Category: Long Island

  • Barrage, An Onslaught of Classic Rock

    To save you the time and trouble, the word “barrage” is officially defined as “a concentrated artillery bombardment over a wide area.” However, the band’s motto defines this quartet perfectly.

    Barrage is a Long Island, four-member classic rock band that covers the ’60s to the ’90s. The group has been together since 2009 and consists of: Mark Nygren (Bass, backing vocals) Matt Bruno (lead vocals, guitar), Dr. Paul Scarola (drums), and Barry Weiss (lead guitar, backing vocals).

    Earlier this year, with brand new lead singer Matt Bruno, Barrage played a fundraiser for the Good Samaritan Hospital Pediatric Department. Bear in mind, Matt had only been with the band for four weeks when the event took place.

    Hosted by DJ Orlando from Long Island radio station 94.3 FM The Shark, it was set up as a battle of the bands contest. The venue where this took place was 89 North in Patchogue. In order to qualify for the contest, each band had to have at least one medical doctor in the group. Moments after the final performance of the event, Orlando declared Barrage the winner!

    I asked lead guitarist Barry Weiss what it’s like to play in a battle of the bands contest. He said, “This battle of the bands, I thought, was just slightly nerve-racking. We were all well rehearsed. The rehearsals focused on just the set for this gig for over a month. We already knew the songs, so it was just a matter of getting Matt, our new lead singer, up to speed. Which he did amazingly. He memorized the lyrics so he did not need to look at any onstage. I was checking out the other bands’ Facebook pages to see what they were like prior to the event. Most of them, I saw that they played softer music like ’60s or Country. Being on last, we got to see what they were about. We were also the youngest of the bands and we knew that we would blow them away since we were doing good classic rock. Everyone that night were talented and professional and it all went very smoothly. It really was a great time and the crowd loved it. Hard to believe people got so into it on a Sunday afternoon.”

    Barry also mentioned that the buzz continuing throughout the hospital and community has sparked demand for additional performances. Furthermore, the success of this event has enabled Barrage to secure the opening slot for a major Long Island tribute act.

    To see Barrage live, their next gig is Friday July 20th at 89 North in Patchogue. They go on at 8 pm and will be doing one 90-minute set. Doors open at 7 for advanced ticket holders. To learn more about this great band, and see their videos too, visit their Facebook page.

    This article appears courtesy of Under the Radar. Visit their Facebook page and give them some love!

  • Twenty One Pilots Release Two Songs, Music Video, and Tour Dates

    Fans of Twenty One Pilots are finally privy to information about what’s on the horizon for the iconic pop duo. Two songs, a music video, and tour details have just been unveiled – “Jumpsuit” and “Nico and The Niners” are the first singles from the the long-anticipated new LP from Twenty One PIlots, Trench, which is due out on Oct. 5.

    twenty one pilots
    Twenty One Pilots, Photo by Cathy Bechle

    The ensuing Bandito Tour kicks off this fall in the U.S. Over the winter they travel to Australia, New Zealand, and Europe. Dates in New York State include NYCB Live in Uniondale on Oct. 27 and Madison Square Garden in NYC on Oct. 30. Visit twentyonepilots.com for more information.

  • Alice’s Restaurant Back By Popular Demand Tour Announced

    Next year marks the 50th anniversary of the movie “Alice’s Restaurant,” based on the song by Arlo Guthrie and to commemorate the occasion, Guthrie is arranging an extensive tour which will stretch from the fall of 2018 through 2020. The majority of shows just announced for this fall will take place in New York and surrounding states. They include a hometown show in Great Barrington, Massachusetts on Nov, 17 and a return to Carnegie Hall on Nov. 24. See the full list of dates below.

    Guthrie wrote a folk song about a series of incredulous events that began on Thanksgiving in 1965. “Alice’s Restaurant Massacree” struck a chord with the anti-war counterculture. By 1967 Guthrie had gone from playing small clubs to playing festivals and stadiums.

    “Arthur Penn (who had just finished filming Bonnie & Clyde) heard the record when it came out in 1967,” recalled Guthrie in an interview with NYS Music. “He also happened to live in Stockbridge, where the events took place. He thought it would be a great idea to make it into a movie. And he did.”

    For this tour, Guthrie will be joined on stage by longtime collaborators Terry “A La Berry” Hall (drums), Steve Ide (guitar, vocals), and Carol Ide (vocals, percussion). His daughter, singer/songwriter Sarah Lee Guthrie, will be opening each performance.

    “I didn’t think I was gonna live long enough to have to learn ‘Alice’s Restaurant’ again,” Arlo Guthrie says with a smile. “It was a quirky kinda thing to begin with. Nobody writes an 18-minute monologue expecting fame and fortune. The initial success of the song really took me by surprise more than anyone else… I’m surely looking forward to it again being a centerpiece of my live repertoire.”

    Arlo Guthrie Presents The Alice’s Restaurant – Back By Popular Demand Tour
    Oct. 4  – Count Basie Theatre – Red Bank, NJ
    Oct. 6  – Gordon Center for the Performing Arts – Owings Mills, MD
    Oct. 7  – Keswick Theatre – Glenside, PA
    Oct. 10 – Spruce Peak Performing Arts Center – Stowe, VT
    Oct. 12 – Palace Theatre – Manchester, NH
    Oct. 13 – Durgin Hall – Lowell, MA
    Oct. 14 – Memorial Hall – Plymouth, MA
    Oct. 19 – NYCB Theatre – Westbury, NY
    Oct. 20 – College Street Music Hall – New Haven, CT
    Oct. 21 – Paramount Center – Peekskill, NY
    Oct. 24 – The Greenwich Odeum – East Greenwich, RI
    Oct. 26 – The EGG – Albany, NY
    Oct. 27 – State Theatre – Ithaca, NY
    Nov. 1 – EJ Thomas Hall – Akron, OH
    Nov. 2 – State Theatre – Kalamazoo, MI
    Nov. 7 – Ron Robinson Theater – Little Rock, AR
    Nov. 9 – Wildey Theatre – Edwardsville, IL
    Nov. 10 – Wildey Theatre – Edwardsville, IL
    Nov. 11 – Buskirk-Chumley Theater – Bloomington, IN
    Nov. 16 – Infinity Hall – Hartford, CT
    Nov. 17 – Mahaiwe Performing Arts Center – Gt. Barrington, MA
    Nov. 24 – Carnegie Hall – New York, NY

    More dates will be announced. Stay up to date on ArloGuthrie.com.

  • The Great South Bay Music Festival Returns for its 12th Year

    The Great South Bay Music Festival is Back for it’s 12th Year at Shorefront Park in Patchogue, NY from July 12-15 with sixty-five performers on four stages over four days.

    Known for being Long Island’s longest-running and largest four-day music festival, The Great South Bay Music Festival has grown considerably from it’s first outing in 2007, when they presented 20 artists over three days, and their major headliners were Richie Havens and Foghat. The Great South Bay Music Festival definitely makes a mark of it’s own in the festival world by taking into account four completely different genres with a different tactic than most festivals use.

    This tactic is covering several genres by splitting up genres by days. Thursday is covering the indie scene with popular headliners the Front Bottoms, Thrice, the Get Up Kids, and Long Island’s Envy On The Coast. Friday covers the Rock-Reggae-Ska Party scene on the bay, with headliner Sublime with Rome, plus the Dirty Heads & Less Than Jake. Saturday covers a “Jam Day” vibe with headliners Umphrey’s McGee, Pigeons Playing Ping Pong. Papadosio, JGB featuring Jerry Garcia Band alum Melvin Seals, Infamous Stringdusters: Andy Falco & Friends with special guests: Alwyn Robinson of Leftover Salmon, and Andrew Altman of Railroad Earth.

    Sunday will consist of it’s annual Morning Children’s Concert, Great South Bay is bringing back Disney’s Imagination Movers and then the festival closes with a historic lineup, as they present guitarist, singer-songwriter, Rock & Roll Hall of Famer and Co-Founder of the Allman Brothers, Dickey Betts and His Band in his only New York Festival appearance. Supporting and returning for their third visit is Electric Hot Tuna, plus the legendary Little Feat, and the Devon Allman Project, featuring Duane Betts.

    The fest features three different craft beer tents, a wine garden, an artisan and craft market, and food court offering a diverse gourmet menu. Ticket price includes all concerts and entertainment. Food & beverages not included. Children ten and under are free, except for the Imagination Movers concert. For a full schedule and other info visit The Great South Bay Music Festival’s website.

    Drawing of The Great South Bay Music Festival courtesy of their website.

    Festival Door times:
    Thursday, July 12 – Doors are at 3:00 p.m., till 10:00 p.m.
    Friday, July 13 – Doors are at 3:00 p.m., till 11pm,
    Saturday the 14 – Doors are at 1:00 p.m, till 11PM,
    Sunday the 15 – 11:00 a.m. doors for Imagination Movers Kids Concert
    Sunday Regular Fest Ticket holders – 1:30 p.m. Doors till 10:00 p.m.

  • Kendrick Lamar Kicks it Old School on the Top Dawg Entertainment Championship Tour

    The Top Dawg Entertainment Championship Tour touched down at the Northwell Health outdoor amphitheater Theater at Jones Beach State Park in Wantagh, New York on May 30 and gave the audience every bang for their buck. The tour consists of Kendrick Lamar, SZA, ScHoolboy Q, Jay Rock, Ab-Soul, SiR and Lance Skiiiwalker. SZA is currently still out due to her vocal cords being damaged but the rest blew the crowd away in her absence in a one of a kind show.

    Kendrick Lamar – photo by Nora Hones

    When arriving at the event, the parking lot was packed with people from every age range which would be an unexpected gem when going to a rap concert but that’s what you get when you have a headliner like Kendrick Lamar– it’s more than understandable. With his recent win of the Pulitzer Prize he has shown his worth to all generations. The set opened up with Lance Skiiwalker who performed only one song and then moved on to Ab-Soul who performed three songs.Than SiR entered the stage. SiR wasn’t an artist I had previously known but he’s not someone I’m going to forget after seeing him perform. During his set he had to deal with technical difficulties where there was no sound and then where only his vocals and none of the backing tracks or live accompanying band came through the speakers but he handled it like a champ and ended up performing through it anyways.

    Next came Jay Rock who put on a show performing,“King’s Dead” off of Black Panther: The Album, which was one of the first singles off the record that was released, to the crowds excitement. Even though the song features Kendrick Lamar, Future, and Jay Rock on the studio version the fact that only one of the three was on stage was barely noticeable because of the amount of energy and devotion Jay Rock was putting into the song. Next ScHoolboy Q came out on stage to perform his set list and this is when the audience really started to get excited screaming along to their favorite songs including “Collard Greens” which cut short just before Kendrick Lamar’s verses leaving the the audience hungry for Kendrick Lamar to appear.

    Than after all the waiting and anticipation the king finally made his appearance standing on a stage half way above the stage and opened with his hit song, “DNA” with the background behind him reading “Pulitzer Kenny.” He proceeded to perform an array of songs from his albums, Good Kid, M.A.A.D City, To Pimp a Butterfly, Untitled Unmastered, DAMN and Black Panther: The Album. To the crowds delight and my own he performed quite a few songs Good Kid, M.A.A.D City which was a welcomed and exciting surprise. He said that he just felt like playing songs of his old stuff to the crowd which everyone was more than happy with screaming along to every word.

    He continued to wow the crowd performing, “X” which features ScHoolboy Q, 2 Chainz & Saudi in the studio recording with ScHoolboy Q live and “Money Trees” with Jay Rock and performed, “King’s Dead” for a second time which the crowd wasn’t expecting in the slightest and from the look of Jay Rock’s face when Kendrick Said something along the lines of, “Let’s do King’s Dead again” he wasn’t either. The show ended on Kendrick telling the crowd he hadn’t been to Jones Beach since 2011 and he wanted to kick it up a notch and performed his hit song, “Humble” twice. Once with barely any music and with the crowd just singing the entire song and then once with the full music and Lamar accompaniment. To quote the guy behind me talking to his friend about what he was going to do after the show saying, “I guess I’m gonna cry myself to sleep tonight, idk man” sums up the show experience, unbelievable and sad that it’s over.

  • New York Series: Bayside ‘Montauk’

    The air gets warmer, the sun sets later, and lines begin to form around the blocks of the Italian Ice shops that were boarded up all winter: summer is around the corner. There is something special about the transition from spring to summer that seems to put a smile everyone’s face and gives people hope for what is to come. While there is always reason to be optimistic about the summer fun you’ll have and the love you might find along the way, it is also important to avoid blindly believing everything is going to turn out the way you planned it in your head. Bayside’s “Montauk” provides a cautionary look at the darker side to the end of a summer fling, and proclaims a warning to what might happen if you get too involved with someone who you know you may never see again.

    The punk band Bayside has deep roots in New York (they are named after the Queens neighborhood where they formed), so it is not out of place that they wrote a song dedicated to one of the state’s most famous vacation getaways. When most people think of Montauk they often have wonderful memories of their time on the beach, eating lobster with their families, or visiting the Montauk lighthouse. However, when Bayside wrote “Montauk,” they made a conscious decision to avoid all of the pleasant memories they might have had and took a more negative, yet humbling, approach to writing about the seaside town. They wanted to remind people that unfortunate circumstances can occur in amazing places, and sometimes saying goodbye is the hardest part of life.

    Bayside Montauk“Montauk” tells the story of losing a love at summer’s end. The narrator had to say goodbye to a lover he ended up caring about more than he originally intended. Even though he knew the fling would end once the leaves began to change, he didn’t think it would hurt so much when the relationship actually ended. He knew the consequences to falling in love with someone in such a short amount of time together but he took the risk anyway. The narrator is filled with angst, misery and fear that he will never love again, and an even worse fear that he will regret losing his lover for the rest of his life. While anyone who has had their heart broken knows that in time it is possible to love again, the song provides a rational warning not to get too involved with someone you realistically may never see again after such a short period of time.

    Although it has never been confirmed, many fans believe “Montauk” was inspired by the movie Eternal Sunshine of the Spotless Mind (Jim Carrey, Kate Winslet) in which a painful breakup leads to a young couple undergoing a controversial medical procedure to have their memories wiped to forget it all. The movie takes place, in part, on Long Island and Montauk is where the two lovers always plan to meet, much like the lovers in Bayside’s “Montauk.”

    While “Montauk” may provide a cautionary measure about what could happen at the end of a summer fling, it is just that: cautionary. Sometimes it’s worth it to take the risk with someone, even if you don’t think you’ll ever see them again. If you find someone who made you happy, even if they left your life forever after a couple of months, it is important to learn from the past and remember how hard it was to end things; but it’s equally as important to appreciate the joy you once felt.

    ‘Montauk’ Lyrics: 

    It’s getting cold
    Thought it was too soon to tell but it was terribly old and as the heartbeat slows to a heartless crawl
    The lights went out,
    The lights went out and darkness filled the house on tiring night under a Long Island sky
    I thought I’d known the consequence,
    But sweetness,
    Can you believe this?
    This mess we’ve made of it
    This mess we’ve made of it
    In years to come it might make sense,
    But sweetness,
    Can you believe this?
    Just what’s become of it?
    What’s become of it?
    If you hear this and you think you’re ready,
    Then meet me in Montauk where we’ll write out in the sand,
    “Here lies the destiny of two hurt souls afraid to be cured again.”
    That could be our epitaph
    I thought I’d known the consequence,
    But sweetness,
    Can you believe this?
    This mess we’ve made of it
    This mess we’ve made of it
    In years to come it might make sense,
    But sweetness,
    Can you believe this?
    Just what’s become of it?
    What’s become of it?
    I thought I’d known the consequence,
    But sweetness,
    Can you believe this?
    This mess we’ve made of it
    This mess we’ve made of it
    In years to come it might make sense,
    But sweetness,
    Did you foresee this?
    Just what’s become of us?
    What’s become of us?
  • My Father’s Place announces packed summer lineup on the North Shore

    My Father’s Place

    My Father’s Place, the famed establishment in Roslyn on Long Island returns this summer with dozens of shows lined up by owner Michael “Eppy” Epstein.

    Staten Island native Buster Poindexter kicks off the summer at Roslyn Hotel on June 29, and is followed by an evening with Livingston Taylor on June 30, a sold out performance featuring special guests Chris Kinnear and Andy Aledort.

    Long Island’s Blue Velvo performs original blues, roots and rock on July 3 and on July 5, Ray Lambiase and the Tin Kickers and Blue Race perform with Jeanna Lewis. July is rounded out by performances from jazz fusion band Brand X, Robert Gordon, 15 year-old Long Islander Brandon “Taz” Neiderauer, Third World, John Hammond, Garland Jeffreys with Frank Carillo and the Bandoleros, Michael Glabicki of Rusted Root, Vista Hill, Zebra, Buffalo-based jazz fusion band Spyro Gyra, Jill Sobule, NRBQ and Arlen Roth.

    August will find jazz pianist McCoy Tyner kicking things off on August 3, back to back performances by Long Island Music Hall of Fame members Barnaby Bye, Sophie B. Hawkins, Sweet Suzi Blues Band, The Blasters with special guest Lara Hope and the Ark-Tones, Howie Day, Glenn Tilbrook, Ken McGorry and the Achievements featuring Ray Lambiase and The Stollers, and Christine Spero Group to finish out the month.

    Tickets and memberships for the 200-seat supper club are available on the My Father’s Place website. Read more about My Father’s Place.

  • Long Island Music Scene Panel Recap

    On Thursday May 24, The Space at Westbury held an open forum for musicians, artist managers, the press, and music enthusiasts to discuss the state of the Long Island music scene. Appropriately titled “Are Tribute Bands Taking all the Gigs?,” two separate panels of Long Island music scene veterans sat down and had a necessary discussion on where the scene is currently, what it once was, and the direction they would like to see it move towards in the future.

    The first panel titled “Putting the Long Island Music Scene Under the Microscope” did just that. This panel was moderated by Jim Faith (musician, promoter, talent buyer, producer of Great South Bay Music Festival and Co-Founder of the LI Music Hall of Fame). With the guidance of Faith, a group of musicians, old and young, sat down to dissect what exactly is going on in the LI music scene. While many topics were brought up, the main theme discussed was whether the influx of tribute bands are oversaturating the market. To ensure everyone’s voice was heard, the panel was split nearly down the middle with musicians in tribute bands and musicians who play their own original music, accompanied by an unbiased voice from Newsday Pop Music Writer Glenn Gamboa.

    he Space at Westbury held an open forum for musicians, artist managers, the press, and music enthusiasts to discuss the state of the Long Island music scene.A major consensus that was agreed upon was that while tribute bands are on the rise on Long Island, it does not mean original artists must suffer as a result. Demographics reveal that the typical music listener on Long Island tends to be older, have a job, and family obligations, so it makes sense that they would spend their one night out a week seeing a band they know they will enjoy and can sing along to. However, this does not mean original music is a dead artform on Long Island. Almost every venue provides at least one night a week for original artists to play and gain exposure, despite how many or few people come out. What it essentially comes down to is local artists honing their craft, properly promoting themselves, collaborating with venues, and loving what they do. While the scene is not as vibrant as it was in the 1970’s, there is still plenty of new music to be seen every night on Long Island.

    The second panel, also moderated by Faith, picked up where the first left off and looked towards the future. Titled “Moving Forward: What Can Be Done to Nurture and Support Our Original Artists, Maintain a Vibrant Music Scene, and Continue Our Rich Music History”, the second panel had more of a focus on management and venues. Many of the musicians from the previous panel were replaced by an assortment of businessmen from venue owners to talent buyers, and even a local DJ/musician.

    The discussion of the second panel delved into issues managers and artists were encountering, and focused on ways to correct them. Much of the discussion centered around ways artists need to promote themselves; whether it’s on social media, local advertisements, working with the venue, or even just talking to people after shows. It was agreed upon that artists must be prepared for the business side of the scene when dealing with venues or record companies, and that while many of the artists may be from Long Island and play there often, it is important to venture out of the area to promote themselves. Although some may think the Long Island music scene may seem to be on the decline, as long as there are people who are passionate about live music and keeping things fresh, there is plenty of hope for the future.

  • The Space at Westbury to host May 24 forum “State of the Long Island Music Scene” Or “Are Tribute Bands Taking All the Gigs?”

    On May 24 at 7:30pm, The Space at Westbury will host a discussion forum with 15 panelists from across Long Island to discuss a pressing topic in the music scene across the Island – are tribute bands taking all the gigs?

    This topic could be discussed anywhere across the state, let alone the country, and has hit a chord in Long Island, where tribute bands and cover bands are keeping original music out of the clubs. Articles such as this from Newsday in April shine a light on the prevalence of tribute acts over local, original bands.

    The effort to put the Long Island music scene under a microscope is no small endeavor, and Great South Bay Music Festival promoter Jim Faith has organized this one night discussion to get to the heart of the problem. Panelists include working original artists & tribute bands, artists that play in both original and tribute acts, venue owners, media representatives, and Jim Faith serving as host of the evening.

    Included on the panel are Glenn Gamboa (Newsday), Michael Delguidice (Michael Delguidice Band), Ian Kenny (King Neptune, NGHBRS), Joe Rock (Radio celebrity/DJ), Katie Pearlman (The Joni Project/Katie Pearlman Band), Michael ‘Eppy’ Epstein (Owner: My Father’s Place), Dan Welch (Owner: 89 North, Suffolk Recording Studio) and many more.

    The night kicks off at 7:30 p.m. with a goal of lively dialogue on the state of the scene, the realities that all artists and venues face, and how collectively, we can make it better. A $10 suggested donation to the LI Music Hall of Fame is the cover charge for the event. Find out more info or RSVP here.

    Watch footage from last year’s ‘State of the Long Island Music Scene’

  • Gov’t Mule Announces Summer Dates

    Gov’t Mule has announced their 2018 summer tour, hitting Wantagh and Lewiston, New York. The Warren Haynes led rock band finished up their spring tour at the New Orleans Jazz Festival.

    mule summer

    The band is coming off their 10th studio album and highest selling debut, 2017’s Revolution Come… Revolution Go. The album is one of the band’s most politically driven pieces to date.

    Mule will also make it’s way over to Europe where they will be headlining the “Gov’t Mule Dark Side of the Mule & Avett Brothers shows.” The bands will play a string of three shows throughout Europe where Gov’t Mule will perform Pink Floyd’s Dark Side of the Moon along with the Avett Brothers.

    Pre-sale for summer tour tickets began Monday, general on-sale begins Friday, May 18th at 10 a.m.

    June 2 – Atlanta, GA – Candler Park Fest
    June 29 – Torgau, DE – Kulturbastion
    June 30 – Utrecht, NL – TivoliVredenburg
    July 1 – Maidstone, UK – Ramblin’ Man Fair
    July 12 – Wantagh, NY – Northwell Health at Jones Beach Theater*
    July 13 – Holmdel, NJ – PNC Bank Arts Center*
    July 14 – Mansfield, MA – Xfinity Center*
    July 21 – 22 -Scranton, PA – Peach Music Festival
    July 24 – Lewiston, NY – Artpark
    July 25 – Selbyville, DE – The Freeman Stage at Bayside
    July 26 – 27 – Floyd, VA – Floyd Fest
    July 28 – Jay, VT – Jay Peak
    Aug. 4 – Notodden, NO – Notodden Blues Festival
    Aug. 17 – Charlotte, NC – CMCU Amphitheater**
    Aug. 18 – Charleston, SC – Volvo Car Stadium**
    Aug. 19 – Whites Creek, TN – The Woods Amphitheater**
    Aug. 21 – Huber Heights, OH – Rose Music Center**
    Aug. 23 – Noblesville, IN – Ruoff Home Mortgage Music Center*
    Aug. 24 – Tinley Park, IL – Hollywood Casino Amphitheatre*
    Aug. 25 – Clarkston, MI – DTE Energy Music Theatre*
    Aug. 26 – Des Moines, IA – Brenton Plaza**
    Aug. 28 – Mankata, MN – Vetter Stone Amphitheater**
    Aug. 29 – Papillion, NE – SumTur**
    Aug. 31 – Park City, UT – Snow Park Outdoor Amphitheater**
    Sept. 2 – Sun Valley, ID – Sun Valley Pavilion^
    Sept. 14 – 16 – Telluride, CO – Telluride Blues & Brews
    Sept. 23 – Louisville, KY – Bourbon & Beyond

    *Dark Side of the Mule w/ The Avett Brothers & The Magpie Salute

    ** with Magpie Salute
    ^ with Lukas Nelson & Promise of the Real