Shooter Jennings started his “Bound Ta Git Down Tour.” on July 4 but recently has added new dates which go all the way into November. The tour is partially in anticipation of his new album, SHOOTER, which arrives at all music retailers and streaming services via Low Country Sound and Elektra Records on Friday, August 10.
Shooter Jennings courtesy of Shooter Jennings’ social media.
“The Bound Ta Git Down Tour” includes not only headlining shows but also dates supporting Turnpike Troubadours. He’s also scheduled to do multiple festival performances, including Black Mountain, North Carolina’s Jam In The Trees, Tahlequah, Oklahoma’s Medicine Stone Festival, and Fort Worth, Texas’ KFWR Annual Ranch Bash.
There is also a very special SHOOTER release day celebration at the world famous Pappy & Harriet’s in Pioneertown, CA, set for Friday, August 10. For updates and ticket information, please visit Shooter Jennings’ official tour page.
For more information on Shooter Jennings visit his website.
New tour dates listed below:
July 4 – The Beaumont – Wayne, NE
July 5 – The Royal Grove – Lincoln, NE
July 6 – The Shrine – Tulsa, OK
July 7 – Will Rogers Riders Rodeo – Amarillo, TX
July 12 – Shank Hall – Milwaukee, WI
July 13 – Cavalier Theater – La Crosse, WI
July 14 – Vetter Stone Amphitheater – Mankato, MN*
July 27 – Lawn at White Oak Music Hall – Houston, TX*
July 28 – Whitewater Amphitheater – New Braunfels, TX*
Aug. 2 – Sofia Tsakopoulos Center – Sacramento, CA
Aug. 3 – Slim’s – San Francisco, CA
Aug. 4 – Moe’s Alley -Santa Cruz, CA
Aug. 5 – Rebel Lounge – Phoenix, AZ
Aug. 8 – Belly Up Tavern – Solana Beach, CA
Aug. 10 – Pappy & Harriet’s – Pioneertown, CA
Aug. 11 -Troubadour – Hollywood, CA
Aug. 22 – City Winery – Washington, DC
Aug. 23 – Milton Performing Arts Center – Milton, WV
Aug. 24 – The Ramkat – Winston-Salem, NC
Aug. 25 – Jam In The Trees – Black Mountain, NC
Aug. 31 – 9th Street Summerfest – Columbia, MO*
Sept. 2 – Beaver Dam Amphitheater – Beaver Dam, KY*
Sept. 6 – The Burl – Lexington, KY
Sept. 7 – Maddie’s Hall – Bristol, TN
Sept. 8 – Harley Davidson of ATL – Atlanta, GA
Sept. 9 – The Senate – Columbia, SC
Sept. 12 – George’s Majestic Lounge – Fayetteville, AL
Sept. 13 – The HiFi – Indianapolis, IN
Sept. 14 – The Riff – Springfield, MO
Sept. 15 – Legacy Park Amphitheater – Lee’s Summit, MO
Sept. 22 – Medicine Stone Festival – Tahlequah, OK*
Sept. 27 – Turf Club – St Paul, MN
Sept. 28 – Kilbourn City Live – Wisconsin Dells, WI
Sept. 29 – Magic Bag – Ferndale, MI
Sept. 30 – Pyramid Scheme – Grand Rapids, MI
Oct. 2 – The Aquarium – Fargo, ND
Oct. 4 – Broadway Theatre – Saskatoon, SK
Oct. 5 – Cadillac Hall – Cadillac, SK
Oct. 6 – River Cree Casino – Edmonton, AB**
Oct. 13 – Ashland River Front – Ashland, KY
Oct. 18 – Heights Theater – Houston, TX
Oct. 20 – KFWR Annual Ranch Bash – Fort Worth, TX
Nov. 6 – Shakas Live – Virginia Beach, VA Nov. 8 – Brooklyn, NY – Knitting Factory Brooklyn Nov. 9 – Rec Room – Buffalo, NY Nov. 10 – Lost Horizon – Syracuse, NY
Nov. 11 – Port City Music Hall – Portland, ME
Thursday, June 28 was the perfect evening for the blues underneath the Albany Corning Preserve Boat Launch. The passing of a thunderstorm didn’t stop blues fans from across the Capital Region and beyond, from as far as Chicago, Illinois, from coming to Albany to attend the 4th concert of the 2018 Alive at 5 Concert Series, featuring Tito Jackson of The Jackson 5 and former members of the B.B. King Blues Band, with special guests, The Age.
Infusing their own blend of funk and soul into their original tunes, The Age set the bar high as they brought out their funk and their soothing souls into Downtown Albany. Their short set was led on by The Age’s sister, who was providing the lead vocals throughout the evening. The Age, who happened to have a cold, wasn’t able to provide the vocals to his tunes. He was only able to provide some minimal backing vocals with his sister. Despite his lack of vocals, The Age was able to entice the audience with some sizzling guitar work on his lead solos on stage. Still, their set was just as fun and entertaining and set the mood for a great evening of blues.
The blues remained alive and strong in Greater Albany as blues night continued inside Corning Preserve. The audience, even patrons holding up The Jackson 5 signage along the front barrier of the main stage, was anticipating the wait of the B.B. King Blues Band and their featured guitarist and vocalist, Tito Jackson. Many music fans may remember Tito Jackson from another famous musical family, the Jackson 5. Paying homage to blues great, B.B. King and the Jackson 5, this band was electrifying and certainly brought on the heat to continue to ignite a spark in the love of blues through their music and through the energy of their fans, and new fans alike.
The B.B. King Blues Band, featuring band members Tito Jackson (lead guitar/vocals), Walter King (saxophone, B.B. King’s nephew), Darrell Lavigne (piano), Raymond Harris (trombone), James Bolden (vocals, with over 35 years as an original member of B.B. King’s Band), Russell Jackson (bass/upright bass/vocals), Herman Jackson (drums), Eric Demmer (saxophone), Lamar Boulet (trumpet), and Wilbert Crosby (lead guitar/vocals), were impressive and amazing to watch, paying homage to the late B.B. King as well as the Jackson 5 through a medley of tunes.
Ranging from B.B. King’s “Every Day I Have the Blues,” “Guess Who” and “The Thrill Is Gone” to standard blues songs such as “Big Boss Man,” “Rock Me Baby,” “A Dog Is Still a Dog” (Tito dedicated the tune to his late father Joe Jackson and brother Michael), and even the classic Jackson 5 hit tunes “I Want You Back,” “The Love You Save” and “A.B.C.” among others, the entire ensemble was on fire! The chemistry and the back to back interplay amongst the performers like Herman Jackson (drums) and Lavigne and Eric Demmer, to the guitar interplay by Wilbert Crosby, Russell Jackson (who was tip toeing towards the front of the stage playing the bass guitar as if it was a standard guitar, moving fast along the fret board), and Tito Jackson was captivating to watch! The emotion was certainly felt between the performers through their effortless performances within their song choices.
“I love the blues!,” shouted out bassist Russell Jackson after playing one of the songs during the start of their set! The crowd was certainly giving the band and Tito Jackson some love to their blues playing all evening, waving their arms in the air and swinging album art of the Jackson 5 towards the group for them to sign at a later time.
Upon entering the stage to perform a series of guitar solos during the middle of the B.B. King tune “Every Day I Have The Blues,” Tito Jackson took the time to thank the fans for their kind words and thoughts concerning the recent passing of his father and founder of the Jackson 5, Joe Jackson, who had passed away just two days shy of the 9 year anniversary of his son Michael’s death (June 25). Jackson had contemplated on whether or not he was going to cancel his Albany performance but had decided that the show must go on and performed in honor of both his father and brother. Jackson would also later dedicate “I Want You Back,” “The Love You Save” and “A.B.C.” to his loved ones and his fans. Concluding the evening with B.B. King’s “The Thrill Is Gone,” Tito Jackson stood upon the large speakers and moved along the row to shake hands with his fans and sign autographs on their signage and other memorabilia while the band concluded the song to signal the end of an evening. Although the fans shouted out for an encore song from Jackson, there was no encore performance.
To be a part of watching two established performers such as the B.B. King Blues Band and Tito Jackson on the Alive at 5 Concert Stage was truly an honor and a privilege to be a part of this special evening underneath the Albany Corning Preserve Boat Launch. Great blues from these living and non-living legends continues to remain strong as shown through the eyes of these great performers that continue to keep their band members and family members’ legacies alive through the power of blues.
The Arc, a new 20,000 square foot concert hall and recording studio in the Kaufman Arts District in Long Island City, will open in early 2019 with former Webster Hall Executive Vice President Rich Pawelczyk named COO. The management team plans to bring strategic brand partnering and the world’s top talent and emerging artists to The Arc.
A 1931 vintage building, The Arc has a unique arched, wooden cathedral-like ceiling with Douglas Fir bowstring trusses that imbue the space with spectacular acoustics. Featuring both large and small performance spaces, along with a full 21st century recording studio and a total capacity of 2,000, The Arc will have a sound stage, full sound and video recording capabilities, and state-of-the-art acoustics that will rank among the finest in the world.
“I’m thrilled to join the team as the The Arc is taking shape as a world-class concert venue that can accommodate not just live performances with unsurpassed acoustics, but also with state-of-the-art digital recording and streaming technology that will enable us to create unique experiences for fans–and the brands that want to reach them—in New York City around the world,” said Rich Pawelczyk. “We’re already seeing a flood of initial interest among artists and sponsors because, with incredible design, location, and technology, The Arc is poised to fill a void in both the New York music scene and in the industry as a whole.”
The Arc will fill a void in the NYC music scene, featuring an arched antique wood wooden ceiling for unparalleled acoustics (see release below), two performance spaces, recording studio/sound stage, and 24 hr cafe. Grammy award-winning sound engineer Adam Abeshouse has joined the team and The Arc is expected to have some of the best acoustics anywhere in the world. Take a 360′ tour of The Arc
The venue is part of John Belitsky’s DMNDR network, a global community of artists, musicians and fans that user DMNDR to share their work. The venue will serve as DMNDR’s physical concert and recording venue.
The Arc is named for its mission to showcase musical talent at every stage in the arc of an artist’s career—from emerging talent to well-established artists. The Arc is a full city block-through of event space in Long Island City—New York’s fastest growing neighborhood only minutes from Midtown Manhattan—that will feature a state-of-the-art recording studio, media center for streaming live videos, a 24/hour café featuring cuisine of 600+ local food vendors, and spaces for local talent and community collaborations. Corporate branding partnerships are in development.
To date The Arc has held small, well-received performances and sessions including LoveHoney, Madison McFerrin, Jackie Venson, Jon Fratelli (of the Fratellis), Oxymorrons, Mosie, and many more. Current performances are by invitation only and occur weekly.
The Arc’s exceptional, world-class acoustics will establish the live performance hall as a destination for rehearsals, recordings and performances of a diverse range of musical talent. DMNDR will also seek designation for The Arc as an accredited sound stage for film and television production to further complement the thriving creative industries within the Kaufman Arts District.
Calliope Musicals are hitting the road for their Stray Cats Tour and their first two stops are in Rochester on July 25 and Syracuse on July 26 at Funk ‘n Waffles locations.
Photo courtesy of Calliope Musicals website.
Calliope Musicals has a pop-rockesque vibe and can captivate an audience. The band is from Austin, TX and is made up of six members. Carrie Fussell on lead vocals and guitar, Craig Finkelstein on vibraphone and vocals, Josh Bickley on drums and vocals, Andrew Vizzone on bass and vocals, Jerry Sparkman on confetti cat, and Joe Cannariato on lead guitar and vocals.
For their Rochester show, they are joined by special guest Stationary Escape Pod and the show starts at 8:00 p.m. and is an 18 and up show with a $7 cover.
For their Syracuse show, they are joined by special guest Pet Cheetah. The show starts at 9:00 p.m. and is also an 18 and up show with a cover of $5 in advance or $7 at the door. Tickets for both shows can be purchased in advance through TicketWeb.
The collective will also perform in New York City at Bowery Electric on July 27.
For more information on Calliope Musicals be sure to check out their website.
John Lydon’s Public Image Ltd. has been celebrating its 40th anniversary throughout 2018. Dates throughout Europe and Japan have dotted the band’s itinerary the early part of the year and now, beginning in October, the tour comes to North America.
The Public Image is Rotten tour kicks off in New Orleans on Oct. 9 and makes its way to Asbury Park and Brooklyn on Oct. 13 and 15. Tickets for all shows go on sale Friday, July 13 at 10:00 a.m. local time. PiL is also touring in support of a documentary with the same title as the tour, which will see its theatrical premiere at the Metrograph in New York on Sept. 14.
The band is also set to release a career-spanning box set on July 20, titled The Public Image is Rotten (Songs From the Heart). The expansive box set will be available as five-CD/two-DVD, six-LP and in digital formats. It will include radio sessions, B-sides, remixes as well as the PiL Singles Collection (1978-2015). Also included is a complete live performance from New York’s Ritz from July 16, 1989.
The DVDs include PiL performances on the BBC shows Old Grey Whistle Test and Top of the Pops, two complete live shows from Estonia in 1988 and Sydney, Australia in 2013 and various promo and music videos.
For more 40th anniversary PiL info, visit the band’s official website here.
Public Image Ltd. 2018 Tour Dates:
Oct. 9 – The Civic Theatre – New Orleans, LA
Oct. 10 – Variety Playhouse – Atlanta, GA
Oct. 12 – Black Cat – Washington, DC
Oct. 13 – Asbury Lanes – Asbury Park, NJ Oct. 15 – Brooklyn Steel – Brooklyn, NY
Oct. 16 – Union Transfer – Philadelphia, PA
Oct. 18 – Club Soda – Montreal, QC
Oct. 19 – Lee’s Palace – Toronto, ON
Oct. 21 – The Majestic – Detroit, MI
Oct. 22 – Thalia Hall – Chicago, IL
Oct. 24 – Granada Theatre – Dallas, TX
Oct. 25 – The Mohawk – Austin, TX
Oct. 28 – Wonder Ballroom – Portland, OR
Oct. 29 – Showbox – Seattle, WA
Oct. 31 – The Chapel – San Francisco, CA
Nov. 1 – The Chapel – San Francisco, CA
Nov. 3 – El Rey – Los Angeles, CA
Nov. 6 – Pepsi Centre – Mexico City, MX
Hochstein School of Music and Dance continues its tradition of afternoon concerts this summer. This summer’s lineup includes music by Watkins & The Rapiers, Hanna & The Blue Hearts, Mambo Kings, Hypnotic Clambake, Crooked North Duo, and Genesee Johnny.
The free performances are held at Granite Mills Park in the High Falls District at noon on Thursdays through August 16. Food is available to purchase from a variety of vendors. Visit the Hochstein School of Music and Dance website for more information.
2018 Hochstein at High Falls:
July 12 – Watkins & the Rapiers
July 19 – Hanna & the Blue Hearts
July 26 – Mambo Kings
August 2 – Hypnotic Clambake
August 9 – Crooked North Duo
August 16 – Genesee Johnny
Folkfaces started their Fried Chicken Dreams tour’s second leg on July 1. The tour will span over 14 states and two countries through July and August.
Photo courtesy of Press Release.
The Buffalo-based quartet specializes in “Rowdy Jazz & Bluesy Roots.” Folkfaces has an irresistibly danceable energy and a unique versatility, being able to engage a crowd. They are able to engage their audience no matter what from busking on the street, to playing in a small barroom, or putting on a full electric show at a large music venue. The band draws influence from a multitude of genres, including folk, jazz, blues, punk, Americana, jug band, and bluegrass.
Folkfaces Fried Chicken Dreams Tour includes 27 dates and will host series of special guests, including General B and the Whiz (Montreal, ON); Swimmer and Kendall Street Company (Burlington, VT); Jared Hamilton (Lexington, KY); The Ithaca Bottom Boys (Ithaca, NY).
For more information on Forkface visit their Website.
Grey Fox Bluegrass Festival runs July 19 through July 22 and is located on the Walsh Farm in Oak Hill, New York. New this year is the addition of Billy Strings as the festival’s first Artist-in-Residence.
Billy Strings courtesy of the Grey Fox Bluegrass Festival press release.
Grey Fox is a welcomed mix of Grammy, AMA, and IBMA award winners, long-time fan favorites, exciting rising stars, and unique collaborations. Grey Fox is known for presenting the genre’s top artists, producer Mary Tyler Doub feels it’s as important to bring exciting up-and-coming young bands. These bands are from around the country and come to the festival as part of it’s emerging artist showcase where discerning bluegrass fans get to hear them for the first time. Festival organizers have put together an extensive Spotify playlist of this year’s Grey Fox performers. Check that out here.
Billy Strings is known for being a blazing young singer and multi-instrumentalist. He has been building a huge fanbase with his bluegrass in overdrive whenever he appears. Not only will he be performing with his red hot band he will also be sitting in with various artists, hosting hot jams, and meeting fans all weekend. He’s listed by Rolling Stone as one of the top ten new country artists you need to know, and have dubbed him the “Bluegrass Prodigy.”
Grey Fox Bluegrass Festival is known for its outstanding lineup, relaxed camping, friendly atmosphere, stellar jam sessions, flawless organization, and warm hospitality. It has six stages, hands-on workshops, demonstrations, beginner slow jams, dancing and dance lessons, tented and open-air venues, fresh ethnic and festive foods, top notch vendors, a very popular family stage, and a four-day Bluegrass Academy for Kids. Grey Fox is a haven for all ages from toddlers to teens; young singles and couples to older adults. Four-day passes (including camping) and day tickets are now on sale on their website.
For more information and updates as they happen, visit the Grey Fox website.
On July 6, 2018 the Trey Anastasio Trio (with Ray Paczkowski) made their 2018 New York debut at the Central Park Summerstage to a small gathering of fans that felt more like a friendly summer barbecue than a major concert in the middle of Manhattan. If Madison Square Garden is Phish’s house, then that makes Central Park Trey’s backyard, and the pre-show vibe in the park was reflective of that as the intimate vibe of the venue gave the feeling that people were visiting their old friend, Trey, for his annual Fourth of July bash. Originally billed as Trey Anastasio Trio show, the lineup was changed at the last minute to feature to the Classic TAB roster with the return of keyboardist Ray Paczkowski following the removal of a brain tumor earlier this year.
The show got started with an airy ‘Blaze On’ opener which featured a loose jam and more open space then Phish’s version of the song. The band took their time developing the groove, and established a light, summer vibe early on which they would carry with them throughout the first set. TAB’s ‘Cayman Review’ followed and kept the breezy vibe going as the crowd began to fill in and people began to loosen up. Paczkowski’s first solo of the night was received with a warm cheer from the crowd, who was clearly overjoyed with his presence that evening, as was the rest of the band based on the smiles exchanged on stage. The ‘Everything’s Right’ that followed featured Trey’s first taste of darkness of the evening as the band developed a spinning groove around his sludgy, building jam. The mysteriousness nature of the jam gave the feeling of early cave paintings; dark, yet stripped down art that draws the mind in and keeps it wondering.
‘Heavy Things’ brought back the summer vibe as the band delivered a standard, bouncing version of the song before the band started their second big extended jam of the first set, ‘Gotta Jibboo.’ The Jibboo featured a patient, yet playful jam which featured bassist Tony Markellis finding his way deep into the pocket as Trey and Ray went back and fourth on fills. They eventually built the solo to a relatively aggressive Jibboo peak before flawlessly synchronizing the ending of the jam to the final verse. The ‘Party Time’ that followed was high energy and appropriate, as the entire set felt like a big summer party. Following the song, Trey joked with the crowd stating that ‘Party Time’ was written by his favorite songwriter of all time, a man who also wrote the great ‘Ass Handed’, the one and only Jon Fishman.
‘Miss You’ came next and gave the band a chance to catch their breath as Trey delivered an incredibly passionate rendition of the song. The band did a great job of capturing the vibe of the song while Trey delivered a heartfelt solo, which had the crowd hanging on his every note. They brought the energy back up for the set closer, ‘Sand,’ as Trey had a mission to close the set out with a bang. The jam resembled fractals as Trey expanded outward on multiple ideas and drummer Russ Lawton laid down tribal beats. The rising energy of the song built the jam to the strongest peak of the first set just before smoothly slipping into the final refrain as if nothing happened when the band exited for set break.
While the first set was all about breezy summer vibes, the second set showed the band exploding through space. They returned to the stage with a strong rendition of ‘No Men In No Man’s Land’ to start the second set, which seemed like a much more stripped down version of the song as compared to Phish’s. The loose structure lead to a spacy jam featuring Trey messing around with his pedals to create a wormhole effect over the crowd. Paczkowski’s slippery solo alongside Trey’s spacy tone gave the song a buttery vibe, with just enough darkness mixed in to make you forget what they were playing. Once the band reached an appropriate peak, they kept the ambient vibe going with delay-heavy ‘Ghost.’ The ‘Ghost’ creeped along with all four members adding their own flavor, taking their time it as if they were providing ominous music for a midnight riverboat ride through the jungle. They eventually built the energy up to a high point, and ended the song on a strong, guitar-oriented peak.
The ‘Camel Walk’ that followed may have been the biggest surprise of the evening, as Trey reworked the song to make it more upbeat and funky than Phish’s version. Trey was clearly having fun throughout the entire song as he delivered playful fills, an increased tempo, and a swinging jam. Played with the energy of a 1992 ‘Poor Heart,’ Trey showed us that his fingers are still just as nimble than ever. They brought the set back into the shadows with a rendition of ‘Dark and Down’ that can only be described as euphoric. As the band peaked on a delicate, soaring jam, the sun dropped perfectly between two buildings to the west of the park. It felt like Trey was waiting to play the song until he was ready to bid the day goodbye, and the cotton candy sky above the trees in the park was exactly what he was waiting for.
Continuing with the spacy theme of the set, they dropped into the fun-loving ‘Soul Planet’ once the night settled in. The crowd truly was “spinning through space” as Trey played around with his pedals to create a funky, spaced out energy that breathed positivity. The song reached a lively peak with Trey shooting laser beams around the park, before dropping back into the darkness with a very strong ‘Steam.’ Like other songs this evening, TAB left much more open space in the song structure of ‘Steam’ which gave the song a very different feel than that of a Phish show. While Trey did show off a bit with his fills, the verses were more interesting not for the notes that were played, but for those that weren’t. They eventually built the jam into an almost disturbing, alien spaceship peak with the crowd hanging on for their lives as they cannonballed through an asteroid field of light and sound before coming together for a clean ending of the song, which acted as the band’s final visit to deep space.
The ‘Undermind’ that followed brought funky energy back up, and the fun-loving, breezy jam was reminiscent of the first set. The final, and arguably strongest, peak of the second set came in it’s closer, ‘Push On ‘Til The Day.’ The dark funk kept the crowd enticed, as Trey played like a madman ripping through the final solo. There were multiple times where the band could have finished, and everyone would have been happy, but the band was obviously having the times of their lives and had no plans to stop as they built an almost uncomfortable amount of tension out of the jam. The euphoric release of the jam had the crowd yelling for more as they band took their bows and exited the stage.
Trey came out by himself for the first part of the encore, as he worked through beautiful renditions of ‘Waste,’ ‘Strange Design,’ and ‘More.’ The crowd was absolutely silent and respectful for Trey’s playing, to the point that you could hear lightning bugs zip by your ears in between notes. The ‘Waste’ was particularly magical as you could hear Trey’s voice get raspy while he teared up singing it. The crowd sang along quietly enough to hear Trey, but loud enough for the park to hum its melody. After ‘Waste’ he told a story of how he could see the building where he took his first guitar lessons and thanked his parents for the opportunity to make his dreams come true. It was truly an intimate moment between Trey and the crowd, one that anyone in attendance will not soon forget.
Following the trio of acoustic songs, the rest of the band came back out to properly close out the night in the park. They shuffled through a sludgy ‘Alaska’ with Trey creating muddy effect with his pedals before closing out the night with the TAB classic ‘First Tube.’ The blissful instrumental featured a high energy solo and gorgeous peak which left the crowd wanting more. Overall you couldn’t ask for a more perfect evening in the park, and with how rehearsed and confident Trey seemed, there is much to look forward to for the rest of the summer.
Trey Anastasio Trio 7/6/2018 Setlist via Phish.net:
Set 1: Blaze On, Cayman Review, Everything’s Right, Heavy Things, Gotta Jibboo, Party Time, Miss You, Sand
Set 2: No Men In No Man’s Land, Ghost, Camel Walk, Dark and Down, Soul Planet, Steam, Undermind, Push On ‘Til the Day
Encore: Waste [1], Strange Design[1], More[1], Alaska, First Tube
Southern rockers Drive By Truckers took a free night amid their Summer tour with Tedeschi Trucks Band and The Wheels of Soul tour to play a rocking show in Woodstock, NY. The Colony, a beautifully restored building in the heart of Woodstock, hosted a full house of excited fans, braving the heat, to hear the five piece group play some of their time-tested favorites along with some new songs that will appear on their next album.
Facing these turbulent times the only way they know how, The Drive By Truckers tackle today’s issues with straight forward and honest lyrics. Showing that they’re in the same boat as many of us, trying to make sense of a world that is making less and less sense.
