musicians to create this performance which would “allow everyone to be mobile on an empty stage”. The lack of wires (and lack of shoes) enabled David to create a performance unlike anything he has attempted before.

    Audience members entered the venue to see a single table on stage with a model of the human brain atop it. The borders of the stage area were lined with a lightweight, semi-opaque chain which allowed the performers to move through it with ease while also perfectly casting shadows onto it. While not yet apparent, the stage design and lack of wires would allow the performers to move freely about the stage in a way not seen in traditional concerts.

    The show started with “Here,” the final track on David’s new album, American Utopia. This was followed by the 2002 track “Lazy,” which he co-wrote with the English House duo X-Press 2. This upbeat change from the first song got the crowd excited as he went into his first Talking Heads cover of the night. The audience all stood at once as the opening beats of “I Zimbra” began to take hold. All six of the percussionists picked by Byrne brought this song to life as they moved back and forth on stage with the tempo and dazzled the crowd with their syncopated melody.

    The Talking Heads songs continued as David led the band into “Slippery People,” which features an interesting vocal breakdown towards the end of the song. The covers continued with “I Should Watch TV,” a song featured on the collaboration between David and St Vincent from 2012. As the lights turned red and the performers got into a single line on stage, “Dogs Mind” changed the mood of the show. Three of the drummers moved their instruments up and down to the tempo as the performers slowly moved closer to the stage during this moving piece.

    Continuing with tracks from his new release, David took his performers into “Everybody’s Coming to My House” before bringing the crowd to their feet with “This Must Be The Place (Naive Melody).” He continued to delight the audience with his classic gyrations as he brought the band into “Once In A Lifetime”. David kept one drummer on stage to perform with him during “Doing The Right Thing.” While performing this new track, the other percussionists were almost hidden behind the edges of the stage, as their instruments were the only thing visible to the crowd.

    Before continuing, David told the crowd that they were going to play a song by a “man who goes by the name of Fatboy Slim, who made a wonderful video for this song.” The crowd was delighted as he went into “Toe Jam” before introducing the band to everyone. The Talking Heads classics continued with “Born Under Punches (The Heat Goes On).” This upbeat gem ended with the stage lights turning off, and when they turned on, each member of the band was lying on stage except for the keyboardist. David stood up as the song began and the rest of the band slowly followed him one-by-one. The highlight of this track was the band dancing silently before the final chorus ended the song.

    “Bullet” was one of the most intriguing tracks of the evening. A single lamp containing a naked bulb was brought on stage. This prop contained the only wire to grace the stage all evening and David used this single light source to play with the shadows forming on the back of the stage. The band walked in a clockwise circle around Byrne as he described a bullet slowly entering a body in detail. By the end of the song, he was the only remaining person on stage as the band had been slowly exiting. The circular theme continued with “Everyday is a Miracle” as the band stood in a circle. David faced the audience as the band faced inward until halfway through the song when he moved into the circle, starting a mini conga-line on stage. This silly but upbeat track ended with a patiently executed trust fall before going into the 2001 crowd favorite “Like Humans Do”.

    David continued to play with the lights during the hit song “Blind.” This song featured a single light at the front of the stage which cast an enormous shadow of David. The band proceeded to move around in such a way as to exaggerate their shadows on the backdrop and this continued until an incredibly funky drum solo ended the song. The set concluded with the Talking Heads highest-charting single “Burning Down The House.” The energy of the entire show culminated in this performance and the applause was deafening as the band left the stage.

    Another Fatboy Slim collaboration started the first encore as David Byrne came out to “Dancing Together” from their musical Here Lies Love. The Talking Heads classic “The Great Curve” finished up the encore with a scorching guitar solo from Angie Swan at the end. To everyone’s surprise, David and the band came out without their grey suit jackets to perform Janelle Monoe’s “Hell You Talmbout.” David and company put all of their might into this rousing encore and there was an apparent sense of satisfaction in performing this for the Kingston audience. David ended the show in his usual fashion by saying, “thank you” in a way that only he can.

  • Echo Black release video for latest single “DAWN”

    New York based dance rock band Echo Black recently released the official music video for their single, “DAWN,” an evocative and visceral song with an arena sound and dark imagery.

    “DAWN” was directed by Chris Newhard and appears on the October 2017 debut album of the same name. Echo Black says of the single, “DAWN is introspective. It is theatrical, it is angry, it is mournful, it is joyous, and it is rebellious. We do our best to take into account all of our musical tastes when we write; DAWN is our coming of age story and is, justifiably, chock full of emotions, varied genres, and passion.”

    Echo Black

    The Turn It To Eleven Tour, with City of the Weak
    4/07 @ The Drunk Horse Pub – Fayetteville, NC
    4/19 @ The Blue Note – Tampa, FL
    4/10 @ The Haven Lounge – Winter Park, FL
    4/11 @ Rack’Em Spirits & Times – Cape Coral, FL
    4/13 @ Carts, Bikers, & Babes Rally – Houston, TX
    4/14 @ The Zone – Abilene, TX
    4/15 @ Boozers Rockbar – Corpus Christie, TX
    4/16 @ The Rail Club – Fort Worth, TX
    4/17 @ Red Brick Bar – Norman, OK
    4/18 @ Hero’s – Fort Smith, AR
    4/19 @ Aftershock Live – Merriam, KS
    4/20 @ The Phoenix Lounge – Sioux Falls, SD
    4/21 @ Lifers – Algona, IA
    4/24 @ Bayso’s – Grayson, KY
    4/26 @ Hijynx – Fort Atkinson, WI
    4/27 @ The Music Factory w/ Super Bob – Battle Creek, MI
    4/28 @ Ground Floor 2.0 – Williamsport, PA
    4/29 @ Therapy Cafe – Dayton, OH
    4/30 @ Mohawk Place – Buffalo, NY
    5/2 @ Asbury Park Music Foundation – Asbury Park, New Jersey
    5/3 @ Voltage Lounge – Philadelphia, PA
    5/4 @ The Knitting Factory – New York, NY
    5/5 @ 37th and Zen – Norfolk, VA

  • Indie Pop singer Yoke Lore release “Fake You” off upcoming album, Absolutes

    “Fake You,” indie pop artist Yoke Lore‘s recent single, off his upcoming album Absolutes, finds him exploring the grey areas between black and white ideas while building upon the lush, sonic palette of his past works. Adrian Galvin, formerly of Walk the Moon and Yellerkin, embarks on a solo musical endeavor that combines echoing waves of banjo, vocals, and percussion to create unforgettable pop songs with tactile sincerity and conviction.

    Galvin will release Absolutes in the summer of 2018 after a cross-country spring tour with FRENSHIP. Discussing the upcoming album, Galvin explains, “These songs all gravitate around the struggle between two sides of something. The opening track, “Fake You,” is about the difficulty of realizing your perception of someone doesn’t necessarily match who they really are. “Cut And Run” follows, conveying the instinct to flee versus the instinct to find a home, and “Concrete” illustrates Galvin’s struggle between living in the city and being in the country. “So, they are all the conflicts of absolutes,” he states. “There must be a balance, some movement and some pull. A life of absolutes is no life at all.”

    Galvin first hit the ground running in 2016 with Yoke Lore’s debut EP, Far Shore, released on B3Sci Records. In 2017, the title track of his 2017 EP Goodpain hit #1 on Hype Machine, and quickly after his songs caught fire on Spotify, racking up over 10 million plays throughout the year. The new music finds multi-instrumentalist, dancer, and visual artist Adrian Galvin polishing his heartfelt anthems and ruminating on finding balance amid respective oppositions by breaking through the notion that truth necessitates purity.

    Yoke Lore performs at the Neon Gold Showcase at SXSW on March 14

  • JRAD at Brooklyn Bowl: Night 3

    Joe Russo’s Almost Dead (JRAD) brought their three-night run at Brooklyn Bowl to an end on March 10. JRAD filled the Williamsburg venue with deep jams and surprises from start to finish, from opening with a JRAD debut cover of The Rolling Stones’ “The Last Time,” to finishing the second set with a “Throwing Stones” that went into two other debut covers, Led Zepplin’s “Good Times Bad Times” and The Band’s “Chest Fever,” before coming to an end.

    They mixed in some fun teases of songs like Radiohead’s “Myxomatosis,” WOLF!’s “Fastso’s Last Stand” and there may have been a few “Terrapin Station” riffs tossed around at points as well. Topping the whole Brooklyn run off was a “One More Saturday Night” encore that left a capacity crowd calling for more. It’s official, Brooklyn Bowl no longer has a roof. Marco Benevento, Tom Hamilton, Scott Metzger, Dave Dreiwitz and Joe Russo have blown it clean off. Again.

    Set List
    Set 1: The Last Time> Shakedown Street> The Other One> Mission in the Rain> Crazy Fingers> Truckin’
    Set 2: Slipknot!> Foolish Heart> Help on the Way> Slipknot!> I Need A Miracle> Franklin’s Tower> Throwing Stones> Good Times, Bad Times> Throwing Stones> Chest Fever> Throwing Stones Reprise
    Encore: One More Saturday Night

  • The Disco Biscuits Brought the Heat in Chilly Portland, Maine

    The Disco Biscuits rolled through Portland, Maine on Friday for the first show of their two- night run at the State Theater, a hidden gem of a venue hiding in the streets of the Port City. Fans of the Biscuits toughed some wintery weather left over from Thursday night’s Nor’easter to get to the show, but the State’s cozy vibe quickly got everyone in the mood for some live music.

    New England-based band Strange Machines kicked off the night with one of their newer songs “Wook in a Onesie” and continued grooving out with some of their funkier songs during the set. They employed their patience while jamming and really built up the energy for an impressive opening set, which ended with the fan favorite “Klepto.”

    Disco Biscuits PortlandThe Disco Biscuits came out swinging, throwing down in Portland with a 65-minute M.E.M.P.H.I.S. > Voices Insane > Spaga > Pygmy Twylyte > Spaga, with M.E.M.P.H.I.S. and the first section of Spaga being the highlights of the opening segment. “M.E.M.P.H.I.S.” got the crowd warmed up quickly as the band blew through the chorus and got straight into some weird, deep space jamming that featured Magner heavily using some of the weirder sides of his many synthesizers. Barber made a switch from his Gibson ES-135 to his Parker Fly, and the band started picking up the pace of the jam, lifting it into a sort of mini-peak before they started building on a theme that Barber was creating. After a bit more spacious jamming, they brought the jam into “Voices Insane”,  while still maintaining the groove from the “M.E.M.P.H.I.S.” jam going rather than playing the normal tempo of the song.

    “Voices Insane” was a pretty standard version, and after a killer solo from Barber, the band transitioned into “Spaga,” starting off with a piano solo from Magner. “Spaga” transported the whole crowd into a medieval wonderland with its lyrics and jazzy instrumental sections, and the band quickly dove into a dark jam. Brownie and Allen kept the groove tight, and Barber created another motif that the band followed into the first big peak of the night, which transitioned back into the fantasy sound that “Spaga” introduced. After another verse, the band segued into their fan-favorite cover of Frank Zappa’s “Pygmy Twylyte” which was met by an eruption of cheers from everyone in the theater. The whole crowd sang along and grooved out until the jam started to get spacey. Magner took an extended synth solo and led everyone back into “Spaga” which peaked yet again after all the energy they built up in “Pygmy”. They ended the segment with one last high energy chorus of “Spaga” and then played “Wet” to close out the set, which featured a tight mini bass and drum jam from Brownie & Allen, and ended with another great solo from Barber.

    The second set featured two inverted songs, and was a nonstop 102-minute segment of “Story of the World > 42 (inverted) > Lunar Pursuit > Naeba (inverted) > Tricycle > Story of the World.” The upbeat “Story of the World” kicked the set off, with the jam starting off with one of the funkier sections of the night, initiated by Magner getting into some Clav playing. The jam was driven heavily by the duo of Brownie and Allen and was transformed into a dark trance jam once Allen started using his electronic drum pad to create the beat. You could tell that the band was feeling it, as they teased the audience with what seemed like it was the peak before dropping back into the jam, only to actually bring it to a peak minutes later. They used the high energy from the SOTW peak to transition into the end of “42”, signaling that the song was inverted, which was met with another eruption of cheers from the crowd. Brownstein took the lead on vocals for the first time of the night and worked through the many verses and choruses of the song before getting back into the jam that started the song off.

    Disco Biscuits PortlandAfter grooving along for a bit, Magner played a siren sound that brought the segment into “Lunar Pursuit” which brought with it the first instances of Allen triggering laser beam noises from his drum pad. After a quick peak and a spacey reggae section, they moved into an inverted version of “Naeba” > “Tricycle.” “Naeba” was a nice laid back break from the intensity of “42 ” > “Lunar Pursuit,” and after they’d played through to the beginning of “Naeba”, which was an almost heavenly arpeggiated guitar progression from Barber, they transitioned into the dance party that is “Tricycle.” They kept “Tricycle” nice and spacey while Allen kept the electronic dance beat going. The band built the energy up for one last big peak before segueing back into the set opener “Story of the World” for another verse and chorus to close the set out.

    They encored with “On Time,” which sounded like it could be the theme to an 80’s action film. The whole band was having fun being the head of the dance party, especially Magner, who was going off with a vocoder effect from one of his synths. They did one more little spacey jam before Brownie brought the whole band into the last chorus and ended the song.

    As a first Disco Biscuits experience, this show was incredible. The audience was feeling it, and you could tell that the band was locked in with each other during some of the bigger jams like “Spaga” and “Story of the World.”

    The Disco Biscuits, State Theatre, Portland, Maine – March 9, 2018

    Set 1: M.E.M.P.H.I.S. > Voices Insane > Spaga > Pygmy Twylyte > Spaga, Wet
    Set 2: Story of the World > 42 (inverted) > Lunar Pursuit > Naeba (inverted) > Tricycle > Story of the World
    Encore: On Time

  • NYS Music’s 2018 March Madness: Round of 16

    We start off this week with Round 3 of NYS Music’s 2018 March Madness! Starting with 64 artists, we are now down to sixteen of New York State’s up and coming bands, taking part in a friendly tournament-style competition.

    These artists who hail from the Empire State are a sampling of the next generation of artists and come from all corners of the state, from Buffalo to Binghamton, Plattsburgh to Patchogue and all points in between. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

    Haewa (fusion rock) vs Sprocket (high power technical jam)
    Black Mountain Symphony (symphonic groove pop) vs  Let’s Be Leonard (jam/jazz fusion)

    Candy Ambulance (alternative/grunge) vs Folkfaces (roots folk/jazz)
    Moho Collective (creative instrumental) vs Jiggawaltz (funk metal)

    ShwizZ (progressive funk rock) vs Intrepid Travelers (funk/jazz/rock)
    Polyvamp (funk and rock) vs Cold Lazarus (reggae jam rock)

    The Switch (rock/funk/blues) vs Formula 5 (jam/rock/fusion)
    Space Bacon (electronic rock jam) vs Space Junk (progressive jam trance)

    Third Round voting begins at 10AM EST on Monday, March 12, and closes at midnight on Wednesday, March 14. Round of 8 begins at 10AM EST on Thursday, March 15. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • JRAD at Brooklyn Bowl: Night 2

    Joe Russo’s Almost Dead hit Brooklyn Bowl March 9 for the second of a three-night run. The sold-out crowd was treated to three JRAD debuts: The Grateful Dead’s “Peggy-O,” Junior Parker’s “The Next Time You See Me,” and The Rolling Stone’s “It’s All Over Now.” The show was full of teases as well. JRAD found ways to slip in “What’s Going On” by Marvin Gaye, “Sledgehammer” by Peter Gabriel, “Borderline” by Madonna, and  “Becky” by The Benevento Russo Duo just to name a few. The band has one more night in Brooklyn before heading upstate to play two more sold-out shows in Syracuse and Albany.

    Setlist

    Set 1: Eyes of the World, Dancin’ in the Streets, The Music Never Stopped, Tennessee Jed, Next Time You See Me

    Set 2: Iko Iko, Black-Throated Wind, Bertha, Feel Like a Stranger, Peggy-O, Playing in the Band

    Encore: It’s All Over Now

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