Category: Western NY

  • Interview: Jon Lewis discusses his band’s latest album and making a living as a full-time artist

    Rochester’s Jon Lewis Band is experiencing its fair share of notoriety on the heels of releasing their eighth album in four years, Get Wild Somewhere. In the month of May, lead singer Jon Lewis made the media rounds, appearing on WXXI’s Connections with Evan Dawson to talk about how streaming is impacting musicians, as well as on college radio stations WRUR and WBER, and the band opened the Rochester Lilac Festival.

    Jon Lewis interviewJon Lewis recently spoke with NYSMusic about the process of making music with his best friends, eeking out a full-time career in music and art, and the largest pizza he’s ever seen.

    Amy Cavalier: What inspired this album? Why did you feel the need to fly out of Rochester to record this album?

    Jon Lewis: After we finished recording our previous EP “Baby Brother,” we were given an amazing opportunity to record in our friend’s newly built studio in Los Angeles. With that in mind, we began to write and practice songs that were all intentionally constructed to be played and recorded live. We didn’t want to do any overdubs or try to manipulate our sound too much. This made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths. All the songs were written for this album. A totally fresh brew of tunes.

    AC: Despite some major weather delays, you were able to record this in just a few days. What types of challenges arose and what did you learn from the process?

    JL: This experience was insane. We were supposed to have a solid three to four days in the studio, but because of nearly two full days of weather delays, we only had a day and a half to record the album. In the end, we had prepped for such a thing and ended up recording the entire band live in one day. We never wanted to take a long time, and it almost seemed like Mother Nature was challenging our convictions and everyone in Jon Lewis band rose to the challenge.

    We showed up ready to play, and everyone at the studio made it possible by prepping and being on-hand for the whole process. Plus, there was a brewery across the street, so we were well taken care of. We also ate the biggest pizza I had ever seen that had to be taken in through the loading dock door because it was too large to fit through the door.

    AC: What was the idea behind the creation of the video for “Cinnamon Only,” the sixth track on Get Wild Somewhere? How long did it take to create? Do you plan to make videos for more of your songs?

    JL: I animated the video entirely using colored paper and sketches I made. It took about a month from start to finish. I drew and cut out the characters, then photographed/animated them against a green screen. Then I put all the layers together to create something I like to call “Paper World.”

    I’ve done several of these projects and it’s truly a joy and passion of mine. This video was created as I went; I started drawing a face and then thought, “she should be riding a motorcycle” and then when I drew that I thought, “and she should be accompanied by a wolf spirit guide” and then just kept drawing and writing as I went. The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery. I will definitely be making more videos, just as soon as I get some time.

    AC: How do you find the inspiration to keep coming up with new material on such a regular basis? What does the songwriting process look like for the JLB?

    JL: The songwriting for the band has been an ever-evolving creature. In the beginning, I did a majority of the song writing, taking songs from my acoustic catalog and then translating them into a full band format. As time has passed, Dave Drago and I have become more of a battery for song writing. This new album is an example of how far we’ve come.

    The inception of songs coming from Dave and myself, and then constructed and enlightened by everyone in the band. A true commutative effort. I still write quite a lot of songs specifically for my acoustic performances, as well as songs intentionally created for my alter-ego “Mr. Loops.” I am incredibly lucky to have different purposes for songs I write and that definitely helps the creative energy.

    AC: You put out a very fun social media presence….your band seems like the kind of guys you could really just hang out with. Have you put thought into the image your band emulates? Or is this organic?

    JL: Marketing and managing social media is a fun and yet also a very daunting task. I manage it all. Our band’s main purpose and function are that each member feels a no-stress and all-joy connection to the music. We are brothers and friends and family and without that feeling, we would not care to exist. It helps put out the right vibe and deep down that is because we feel it on a very real level.

    AC: Your fans helped fund the recording of this album. Why do you think your fans are so willing to support you and eager to see you succeed?

    JL: This album would not exist without the incredible love and support we got from our fans through our fundraiser. Once we decided to make the album in LA and to track it live, we knew this was the album to press on vinyl. We were successful after a few weeks time and that sent us to LA feeling so much positive energy, most certainly fueling our ability to overcome obstacles and make the music the best we could. I know our fans are invested in hearing what this journey has meant for our sound and how far we’ve come since our last release and I cannot wait to share it.

    AC: If you could describe each of your band mates to a stranger (as a person and a musician), how would you describe them? And if they could describe you, what would they say?

    JL: Dave (Drago, bass) is dad. He’s the reason any of the music exists as he has engineered/recorded and produced all of our albums in his studio 1809 Studios (link). He’s got vision, he’s upfront and he sees the infinite potential in a song and person unlike anyone I’ve ever met.

    Jake (Walsh, drums) is our heartbeat. Consistent, positive and present, he has maintained the beat of the band since the very beginning. One of the most talented and empathetic human beings you can ever wish to meet.

    Shawn (Brogan, lead guitar) is our hot sauce. His lead guitar licks and dissident sounds create the soul of our music. He’s technical and always creates a well-constructed lead lick. He’s “ride or die” and balances our sound and our group with energy and support.

    Alex (Northrup, keys) is our bed. When Alex joined the band we knew we were finally comfy and complete. One of the most talented musicians I have ever met, he can pick up literally any instrument and make it sing. He’s technically proficient and also carries an edge of insanity that fits in with us so well. He’s a compassionate and amazing human.

    Jon Lewis (lead vocals and rhythm guitar) I literally have no idea how the band would describe me but I would hope they would say something nice (or else).

    AC: You are currently making a full-time living with music and performance art. Was this always your intention? What does it take to be a successful full-time musician in a small pond such as Rochester? Are there advantages to doing this here vs. in a bigger city with more competition?

    JL: I am a full-time artist. I dropped out of college before I incurred any debt and went straight into the workforce. I worked sales for 10 years before building a foundation to quit and make art full-time.

    It’s not easy, and I have to find new and innovative ways of making a living outside of just performing and making music. I do documentary film making for local historical societies, I animate and create music videos, and I perform music for kids as “Mr. Loops” – this combination has created an ever spinning wheel of work for me that keeps the dream of not going back to “work” possible.

    If you want to chase a dream like this, you have to keep your eyes and doors open to different ways of being creative, and getting what you deserve for your creations. Rochester is certainly a more affordable place to live and play than larger cities, making this sort of crazy notion possible.

    AC: Do you have a bigger vision for the Jon Lewis Band…not just to dominate the local Rochester music scene, but to make yourself known to a wider audience?

    JL: I definitely keep an ever-expanding vision alive for my art and my music. I have very little expectations but I truly pour all of myself into every creation with the knowledge that there’s no way of knowing how long I will be lucky enough to be alive and make music. I would love to tour more, and still have many different adventures to take with performing.

    AC: You recently traveled back to LA to audition for Blue’s Clues…how did that come about? Although you did not get a call back, what did you take from that experience?

    JL: I sure did! After never being to LA as an adult I found myself there twice in a three month period. I couldn’t resist the opportunity to send my information and videos into Nickelodeon when I heard from a dear friend Malcolm Whitfield that they were looking for a new Blues Clues host.

    They did respond, inviting me out to audition in person and I jumped at the chance. It was an amazing experience and one I will never forget. More than just the insanely cool audition experience, I was able to spend some serious quality time with my long-time friend Johnny McHone and soak up the sun more than we had a chance to when we were recording Get Wild Somewhere. I learned that, especially in LA, if you bring a positive and giving attitude to the city (no matter if you “win or lose”) that the city and life will repay you tenfold.

    AC: How often do you perform as Mr. Loops? What other ways do you cobble together your living? Would you describe yourself as a starving artist? Or do you feel like you’re finally making headway?

    JL: I perform regularly as Mr. Loops but would like to perform even more. I love to play music for kids and it keeps me silly and having fun in a business that can certainly be hard to manage. I find that the “struggle” of being an artist full-time greatly outweighs the “comfort” of a less rewarding career. I feel truly connected and alive making music and making art.

  • The Black Dahlia Murder Kicks Off Tour

    Detroit’s melodic death metal band, The Black Dahlia Murder, have hit the road recently, and are set to visit over 40 cities across North America on their tour.

    The tour will take place in two parts, first seeing support from Homewrecker for the first twelve dates, starting in Minnesota and ending June 1 at Ground Zero in Traverse, MI. After a small break, the band will then head out with Whitechapel, Fleshgod, Apocalypse, Aversions Crown, and Shadow of Intent starting on June 8 in Chicago.

    The second portion of the tour will make two stops in New York, first on June 13, at Funk N’ Waffles in Rochester, and June 15, at Stage 48 in NYC.

    Formed in 2001, The Black Dahlia Murder has released eight studio albums, including 2017’s Nighbringers. The band’s last seven releases have charted on the Billboard 200, with the last five reaching inside the top 50 on the Billboard 200 chart.

    Dates with Homewrecker:

    May 19 – Red Carpet Nightclub – St. Cloud, MN
    May 20 – The Aquarium – Fargo, ND
    May 22 – Pub Station – Billings, MT
    May 23 – The Pin – Spokane, WA
    May 24 – Modified Ghost Fest – Vancouver, BC
    May 26 – Dicken’s – Calgary, AB
    May 27 – O’Brien’s – Saskatoon, SK
    May 28 – The Park Theater – Winnipeg, MB
    May 29 – Crocks – Thunder Bay, ON
    May 30 – The Working Class – Timmons, ON
    May 31 – Club 151 – North Bay, ON
    June 1 – Ground Zero – Traverse, MI

    Dates with Whitechapel, Fleshgod, Apocalypse, Aversions Crown, Shadow Of Intent:

    June 8 – House of Blues – Chicago, IL
    June 9 – Agora Theater – Cleveland, OH
    June 10 – St Andrews Hall – Detroit, MI
    June 12 – The Opera House – Toronto, ON
    June 13 – Funk N Waffles – Rochester, NY
    June 14 – Paradise Rock Club – Boston, MA
    June 15 – Stage 48 – New York, NY
    June 16 – Trocadero Theatre – Philadelphia, PA
    June 17 – Baltimore Soundstage – Baltimore, MD
    June 19 – The NorVa Theatre – Norfolk, VA
    June 20 – Tarheel – Jacksonville, NC
    June 22 – Jannus Live – St. Petersburg, FL
    June 23 – Revolution Live – Fort Lauderdale, FL
    June 24 – Masquerade – Atlanta, GA
    June 26 – Basement East – Nashville, TN
    June 27 – Southport Music Hall – New Orleans, LA
    June 28 – White Oak Music Hall – Houston, TX
    June 29 – Vibes Event Center – San Antonio, TX
    June 30 – Gas Monkey – Dallas, TX
    July 2 – El Rey Theater – Albuquerque, NM
    July 3 – The Pressroom – Phoenix, AZ
    July 5 – Strummer’s – Fresno, CA
    July 6 – House Of Blues – Anaheim, CA
    July 7 – The UC Theatre – Berkeley, CA
    July 8 – Ace Of Spades – Sacramento, CA
    July 10 – Ogden Theater – Denver, CO
    July 11 – The Truman – Kansas City, MO
    July 12 – Icon Lounge – Sioux Falls, SD
    July 13 – Cabooze – Minneapolis, MN
    July 14 – Rock USA – Oshkosh, WI *

    * The Black Dahlia Murder only

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  • Queensryche Withstands Another Rainy Night in Upstate NY

    On Saturday, May 19, Queensryche, with special guests Great White and Autograph, took the Budweiser Summer Stage at Tag’s in Big Flats, NY despite intermittent rainy showers and brisk temperatures.

    Slated to kick off this headlining show at 10 pm, Queensryche, a powerhouse staple in rock and roll history since 1982, hit the stage early, just before 9:30, following solid performances by both Autograph and Great White. Although many thought this show might actually run behind, fearing rain delays, Queensryche busted out with their first song “Best I Can,” from their fourth studio album Empire, released in August 1990.

    Queensryche

    Led by original members Michael Wilton on guitar and Eddie Jackson on bass, Queensryche formed in 1982 in Bellevue, Washington. The band has gone through only a few notable lineup changes in 36 years, including Todd La Torre on vocals who replaced lead singer Geoff Tate in 2012, Parker Lundgren who, since 2009, has filled original guitarist Chris DeGarmo’s duties masterfully, and Casey Grillo, who is currently filling in the drumming department while original Queensryche drummer Scott Rockenfield is out on hiatus for paternity leave.

    Despite recovering from a broken right hand, La Torre’s vocals were amazingly powerful and strong as he belted out most of the progressive metal band’s catalog of hits including “The Lady Wore Black” and “Queen of the Reich” from Queensryche’s 1983 self titled EP, as well as the powerhouse hits from 1988’s Operation Mindcrime, “I Don’t Believe in Love” and “Eyes of a Stranger”. La Torre’s vocals only seemed to get stronger as the night progressed as he closed out with “Jet City Woman” and “Take Hold of the Flame.”

    Queensryche

    Although fans were thoroughly impressed with both Autograph and Great White, who were definitely in the pocket and put on great shows, they were most certainly left mesmerized by Queensryche’s powerful performance and 16-song set list that seemed to only get better after each song, leaving the crowd of thousands at Tag’s Summer Stage screaming for more. Queensryche closed this almost 90-minute set with the encores “Screaming in Digital” and “Eyes of a Stranger.”

    Setlist: Best I Can, Damaged, The Whisper, The Mission, Breaking the Silence, I Don’t Believe in Love, Silent Lucidity, Guardian, The Lady Wore Black, Empire, Queen of the Reich, Jet City Woman, Take Hold of the Flame, Walk in the Shadows, Screaming in Digital, Eyes of a Stranger

  • Night Lights Music Festival 2018 Full Lineup Announced

    This year’s Night Lights Music Festival will feature music on three stages on the weekend of August 23-26, 2018. For the eighth year in a row, The Heron in the town of Sherman will be transformed into a spectacle of lights and sounds. The lineup includes the music of Lotus, Motet, Aqueous and more. Several tribute sets are also scheduled: Wild Adriatic (Led Zeppelin), Space Junk (Disco Biscuits) and Psychedelic Jukebox (paying homage to the history of psychedelic rock).

    Among the other acts are Wild Adriatic, Intrepid Travelers, Root Shock, lespecial, Folkfaces, and Danielle Ponder & the Tomorrow People. In addition to music, festival-goers will be able to enjoy camping, yoga, hiking, swimming and other outdoor activities. Local food and beverages and arts & crafts vendors will be on site. Early bird tickets are on sale now through the festival website. 

    The complete lineup includes: Lotus, The Motet, Aqueous, Octave Cat featuring Jesse Miller (Lotus), Eli Winderman (Dopapod), Charlie Patierno,  Anomalie, Tropidelic, Bumpin Uglies, lespecial, Pappy (of Cabinet), Wild Adriatic (Led Zeppelin Tribute), Upstate Rubdown, Boss Tweed and the Carpetbaggers, Gatos Blancos, Funktional Flow, Danielle Ponder & the Tomorrow People, Dynohunter,  Root Shock, Space Junk (Disco Biscuits Tribute), Holy Hand Grenade, Lazlo Hollyfeld, Intrepid Travelers, Folkfaces, Cold Lazarus, Psychedelic Jukebox, Cypher, Kaleidoscope Sky, The Good Neighbors, Able Footing, and Neon Veins.

  • Hearing Aide: Jon Lewis Band ‘Get Wild Somewhere’

    Everyone loves rooting for the hometown star to catch a big break. Rochester’s very own Jon Lewis Band’s  latest offering Get Wild Somewhere has the potential to expose them to their widest and most diverse audience yet. It has nothing to do with luck though. The eighth album they’ve recorded in four years stands solidly on the five member’s pure and unadulterated passion, dedication, friendship and, most importantly, talent. 

    The band’s namesake, Lewis is on lead vocals and rhythm guitar, accompanied by Dave Drago on bass, Jake Walsh on drums, Shawn Brogan on lead guitar and Alex Northrup on keys. With more time spent traveling to Los Angeles to record than actually spent in the studio, Get Wild Somewhere’s classic sound was accomplished through the use of vintage recording gear. All ten tracks were written with the intention of being played and recorded live.

    “We didn’t want to do overdubs or try to manipulate our sound too much,” said Lewis. “That made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths.”

    Fueled by adrenaline, backed by fans who crowdsourced over $2,000 to support the band’s trip to LA to record, and fed by the largest pizza they’ve ever seen (it had to be delivered through the loading dock door) Get Wild Somewhere has a polished, timeless sound that could only be done justice with vinyl.

    The Jon Lewis Band consists of Dave Drago, Shawn Brogan, Jon Lewis, Alex Northrup and Jake Walsh.

    Written by Lewis and produced, mixed and mastered by Drago in his 1809 Studios in Macedon, NY, Get Wild Somewhere tears onto the scene with the catchy opening track “Jerry My Berry.” Borrowing from the piano track that was used in famous recordings like “Werewolves in London” and “Summer Breeze,” combined with a catchy chorus, driving beat and melodious guitar licks, “Jerry My Berry” kicks the album off on an energetic note.

    Track two, “Charity,” is a beautiful opus with rich vocal harmonies complimenting mournful wails from Northrup’s organ.

    “You Don’t Wanna,” the third offering on the album, has a Beach Boys, surfer rock vibe to it. The clavinet introduces listeners to a an easy, breezy, likeable song that encapsulates the vintage vibe.

    I just want to see your face

    I just want to waste your time

    I just want to talk to you

    Cause you will see that I’m alright

    The rough riding “Cinnamon Only,”carried by a driving lead guitar, is the first song on the album to have a full-length video to accompany it. Lewis created the video over one month’s time entirely with colored papers and sketches.

    “I draw and cut out the characters, then photograph/animate them against a green screen, then I put all the layers together to create something I like to call ‘Paper World,’” he explains ,”The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery.”

    The album’s closer, So Familiar,“ is a gorgeously dark and stormy, mostly instrumental, song that hits to the core.

    Get Wild Somewhere is the sound of five friends pouring their hearts out and having the time of their lives producing fresh, original and crush-able jams, heartfelt ballads and indie rock. Each song come together effortlessly and stands on their own, as if they were just waiting to be born.

    The energy and connection on the album translates easily to the stage. Check the Jon Lewis Band out for yourself Friday, May 18 at their Album Release Party at Three Heads Brewing. Here’s hoping that this is just the start of something even bigger for these five Rochester musical dynamos!

    Key Tracks: Jerry My Berry, You Don’t Wanna, So Familiar

    https://www.facebook.com/jon.lewis.1401/videos/1781207945233793/

  • Gov’t Mule Announces Summer Dates

    Gov’t Mule has announced their 2018 summer tour, hitting Wantagh and Lewiston, New York. The Warren Haynes led rock band finished up their spring tour at the New Orleans Jazz Festival.

    mule summer

    The band is coming off their 10th studio album and highest selling debut, 2017’s Revolution Come… Revolution Go. The album is one of the band’s most politically driven pieces to date.

    Mule will also make it’s way over to Europe where they will be headlining the “Gov’t Mule Dark Side of the Mule & Avett Brothers shows.” The bands will play a string of three shows throughout Europe where Gov’t Mule will perform Pink Floyd’s Dark Side of the Moon along with the Avett Brothers.

    Pre-sale for summer tour tickets began Monday, general on-sale begins Friday, May 18th at 10 a.m.

    June 2 – Atlanta, GA – Candler Park Fest
    June 29 – Torgau, DE – Kulturbastion
    June 30 – Utrecht, NL – TivoliVredenburg
    July 1 – Maidstone, UK – Ramblin’ Man Fair
    July 12 – Wantagh, NY – Northwell Health at Jones Beach Theater*
    July 13 – Holmdel, NJ – PNC Bank Arts Center*
    July 14 – Mansfield, MA – Xfinity Center*
    July 21 – 22 -Scranton, PA – Peach Music Festival
    July 24 – Lewiston, NY – Artpark
    July 25 – Selbyville, DE – The Freeman Stage at Bayside
    July 26 – 27 – Floyd, VA – Floyd Fest
    July 28 – Jay, VT – Jay Peak
    Aug. 4 – Notodden, NO – Notodden Blues Festival
    Aug. 17 – Charlotte, NC – CMCU Amphitheater**
    Aug. 18 – Charleston, SC – Volvo Car Stadium**
    Aug. 19 – Whites Creek, TN – The Woods Amphitheater**
    Aug. 21 – Huber Heights, OH – Rose Music Center**
    Aug. 23 – Noblesville, IN – Ruoff Home Mortgage Music Center*
    Aug. 24 – Tinley Park, IL – Hollywood Casino Amphitheatre*
    Aug. 25 – Clarkston, MI – DTE Energy Music Theatre*
    Aug. 26 – Des Moines, IA – Brenton Plaza**
    Aug. 28 – Mankata, MN – Vetter Stone Amphitheater**
    Aug. 29 – Papillion, NE – SumTur**
    Aug. 31 – Park City, UT – Snow Park Outdoor Amphitheater**
    Sept. 2 – Sun Valley, ID – Sun Valley Pavilion^
    Sept. 14 – 16 – Telluride, CO – Telluride Blues & Brews
    Sept. 23 – Louisville, KY – Bourbon & Beyond

    *Dark Side of the Mule w/ The Avett Brothers & The Magpie Salute

    ** with Magpie Salute
    ^ with Lukas Nelson & Promise of the Real

  • Rochester Music Hall of Fame: a Night To Remember

    The Board of Directors of the Rochester Music Hall of Fame pulled out all the stops this year. The seventh annual award ceremony was held on Sunday, April 22 at Rochester’s historic Kodak Hall at Eastman Theatre. The sold-out event celebrated the contributions of musicians with local ties, including Rochester native and legendary drummer Steve Gadd, Eastman School of Music graduate and iconic bassist Tony Levin, world-renown percussionist and Eastman School Professor Emeritus John Beck, and masters of sacred steel The Campbell Brothers. Congratulatory messages were sent by Peter Gabriel, who has worked with both Gadd and Levin. Special guest performers included pedal steel guitarist extraordinaire Robert Randolph, preteen powerhouse Angelica Hale from America’s Got Talent, and a surprise appearance by Paul Simon.

    Photos by Battista Photography

    Paul Simon

    At the ceremony’s commencement, a moment of silence was taken to honor the late Senator Louise Slaughter, a supporter of the arts. Board of Directors President Karl LaPorta announced that he and his wife would be stepping down from the board to spend some time traveling, although they will stay involved with the Hall of Fame. Vice President Jack Whittier will take the lead position on the Board moving forward. Whittier shared plans to branch into more community outreach and partnerships which foster the love of music. They’ve also acquired a location for the Hall of Fame at the corner of East Main and Gibbs Streets.

    The ceremony opened with a few quick tribute songs from local singers, backed by the Hall of Fame’s house band, Prime Time Funk: “Kodachrome” sung by Alyssa Coco and Ronnie Leigh, a soulful rendition of “Wildflower” sung by Bree Draper, and “Sledgehammer” featuring the powerful vocals of Danielle Ponder.

    The first inductee of the night was John Beck, a Pennsylvania native who started playing drums at a very young age, traveling by bus into Pittsburgh as a teenager to take lessons and later moving to Rochester to study at the Eastman School of Music. After ten years drumming in the military, Beck returned to Rochester to teach and to play in the Rochester Philharmonic Orchestra. He has played with orchestras around the world, and holds many accolades. He has also taught hundreds of students, including Steve Gadd.

    The first piece he played was something he wrote for Gadd’s senior performance, played on the timpani. He then played a couple on a drum kit and some hand drums. Between songs, he went to the podium to talk about the music, and asked for a moment to get to the drums. But once behind the percussive instruments, he began moving with a deft agility and grace. For his grand finale, he chose a big band song, backed by Prime Time Funk.

    Ferdinand Jay Smith

    The next inductee was Ferdinand Jay Smith III, who has created some of the most memorable and longest lasting music in entertainment, including theme songs for television programs, Olympic Games, and advertising. A reel of some of his work was played, highlighting the local, regional, and national clients for whom Smith has produced work. Some of the best selections were saved for live performance by the house band, with guest singers. America’s Got Talent finalist Angelina Hale took to the stage to perform the theme song for Bausch & Lomb. The Empire State Games theme song was sung by a group which included two of Smith’s children and one of his grandchildren.

    Ferdinand Jay Smith with Angelina Hale

    After a brief intermission, Gadd and Levin were introduced by their friend Peter Gabriel, via video recording. The British rocker talked about knowing Levin “since the dinosaurs roamed the earth” and shared the joke about how many drummers it takes to change a light bulb. “One to do it, and twelve to talk about how Steve Gadd would have done it.”

    Steve Gadd

    Gadd and Levin met as students at the Eastman School of Music, where they studied together during the day and gigged around town by night, learning the ropes from local legends like Chuck and Gap Mangione. After serving in Vietnam, Gadd settled in New York City with Levin, and Levin introduced him around. They formed a jazz band called L’Image with friends Mike Mainieri, David Spinozza and Warren Bernhardt. Since that time, they have also toured and recorded with some of the biggest names in the music industry, as well as their own individual bands.

    L’Image

    The members of L’Image united on stage tonight to play a few of their songs, which prominently featured the xylophone and the Chapman stick. Levin is adept at playing the stick, sometimes plucking and sometimes with a bow.

    Tony Levin

    Just when we thought they would wrap up their set, Paul Simon walked across the stage. Simon shared a couple of stories about working with Gadd and Levin, then launched into performances of “50 Ways to Leave Your Lover,” which features Gadd’s prominent drum line, and “Late In The Evening,” for which Levin wrote the driving bassline. Simon’s surprise appearance was one of the city’s best kept secrets (EVERYBODY knew when Bill Murray was in town a few weeks ago, but Simon’s arrival was kept tightly under wraps until the show). This comes on the wake of the news that Simon will retire from touring after this year. The ‘Homeward Bound’ farewell tour starts in mid-may and wraps up in the fall with a three-night run in New York City.

    Paul Simon with Steve Gadd

    Paul Simon is a hard act to follow, but the Campbell Brothers held their own. The Sacred Steel gospel group started at their local churches and have grown to fill some of the most venerable music halls, but the members maintain their sense of humility and gratitude despite their growing recognition.

    Campbell Brothers with Robert Randolph

    From the first notes of the steel pedal guitar, there was a sense that something phenomenal was in store. The other instruments joined it, the sound swelling to fill every nook and cranny of the auditorium. What ensued was a hand-clapping, foot-stomping celebration of joy. Gospel singer Denise Brown came out to sing “I’ve Got A Feeling.” And Charles Campbell got everyone doing a call and response on the next number, “Hell No! Heaven Yes!” Robert Randolph danced his way across the stage to join in on pedal steel.

    Campbell Brothers with Robert Randolph

    Randolph led the vocals on the last performance of the night, “Purple Haze,” a song Jimi Hendrix played when he performed in Rochester in 1968. Gadd settled himself behind his drum kit, Levin grabbed his bass and the house band took up their instruments, Beck took up a hand drum and Smith procured a tambourine. The all-star jam was a glorious sight to behold. Randolph jumped up on his chair while playing the steel pedal guitar. Charles Campbell was strutting the stage, pulling out some Chuck Berry style moves. The joyful outpouring of sights and sounds capped off what was truly a memorable night.

    Mark your calendar now: next year’s Rochester Music Hall of Fame ceremony takes place on April 28th. You won’t want to miss out on all the excitement in store!

  • The Rochester Residency Rambles on with Kurt Johnson in May

    Are you hip to the Rochester Residency yet? If not, you should be. And May would be as good a time as any to start. Each month, a different local musician owns the stage at Three Heads Brewing every Thursday. Artists are free to use the nights however they wish. May belongs to Kurt Johnson, guitarist from the bands Maybird and Moho Collective among others.

    He got his residency month off to a fun and rollicking start this past Thursday by hosting a Midnight Ramble, at the more sane hour of 8pm, but in the spirit of the southern jam sessions of yore. The evening included a large portion of the other Rochester Residency hosts from previous months and from the months yet to come. January’s Fran Broderick lead the band on Warren Zevon’s “Lawyers Guns and Money,” February’s Charlie Lindner joined in on keys for about half the set, July’s Eli Flynn brought the house down with a show-closing rendition of Sam Cooke’s “A Change is Gonna Come,” August’s James Searl lead a searing rendition of David Bowie’s “Man Who Sold the World,” September’s Matt Ramerman snuck in drum duties for the encore of “I Shall Be Released,” November’s Wil McKenna held down the low end for most of the night, and December’s Brian McDonald lit up the room with a fun playing of Jackson Browne’s “Doctor My Eyes.” The night played out like a great review of the first four months and an even better preview of the next 8.

    In addition to fellow residents, Johnson had many more friends join in on the fun. Moho Collective’s Ryan Barclay manned the drums for the whole night. Eric Carlin, from the Flood, joined on guitar and vocals for much of the night. Kris Schramm, Willy O’Reilly, Ben Rossi, Alan Murphy and Brian Blatt all got in on the action as well. But it was still Johnson’s night. And so it will be Johnson’s month. And because he chose May for it’s 5 Thursdays, and because he had to unexpectedly miss the first Thursday, he’s extending his Residency into the first week of June. So you still have four more chances to get in on the fun. See the schedule below and marker them into your calendar, you don’t want to miss one week.

    Kurt Johnson’s Rochester Residency at Three Heads Brewing
    May 17th: The Wallboards
    May 24th: The Moho Collective
    May 31st: Covering The Allman Brothers’ Eat a Peach
    June 8th: Covering The Grateful Dead’s debut album, The Grateful Dead

    Setlist: Jam > Get Out of My Life Woman (Lee Dorsey), Lawyers Guns & Money (Warren Zevon), Heart of Gold (Neil Young), ?, Man Who Sold the World (David Bowie), Jam >  Doctor My Eyes (Jackson Browne), Ophelia (The Band), What Light (Wilco), Franklin’s Tower (Grateful Dead), A Change is Gonna Come (Sam Cooke)
    Encore: I Shall Be Released (The Band)

  • Intrepid Travelers bring out the oldies on ‘Over 65 Night’ of Cinco en Mayo Residency

    For week 2 of Intrepid Travelers Cinco en Mayo residency at Nietzsche’s, the theme was oldies, for “Over 65 Night” found the band members dressed as old men – except for Donny who was dressed as an old woman, and played songs congruent with the theme. The show opened with the debut of a new original song, “Mind Wanderer,” introduced as being written by Sam. The lyrics were changed to “I lost my grandma” rather than “I lost my mind” to reference the theme for the night.

    “When I’m 64” welcomed Marc Kabigting and Ellen Pieroni on clarinets, and the band did a double-time, bluegrass version of the song. “My Old School” and “Grown Folks” welcomed Pieroni back to the stage, this time on alto saxophone. The show Intrepid Travelers ‘Oldies’ show concluded with an extended version of “Once in a Lifetime.”

    https://www.facebook.com/intrepidtravelersfamily/videos/1937168176316047/

    Setlist: Mind Wanderer(1), Funnel ~> Over 65 Jam > Funnel, Old Man(2), When I’m 64(3)%, Lonely Skies, Touch of Grey(4), My Old School(5)$ > Grown Folks(6)$

    Encore: Once In a Lifetime(7)

    % with Marc Kabigting and Ellen Pieroni on clarinets
    $ with Ellen Pieroni on alto saxophone
    (1) Original debut, lyrics changed to “Grandma Wanderer”
    (2) Neil Young
    (3) The Beatles, played double time bluegrass style
    (4) Grateful Dead
    (5) Steely Dan
    (6) Snarky Puppy
    (7) Talking Heads

    The third week of IT’s Cinco en Mayo residency will feature Cosmic Brownie and celebrate Band Geeks and Spongebob Squarepants!

    Intrepid Travelers Oldies

  • Seth Faergolzia Multibird Appears on Rochester Indie Musician Spotlight

    Seth Faergolzia stopped by The Bop Shop for the 10th of fifteen episodes in this season’s Rochester Indie Musician Spotlight. The experimental folk rock artist spoke with the show’s producer/host Dan Gross about Multibird and his other bands, his recent European tour, and participating in the 100 Songs Project. Following the interview segment, Faergolzia and the members of Multibird performed a selection of songs, including “Garbage Night,” “High Diver,” and “Yup’s Birthday.”

    This episode of Rochester Indie Musician Spotlight is directed, edited, recorded and hosted by Dan Gross. Camera work and production by Gross and Jason Thibault. Josh Pettinger of Wicked Squid Studios mixed the audio. This season is made possible by Bop Shop RecordsRowe Photographic Video and AudioBernunzio Uptown MusicSound SourceJoe Bean Coffee RoastersThree Heads BrewingWicked Squid Studios, and patrons who contributed to the Season 5 indiegogo campaign.

    For more about the Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.