NYS Music 20​18

Category: Regions

  • Hearing Aide: Ignis “The Face of Mars”

    Albany two-piece Ignis released their first full-length album The Face of Mars on January 9, premiering their blend of folk, rock, and Americana. The album evokes a feeling of timelessness, seeming to borrow from many iterations and generations of rock music, from a Bowie-esque 70’s quality to a post-punk 90’s Seattle sound. The singing is memorable, somewhat reminiscent of Mark Sandman of Morphine and Ian Curtis of Joy Division, with an impressive vocal range and a very moody quality. Ignis manages to shift deftly between slow build-ups and high-energy releases.

    The album opens with a slow ballad titled “AS,” that showcases the emotional side of their songwriting, and then follows it with the faster paced, grungy “Not Yet.” The third song out, “Don’t Go” starts with atmospheric guitar and then allows the drums to slowly build up to a satisfying crescendo.

    “Chloe Dancer” features singing that reminds the listener of singers like Morrissey, while allowing the pianist to show his talents. “Paper” presents a change of pace, with the guitarist adopting a different, sultry style as the song takes on a jazzy feel. Each song of this album is short and to the point, with a definitive style and tone that encompasses much of the record.

    “273” is a huge departure from the general tone of the album, beginning with a danceable funk riff then dropping back into a Smiths-inspired vocal melody and some sludgy guitar work. The following song, “Sink,” takes a mellower approach, while still boasting their signature guitar tone.

    “Tunnel Vision” features a memorable riff set to sad lyrics, while “Could it Be” ventures into power ballad territory. The album then closes out with “Follower,” which hearkens back to the 80’s. Ignis presents a promising first effort, successfully melding a variety of styles into an atmospheric, original record. Available on Bandcamp, Itunes and Spotify.

    Key Tracks: Tunnel Vision, Could It Be

  • Exclusive Video Premiere: The Crooked North “Unquiet Grave”

    The Crooked North presents the latest in a series of music videos recorded live in studio. This one features the title track from their 2017 EP Unquiet Grave. The song is a reinterpretation of a traditional folk ballad. They use lyrics recorded in a songbook by Appalachian folk singer Jean Ritchie. Jon Itkin, guitarist and vocalist for the band and nationally known songwriter, told NYS Music about the differences between the classic and their adaptation:
    (Richie’s) version of the song is an a cappella ballad, in three quarter time. It’s ghostly and very beautiful. Ours takes the mournful sadness of the lyric and channels it into a throbbing beat, with a lot of energy and a much more detailed musical arrangement.”
    The Crooked North at Temperamental Studios Photo: Stephen S. Reardon
    The video was recorded in the quaint and picturesque space at Temperamental Recordings. Located in Geneseo, this former church was converted into a recording studio by Grammy-nominated singer/songwriter Mike Brown. Unquiet Grave was produced and mixed by Brown, and mastered by Grammy-winning musician/sound engineer Stephen Roessner. The recording sessions were captured on film by Clay O’Dell and his team at 33U Productions; Stephen S. Reardon shot the still photography. Costume and styling credits go to Beth Roberts, owner of Jane Vintage, a shop in Rochester’s South Wedge which specializes in period pieces. The resulting music video gives fans an intimate behind-the-scenes look at The Crooked North’s time in the studio.
    The Crooked North carries on the traditions of bluegrass and folk music, refashioning them with progressive elements while retaining their fundamental roots. Pairing lush harmonies with toe-tapping melodies, they’ve been winning over the hearts of music lovers in their hometown of Rochester and beyond. The band features Ben Proctor (banjo, dobro, vocals), Jon Itkin (guitar, vocals), Rita Proctor (vocals, rhythm mandolin), and Jordan Kleiman (bass). Tahlia Cott plays fiddle for the band.

  • Photo Gallery: Lettuce with Bobby Dietch at Brooklyn Bowl

    On December 30, Lettuce welcomed special guests John Scofield and Pharoahe Monch to Brooklyn Bowl for night 2 of their 3 night New Years run. Opening up were Deitch Band, featuring Lettuce drummer Adam Deitch’s mom, Denis and his dad, Bobby.

  • Rob Compa announces side-project Oval Sandwich, shows in Syracuse and Rochester

    Dopapod may be taking 2018 off, but guitarist Rob Compa is keeping busy, unveiling a new side project, Oval Sandwich, which will debut on February 22 at Flour City Station in Rochester, with a follow up show on the 23rd at Funk n Waffles in Syracuse.

    oval sandwichOval Sandwich includes Compa on guitar, Paul McCardle (guitar – Doja, English Project), Will O’Riley (keys- The Niche, Swooners), Tristan Greene (drums – Doja, Ocular Panther) and Justin Rister (bass – Moho Collective). With some originals and covers on tap, the history these musicians have from years of performing and writing music in Rochester will come together for two can’t miss shows. Rob spoke to NYS Music about the band name, how the lineup came together and how Dopapod’s New Years show went.

    Pete Mason: So why is the band called Oval Sandwich?

    Rob Compa: Ok, good story. When I was going to MCC (Mohawk Community College) around 2005-06, I used to go see Willy’s band The Niche in Rochester all the time. I probably saw them fifty times. After a show one night, I went to Jay Schreiber’s (Niche drummer) house with Willy. I knocked back a few of beers with them, and had never really drank at all. Much to my chagrin, I got, well….drunk, for lack of a better word. We called The Niche’s bassist Todd (Nestor). I told him I’d been drinking and he asked how I felt. I told him I was hungry, and he asked what I would want to eat if I could eat anything in the world. In a slightly slurred, not-so-sober manner, I told him I wanted “one of those oval shaped chicken sandwiches from Burger King (you know the ones I’m talking about). They all cracked up at that, and 15 minutes later Todd showed up, burger king bag in hand. So when we started booking shows, I couldn’t think of a name and asked if anyone had anything in mind, and that was the first idea Willy had.

    PM: How did you bring this act of local Rochester musicians together?

    RC: The project started with some phone calls between Paul McArdle and I. Without exaggeration, Paul is one of my favorite guitar players ever, and a huge influence for me, so I’ve always wanted to put something together with him. I’m excited to see what we come up with when we’re both playing together. We actually played a little gig at Temple a few weeks back together, and in between songs he said “Man, I can’t not play like you when I’m on stage with you,” and I just thought that was funny because as far as I’m concerned, a huge amount of my guitar personality is just stuff that I soaked up from listening to him for years. So he was really just playing like himself and I was the one playing like him if that makes sense hahaha.

    Paul also suggested Justin as the bassist. I don’t know Justin at all, but he sent me some videos of him playing and had great things to say about him. I checked out some videos, and was sold right away. I love bass players who are focused on the pocket and holding the groove together, but can still take some liberties and play ear grabbing, exciting stuff when it’s appropriate. That’s my ideal kind of player, and I Justin had that in the stuff I watched.

    Willy, who I also play with in our other group, Borg Party, was really just a no brainer. He’s one of my favorite musicians, keyboardists, and humans ever, and he’s also written some of my favorite music I’ve heard. I’ve never met anyone else who writes music as fluidly and as naturally as him. For these initial shows, we probably won’t have too much original stuff since it’s our first shows, but I’d love to write some stuff together in the future.

    Finally, Tristan Greene was a drummer I was just so stoked to play with. Like Willy’s band, I used to see Tristan and Paul’s band Doja at Milestones (now Flour City Station) all the time when I was a teenager, and I was just in awe of those guys musicianship. I even had Tristan play drums for Dopapod at a really early Rochester show of ours in about 2008 that our drummer at the time (Michelangelo Carubba, who is now in Turkuaz and also plays with me in Borg Party) couldn’t make. I love his pocket, and how he doesn’t overplay.

    This is really sort of a dream band of Rochester guys for me. If I could have picked anyone, it still would have been these guys.

    PM: How was the final Dopapod New Years Eve before hiatus?

    RC: It was great! We had been torn between whether or not to play two sets like we always do and have an opener that would help us draw more, or do three sets and not have anyone else on the bill. We went with the latter, and all four of us were so thankful for that. We really wanted to have it be our night, and be able to play for as long as we wanted since it’ll be awhile before we get to do it again. We even played our whole Redivider album, with the weird interludes and everything. It felt great. After the show, our friends backstage were all verklempt and telling us how much they loved us. Some of them were even a little teary eyed. And we were all just tired and pretty satisfied! I think after that much playing and months of knowing this break was coming, we were all just pretty nonchalant about the whole thing. We just had a blast.

    PM: How do you see your 2018 panning out?

    RC: Lots of teaching guitar lessons, and lots of gigs. I’ve never had to book my own shows until now, so that’s a pretty crazy learning experience. But as I’m moving forward, I think I’d rather have enough students to relax financially, and let gigs come to me rather than me put all of them together. I’m not really a managerial/leader type. I obviously want to play as much as possible and in as many settings as possible, but I like just being the guy who other people call to play guitar for them. I’ve also thought about going back to school to finish my music degree. A major long term goal of mine would be to teach guitar in a college setting someday. I love teaching and get a lot out of it, so I would love to teach in a kind of more advanced setting like that.

  • The Disco Biscuits Heat Up New York City

    The Disco Biscuits returned once again to New York City to end out the year, playing their New Year’s Eve run at Playstation Theater. They’ve had a month off since their last run at Holidaze, but they sounded like a band that has been on the road for weeks. After a solid run opener on Thursday, the band was warmed up and primed to throw down a classic on the 29th.

    Disco Biscuits New York CityPhilly’s Greg D got the show started with an R&B heavy set as the rest of the crowd filtered in from the Phish show at Madison Square Garden. The Disco Biscuits started the night off with two songs that normally end the night, with the pairing of “Hope” and “Kitchen Mitts”. They then went into a monster “M.E.M.P.H.I.S.” which was the meat of the set clocking in at almost 30 mins, which then dropped into “Gangster”. “42” was next, and it was one of the best jams of the run. Marc Brownstein set up the pace for a nice dance funk style jam which would be something they would return to a few more times in the night. The jam bled into “Spraypaint Victory” to end the set.

    Disco Biscuits New York CityThe second set was pretty much one highlight reel, as it was up there with one of their best sets of the year. Things started back up with a “Crickets > Papercut > Crickets” sandwich, with the jams into “Papercut” and then back into “Crickets” being the highlights of the segment. Next was “Story Of The World”, which went into “Spacebirdmatingcall”, which featured some of my favorite type of Biscuits;  blissful and bouncy. Barber started tearing up the guitar which then led into “Tricycle”, which had another happy biscuits jam before going back into ‘Story Of The World” to end the set. A “Once The Fiddler Paid” encore was the perfect way to warm up everyone’s hearts before venturing back out into the bitter New York City cold.

    Disco Biscuits Playstation Theater, New York City

    Set 1: Hope, Kitchen Mitts, M.E.M.P.H.I.S.> Gangster> 421> Spraypaint2
    Set 2: Crickets> Papercut> Crickets, Story Of The World> Spacebirdmatingcall1> Tricycle>Story Of The World
    Encore: Once The Fiddler Paid
    1. unfinished
    2. ending only

  • JRAD sells out three nights at The Capitol Theatre

    Joe Russo’s Almost Dead started off 2018 with a string of sold out shows at the Capitol Theatre in Port Chester, NY this past weekend. The band debuted six new songs during the run and teased countless more throughout the weekend.

    Friday’s show kicked things off with an intro Jam that made its way into “Brown Eyed Woman” and an extended “Jack Straw.” “Shakedown Street” with a “Here Comes Sunshine” Jam to close the first set is a must-hear if you weren’t at the show. The second set opened with “Rosa Lee McFall,” a Charlie Monroe cover that the Grateful Dead played 18 times throughout their career and last on 10/27/80. This set also featured JRAD’s first “Atlantic City” since 4/28/17.

    The boys came out swinging on Saturday with a debut each time they came on stage. “Pride of Cucamonga” was well-received in between “They Love Each Other” and “Playing In The Band” in the first set and Led Zeppelin’s “Your Time Is Going To Come” flowed from a fantastic “I Need A Miracle.” They saved the best for last with an encore starting with a Marco Benevento solo into Chuck Berry’s “The Festival.” Marco took the lead on this song about a music festival featuring The Band, The Who, CCR, The Beatles, Hendrix, Joplin and of course, The Grateful Dead.

    Sunday closed the weekend with two more debuts and the return of Stuart Bogie for a number of songs. He last joined up with the band during their October Brooklyn Bowl run and he especially shined during the debuts of “Chinatown Shuffle” and Dr. Feelgood’s “She Does It Right” during the encore. However, the highlight of the night was the “Dancing In The Streets” that ended the second set. It was spacey 27 minutes of bliss as the band teased Dire Straits as well as others to end the last full set of the weekend.

    Joe Russo’s Almost Dead returns to New York on March 15 in Syracuse and March 16 in Albany.

    Tune into the shows on Relisten Friday 1/12/18, Saturday 1/13/18 and Sunday 1/14/18

  • David Byrne Announces Massive 2018 World Tour

    Following a recent announcement that he would be going on his first solo tour since 2009, former Talking Heads front man David Byrne has announced that he will be expanding his travels this year and embarking on a massive world tour. The tour will be supporting his new solo album American Utopia, his first solo album since 2004’s Grown Backwards, and working its way through North and South America, as well as Europe. Byrne’s sole New York state stop on the tour will be at Marvin Sands Performing Arts Center in Canandaigua.

    david byrne world tour american utopiaThe tour will be based around new songs, as well as songs that many listeners are already familiar with. Byrne is excited as it will be, “The most ambitious show I’ve done since the shows that were filmed for ‘Stop Making Sense,’ so fingers crossed.”

    He also tweeted, “The show concept is simple, much like the concept for Stop Making Sense. There, it was ‘bit by bit show what goes into making a show, and then activate it.’ Here, it is ‘allow everyone to be mobile on an empty stage’ and imagine what that allows.”

    According to his website, every headline show ticket purchased for a U.S. show online will include a CD of the new album, which is set to be released March 9. Tickets will go on sale Jan. 19, and can be purchased directly from his website. You can check out the full list of dates below:

    David Byrne 2018 World Tour:

    March 16 – Santiago, Chile – Lollapalooza Chile
    March 18 – Buenos Aires, Argentina – Lollapalooza Argentina
    March 19 – Buenos Aires, Argentina – Teatro Gran Rex
    March 20 – Montevideo, Uruguay – Teatro de Verano
    March 24 – Sao Paulo, Brazil – Lollapalooza
    April 3 – Mexico City, Mexico – Metropolitan Theater
    April 5 – Monterrey, Mexico – Auditorio Pabellón
    April 7 – Guadalajara, Mexico – Corona Capital Guadalajara
    April 14 – Indio, CA – Coachella
    April 15 – Tucson, AZ – Centennial Hall
    April 17 – San Diego, CA – San Diego Civic Theater
    April 18 – Las Vegas, NV – Smith Center for the Arts
    April 19 – Mesa, AZ – Mesa Arts Center-Ikeda Theater
    April 21 – Indio, CA – Coachella
    April 24 – Dallas, TX – Winspear Opera House
    April 25 – Oklahoma City, OK – The Criterion
    April 27 – San Antonio, TX – Tobin Center for the Performing Arts
    April 28 – Houston, TX – White Oak Music Hall Outside Lawn
    May 4-6 – Atlanta, GA – Shaky Knees
    May 6 – Nashville, TN – Ryman Auditorium
    May 8 – Asheville, NC – Thomas Wolfe Civic Auditorium
    May 9 – Charlotte, NC – Ovens Auditorium
    May 10 – Durham, NC- Durham PAC
    May 12 – Washington, DC – The Anthem
    May 13 – Pittsburgh, PA – Benedum Center for the Arts
    May 15 – Milwaukee, WI – Riverside Theater
    May 16 – Madison, WI – Orpheum Theater
    May 17 – Minneapolis, MN – Orpheum Theater
    May 19 – Saskatoon, Saskatchewan – TCU Place
    May 20 – Edmonton, Alberta – Northern Alberta Jubilee Auditorium
    May 21 – Calgary, Alberta – Southern Alberta Jubilee Auditorium
    May 23 – Vancouver, British Columbia – Queen Elizabeth Theater
    May 24 – Seattle, WA – Paramount Theater
    May 27 Portland, OR – Keller Audiorium
    May 28 Eugene, OR – Hult Center
    May 30 – Salt Lake City, UT – Capitol Theatre
    June 2 – Chicago, IL – Auditorium Theater
    June 5 – Des Moines, IA – Des Moines Civic Center
    June 7 – Kansas City, MO – Kauffman Center for the Arts
    June 8 – St. Louis, MO – Peabody Opera House
    June 9 – Indianapolis, IN – Farmers Bureau Lawn Amphitheater
    June 14 – Oxford, England – New Theatre
    June 15 – Glasgow, Scotland – Glasgow Royal Concert Hall
    June 17 – Birmingham, England – Birmingham Symphony Hall
    June 18 – Manchester, England – Manchester Apollo
    June 19 – London, England Eventim Apollo
    June 22 – Prague, Czech Republic – Metronome Festival
    June 23 – Prague, Czech Republic – Metronome Festival
    June 25 – Zagreb, Croatia – IN music Festival
    June 26 – Wien, Austria – Museumsquartier
    June 30 – Ewijk, Netherlands – Down The Rabbit Hole
    July 31 – Ewijk, Netherlands – Down The Rabbit Hole
    July 1 – Ewijk, Netherlands – Down The Rabbit Hole
    July 5-8 – Werchter, Belgium – Rock Werchter
    July 6 – Roskilde, Denmark – Roskilde Festival
    July 5 – Gdynia, Poland – Open’er Festival
    July 11 – Oeiras, Portugal – Cool Jazz Festival
    July 13 – Bilbao, Spain Bilbao – BBK Live Festival
    July 13 – Barcelona, Spain – Cruilla Barcelona
    July 14 – Barcelona, Spain – Cruilla Barcelona
    July 17 – Zürich, Switzerland – Theater 11
    July 19 – Ravenna, Italy – Ravenna Festival
    July 20 – Perugia, Italy – Umbria Jazz Festival
    July 21 – Trieste, Italy – Piazza UNita
    July 27 – Camden, NJ – XPoNential Music Festival
    July 31 – Boston, MA – Blue Hills Bank Pavilion
    Aug. 1 – Shelburne, VT Shelburne Museum – The Green
    Aug. 3 – Toronto, ONT – Sony Center for the Performing Arts
    Aug. 5 – Canandaigua, NY – Marvin Sands Performing Arts Center
    Aug. 8 – Grand Rapids, MI – Devos Performance Hall
    Aug. 10 – Detroit, MI – Fox Theater
    Aug. 11 – Huber Heightes, OH – Rose Music Center
    Aug. 12 – Cincinnati, OH – PNC Pavilion at Riverbend
    Aug. 16 – Oakland, CA – Fox Theater
    Aug. 18 – San Jose, CA – City National Civic Auditorium
    Aug. 21 – Sacramento CA – Community Theater
    Aug. 24 – Santa Barbara, CA -Santa Barbara Bowl
    Aug. 28 – Morrison, CO – Red Rocks Amphitheater

  • Relix Live Music Conference Returns to Brooklyn Bowl May 8 and 9

    After a successful inaugural event last year, Relix will host a two-day music conference May 8 and 9. Held at Brooklyn Bowl, the 2018 Relix Live Music Conference will feature panels, discussions, and presentations by industry professionals, with the goal of informing and educating musicians and music fans and is designed to shed light on the fast-paced and ever-changing live music business. The event only has a handful of tickets left, so check out the details and pick up your pass today!

    This year’s panels include Building Businesses in the Music Space (moderated by Dean Budnick of Relix Media Group), Management (moderated by Dan Berkowitz of CID Entertainment), Agenting (moderated by Jason Miller of Live Nation), Livestreaming (moderated by Jonathan Healey of Dayglo Ventures), Talent Buying (moderated by Lucas Sacks of Brooklyn Bowl), Activism (moderated by Jay Curley), Sponsorship, Festivals, Touring & Album Cycle, Restoring a Rock Palace, and much more.

    There will also be daily presentations by Brendan Sheehan (Mr. B’s), Cameron Smith (HUB Entertainment Insurance), Amy Striem (The Rock and Roll Playhouse), Jon Bahr (CD Baby), Allen Cook and Jeremy Rollinson (TourTech), and Scott Owens (DoStuff Media)

    Follow Relix for updates on this year’s events and ticket availability and watch last year’s conference highlight was a keynote discussion between Ron Delsener, Peter Shapiro and David Fricke:

  • Dolores O’Riordan, Cranberries Singer, Dead at 46

    Dolores O’Riordan, lead singer of the iconic Irish alternative band the Cranberries, died suddenly in London on Monday. She was 46.

    dolores o'riordanHer death was confirmed in an emailed statement from her publicist, Lindsey Holmes. The brief announcement stated, “Irish and international singer Dolores O’Riordan has died suddenly in London today. She was 46 years old. The lead singer with the Irish band The Cranberries was in London for a short recording session.”

    O’Riordan’s cause of death was not specified. Her publicist did state that her family is devastated by the news and has requested privacy. She is survived by her ex-husband, Don Burton, and her three children, Taylor Baxter, Molly Leigh and Dakota Rain.

    Born in County Limerick, Ireland on Sept. 6, 1971 to Terence and Eileen O’Riordan, she was the youngest of seven children. Her powerfully unique, lilting voice and thick Irish accent combined to form an instrument that propelled her band, the Cranberries to international fame following the release of their debut 1993 album, Everybody Else is Doing It, So Why Can’t We? The album featured the hit singles “Linger” and “Dreams.”  Their 1994 follow-up, No Need to Argue produced the band’s most iconic hit, “Zombie.”

    The Cranberries released an acoustic album last year entitled Something Else. The ensuing tour of Europe and North America was postponed due to health problems O’Riordan was encountering.  Prior to Christmas, she posted an update to the band’s Facebook page.

    Tributes to the gifted vocalist were plentiful, including from Irish President Michael D. Higgins, who wrote, “[She and the Cranberies were an] immense influence on rock and pop music in Ireland and internationally. I recall with fondness the late Limerick TD Jim Kemmy’s introduction of her and the Cranberries to me, and the pride he and so many others took in their successes. To all those who follow and support Irish music, Irish musicians and the performing arts her death will be a big loss.”

    Dave Davies of the Kinks offered the following from his Twitter account:

    “The Queen of Limerick” was raised a devout Catholic and revered Pope John Paul II. After meeting the pontiff at the Vatican, she recalled in a 2007 interview with The Guardian, “(He) was lovely, very saintly. I was mad about him. I thought he really cared for the poor and he loved to meet the people. I saw him when he came to Limerick, when I was a kid. So it was pretty mind blowing to take my mum out to meet him.”

    She performed at the annual Vatican Christmas concerts in 2001 and 2002 at the invitation of Pope Benedict XVI and returned to perform for Pope Francis in 2013.

    O’Riordan’s preoccupation with death was not a secret. She was at her father’s bedside, holding his hand when he died in 2011. She claimed to have felt his spirituality enter her as he died. She also spent time visiting graveyards during her teen years, as she told the Soul Sisters podcast last year:

    You kind of wonder what is all about here. We’re only here for a while, and you can’t find complete happiness here. There is always sadness and there is always problems and troubles. Then you wonder when it will be your time, your calling, your time to die. What happens? That is something that my mind has always been preoccupied with.

    The Cranberriesworld blog has a brief clip of what is possibly O’Riordan’s last public performance, at the Billboard Christmas party in New York City this past December. You can view that here.

    The band broke up in 2002, but reunited with a tour in 2010. The album Roses followed in 2012. Below is their Tiny Desk Concert performance at NPR from that year.

  • Photo City to Host Folk City: A Three Day Benefit for R.E.A.C.H

    Event booking and promotions company Hey Dude After Hours has just announced the lineup to their three day folk festival, “Folk City” at Photo City Comedy and Improv in Rochester. The event will run on Friday Feb. 16, Saturday Feb. 17, and Sunday Feb. 18.  Folk City festival will be raising money for REACH (Rochester Engaging in Action for the Chronically Homeless). As the acronym implies, REACH collaborates to create safe, financially sustainable, housing options to meet the needs of chronically homeless individuals by ensuring services needed and encouraging mutual care.

    The three day event includes many of the region’s favorite folk acts, including headlining performances by Floodwood, Folkfaces, Milkweed, and the Neighbors (Members of Driftwood,) alongside Twenty Thousand Strongmen, PA Line, String Theory, Aaron Lipp, and Seth Faergolzia, with many more musicians ready to tickle your ears.

    One-day passes will cost $15 pre-sale or $20 at the door. Two-day passes come at a pre-sale price of $25, and a full three-day pass is marked at $40 pre-sale and includes a free drink. Tickets can be purchased through cnytix.com.

    The full event schedule is listed below.

    Key:  Front Room Back Room
    Friday, Feb. 16
    6 – 6:45 p.m.  – Jungle Steve
    6:45 – 7:45 p.m. –  The Flood (duo)
    7:45 – 8:30 p.m. – Tyler Westcott
    8:30 – 9:15 p.m. – Twenty Thousand Strongmen
    9:15 – 10 p.m. – Anson Stiles
    10 – 11 p.m. – Folkfaces
    11 – 11:45 p.m. – Collin Jones
    11:45 – ? – Floodwood

    Saturday, Feb.17
    6 – 6:45 p.m. – Tim Braley
    6:45 – 7:45 p.m. – Ruckus Juice Jug Stompers
    7:45 – 8:30 p.m. – Jon Itkin & Rita Proctor (of The Crooked North)
    8:30 – 9:15 p.m. – Jungle Steve & the Gypsophelias
    9:15 – 10:15 p.m. – Mike Brown
    10:15 – 11 p.m. – PA Line
    11 – 12:15 p.m. – TBA
    12:15 – ? – Electric Tie Dye

    Sunday, Feb. 18
    4 – 4:45 p.m. – Damdog (solo)
    4:45 – 5:45 p.m. – Mighty High & Dry (trio)
    5:45 – 6:30 p.m. – Nate Coffey
    6:30 – 7:15 p.m. – String Theory
    7:15 – 8 p.m. – Seth Faergolzia (homecoming)
    8 – 8:45 p.m. – Milkweed
    8:45 – 9:30 p.m. – Aaron Lipp
    9:30 – ? – The Neighbors (w/ two members of Driftwood)

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