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  • Western NY Gets Warped One Last Time

    Warped Tour made its last stop at Darien Lake Performing Arts Center on Wednesday, July 25. Despite the heat and humidity, fans came out in droves from all over Central and Western New York for one last Warped Tour experience.

    Ice Nine Kills

    NYS Music Photographer Meredith Snow and I started the day off catching Warped alums Ice Nine Kills. Even in 79 degree heat, the horror-core band from Boston played the entire set dressed as horror movie icons like Freddy and Jason, with full costume and makeup. The highlight of the set was hearing their new song “The American Nightmare,” from their upcoming album The Silver Scream.

    Ice Nine Kills

    The next stage over featured As It Is. The British band doesn’t make it stateside often. I first heard band leader Patty Walters when he was a teenager doing solo cover songs on YouTube. Now he’s backed by a full band and performing original songs. Gone is the wholesome “boy next door” persona. In its place is an edgier look and sound. After singing “Hey Rachel,” from last year’s debut album, Walters introduced the band as My Chemical Romance and welcomed everyone to 2005 Warped Tour. They launched into a couple new songs, “The Stigma” and “The Wounded World,” off their new album The Great Depression which comes out in a couple weeks.

    As It Is

    It’s impossible to catch everything at a festival with eight stages, and sometimes we just caught snippets as we raced from stage to stage. We saw the tail end of Tonight Alive’s set, as front woman Jenna McDougall told us in her Australian accent, “You have the right to lose your minds,” before launching into one of their new songs. I took a much needed break from the heat at the Reverse Daycare tent while my photographer snapped a few pics of Buffalo’s Every Time I Die.

    Every Time I Die

    Then we were off to see The Maine. A whooshing sound filled the air as they filed on stage in their signature matching outfits. They started with a cover of Blur’s “Song 2” which got the crowd singing along. The rest of their set was all originals from their eleven years as a band. On “Girls Do What They Want,” they called a random audience member up on stage to help sing the song. This guy Brian came up in his tank top and shorts and made the most of his five minutes of fame, nailing the lyrics and vocals.

    The Maine

    It wouldn’t be Warped Tour without ska bands. Reel Big Fish was crushing it on the main stage with their signature sound and antics, and the sun had dried out the muddy ground enough to make it possible for fans to dance in the fields. Over on the Korner Stage which featured regional acts, Buffalo band The Toy Box Brigade was putting on a fantastic performance. Their set included a ska rendition of The Bloodhound Gang’s “The Bad Touch.”

    One of the bands on my must-see list is Las Vegas’ Palaye Royale. These darlings of the Vegas art rock scene are originally from Toronto. The three brothers named the band after the dance hall where their grandparents met. Their last album payed homage to the bands who played The Boom Boom Room and they are set to release a Part B soon. They played the song they just released this week called “You’ll Be Fine” as well as a gritty cover of My Chemical Romance’s “Teenagers.” The high-energy set included singer Remington Leith climbing up to hang upside down from the stage rafters during the song “Get Higher” and crowd surfing on a coffin-shaped raft.

    Palaye Royale

    Asking Alexandria was a band I’d never seen before, but the consensus from the faithful fans around me was that this was not their best performance. We then headed over to catch Simple Plan’s set. It was late afternoon and attendance had peaked; I could barely see the stage as the audience sprawled around behind tents and trailers. Despite the poor visibility, the sound was cranked to full volume and people young and old were singing along to hits like “Addicted.”

    Asking Alexandria

    I popped back over to catch some more locals. On The Cinder made their return for a second year at the Korner Stage. The three-piece punk rock outfit drew a lively crowd which danced and moshed throughout the entire set.  Some locals were on the Full Sail Stage, too. Lucky33 from Syracuse was upgraded to the larger stage for the day. They put on an energetic set that included a version of CCR’s “Bad Moon Rising.” Between songs, bass player Red talked about attending his first Warped Tour in ’96 and being inspired to start playing music himself.

    Following Lucky33 was Rochester’s Kaiser Solzie. Rochester native James Jackson has been performing under the moniker Kaiser Solzie for years, and has recently built a full band. Jackson was the driving force behind the creation of the local Korner Stage last year. And all local band members and their fans had migrated to Full Sail to rock out to Kaiser Solzie’s set. Donning his pink guitar, Jackson belted out song after song, from one about actor Bill Murray to “Punk Pop Hip Hop” and “Ordinary Average Day,” the songs paired a raw punk energy with catchy feel-good messages.

    Kaiser Solzie

    On the way to see 3OH!3, I ran across With Confidence. The Australian pop punk band was finishing their set with hits from their last album, “Voldemort” and “Keeper.” They signed off with a promise to return to the states by the end of the year. Over the hill, 3OH!3 was in full swing. The massive dance party spilled out from under the amphitheater tent and into the expansive lawn. For their grand finale, they brought the members of Simple Plan onto stage to join in on their hit song “Don’t Trust Me.”

    We ended the day at the amphitheater tent with a performance by Waterparks, a Texas trio who are more on the pop side of the pop/punk spectrum. When I saw them at Warped Tour a couple years ago, they were playing songs from their EP Cluster. They’ve since released two full-length albums.Their set list included songs from both, including the acoustic “Lucky People.” They ended with the the catchy little love song “Stupid For You.”

    Waterparks

    Photographer Meredith Snow caught a few sets that I didn’t, including Motionless In White, Digital Afterlife, Doll Skin, Great American Ghost, Of Night and Light, Pros & Icons, and Every Time I Die. See the full photo gallery below for these pics and more.

    All in all it was a memorable day, although tinged with sadness about the end of the Warped Tour era. Throughout the day, I spent time with friends from as far flung as Syracuse and Buffalo. I saw people I met at Warped Tour in previous years,and I met some new people. We swapped stories while making new memories. This touring festival successfully brought together some of the greatest alternative musicians from around the world and made them accessible to millions. But it also brought people together and built communal experiences that defined an entire generation.

  • Kung Fu Confirms Fall Dates

    Kung Fu recently announced their 2018 fall tour that will kick off on Aug. 3 in Candia, NH and comes to a close in November in Denver, CO.

    Photo courtesy of Kung Fu’s website.

    The band is known for their ’70s funk-fusion meets a modern dance party sound and have existed since 2012. They get some of their influences from early Headhunters and Weather Report, and merge those ideas with  contemporary EDM.

    The 2018 fall tour includes not only a series of co-headlining concerts with Perpetual Groove but also a handful of Steely Dan tributes. The band will make two stops in NY, the first being in Utica as the official after party for moe. on Sept. 8 and the second in Rochester on Sept. 20.

    Their west coast shows will reprise last year’s “Fez Tour” as “Fez West,” where the band mixes the music of Steely Dan with original Kung Fu music.

    The band is made up of Tim Palmieri on guitar & vocals, Robert Somerville on tenor sax & vocals, Beau Sasser on keyboards & vocals, Chris DeAngelis on bass guitar & vocals, and Adrian Tramontano on drums/percussion.

    For more information visit Kung Fu’s website.

  • Punk Rock Schemes and Melding Scenes: An Interview with Kaiser Solzie

    One of the acts playing the entire run of Warped Tour this year was Rochester’s Kaiser Solzie. At the heart of this band is James Jackson, who took on the moniker Kaiser Solzie when he was a solo performer. He has since been joined by Lenny Palmieri on drums, Brian Lorenzo on guitar, and Jamie McMann on bass. NYS Music caught up with the band’s frontman at the Western NY Warped Tour date to talk about his music and involvement with Warped Tour over the years.

    PHOTO BY RUBY STETTNER – James Jackson (second from right) recently rounded out his band, Kaiser Solzie, with (from left to right) Lenny Palmieri, Brian Lorenzo, and Jamie McMann.

    Paula Cummings: How does this Warped Tour differ from your first time going?

    Kaiser Solzie: We get to play. And I get to bring a lot of friends along, which is awesome. And I’m sober on this tour. I’m learning a lot, meeting a lot of new people. It’s been a full circle for me.

    PC: How long have you been involved with Warped Tour?

    KS: 2001 was my first. I was supposed to work with Phoenix TX and that fell through. I just went anyways. I ended up meeting Kevin and a bunch of the bands like Pennywise and Newfound Glory. Lots of people were like “Oh, there’s this kid on the greyhound bus just traveling around helping us out when he could.”

    PC: You’ve come a long way. This is the second year organizing the local Korner stage?

    KS: It just felt like the local scenes need to come together a bit more and Warped Tour was a good platform to teach that. I could have been like, “Oh, I’ll just pick a couple bands and get them on Warped Tour,” but I was like, “No, we gotta do a little bit more, show community and how we roll.” That’s been pretty cool. We have a lot of rad bands this year. Last year we had a lot of rad bands. And they built the stage. They worked together as a community and a scene, which you don’t see a lot of in other cities, you know.

    PC: You have a song “Punk Pop Hip Hop” that speaks to bringing scenes together.

    KS: We do. We wrote it in Washington Square Park. It was about playing music with everybody else no matter which genre you are. Just everything coming together. I try to bring that out here. We’re going to be playing that today. We’re going to be getting a bunch of people on stage. On the tour we’ve had the rapper Kosha Dillz come up and do a verse, which has been really rad. Other times we’ve had our friend Josh Kramer do a bunch of stuff. It’s been a really exciting experience.

    PC: What’s next after Warped Tour?

    KS: We’re going home. The rest of my band is going to rest. I’m scheming all these other different things. We’ve got a couple tour offers we’re working on. And we were only able to record seven songs for this record. We were rushed to get everything done. So we’re going to record another record when we get back.

    PC: Want to put in a plug for the latest album?

    KS: The new record is called Back Again. It’s an awesome record. It’s got “Bill Murray” on it. It’s got a song called “ADHD.” Lots of gnarly songs. It’s an up and down record, not just a punk rock record.

  • Peach Music Festival Showcases Many Talented Bands

    This year’s Peach Music Festival started off warm and sunny, leaving festival goers excited for the music to come. The beautiful sprawling landscape of Montage Mountain made the fest feel cozy, but grandeur, and the friendly crowd made for a pleasant festival experience.

    The festivities kicked off on Thursday, July 19 with blues rock outfit The Marcus King Band, the progressive blues band that the virtuosic King put together to support his impressive playing. The group knew they needed to warm up the crowd for Pennsylvania favorites, Cabinet, and delivered a performance that everyone was buzzing about online immediately after. Cabinet’s set at Peach was their only performance of 2018, and they absolutely crushed it. The members were seemingly enjoying themselves and the wild response from the crowd only made them more energetic, closing the set with a half hour of jammed out older tunes.

    peach music festival

    Following Cabinet were Pigeons Playing Ping Pong, the funk quartet from Baltimore that have been making big moves in the jam scene, most recently their first ever Red Rocks performance opening up for moe. a few weeks ago. The group offered some stellar versions of their bigger songs, namely “Porcupine” and “Lightning,” which featured the aforementioned Marcus King, who seemed to fit right in with the group and jammed along with them comfortably. After a set from Vermont rockers Twiddle, the Brooklyn-based 9-piece funk outfit Turkuaz took the stage for the first late night performance of the weekend. The group had everyone in the pavilion dancing, playing their big hits like “Percy Thrills,” “The Moon Dog” and “Nightswimming,” as well as a fairly true to the original cover of the Talking Heads’ “Slippery People.”

    Friday featured performances from the likes of moe., Umphrey’s McGee, Phil Lesh & The Terrapin Family Band, Leftover Salmon, Magic Beans, and more. Some of the highlights of the day were Phil and Grahame Lesh sitting in with Twiddle + Frends for “Bertha > Subconscious Prelude,” and the classic Grateful Dead tune “Eyes of the World,” which must have converted a few older heads into Twiddle fans. NY favorites moe. came on the Peach Stage next, and delivered a stellar set that may have been the best of the weekend. They did what moe. does best, starting the set off with a nasty “Brent Black > Billy Goat > The Pit > Tubing The River Styx > George > Down Boy,” jamming in and out of each song with the ease and patience of a master woodworker whittling a wood block into a beautiful flower. The set also featured two fantastic covers, The Band’s classic “Ophelia” featuring the Turkuaz horns, and Rush’s “Tom Sawyer,” led by Jim Loughlin on vocals, as well as the post-hiatus Chuck tune “New Hope For The New Year.”

    peach music festival

    Leftover Salmon took over the Mushroom Stage as the evening started to roll in, bringing forth their sweet bluegrass stylings and laidback rock tunes. Many attendees made use of the hill behind the soundboard to watch the last glimpses of sunlight dip down behind the sprawling landscape as the band played the soundtrack of the sky down below. Phil Lesh & The Terrapin Family Band were the second to last band to play the Peach Stage, performing a set full of Grateful Dead classics, such as “China Cat Sunflower,” “Bird Song,” and “Sugaree.” “Bird Song” and the second part of “The Other One” featured Karl Denson on the flute, serving as a warm up for his upcoming late night set on the Mushroom Stage. Over on the Grove Stage, Denver-based space funk band the Magic Beans were laying down grooves for the ages. The Beans were one of a few acts to perform multiple sets, the first being a regular set and the second a “late night dance party jam” set, which featured an outstanding cover of Prince’s “I Wanna Be Your Lover” with some of the Funky Dawgz Brass Band horns. Umphrey’s McGee performed a late night set on the main stage, and performed an impressive 17-minute “Ocean Billy” into a 23-minute “Utopian Fir,” as well as “Attachments” with the Turkuaz horns.

    Saturday was the biggest day of Peach Music Festival, featuring sets from the likes of Aqueous, Ghost Light, moe. + Little Feat, Joe Russo’s Almost Dead, and Spafford. The inclement weather made attendees a little damp but for the most part the rain didn’t get too heavy. One of the many highlights of the day was Aqueous performing the classic “Power of Love” by Huey Lewis with the Turkuaz horns. Ghost Light performed 2 sets, the first a VIP set that featured a 45-minute version of their original “Lead Weight,” and the second a segue fest of all original and American Babies tunes. The set opened with the upbeat “If You Want It,” also featuring the Turkuaz horns, and later on the Raina Mullen-led “Diamond Eyes,” a truly breathtaking song that was a joy to hear live. After Ghost Light, moe. + Little Feat took to the main stage to perform cuts off of Little Feat’s famous live album Waiting for Columbus. Al Schnier served as the supergroup’s leader, and different members of moe. circulated in and out throughout the set. The group performed a stellar version of “Spanish Moon,” and the fan favorite “Don’t Bogart That Joint.” Joe Russo’s Almost Dead took over the main stage for the next three hours, performing two sets full of choice Grateful Dead and GD-related tunes. The group opened up with the Garcia-penned “Cats Under The Stars,” and performed a great version of “Row Jimmy.” The second set featured an impressive “Estimated Prophet > Mississippi Half-Step Uptown Toodeloo > Eyes of the World > Minglewood Blues,” which had the whole pavilion up and dancing.

    peach music festival

    The big Saturday late night sets were Dark Side of the Mule and Spafford. Dark Side of the Mule featured cuts from all over Pink Floyd’s catalog, from the nearly-perfect “Echoes,” to the lesser known “The Nike Song,” as well as a majority of the tracks from Floyd’s Dark Side of the Moon album. Fans have been buzzing about the group’s performance of the death-inspired track “Great Gig in the Sky,” famous for its wailing vocals and ominous piano progression. Spafford performed a 2 hour set on the Mushroom Stage, and opened with an hour long segment of “Peach Jam > Funkadelic > Electric Taco Stand > Dis Go in 5? > Electric Taco Stand,” all while being drenched in rain. During their original “All In,” guitarist Brian Moss’ pedal board went on the fritz and inspired the rest of the band to start jamming as a trio until Moss rose from the ashes like a phoenix and delivered a jaw dropping solo. Spafford had one of the best sets of the weekend.

    Sunday at Peach Music Festival featured sets from the likes of Gov’t Mule, Soule Monde, Oteil & Friends, Dickey Betts, and Organ Freeman. Dickey Betts’ set was the talk of the day, as his homage to the Allman Brothers Band struck a chord in a lot of attendees’ hearts. The set included classics such as “Blue Sky,” “Midnight Rider,” led vocally by Gregg Allman’s son Devon, and a jammed out version of “Whipping Post,” featuring an impressive solo from the 74-year old blues rocker. Gov’t Mule closed out the festival on the main stage, playing a set of mostly Mule originals, besides a superb rendition of the Allman Brothers’ “Mountain Jam.”

    Peach Music Festival was a success through and through, featuring incredible sets of music from some of the nation’s best touring acts. The festival will return next year, likely featuring an even better lineup and a better fan experience. Check back with NYS Music for more coverage when the time comes.

  • Wild Woods Music and Arts Festival Returns for its Fifth Year

    Wild Woods Music and Arts Festival Returns for its Fifth Year in Croydon, NH at the Page Farm on Aug. 10 and 11.

    Photo courtesy of press release.

    The Wild Woods Music and Arts Festival aims to create a positive community centered around music, the arts, safety, and sustainability. This includes all things from the visual arts to the food provided along with the main attraction, the music.

    The line up includes Lotus, Emancipator Ensemble, Pink Talking Fish and many others. Tickets are on sale now and can be purchased at the festival’s website.

    For more information on the Wild Woods Music and Arts Festival visit their website.

  • Gabriel Sanchez Presents The Prince Experience at Rockin on the River

    Gabriel Sanchez started The Prince Experience as a small local theatre production of Purple Rain which has expanded into a night of unbelievable entertainment. Costumes and choreographed dances really had the Troy waterfront rocking and dancing July 18, playing all of Princes hits into the night. Sanchez along with musicians from Wisconsin and Chicago bring the music of Prince to a new tribute band standard.

    Adrian Lewis performing as The Age, opened the night. He plays around the Capital region and Downtown Troy, performing his Neo-soul mix of music. The crowd enjoyed his soulful singing and hot electric guitar with a great band. The Age is releasing a new EP with his Neo-sou; sound with a Jazzy feel.

  • Old Crow Medicine Show Brings Southern Country to New York City

    Old Crow Medicine Show packed up their fiddles and Banjos and headed up to Central Park on Thursday, July 26. It was a beautiful July night at the summer stage. Old Crow’s show packs a high energy punch and brings a modern indie rock/alternative twist to a traditional blues and folk sound. The band has been around for a decade now, and in that time they have been inducted into the Grand Ole Opry, won a Grammy Award for Best Folk Album, and had a platinum single “Wagon Wheel” that was co-authored by frontman Ketch Secor and Bob Dylan. Old Crow Medicine Show has been on the road all summer in support of their new album, Volunteer. The tour included stops at Bonnaroo, the Outlaw Music festival, and a has a stop coming up at The Red Rocks Amphitheatre in Colorado on August 17, just to point out a few.

    Setlist: Child of the Mississippi, Alabama High-Test, Take ‘Em Away, Brave Boys All Night Long, Dixie Avenue, The Good Stuff, A World Away, Old Hickory, Tiger Rag*, See See Rider^, Motel in Memphis, In the Jailhouse Now#, Blowin’ in the Wind%, Cocaine Habit$, Firewater, I Hear Them All/This Land Is Your Land, Flicker & Shine, Wagon Wheel

    Encore: Whiskey in My Whiskey, Stay All Night&, Spirit in the Sky!

    *(Original Dixieland Jazz Band cover)
    ^(‘Ma’ Rainey & Her Georgia Jazz Band cover)
    #(Jimmie Rodgers cover)
    %(Bob Dylan cover)
    #(standard cover)
    &(Willie Nelson cover)
    !(Norman Greenbaum cover)
  • Hearing Aide: Jeremy Discenza ‘Hearts As Vessels’

    I’ll be the first to admit that it took me a few listens to understand Hearts as Vessels, but I’m curious to hear more from its curator, Jeremy Discenza of Chittenango, New York. The new EP went live 28 April, 2018. First impression is that Discenza is formidable as a musician — he single handedly performed all instruments and vocal parts. Between interlocked, glassy guitar lines, 80’s horror movie soundtrack synths, and escalations to some heavy metal, we end up with a lot to think about. The music takes flight off the strength of influences characteristic of multiple genres, but most notably present is alternative rock. Fans of Stellar Young, Cymbals Eat Guitars, and La Dispute will likely appreciate many aspects of this melodic work.

    While this EP is a generally strong debut, its vocal production leaves room for improvement. This is not to say that Discenza can’t sing — he obviously is competent — but his potential certainly is not realized in this iteration. Track 1, “Burning Up the Night,” features a soaring, sing-along-able chorus, but it’s verse melodies would welcome a second opinion. Needless to say, Discenza stays introspective and nails down meaningful and conceptual lyrics in all songs.

    Hearts As Vessels has a lot of other great things going for it: track 3, “Destroyer of Worlds” includes twisting verse melodies and a driving chorus while remaining catchy and chaotic. “Destined to walk this Earth, created to watch it burn, is this all I am?” Discenza asks. This track stands out as the highlight. Additionally, the track listing on the album ushers the listener through a journey. The EP finishes off with “Goodnight and Goodbye Forever” whose guitar parts tie the album together thematically. In general, Hearts as Vessels does a standup job experimenting with multiple musical genres while keeping my ears tuned in — this is difficult for any musician to do and should be commended. If this is just the first release, I’m curious to see what other music Jeremy Discenza comes out with and how his abilities grow over time. In the meantime, I definitely give Discenza credit where credit is due.

    Hearts As Vessels is available for streaming on major platforms such as Spotify, Apple Music, and BandCamp.

    Key Tracks: Goodnight and Goodbye Forever, Destroyer of Worlds

  • Color Me Badd singer arrested after allegedly pushing bandmate at show in Waterloo

    Color Me Badd lead singer Bryan Abrams allegedly pushed longtime bandmate Mark Calderon during a performance at Del Lago Casino on July 22. According to Seneca County Sheriff’s Office, the call came in at 9:15 and responding officers arrested Abrams for attempted assault in the third degree. Footage caught by fans show Calderon on stage with two dancers, singing the ’90s hit “I Wanna Sex You Up.” In the video, Calderon was thanking the crowd when Abrams entered from offstage and made contact with Calderon, who then fell to the floor of the stage. The Sheriff’s Office said that Calderon was transported to the local hospital for neck and back pain, where he was treated and released. Abrams is due to reappear in court on August 28 on this charge.

  • Cobblestone Live to Host Second Annual Buffalo-Centric Fest

    This weekend, the second annual Cobblestone Live will be taking place in Buffalo. Cobblestone is a fairly small festival, taking place in a single neighborhood and making use of the bars, restaurants, and venues that call it home. The festival’s stages are set up on the famous Illinois and Columbia Streets, as well as inside Lockhouse Distillery Buffalo Iron Works.

    The lineup features some big names, such as the soulful Andy Frasco & the U.N., known for Frasco’s wild stage antics and soulful blues music, Brooklyn-based funk band Turkuaz, Broken Social Scene, and Buffalo natives Aqueous, the groove rock quartet that has spent the last two years touring the country relentlessly. Some smaller, more local bands are also featured, namely Space Junk, Cold Lazarus, First Ward, and Grateful Dead tribute band, Workingman’s Dead. Michelangelo Carubba of Turkuaz will be hosting a “Super Jam” on Saturday, July 28, which should be interesting to see, as they’ve yet to mention who will be included in the jam.

    Cobblestone offers a wide variety of activities and vendors, including an alpaca farm on Saturday you should be sure to check out. Food vendors include Grateful Grind Coffee, Lloyd, Mazurek’s Bakery, Lugia’s, and Totally Edible. Lockhouse Distillery & Buffalo Iron Works will be providing festival drink menus. There will be several different vendors at the fest, including a tent for the Child Advocacy Center, an organization that provides treatment and support for kids in Erie County that have been physically or sexually abused. A portion of Cobblestone Live’s profits will be donated to the CAC.
    cobblestone live

    Cobblestone Live is looking like a grand time, full of delicious food, drinks, and good music! Take a look at the daily lineup above to better plan out your Cobblestone experience. Check back with NYS Music for photos and coverage of the fest.

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