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  • Dark Star Orchestra: A Grateful Dead Time Capsule

    “Dark Star” was first performed, without lyrics, by the Grateful Dead in September 1967. The first version with lyrics was heard three months later. The tunes’ sole focus was improvisation. “Dark Star” was played regularly through the 1960’s, but seldom-heard after 1974. It only appeared on odd occasions in ‘78, ‘79, ‘81 and ‘84 and was last performed in March of 1994 – (deaddisc.com)

    Unbox, Dark Star Orchestra; a continuation of spirit, improvisation and the greatest acid-trip, that ever was, the Grateful Dead. In the midst of digging, we teleport back to the sounds we fell in love with in 1965, obsessed over by ‘69, and post ‘96, we’re left, only aching for more. Dark Star (DSO) is NOT a cover band. They give birth to all that is Dead, then reinterpret it in modern day. DSO is a time capsule – like the vivid memories, postcards and totems we buried long ago.

    “I view it as performance art,” said DSO drummer Rob Koritz. “We are blessed to play music that is 95 percent improvisation and when we’re firing on all cylinders, I can play how I want.”

    Dark Star Orchestra is the idiom of self-expression. In true honor of the Grateful Dead, DSO has made this genre all-inclusive – pulling from rock, jazz, country, The Beatles, Chuck Berry, psychedelia and blues. For Koritz, the list goes on.

    Their testimony goes out to Deadheads and non-cult listeners alike. There is a common thread that weaves through our mind and ears. It’s music. “They hear it and say WOW” added Koritz. “Pretty much everybody will find something.” And when you get confused, just listen to the music play.

    Koritz did everything music. He was in opera, theatre, college marching band and even studied as a classical percussionist. From a music major state-side to traveling overseas, and experiencing the Grateful Dead, Rob is an encyclopedic anchor to DSO in his own regard. A band members’ father is a profound  jazz musician, while another roots himself in progressive rock. A melting-pot would be far to mundane to describe this stew.

    Dark Star Orchestra is prepared in the framework of the Grateful Dead’s catalog. Whether they are playing on a beach or filling massive arenas across the world, familiar tunes will be heard. On the bands’ fourth annual return to Frontier Field, earlier this month, they performed two sets with an encore of “Mr. Charlie” and “C’est La Vie (You Never Can Tell).” Read the full NYS review here.

    Set 1: Alabama, Bucket, West LA, Memphis Blues, Lazy River Road, Esau, Blow Away, Ramble On, Sunrise, Music

    Set 2: China Cat > Rider, She Belongs To Me, Lost Sailor > Saint of Circumstance > Drumz > Dear Mr. Fantasy > Throwing Stones > World To Give > Saturday Night

    “We may go way further out than the Dead would have one night,” said Koritz. “Others we may not be as far out [more structured musically], it all depends.” For the lay-listener Dark Star Orchestra is explained as a group playing Jazz, i.e. improvisational music, in a Rock idiom. The experience becomes trance-like at each venue; in the ear of each listener a different note is digested.It is synonymous with the individual experience. It is unique. Memories of the Dead are relived through this music, we deem our own.

    Like Frontier Field, DSO continues to recur at venues around the world. This past May marked the 7th annual Dark Star Jubilee in Ohio and the band has already announced their 7th annual return to Jamaican Jam In The Sand at Jewel Paradise Cove Resort on January 15-19, 2019.

    DSO is excited to return to Pisgah Brewing Co. for a two night outdoor show in Black Mountain, NC on Friday August 17 and Saturday 18th. The Orchestra carries on across the Midwest with dates in Chicago, Illinois and Ohio. NYS Music fans, be on the lookout for more dates TBA in Rochester and Albany, to name a few upstate. DSO plans to reveal more shows throughout the holidays, with a special New Years Eve show announcement.

  • Curveball Cancelled Due to Aftermath of Heavy Rain

    After several counties in NY calling a state of emergency due to recent heavy rains, Curveball coordinators were forced to make the unfortunate decision to cancel the Phish music festival in Watkins Glen as a matter of public health and safety. After exploring every avenue to try to keep the festival afloat, the required permits that deem the festival site safe for thousands of people to inhabit it for the duration of the weekend could not be granted, and the festival was cancelled.

    Most notably, there was no reasonable way to deliver the necessary amount of clean drinking water needed to run the festival. The local sewage treatment plant could not keep up with the onslaught of rain and local supplies became contaminated.

    According to security, those already en route are permitted to arrive until 7:30 pm Thursday, but must be out by 12:00 pm Friday.

    Ticketholders will be issued refunds. For more information visit phish.com.

    Phish Curveball cancelled

    Curveball Cancelled
    Props from the festival grounds

    Curveball Cancelled

    Curveball Cancelled
    Empty field for would-be campers
  • Aretha Franklin Dies at 76

    Aretha Franklin, known world around as the “Queen of Soul,” died Thursday at her home in Detroit after a long and enduring battle with advanced pancreatic cancer. She was 76.

    Aretha Franklin

    With over 100 singles on the Billboard charts, 20 of which were number one R&B hits, and boasting a lifetime achievement award, her name is one surrounded by undeniable accomplishment. However, her marvelous career was molded by not only her God-given talent but also her righteous and compelling activism in the civil rights movement. Perhaps her most dominating record, “Respect,” written by Otis Redding, was released in 1967 and instantly adopted as an anthem by feminist and civil rights supporters alike for its seemingly relentless demand for due recognition as a strong woman in a man’s world.

    Inspired by gospel sounds and accompanied with a positively independent attitude, her stunningly adaptive voice displayed her singing prowess in a multitude of genres including jazz, blues, rock, and opera. Despite her enormous skill, she was in and out of the spotlight as popularity within the music industry fluctuated between new sounds. However, she always returned with a reminder of her capability with a song or an album that could only be described as grand. In her adolescence, Franklin was immersed in music between her pastor father’s famous sermons and other notable names like Sam Cooke and Dinah Washington who visited to partake in their community of Gospel music. Soon enough, she would pursue a professional career and through a series of events, she moved to New York City in 1960 to be signed to the massive label Columbia Records. Since then her career has been celebrated universally and remains significant to this day.

    Tragedies such as these almost seem mythological as we cannot comprehend someone so widely adored and brilliant being taken from this world. The royal titles we gift to select artists such as Michael Jackson as the King of Pop or in this case Franklin as the Queen of Soul is not just because they have truly mastered their craft, but more importantly to immortalize them. Their musical impact goes beyond the confining barriers of mortality and sets a precedent for what is capable despite obstacles of race, gender, or social standards. Essentially, her existence as a musician is more than just commercial success. She represented values, resilience, and an assuring presence many of us seek for the betterment of ourselves.

    Aretha Franklin

  • The X takes to The Net: Popular radio program returns to the area as RadioRadioX.com

    Art Fredette, of RadioRadioX.com, is banking on the belief listeners will turn on and tune in to his newly launched internet radio station. It’s a continuation of the “X” brand that disappeared when 106.1 WAIX-FM dropped off the air in May. Fredette was both a sales representative and program director for the station.

    Internet radio is far from a new concept, but it’s growing. NetRadio is credited with the concept of web-based audio when it started broadcasting back in 1995. That’s when a network of four different formats out of Eden Prairie, Minnesota took to the “world wide web” through the program RealAudio. With most audiences consuming data at 56 kilobits per second, reception was spotty. Compared with today’s tech, the sound quality left something to be desired after overcoming several minutes of buffering.

    Flash forward 20 years, Forbes proclaimed the medium as the next marketing boon with the screaming headline, “Why Internet Radio is The Biggest Advertising Opportunity of The Future.” By now, audio streaming services like Spotify have had the largest influence upon the music industry since college kids pirated Limp Bizkit songs off Napster. The ubiquitous presence of iPods have stepped aside to smartphones, unlimited data packages and bluetooth. Auto manufacturers don’t roll out cars with CD players anymore, because everyone streams music.

    According to a Pew Research Center survey, nearly half of Americans (44 percent) listen to internet radio in a car through their phone.

    Now, as we sit inside his Waterford studio, he continues to wear multiple hats to jump start his new station.

    “You are literally looking at the entire staff,” he said.

    That will soon change.

    For listeners of “The X,” the musical content will be familiar, deep cuts and B-sides intermingled with familiar tracks. There will be an emphasis on local music, too. Ralph Renna and Jim Barrett will return to the airwaves, each with their respective shows, “Shuffle” and “Kaleidoscope.”

    When The X was taken off the air in May, people responded. The station’s social media channels were bombarded with angry listeners who wanted it back on the air.

    “Everything was taking off, and then it was all taken away,” said Renna. “Artie asked me to bring [Shuffle] back, and I volunteered.” Renna will return as an on-air personality in the coming weeks.

    It’s a Collar City contingent among the three personalities, so far. Barrett’s radio show had a 50-year run before WAIX went off the air. Outside the show, he runs The Beat Shop record store on Troy’s River Street. Renna has long been advocate for Troy’s heavy metal scene in addition to acting as the frontman for Let Go Daylight and The Otherside.

    The station is on the air now as it continues to develop. Renna said he’s confident in the direction this new station is heading, without corporate interference. “We’re just doing it our way — Artie’s way,” said Renna. “All the songs are great. I’m into it and I’m also getting educated on songs I’ve never heard before.”

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Photo Gallery: Mallett Brothers Band at Troy Rockin’ on the River

    For the second week in a row, Troy’s Rockin’ on The River had a rainy start before the sun came out. Saratoga Springs’ North and South Dakotas kicked off the night with a mix of Americana, mountain folk and bluegrass. The Mallett Brothers Band headlined, featuring brothers Luke and Will who formed the band in Maine in 2009, and occasionally have Phish drummer Jon Fishman behind the kit. Their new album Vive I Acadie is out now.

  • Arise Music Festival Emerges as an Antidote for Dangerous Times

    These are dangerous times in which we live. Our culture is teetering on the brink. And if music festival organizer, Paul Bassis is correct, the Arise Music Festival held last week outside Loveland, Colorado may well be an antidote to help stop the madness. Bassis’ claim is a bold pronouncement, for sure, but he and his hearty team of Arise staffers and volunteers have made painstaking efforts to make that claim a reality.

    From the festival’s inception six years ago, Arise has staked a claim among a short list of conscientiously-based music festivals that promote environmentally conscious practices as a “leave no trace” event that plants a tree with every ticket purchase. In addition, as in past years, last week’s event featured a wide range of workshops and presentations focused on environmental and social justice issues that ran alongside its hefty live music schedule. While such offerings are familiar to Arise veterans, what has changed recently is the urgency in which Bassis and the Arise crew have pushed its more communal and activist leanings. “There was a time when I wouldn’t have called myself an activist, but now things are different. So much is at stake.”

    This year’s edition of the Arise fest did include a number of popular live and EDM music acts, including Slightly Stoopid, Thievery Corporation, Opiuo, and Trevor Hall, that perform at many other festivals around the country. However Bassis intones that while many festivals offer escapism from turbulent cultural events, Arise is designed to engage festifarians in local and national political affairs. “We have got to build a community that makes changes and makes things right,” he stated on the festival’s closing day. “My stump speech is,” he continued, “there is a reason why call this the Arise Festival and not the Wake-Up Festival.”

    That sense of urgency permeated the festival grounds throughout the weekend by way of world-renowned presenters like environmental activist Julia Butterfly and grassroots activists seeking signatures for a number of issues including a petition to ban oil fracking. After the rousing bluegrass set of the Kitchen Dwellers from Montana, bassist Joe Funk commented that he felt the Arise Festival sense of purpose was  clear and that the festival, itself, came as close as any to be able to change the world.

    Alongside its progressive social and political focus, the Arise Festival featured a diverse entertainment line-up that included a number of magical performances from the little-heralded but fiery acts such as Guerilla Brass Band, and Colorado-locals, the Gasoline Lollipops, with their unique style of psychedelic punk/folk music. Festival stages literally soared with the dazzling acrobatics of Quixotic. Even the festival’s last performance boasted the thunderous, raucous Colorado return of the New Orleans-based funk group Dumpstafunk.

    As to whether the Arise Festival will change the world, only time will tell. But festival organizers like Bassis say they have no other choice. “We must all be activists, and we must meet the challenge.”

  • Park Playhouse Permanently Expanding to The Cohoes Music Hall

    Building on 30 successful years in Albany’s Washington Park, Park Playhouse is expanding its year-round artistic and educational program offerings at the Cohoes Music Hall in the City of Cohoes. In addition, the company announced that it is creating Playhouse Stage Company, a new division which will support the growth of these programs throughout the Capital Region.

    “We are excited to announce this fantastic partnership with the City of Cohoes and our new division, Playhouse Stage Company,” said Playhouse producing artistic director Owen Smith. “We will continue enhancing our popular and growing summer programming in Albany’s Washington Park.

    The creation of Playhouse Stage Company is an important strategic move for Park Playhouse, which strengthens the company’s role as a leading regional arts and education organization serving families and children in the Region since 1989,” continued Smith. Many Park Playhouse alums have performed nationally and internationally, appearing in performances on Broadway, in national tours and on major television networks including AMC and HBO.

    “It’s incredible that just two years ago we were a struggling mill town trying to find our identity, and today we are one of the premier locations within the Capital Region- known for our stunning Music Hall, top rated Rock The Block concert series, highly reviewed restaurants, and now home of Park Playhouse, one of the most celebrated theatrical organizations in the region,” Cohoes Mayor Shawn Morse said. ” It’s exhilarating to know that such a highly regarded organization as Park Playhouse, with many of the region’s top-rated professionals serving as staff and board members, sought out Cohoes to be their new home. It sends a loud message that Cohoes is alive, well and the place to be.”

    As part of the partnership, the City of Cohoes will support an expansion of the company’s programming at the historic Cohoes Music Hall, which will grow from five shows in 2017 to seven shows in the 2018-19 season. This opportunity has enabled the company to present theatre year-round, as well as offer a subscription series. In addition, the city will support new programming produced by Park Playhouse in the summer of 2019 at the new amphitheater in Canal Square Park.

    “Our partnership with the City of Cohoes and Cohoes Music Hall is a significant development in the history of Park Playhouse,” said Board President Allen S. Goodman. “We are grateful for their generous support and dedication to Park Playhouse’s success.

    “We look forward to expanding our presence throughout the Capital Region by establishing a home at the Cohoes Music Hall, launching our Playhouse Stage Company division, expanding our educational programming to more schools throughout the Capital Region and growing our 30-year presence in Albany’s Washington Park offering free summer theatre,” Goodman continued. “All these initiatives will continue to grow our impact on families and children throughout the Capital Region and its surrounding communities.”

    Park Playhouse will continue to produce their Broadway-style free musicals sponsored by Albany Med, KeyBank and other corporate and individual donors in Albany’s historic Washington Park. These productions have been presented for the past 30 years and have been attended by more than 1.25 million people. Over the past several years, Park Playhouse has offered a year-round slate of musicals, school programming and educational services at venues including Albany’s Washington Park, Cohoes Music Hall, Palace Theatre and the City School District of Albany as well as more than 40 schools in the region.

    “We have been honored to work with the City of Cohoes and Music Hall Arts Alliance over the past year and welcome the opportunity to further expand our year-round programming in Cohoes as we head into our 31st Season,” said Smith. “We are pleased to have the opportunity to grow this programming in Cohoes and are grateful to the City for supporting our expanded artistic and educational programs.”

    Smith noted that Park Playhouse programming at the Music Hall during the last season resulted in over 7,000 visits to the Music Hall and City of Cohoes; this number is expected to continue to grow as the company builds its year-round regional presence. As part of establishing the Playhouse Stage Company division, Park Playhouse will continue to lead the Cohoes City School District’s free summer youth arts program for city students. Additionally, the Playhouse will bring each of its school touring productions to the Cohoes Musical Hall for Cohoes district students. Playhouse staff will also provide venue management support to Music Hall Arts Alliance for the operation of the Cohoes Music Hall. Most notably, the company’s summer programming will be expanded beginning by mounting two productions in Cohoes’ beautifully renovated Canal Square Park next summer, including a musical revue-style production and a “Theatre for Young Audiences” musical for families.

    Titles for the 31st Season of Park Playhouse, including next summer’s lineup in Washington Park, a series of musicals to be presented at Cohoes Music Hall year-round, new Canal Square Park programming, and scholastic touring productions, will be announced later this month. “It is a tremendous step forward for our organization to present unique theatrical programming in Canal Square Park alongside our traditional summer musicals at the Washington Park’s lake house in Albany,” Smith said. “It allows us to move even further toward our long-held goal of implementing a regional summer theatre festival to connect and enhance the lives of more people through the arts. None of this could be possible without the support of the City of Cohoes and the establishment of our new Playhouse Stage Company division.”

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSmusic. TheSpot518 and NYSmusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Empire State Music Podcast speaks with Cobblestone Live founder Josh Holtzman

    Josh Holtzman is the co-founder of Cobblestone Live and General Manager at Buffalo Iron Works. For a complete review of Cobblestone Live 2018, see Jared Lindquist’s article, “Cobblestone Live Hosts Successful Second-Year Festival.” Visit the Empire State Music Podcast for all interviews, including an on-site discussion with Turkuaz’ drummer, MIchelangelo Carubba, at this year’s Cobblestone Live! festival.

    It’s Saturday, July 28, a breezy, sunny summer day in Buffalo, New York, where the second annual Cobblestone Live! Music Festival is well underway. Amidst the heavy foot traffic, intoxicating smell of a food truck’s grill, and overwhelming sound of music flowing through the air, a busy Josh Holtzman, co-founder of Cobblestone Live! dismounts his Trek bicycle and radios to his colleagues, “team, this is Josh, be advised I’ll be offline for a bit for a quick interview.” Holtzman joins me to discuss the history of the Cobblestone district, the origins of the festival, partnership with the Child Advocacy Center, and plans for the future of Cobblestone Live!

    Andy Hogan: Even five years ago, would you have imagined the Cobblestone District would one day host a major music festival?

    Josh Holtzman: Honestly, this area was really only known for the [Key Bank] arena. Most people only knew of it because they saw the Sabers play here. Now, it’s really starting to turn around. We have the Lockhouse Distillery, music venues, the comedy club…it’s fantastic down here.  Josh HoltzmanAH: What can you tell me about the history of the area?

    JH: The district itself is over 100 years old. Iron Works, the building, is 102 years old. Originally it was used for manufacturing; from steel works, machine works, iron works, etc… This was the industrial hub of Buffalo…even down the street a little bit, where the old first ward is, those were all factory and blue-collar workers that pretty much built everything we have today.

    AH: How did the music festival come together? What was the jumping off point?

    JH: it was early on last year. I’ve always wanted to throw a festival. Obviously, we have the venue, and we do 200+ shows a year, but we really wanted to throw a festival that was good for the community and is really something unique for Buffalo. Truth be told, I sent a quick text to Cory from Lockhouse and was like, “Hey dude, what do you think about closing down the streets and throwing a festival?” So, it went from something that sounds cool, to the actual reality of putting together a committee, we hand-picked our staff, and laid out the blueprints for what is Cobblestone Live.

     Josh Holtzman

    AH: Last year, in your first year as a festival, to have the line-up you did was really quite something. You guys had Moon Taxi, Aqueous, The Hip Abduction, and Real Estate to name a few. This year’s line-up is just as strong, if not stronger, with Aqueous returning, plus Turkuaz, Chicano Batman, The Sheepdogs, and Broken Social Scene. What else has changed aside from the line-up?

    JH: We added a lot of non-music programming, and festival experience. We also wanted to make sure that we did increase the line-up, and still get bigger bands. One of the main things we added was an additional stage, so now we have two outdoor stages, instead of one. I think that brings a really cool balance to the festival with people being able to go back-and-forth. As you’ve seen, we have alpacas down here, we have a dunk tank, we have some really cool vendors and graffiti artists. It’s just really a cool vibe right now.

    AH: There’s even superheroes walking around!

    JH: That’s right! Comic-Con is in the house.

    AH: In your mind, what does the process of crafting a festival line-up look like?

    JH: For me, it starts as a fan first. Any artist I book, I’m a fan of. I really like what they stand for, and their music. The other side is really building a vibe that will encompass everything we’re going for. You don’t want to put too many artists of different genres together so that it’s not going to flow, but, you can have fun with an eclectic line-up and really set it up so that it’s an exciting time for everyone. So, it’s a little bit of business and pleasure at the same time.

     Josh Holtzman

    AH: Moving forward, as I can imagine this will be a long standing tradition, what are some other goals you have for the festival in the future?

    JH: Looking down the road, we obviously want to keep raising awareness of the festival, and keep adding non-music programming. Down the line we’re looking to add more outdoor stages, too. I don’t want to say for sure that we’re going to go for three days, but eventually it may get to that point. You know, it’s just about having fun doing what were doing, and having the city catch on, to come on down and to have a great time.

    AH: The other thing I wanted to ask you about is your partnership with the Child Advocacy Center; what can you tell me about them, and their relationship with the festival?

    JH: It’s really important to everyone who is involved in this festival to give back, in one way or another. We’re not doing it for ourselves, we’re doing it for the community. What they do over at the CAC is very, very tireless work. They are helping to stop child abuse and it’s something we can all get on board with. Whether any of us were affected by it or not growing up, it still hits home and we’re going to do everything that we possibly can to raise money for them, while having a good time doing it. I think this is the first of many years we’ll be working with them, and honestly, we owe a lot to them. They provided all the volunteers for this entire event — nearly 100 people for two days, along with getting the sheriffs to donate their time to help us out.

    AH: I know you’re a busy guy, so I won’t keep you too much longer, but I’m curious, what’s the one thing about planning a festival that people may not think about, but you may be losing sleep over?

    JH: You know, it’s a lot, to say the least. I think one thing that people may forget is that the people who are doing this are doing it from their heart, they really care about it and it’s not just a money grab. I think that goes unsaid for a lot of things, but it’s a team that built all of this, and it’s really important that we’re doing it for Buffalo. We’re here having a great time, but we’re going to keep doing what we do for everybody out there.

    This interview with Josh Holtzman was originally intended to air on Empire State Music Podcast, though due to unfortunate audio/technical issues, the conversation was condensed into written word.

  • Phish returns to Watkins Glen this weekend for a Curveball

    It’s that time again! Time to get packed and head out for Curveball! Phish will hold their 11th music festival is being held this weekend, August 17-19 at Watkins Glen International Raceway in Watkins Glen, NY. This will be the third festival held at this venue, and it is sure to be as over the top & extravagant as SuperBall IX & Magnaball.

    Phish Curveball

    Over the last 30 years Phish has developed a large and loyal following, and the 2018 summer tour leading into Curveball has fans ready for an incredible festival experience that only Phish can provide. Summer tour kicked off in mid-July in Stateline, NV, and altogether the band has hit nine venues, playing 2-3 night runs at some of the largest venues in the country. Among many highlight was the return of Hot Chocolate’s ‘You Sexy Thing’ throughout the band’s third night in Alpharetta, GA, plus three versions of “Tweezer Reprise” at the final night before Curveball at Merriweather Post Pavilion in Columbia, Maryland.

    The much anticipated Curveball festival has sold out, selling 60,000 tickets and maxing capacity at the raceway. If you are heading into Watkins Glen, find updated travel info through the festival website, as recent rains have caused road washouts and closures throughout the region. The Schuyler County Sheriff’s Office has announce some road closures around Watkins Glen International to help control the incoming traffic for the festival. Read more information on specific traffic routing via WENY.

    In preparation for the festival, fans should make sure to bring their rain gear! The venue has been receiving a healthy dose of rainfall, but we all know that a little petrichor isn’t a bad thing! All things are running on track for the event despite the weather and the show will go on as scheduled, and a source has shared that the ferris wheel is up and ready to rock!

    Among the many things to look forward to at Curveball are the Runaway Jim Memorial 5k on Saturday, the which takes place on Friday at 12 noon, Saturday at 9am and Sunday at 10 am, and a cornhole tournament also held all three days. There will be dozens of food vendors in and out of the festival grounds, as well as a farmers market, and a farm to table restaurant on site called Farmhouse.

     Phish Curveball

    The water program is also returning to Curveball. The WaterWheel Foundation will have limited edition Nalgenes for sale in conjunction with Reverb and there will be several water refill stations around the venue to make sure fans stay hydrated throughout the weekend.

    And for those who need to ship something home, Phish has you covered, and they also want you to write to your mother! They’ll be giving away Curveball postcards all weekend long on site, while supplies last. Since Curveball will be something to write home about, an official US Post Office will be on site to send both your postcards and merch – just bring your own packing supplies.
    Phish Curveball

    The JEMP Records Store at Curveball will have a series of releases over the course of the weekend, including a vinyl edition of 1997 live album Slip Stitch and Pass, the accompanying poster by Drew Millward, as well as Phish photographer Rene Huemer’s photo print sale.

    The Bunny will once again serve as the festival’s radio station throughout the weekend, with three episodes of “From the Archives,” hosted by archivist Kevin Shapiro and offered a dive into Phish’s catalog. Episodes will air on Thursday at 10pm and on Friday and Sunday at 3pm. Tune into The Bunny on SiriusXM Radio channel 29 or at LivePhish.com.

    Can’t make it to Watkins Glen for Curveball? Order the webcast at livephish.com, either for a single day or the entire weekend and enjoy Couch Tour! Stay tuned to NYS Music on Instagram, Twitter and Facebook, and look for daily reviews and photos starting on Saturday!.

  • On The Cinder Plans Fall Foray Into Canada

    On The Cinder hits the road again this fall with stops as far as Canada. The run starts off Sept. 5 in Buffalo, where the trio formed the band in 2012. They head west to Detroit on Sept. 6, then have a run of five shows north of the border, including Toronto, Ottawa, and Montreal before circling back to the states for a Sept.13.

    The fun-loving crew recently released a music video for their song “Soap Box,” in which drummer Tyler Rzemek gets fed up with being in the background and kidnaps bandmates Jason Wright and Mike Jacobs. Hilarity ensues as the antics and props grow more and more incredulous.

    On The Cinder Great Lakes, Eh? Tour

    Sept. 5 – Hotel Dalmatia – Buffalo, NY 
    Sept. 6 – The Sanctuary – Detroit, MI
    Sept. 7 – Probably House – London, ON
    Sept. 9 – Doors Pub – Hamilton, ON
    Sept. 10 – Bovine Sex Club – Toronto, ON
    Sept. 11 – Black Squirrel Books – Ottawa, ON
    Sept. 12 – L’Esco – Montreal, QC
    Sept. 13 – The Town Shop – Syracuse, NY

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