Category: Regions

  • Pittsburgh electro pop band, little good bad (+ -), premieres video for “Black + White”

    little good bad (+ -), a hybrid-pop band from Pittsburgh, premieres the video for “Black + White,” an energetic EDM-tinged pop song. The trio innovate a new style of pop music adding in punk, neo-soul and EDM, creating a hybrid style of music that translates into a unique live show experience. 

    Rachel B (vocals, keytar + songwriter) shares insight behind the song, saying “Black + White is about proving people and your own negative thoughts wrong. There’s not one way and Black + White is an electronic rock song defying any notion that the world is just black and white or wrong and right. We usually find the answer somewhere in the middle…”
    little good bad (+ -) formed when Rachel B and Billy Castle (drums, multi-instrumentalist) met at a party in Boston before dropping out of college. They reconnected a year later in Los Angeles and moved to Pittsburgh where they started writing and performing together. Dinn Winnwood (DJ), an electronic producer from Philadelphia made the group a trio and gave their songs new life by bridging Rachel and Billy’s sounds.

    Together, they represent the duality that lives within ourselves and our relationships.The group creates music with unique sounds and visuals that break down society’s confines of originality, sexuality, and complacency. Rachel B says of the trio, “Life is a series of random events, both beautiful and sometimes tragic. The more we come together to create unity in chaos, the better the show.” Listen to more on their Soundcloud and check out their show at The Stage at Karma on March 24 in Pittsburgh with Red Room Effect and Xavier Wells.

  • Hearing Aide: Progger ‘Dystopia’

    Progger has put together a masterful ensemble to release an album that consists of layers of different music to stimulate all your senses. Progressive jazz-rock-funk fusion Progger released their fourth album Dystopia recently. Twelve musicians make up the credits for the album — from New York City, Austin, Texas, and Los Angeles.

    This album puts some of the best work right in the beginning to show listeners how explosive this band can be. “Oba-bow” sets the tone for the album with a dramatic build-up that teases the expectation of a musical journey that takes you high and low.

    The bass must be played at an appropriate level when listening to Dystopia. Without proper speakers, the listener will not get the full effect of the tremendousness of the sound Progger creates.

    Progger does a great job of mixing energy and taking it away to a peaceful melody. On “Housewives” the soothing, soft sounds go from an R&B feeling to something grittier when the guitarist shows off his skills.

    The brass and keys really give Progger their impressive sound. The album title track, “Dystopia,” brings out a progressive melody from the saxophone, while delivering some pretty sounds from the piano and going off the other end with the keyboards. Some of it is reminiscent of classical music.

    “Adryllanin” is a crescendo that has a very soft beginning and progresses into a loud collaboration of all the instruments to pull together a beautiful song. “Adrenal Interlude” brings out some different sounds from Progger. The funky dance beat is fun. It’s just a short song, but perfect for the middle of the album to keep the energy flowing. The energy stays consistent through “Morning Star.” The end of the album transitions to softer, soulful sounds. “Choom” keeps the same level throughout and is an easy-listening song for relaxation.

    “Sinister decisions” features a mellow, energetic tone. The harmony between all the instruments takes on a different journey. “Haunt” comes in soft like a lullaby. The album’s structure flows well to end with softer songs. Beautifully written, “Haunt” feels like a proper conclusion to a good time. One last song, “Sinister Prelude,” is a short outro to conclude the album with just a few more fun noises from the band before they go.

    Progger’s Dystopia is a quality album that deserves recognition and accolade. The music is a soundtrack to a good time. Whether you are relaxing by yourself or hosting a party with a few friends, Dystopia is an album to keep in your collection for the right moment.

    Performing on this album are Daniel Watson (drums), Devin Collins (drums and electronic percussion), Steve Anthony Belvilus (drums on “Morning Star”), Nicholas Clark (electric bass and synth bass), Bryan Ladd (electric bass), Isamu McGregor (keyboards), Carter Arrington (guitar), Daniel Muniz (guitar), Akira Ishiguro (guitar), Matthew Muehling (guitar), Paul Deemer (trombone), and Brian Donohoe (saxophone, keyboard, drum loops, and additional guitar).

    Key Tracks: Oba-Bow, Housewives, Sinister Prelude

  • Joe Russo’s Almost Dead jam for sold out crowd at The Palace Theatre

    Joe Russo’s Almost Dead continued their sold out northeast run at the historic Palace Theatre in Albany on Friday, March 1, 2019. Many fans traveled to the city from Syracuse after their nonstop Thursday show at the Landmark, and fought through the wind chill to get into the theater, ready to hear some Grateful Dead tunes.

    Joe Russo's Almost Dead Palace

    JRAD kicked the night off with an energetic version of the classic tune “Feel Like a Stranger,” setting the mood for the first set. Tom Hamilton took the helm of the song’s jam with a killer solo, and used the ending lick of “Stranger” to help transition into “Help on the Way”, which was met by a roar of cheers from the crowd. There was a notably good jam into the last chorus of “Help” before the band segued into “Slipknot!.” “Slipknot!” started off normally with the arpeggio section that fans are familiar with, but after one go around, Marco Benevento made good use of his grand piano and took a lengthy solo, using that same arpeggio section as a home base in between improvisations. The band jumped back into the song with a strange chromatic jam that turned into one more repetition of the arpeggios, until they segued into “The Wheel.”

    After a very emotional peak at the end of “Slipknot!,” “The Wheel”’s upbeat sound had the crowd dancing like there was no tomorrow. The song featured multiple “Bathtub Gin” teases and a jam on the Phish classic, the first of many teases of songs by the jam powerhouse. The band brought the song into a very high energy peak and one last chorus before Hamilton and Metzger led them into “Uncle John’s Band.” The whole theater sang along with the fan-favorite Dead song, and Hamilton took another ripping solo. The jam was disco-esque, and made way into an acapella chorus supported by the crowd keeping the beat with clapping.

    The group quickly transitioned from “Uncle John’s Band” into “Truckin’,” playing it more quickly than normal. Scott Metzger and Joe Russo really shined during this “Truckin’,” but you could tell that the whole band was having fun with each other as they steamed through the song. Finishing up the last verses and choruses, the band segued into a version of “Music Never Stopped Reprise” that featured a “Born Crosseyed” jam. This first set was filled lots of classic Dead songs and energetic playing, and it left the crowd excited for set 2.

    To start off the second set, the band went into an improv jam before breaking into the Jerry Garcia Band’s classic “Reubin & Cherise.” “Rubin” was met with plenty of cheers from the audience and provided a very upbeat start to the set, as well as another Phish tease of “The Divided Sky.” The band worked their way into “Viola Lee Blues,” the highlight jam of the night, using the energy built up during the end of “Reubin & Cherise” to kick the song into high gear. “Viola Lee” featured a jam on Dolly Parton’s “9 to 5” that sent the energy in the theater through the roof, before transitioning back into “Viola Lee Blues Reprise” that included a jam on “Foam” by Phish towards the end. The group segued into “Jack Straw” which began with a jam over a jungle-like rhythm that Russo was throwing down. “Jack Straw” featured a psychedelic jam that included a section where the whole band was harmonizing over a lick Tom Hamilton was playing, and every time he played the lick, each member would change the harmony they were playing.

    Following a very powerful “Jack Straw”, the band broke into “So Many Roads,” one of the later Hunter/Garcia collaborations, which was a nice cool down after the intensity of “Rubin & Cherise > Viola Lee Blues > Jack Straw.” Marco Benevento took another beautiful grand piano solo that made Joe Russo whip his head around, and gracefully passed the torch to Hamilton who soloed his way into one last verse and chorus. The group broke into “Goin’ Down The Road Feelin’ Bad” which brought the energy back up following the somber “So Many Roads.” Scott Metzger took a fantastic solo over a bluegrassy section before Benevento squeezed in one last solo, during which the entire band was laughing and playing around with each other. The set closed out with an instrumental version of “We Bid You Goodnight” that was quite beautiful.

    The group encored with “Magnificent Sanctuary Band” off of Jerry Garcia’s Cats Under the Stars album, which set a nice, whimsical feel for the end of the show. The whole crowd was getting down and grooving as Hamilton serenaded the theater, and the band was having a ton of fun taking turns soloing at the end of the song. Joe Russo’s Almost Dead first sold out Palace Theatre show was a giant dance party and featured fantastic jams such as “Viola Lee Blues.”

    Recording via Brian Goldstein, Setlist via Peter Costello

    Set One: Feel Like A Stranger >Help On The Way -> Slipknot! @ -> The Wheel # -> Uncle John’s Band $ -> Truckin’ % -> Music Never Stopped Reprise -> Born Cross-eyed Jam

    Set TwoJam -> Ruben & Cerise ^ -> Viola Lee Blues -> 9 to 5 Jam -> Viola Lee Blues Reprise + -> Jam & -> Jack Straw * -> So Many Roads -> Going Down The Road Feeling Bad -> We Bid You Goodnight (Instrumental)

    Encore: Magnificent Sanctuary Band

    @ – With an MB Solo
    # – With “Bathtub Gin” (Phish) Teases & Jams
    $ – With a “Poison” (Bell Biv DeVoe) Tease (JR) & a “Mama, I’m Coming Home” (Ozzy Osbourne) Tease (TH)
    % – With a “Chalkdust Torture” (Phish) Tease (TH)
    ^ – With a “Divided Sky” (Phish) Tease (TH), a “Let My Love Open the Door” (Pete Townshend) Tease (TH) and a “Paradise City” (Guns N Roses) Tease (Band)
    + – With a Unknown Tease (SM) & a “Cavern” (Phish) Tease (JR)
    & – With “Foam” (Phish) Teases & Jams
    * – With a “Llama” (Phish) Tease (JR),  Ruben & Cerise Teases & GDTRFB Teases (TH)

  • Albany Hip Hop Outshines Headliner Riff Raff at Jupiter Hall

    Local hip hop acts found their beat at Jupiter Hall in Albany, on March 10, sharing the stage with headliner RiFF RAFF. The evening saw multiple acts from the Capital Region of New York bring short, yet effective sets to the futuristic venue tucked inside Lucky Strike at Crossgates Mall.

    Interestingly, hardcore metal band Misgiver joined the opening acts with a loud, yet memorable performance. Misgiver’s sound is unexpected at a hip hop show, and certainly memorable and surprising. To their credit, it is certainly difficult to perform as an “outlier” at a show, and with a quick set, they showcased their abilities well.

    Along with them, Philly Fine$$e delivered a high strung hip hop set joined by DJ David Acevedo, SwaggyT, and friends. Having streams on songs like “Lonely,” “GUCCI,” and “Like This,” Fine$$e and his fellow performers got the eyes of the crowd in a short amount of time. Their show has entertaining potential, and their music lends itself seamlessly to the club scene and they were received well by the crowd, even in the earlier part of the evening.

    Along with Philly Fine$$e, show attendees dove in for Wavy Cunningham & DJ Mercy, a creative duo who mix wide varieties of samples with old school sounds to create a fun, beach-type atmosphere. Their music is a departure from stereotypical thoughts of hip hop being such a serious matter, and in a lot of ways it has the ability to make the listener smile. The two took the stage with huge smiles and vibed with onlookers. They politely commanded their setlist with no pretense, and just played music for enjoyment. People danced, sang along with tracks such as “Mass Appeal,” and stayed open to newer songs such as “1000 Verses.”

    The more Wavy and Mercy performed, the larger the crowd got, with audience members even asking for an encore. This energy cleared the path for Clear Mind, who also drew a large following. He released his project, “Swords, Metaphors & Pressure Points,” in November of 2017, which included instrumental production by himself as well as a variety of others.

    Clear Mind’s own unique voice is not lost in the wide variety of sounds used in both his live set and his album. His lyrics cover a multitude of modern subjects, including parenthood, love, personal struggles, and more. As many people can relate to these topics, he continued the energy and grew the audience even more. Few artists have the bravery to perform a song acapella — without musical accompaniment — but Clear Mind did, and his seamless infusion of this into his set won him a great deal of respect amongst those unfamiliar with his music.

    He, Wavy Cunningham, and DJ Mercy, all set a tone with their common charismatic approach to the stage — their futures as performers, locally and beyond, carry promise. Likewise, DJ duo, The Dropouts, consisting of Eric Whin and David Acevedo, played music from multiple popular artists such as Post Malone, but infused their own mixes and synth parts, just continuing to excite the crowd with their mastery of modern sounds. Their lightshow and visuals, as well as excited persona added to the mix and certainly won the crowd over.

    But as the cliche goes, all good things must come to an end. Although it is typically expected that the headliners would have more experience and production value, this did not appear to be the case for RiFF RAFF or 2 Stoned. Their respective shows got stolen by all the opening acts. Although both performed with some professional proficiency, neither went above “ just getting the job done.” 

    Since RiFF RAFF and 2 Stoned are both portrayed in media as flamboyant and defiant, one would have thought their sets would have both been more exciting, but this was not the case. Perhaps this may be seen as a rush to judgment by an unfamiliar viewer, but one would think a performer would want to be as interesting or more, than his backing tracks, lightshow, clothes, and hairstyle, but sadly this was not the case. Overall, the headlining part of the show could have been missed in favor of the energetic opening acts.

  • Scooped Up Release Music Video for “Weed Song”

    Connecticut-based punk band Scooped Up overindulge in their latest music video for “Weed Song,” channeling early Blink 182 and Screeching Weasel as they set off on a hazy adventure with their favorite rolled up herb.

    The DIY video by the up and coming punk trio was a first for Scooped Up. “This video was really fun to make and happened to be one of the last songs we wrote for the new album,” says vocalist/guitarist Jimmy Barbetti. “We filmed and edited the video ourselves for less than a hundred dollars and we are pretty stoked about how it came out!”

    Scooped Up’s debut album Dumbass is scheduled to be released April 20th, and they will perform that night supporting Fox Nüz in Wallingford, CT

  • Joe Russo’s Almost Dead Played Host to a Marathon Party at Syracuse’s Landmark Theatre

    It was a busy Thursday night in Armory Square in Syracuse. The bars and restaurants were filled with revelers, with the overabundant party spilling out into the streets. Did their beloved Orange just win a big game? Not quite. Today’s premiere Grateful Dead cover band, Joe Russo’s Almost Dead (JRAD), was making it’s upstate New York debut at the nearby Landmark Theatre. As the clock struck 8, the streets, bars and restaurants all quickly emptied and quiet returned. For a few hours at least. The party continued, and ramped up into full swing, inside the confines of the historic theater.

    For many it was their first taste of this revelatory refreshing of the catalog left by one of the all-time great American rock bands. Though many others had caught them elsewhere, as this is a band worth traveling for, cover band or no.

    As is usually the case, the band, Joe Russo on drums, Marco Benevento on keys, and for this night on the theater’s baby grand, Tom Hamilton and Scott Metzger on guitars, and Dave Dreiwitz on bass, began the night with a warmup jam. It started quietly, loosely based around Tom Petty’s “Breakdown”, before slowly building in volume and complexity and exploding into “Mississippi Half-Step.” A couple lengthy jams eventually dissolved into a groovy space reminiscent of Led Zeppelin’s “No Quarter” which wound wonderfully into “Estimated Prophet.”

    The Dead’s catalog served as a template, a coloring book for the band to fill in with their own color. But, in the true spirit of the music, they had a liberal and creative way with the colors and styles with which they fill the spaces, frequently and almost by rule coloring outside of the lines. Common traditions are bucked, new ones written. The songs sound like the ones you know and love, but the band quickly jumps ship and bring it to a nebulous no man’s land.

    “Estimated” broke into a weird and wild freeform space where disparate pieces of “China Cat Sunflower” emerged. Like a puzzle, the different pieces fit together and like that the crowd found itself shaking to a new groove. The band could break the songs down into parts, shake them up, all the while mixing in new on-the-spot improvisations along with parts from other songs. Bits and pieces of other songs, some Dead many otherwise, were thrown into the mixer and given a few more good shakes. It made for a dizzying and disorienting musical experience that left listeners blissfully lost in the haze. Depending on how keen one’s ears were they may have heard Herbie Hancock’s “Fat Mama,” “Farmer in the Dell,” Radiohead’s “Airbag,” Harry Belafonte’s “Banana Boat Song,” the Drifters’ “On Broadway” along with the Dead’s “Iko Iko,” “St. Stephen,” “Let It Grow,” and many others jumbled into the pot at various points in the evening.

    The traditional “China > Rider” combination was expectedly untraditional as they stuffed it with “Good Lovin’” and “Cats Under the Stars.” As “I Know You Rider” came to a finish, the band had been playing for 90 minutes straight with nary a second of silence. The first set was all but assumed to be over. Though, Russo, after introducing the band, indicated that because of a strict 11pm curfew they were also going to buck the traditional set break. Benevento jokingly laid atop the piano, almost posing for a painting, though it was the band who needed to get back to their painting. Russo announced “Set Two,” and the band immediately kicked off “Row Jimmy.”

    Without the break available to reorient themselves, the crowd dizzily jumped back into the mix while the band continued their long explorations for another non-stop hour. By the time it was all through, “Saint of Circumstance” was taken the distance and the usual “Scarlet > Fire” was once again untraditionally broken up with Bob Dylan’s “Sylvio.” The band wasn’t above the traditional encore, and a relatively quick “Promised Land” ended the indoor party at the Landmark, 3 hours and thirteen songs later. The quiet streets outside were once again bustling with the giddy energy of the crowd, and so the party continued…

    Setlist:
    Jam> Mississippi Halfstep> Estimated Prophet> China Cat Sunflower> Good Lovin> Cats Under The Stars> I Know You Rider, Row Jimmy> Lost Sailor> Saint Of Circumstance> Scarlet Begonias> Silvio> Fire On The Mountain

    E: Promised Land

  • Premiere: Indie-Pop trio Modern Whale release latest single “The Dirt”

    Brooklyn-based trio, Modern Whale, are too pop for indie, yet too indie for pop, and have a released their latest single, “The Dirt,” cultivating a sound rooted in pop-rock. The driving rock of “The Dirt” brings to mind the post-grunge 90’s of Three Days Grace and My Chemical Romance with driving guitar rhythms and symphonic vocals that combine for an instant, and pleasant earworm.

    modern whaleHelmed by Bushwick-based record producer and songwriter Rob Guariglia, Modern Whale is not a specimen of the sea but rather a musical crossing. The group formed in Brooklyn at the infamous rock refuge Meserole Sound Studio, with a name that reflects the animalistic tendency of music and is encapsulated through Rob’s dog Stella, his assistant and muse. “The Dirt” was written by Robert J. Guariglia & Stephen Ericson and produced by Robert J. Guariglia.

  • Proctors announces new concert series, Capital Records Live 

    With a little help from world class musicians across the region, Proctors and WAIX 106.1 are teaming up to present a new concert series highlighting classic albums performed by local artists. Capital Records Live will debut on Friday, March 23 at 7:30pm in the GE Theatre at Proctors.

    Six bands from the greater Capital District will perform selections from The Beatles (The White Album) and Sgt. Pepper’s Lonely Hearts Club Band. The lineup includes Bryan Brundige Collective, Clear Mind, Eastbound Jesus, Girl Blue, Let’s Be Leonard and Wild Adriatic, who will come together on stage to celebrate the work of the Fab Four. Additionally, Beatles trivia will be hosted by Chuck Vosganian of Rochmon Record Club.

    Attendees will experience distinct renditions of The Beatles’ most recognizable tracks. Sal Prizio, program coordinator at Proctors, explains “With CRL, our mission is to introduce music fans in this market, each year, to the abundance of great local music.” Tickets are on sale now at Proctors box office or online.

  • Hearing Aide: Townhouse Warrior ‘Words, Unsaid,’

    Reigning from Upstate New York, the group Townhouse Warrior are set to release their third full-length album on March 20. This four-man punk rock band released their debut album just three years back and followed it up with their sophomore album in 2016. The group is back with their newest project and is ready to share it with the world. The latest addition to their group is guitarist Tim Hall who joins original members Zack Fitzgerald on lead vocals/guitar, Kyle Malfa on drums and Joshua Rivet on bass to take their high-energy sound even further.

    Words, Unsaid, features twelve songs; each one is a powerhouse track in its own right. Every song brings a level of upbeat intensity starting with track one, “Echoes.” The opening to track three, “So Left, It’s Right,” slightly differs from the others as the guitar and drums are panned left and right respectively. This adds more layers to the song and encourages a head-bobbing reaction to its rhythm right off the bat.

    I am personally a big fan of the album title namedrop in the song “Fake Confrontations.” The lyrics tell the story behind the title Words, Unsaid, giving this title a deeper meaning. Other noteworthy tracks on this album include “Toll Taker,” as it begins with an almost soothing electric guitar solo before introducing the sound from rest of the band. Likewise, “Daydreaming” is an inherently dynamic song as takes its listeners on a journey through soft and high-energy segments.

    In my opinion, Townhouse Warrior is the perfect fit for the DIY music scene. Their fast-paced musical style has the power to electrify an audience and I would personally love to catch them performing in a basement venue.

    Key Tracks: Echoes, Far Away, Daydreaming

  • The Curtain Comes Down on Paul Simon’s Touring Career

    Legendary musician Paul Simon is calling it quits as it pertains to full scale touring in his career and has released dates for his Homeward Bound – The Farewell tour. Appropriately named after a classic Simon & Garfunkel song, this final tour will see Simon play a swath of venues throughout North America and Europe beginning in May and ending in late September. The Jersey-born and Queens-raised icon will fittingly return home for a set of shows at Madison Square Garden at the end of the tour.

    “I’ve often wondered what it would feel like to reach the point where I’d consider bringing my performing career to a natural end,” said Simon in his official statement. “Now I know: it feels a little unsettling, a touch exhilarating, and something of a relief.”  Simon did also include that he has no intentions of quitting music altogether and will still play the occasional show here and there.

    Friends and fellow musical luminaries James Taylor and Bonnie Raitt will accompany Simon for two shows overseas and one would think (and hope) that Art Garfunkel, the other half of one of the greatest folk duos of all time, will make at least one appearance. The full tour schedule is listed below.  Tickets are being sold for this once in a lifetime event via Ticketmaster with a public on sale date and time of March 16, 9:00 am.

    Paul Simon Tour Dates

    May 16 – Vancouver, BC – Rogers Arena
    May 18 – Seattle, WA – Key Arena
    May 19 – Portland, OR – MODA Center
    May 22 – Los Angeles, CA – Hollywood Bowl
    May 23 – Los Angeles, CA – Hollywood Bowl
    My 25 – Oakland, CA – Oracle Arena
    May 27 – Las Vegas, NV – MGM Grand Garden Arena
    May 28 – Los Angeles, CA – Hollywood Bowl
    May 30 – Denver, CO – Fiddler’s Green
    June 1 – Dallas, TX – American Airlines Arena
    June 2 – Houston, TX -Toyota Center
    June 4 – Austin, TX – Frank Erwin Center
    June 6 – Chicago, IL – United Center
    June 8 – St. Paul, MN – Xcel Energy Center
    June 10 – Detroit, MI – DTE Energy Center
    June 12 – Toronto, ON – Air Canada Centre
    June 13 – Montreal, QC – Bell Centre
    June 15 – Boston, MA – TD Garden
    June 16 – Philadelphia, PA—Wells Fargo Center
    June 19 – Greensboro, NC—Greensboro Coliseum
    June 20 – Nashville, TN—Bridgestone Arena
    June 30 – Stockholm, Sweden—Ericsson Globe
    July 1 – Oslo, Norway—Spektrum
    July 3 – Copenhagen, Denmark—Royal Arena
    July 5 – Antwerp, Belgium—Sportpaleis
    July 7 – Amsterdam, Holland—Ziggo Dome
    July 10 – Manchester, UK—Manchester Arena
    July 11 – Glasgow, UK—SSE Hydro
    July 13 – Dublin, Ireland—RDS Arena*
    July 15 – London UK—Hyde Park, BST Festival*
    Sept. 5 – New Orleans, LA—Smoothie King Center
    Sept. 7 – Tampa, FL – Amalie Arena
    Sept. 8 – Ft. Lauderdale, FL—BB&T Center
    Sept.11 – Orlando, FL—Amway Center
    Sept. 12 – Atlanta, GA—Cellairis Amphitheatre
    Sept. 14 – Washington, DC—Capital One Arena
    Sept. 15 – Newark NJ—Prudential Center
    Sept. 20 – New York, NY—Madison Square Garden
    Sept. 21 – New York, NY—Madison Square Garden
    Sept. 22 – New York, NY—TBA

    *w/ Special Guests James Taylor and Bonnie Raitt

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