MG3‘s Soulful Christmas Celebration will be held on Friday, December 21 at SALTspace in Syracuse, when Melissa Gardiner brings together an all-star band to perform funk and soul takes on your favorite Christmas classics.
MG3 is a jazz trio with added influence from the blues, gospel, soul, neo-soul, R&B, funk, and fusion. Their diverse repertoire of original music, jazz standards and covers always focuses on a strong groove, combined with creative reharmonization and beautiful soaring melodies.
Trombonist and vocalist Melissa Gardiner put together her jazz trio MG3 in Harlem in 2014. Since that time, they have become an in-demand act in Upstate New York. Besides Gardiner, the trio consists of organist William Gorman and Byron “Kidd” Cage on drums.
Together, they’ve opened up for artists such as Moonchild, Jane Monheit and Jonathan Scales, backed up artists such as Ronnie Leigh and Nancy Kelly and have played at the Rochester International Jazz Festival and most recently, won the grand prize at the Bucharest International Jazz Competition. As individuals, they’ve played with music royalty such as Aretha Franklin, Patti Austin, Dave Matthews Band, Benny Golson, Ernie Watts, Joe Louis Walker and more at venues and festivals all over the world.
They will be joined on December 21 by special guest singers Harper Sinclair, Gabrielle Gorman, Ariana Gates, Alto Phillip Young, Tenor Quinn Lawrence, Trumpeter Tom Killackey and Guitarist Stephen Pale.
It’s the season of giving and not only is NYS Music spotlighting a few can’t-miss shows all month long, we’re here to give you the entire run-down as well.
Syracuse – Funk ‘N Waffles
December 5 – Eliza Neals & The Narcotics will be lighting up Syracuse and it is sure to be a show you cannot miss. Eliza’s highly-praised, velvety and dynamic vocals will be accompanied by her powerhouse band for an incredible night of music. Event link.
December 6 – It’s Funk ‘N Waffles‘ 4th Anniversary and who better to celebrate this special occasion than Root Shock with the special guest Strange to Look At? These Syracuse-local acts will provide a healthy mix of reggae, soul, blues, hip hop, and ska inspired music for a night that is sure to have something for everybody. Event link.
December 8 – The celebration does not stop there, however, and the birthday party continues with the mesmerizing songwriter, guitarist and vocalist, Mihali, with special guest Chris Merkley. Event link.
December 14 – More Syracuse-native acts, Sundrop Rise and Bad Mama’s Blues Band, will be bringing soulful groove and dirty blues for the night. Event link.
December 15 – Come hang out with Miller & The Other Sinners and treat yourself to their bluesy, soulful Indie rock that will leave you wanting more. Event link.
December 16 – ExMag wants you to discover their extraordinary magnitude through the soulful, futuristic sounds they will be performing for Syracuse, joined by the funk rock experience, Skunk City. Event link.
December 20 – Mushroom Cloud is known for their explosive and organic funk-rock sound and will be bringing the energy with rap rock act, Buggin’ Out. Event link.
December 21 – Sterling Stage Solstice Party will be packed with incredible acts including Big Sexy and The Scrambled Eggs, Old Deer Ensemble, and Moe Michnick. There will be door prizes, discount Sterling Stage ticket sales, and most important, a plethora of holiday cheer and music with energy to match. Event link.
December 22 – The power-duo of brothers known as Balkun Brothers will be hitting the stage in Syracuse with their heavy new-age psychedelic rock and blues with “desert/stoner” rock band known as Stone Giant. Event link.
December 28 – The West African-inspired, funky, dubbed-out psychedelic band known as Barika will be performing with indie rock group, Vintage Pretty. Event link.
December 29 – BSG will be performing a very special Tribute to Chris Cornell to benefit Frankie Cutie. Click the link to get your ticket and secure your spot. Ticket link.
December 31st – There is no better way to ring in the new year than to kick it off with the incredible stylings of Sophistafunk at the Funk ‘N Waffles New Years Eve Party. Event link.
And back by popular demand, Monday nights will once again be filled with tributes to the Grateful Dead brought to you by, the one and only, Pearly Baker’s Best. Event link.
Plattsburgh
December 21 – Plattsburgh Blues and Jazz has a very special holiday present for those in the area on the 21st. Award-winning Canadian artist, Angel Forrest, otherwise known as the blues goddess, or the reincarnation of Janis Joplin, will be coming with her full six piece band. This is sure to be a performance you do not want to miss! Website event link.
Music is one of the most inclusive interests humans are able to appreciate and share. Genres expand to any identity or personality you could think of and easy accessibility make it available for any to enjoy. But what if you couldn’t hear? How do the deaf listen to music? Unfortunately some would say they simply don’t. However, this September those barriers were broken and deaf fans got to experience music on a level like never before. A collaboration between music group Palaye Royale and Music: Not Impossible Technology led to a test launch at their Las Vegas show.
The four year long technological advancement has been described as a five-piece device consisting of a vibro harness, two wristbands and two ankle bands. The device syncs with the live performance accordingly and each of the five areas vibrate along with it. The vibes have several settings which can be adjusted from low, medium or strong vibes and immerses the listener in a “surround body” sensation. In addition, a sign language interpreter was also involved on stage for the convenience of other hearing impaired attendees.
Check out a video below from Music: Not Impossible that exhibits the technology during its first real-world use.
Dubbed “The hottest band of 2018” by the English music press, Palaye Royale is entertainment at full volume. A combination of musical and artistic expression with immense popularity on all different streaming platforms. They have amassed over 30 million views on smash songs like “Higher,” “Don’t Quite Feel Right,” and “Ma Cherie.” This stands among the achievements of their albums titled Boom Boom Room (Side A) and this year’s highly anticipated follow-up Boom Boom Room (Side B). The Canadian fashion rock-trio is currently on an expansive tour all throughout the states and several parts of Canada. Tickets, both general and VIP, are on sale now.
The brothers will visit the Lost Horizon in Syracuse this Friday. See below for announced dates.
Palaye Royale Tour Dates:
Nov. 15 – Le Ministere – Montréal, QC Nov. 16 – The Lost Horizon – Syracuse, NY
Nov. 17 – Beachland Ballroom – Cleveland, OH
Nov. 18 – Metro – Chicago, IL
Nov. 19 – Loving Touch – Detroit, MI
Nov. 20 – Rave – Milwaukee, WI
Nov. 21 – Skyway – Minneapolis, MN
Nov. 23 – The Rec Room – Edmonton, AB
Nov. 24 – The Legion – Calgary, AB
Nov. 26 – Rickshaw – Vancouver, BC
Nov. 27 – El Corazon – Seattle, WA
Nov. 28 – Bossanova Ballroom – Portland, OR
Nov. 30 – Slim’s – San Francisco, CA
Dec. 1 – Holy Diver – Sacramento, CA
Dec. 2 – Glasshouse – Pomona, CA
Bob Weir brought his new trio, the Wolf Brothers, featuring Jay Lane on drums and Don Was on bass, to the beautiful Landmark Theatre in Syracuse, and invited harpist and singer Mikaela Davis up for a few songs. After the sellout crowd settled in, the band emerged and took their time tuning and prepping for the night ahead. The show got off to a bit of a sluggish start with an uninspired and sloppy “Jack Straw” that included some unnecessarily long rhythmic interludes. Weir switched to the acoustic and kicked into “Gonesville” off 2016’s Blue Mountain. The trio seemed custom-built to handle this slice of Weir’s repertoire and played more inspired as they locked in nicely for the short country ballad.
The set could have stood to have some more from that album, but they switched immediately back into the tried and true Grateful Dead trademarks. Sticking with the acoustic, the run of “Me and My Uncle,” “Peggy-o” and “Deep Elem Blues” hewed folksy and sounded great, Weir added a fresh shine with some subtle shifts in the melodies. There was an air of intimacy as he stopped to provide snippets of the songs’ histories.
Moving back to electric, “Althea” transitioned nicely out of “Deep Elem Blues” and the set started to pick up some steam as “Loose Lucy” followed. Pushing past 70 minutes, the set felt like it might be winding down when a harp came rolling from backstage. Rochester’s own Mikaela Davis followed closely behind to join the trio for a version of “Bird Song” that provided a real kick in the pants to close out the first set. The added melodic flourishes from the harp gave Weir something to play off and showcase his true rhythmic guitar genius.
The second set continued to build on the energy from the first. “All Along the Watchtower” was played jagged and grungy with Weir taking on a languid psychedelic tone. The band showcased its agility and morphing ability in a shifty “The Music Never Stopped.”
After the bluesy “Standing on Shaky Ground,” the harp came rolling back out and the band started up “Wharf Rat.” Davis confidently took on a more prominent role and the band dug out a nice space for her and Weir to take the jam to strange and beautiful places. The ensuing “China Cat Sunflower” played right into Davis’ strengths. The longer she held court on stage, the audience became more rapt with the sounds she brought into the mix. By the time “I Know You Rider” wound around, Davis was controlling more of the reins, providing the tune with extra bounce, and the crowd responded with increasing excitement.
The harp remained on stage after set close and they returned for the encore as a quartet. Not only was Davis feeling more comfortable, she was now ready to lead the band and counted out the start as they kicked into Neil Young’s “Down By the River.” It was a Neil Young cover, sure, but it was Davis’ version, and the one she’s been playing on tour all year. She sang and played the lead with the seasoned veterans backing her all the way. Jay Lane powered the jam with incredible pounding flourishes to shoot it into the stratosphere, and the crowd roared in appreciation. “Ripple” was the perfect nightcap to emerge out of the fizzle, and a full crowd sing-along had everyone leaving fully satisfied with the songs that filled the air.
Bob Weir and the Wolf Brothers, featuring Mikaela Davis – November 9, 2018 – Landmark Theatre, Syracuse, NY
Set 1: Jack Straw, Gonesville, Me and My Uncle, Peggy-O, Deep Elem Blues > Althea, Loose Lucy > Bird Song*
Set 2: Easy to Slip, Two Djinn, All Along the Watchtower, Music Never Stopped > Shaky Ground, Wharf Rat* > China Cat Sunflower* > I Know You Rider*
Encore: Down By the River*, Ripple*
* – with Mikaela Davis on harp and vocals
Twiddle frontman Mihali recently released politically charged single “Fading State” for his upcoming album. The album is yet to be titled and fans are eagerly anticipating a release date. The new single features vocals from Nahko (Nahko and Medicine for the People) and Trevor Hall who support Mihali in this advocacy-driven single. Produced by Johnny Cosmic of Stick Figure, Mihali’s reggae single focuses on protecting the environment and putting aside political agendas for the greater good.
The issue is continuously met with opposition motivated by greed. It’s up to all of us as individuals to do what we can…to do our part to make a positive change in the world. With our current political climate, I think now is the perfect time for this single to be released.
Mihali refers to “Fading State” as the spark that influenced most of his newest musical creations. While the debut album is yet to be announced, glimpses of the anticipated album will show up throughout the course of Mihali’s solo December tour of the Northeast. There are four New York shows lined up in the rapid fire schedule below.
Mihali Tour Schedule:
Dec. 5 – Mercury Lounge – New York, NY
Dec. 6 – Spcae Ballroom – Hamden, CT Dec. 7 – Putnam Place – Saratoga Springs, NY Dec. 8 – Funk ‘n Waffles – Syracuse, NY
Dec. 9 – Portland House of Music – Portland, ME
Dec. 11 – Wonder Bar – Asbury Park, NJ
Dec. 12 – 8 x 10 – Baltimore, MD Dec. 13 – BSP-3 – Kingston, NY
Dec. 14 – Jewel – Manchester, NH
Dec. 15 – Gateway City Arts – Holyoke, MA
Watch Mihali’s “Fading State” music video down below and get a feel for what to expect on his premier solo album.
Editor’s Note: This article was edited to correct the title of the song.
Mike Powell has had a prolific few years, performing throughout the northeast with his solo act, his duo, and his full band the Black River. He also released a solo album and an album with his band. This Friday, Oct. 5, Powell will release his latest solo effort, Shelter Without Walls.
The six song EP features two previously released, but re-worked songs, “Twenty One Rounds” and “Sad Day in Champion” and four brand new heartfelt compositions. The album can be pre-saved on Spotify and Apple Music through this link. It will be available on all streaming services beginning Oct. 5.
Powell is a unique storyteller who writes with emotion, breaking down walls to allow the listener into the story. He writes best when he draws from personal experiences. “Twenty One Rounds” tells the tale of a mother who lost her son while serving his country; something Powell has knowledge of through his upbringing in Carthage, just outside of the Fort Drum Army Base in Northern New York. This much-loved song gets a rework on the new EP and has lost little of the original’s emotional appeal.
Writing songs has always been a soul satisfying activity for me. I just have a deep love for words and telling stories. Music is the most impactful medium I’ve found for connecting with people and evoking emotion. Being able to play intimate acoustic sets in tandem with rock n’ roll shows with my band is like scratching two creative itches at once. I feel like I have two separate vehicles that share the same fuel system.
“Sad Day in Champion” recalls the closing of a paper mill in that same region of the North Country that affected so many of the people in the region as well as those close to the young Mike Powell.
One of Powell’s new songs, “Poison Diamond” closes the record. A dirgy number, highlighted by Hanus’ trademark guitar and a church-like organ, where the narrator laments, “You took my hand/You stole my heart/ You loved me to pieces/That’s what tore me apart/You set the fire/And it made me cold/You made me higher/And you cut me down low/That’s what tore me apart/I need some glue, or something heavy I can hold on to/This old bottle here will do/I’m never together with you.” This is one of the Powell’s most powerful recordings to date, from the lyrics to the delivery to the musicianship within the song. The subdued duet with a female voice on “I’m never together with you” hits the listener in the heart. This song could be Powell’s launching pad to a wider audience.
“The Polite Rebel” will also embark on the most ambitious month of his professional music career beginning Friday. The busy month kicks off with the Black River opening for Canadian rockers The Trews at Exhibition Hall in Watertown this Friday, Oct. 5. Following the Watertown gig, Powell and his duo partner, John Hanus trip down to Goshen, CT for a main stage gig at the Black Bear Americana Music Fest on Oct. 6. The weekend wraps on Sunday with an intimate gig at The Sinclair in Skaneateles on Oct. 7.
Powell’s intense schedule continues Oct. 10 and 11 as he makes his solo debut at Ani DiFranco’s 9th Ward at Babeville in Buffalo and Lovin’ Cup in Rochester. Oct. 12 sees Powell closer to home at the Brewerton Center for the Arts for another solo show.
The most highly anticipated nights of the month occur at the historic Nelson Odeon, a renovated former Grange Hall located in the rolling hills of Nelson, near Powell’s current hometown of Cazenovia on Oct. 13 and 14. These shows will be used to record Powell in both solo and duo formats as well as certain selections with the Black River, to be included in a future live Powell album.
The Odeon is one of Powell’s favorite rooms to perform and is the reason he chose this historic building for the recording of his first live album. He says of the building:
The Nelson Odeon stands for everything I love about music. It’s like stepping back to a simpler time. I have always dreamed of releasing a live record and this is the perfect room to try and bottle up a moment in time. It will be a special night.
The Black River, in addition to their gig opening for The Trews on Oct. 5, will take up a Thursday residency at King of Clubs in Syracuse’s famed Armory Square on Oct. 4 and 18. Dubbed “The Thursday Night Rock Show,” this ongoing event is hosted by the band and features some of the region’s top acts. Capital District rockers Wild Adriatic will join the Black River in a November session of “The Thursday Night Rock Show.”
Finally, on Oct. 19 Powell makes a trip to Blue Mountain Lake for a performance at the Adirondack Lakes Center for the Arts and wraps up with a songwriters and on Oct. 20 the 18 Songs Tour visits Casita del Polaris in Ithaca. This set brings together three of Central New York’s premier singer songwriters for a night of music – 18 songs- with Powell joined by Charley Orlando and Chris Merkley.
When not on the road, Powell will be in the studio recording the Black River’s sophomore effort. The band released its debut, Classic Universe in January.
Check out the video for “Sad Day in Champion” below featuring Powell and members of the Black River.
It was a hot night in Buffalo, the same night that Elton John was playing at Key Bank Center for his Farewell Yellow Brick Road tour. Parking was difficult since the Elton John show was a sellout, but neither the heat nor the traffic could deter people from showing strong for Funktional Flow‘s show at Iron Works. Even with a sold out event next door, the Buffalo-based group never fails to draw a crowd of eager attendees to one of their main home-base venues. As per usual, the Funktional Flow team was able to enlist the support of another great act; the Syracuse-based reggae group Root Shock. Anyone coming early was lucky enough to catch a preview of the light show for the night. The lighting at Iron Works was vamped up and prepped to go, with a spectacle of mixed colors and effects. It’s always a pleasure to catch a show here.
Root Shock opened up the night for Funktional Flow
The crowd started flowing through a few minutes into Root Shock’s set. Root Shock came off as a weathered group, utilizing all the tools present in their 6-piece outfit. Guitarist Phil Grajko and Jessica Brown traded off on vocals, while the extended rhythm section showcased their ability to create intricate reggae grooves. Their set had great transitions, giving the audience some slower songs to rock to, and some faster ones to get down. From the balcony of the venue, it was cool to see a group of dancers doing tricks with hula hoops and getting the audience moving. The band also got the crowd dancing, and even played some songs that they’ll be recording this upcoming weekend- always a treat to hear unreleased material. As Root Shock finished, it was a good idea to venture closer to the stage to get a spot near the barrier. One could overhear chatter that there was a line out the door. 11 pm came around and the crowd cheered as Funktional Flow took the stage.
The lighting was a huge highlight for this set. A backdrop of colors and textures adds so much to the atmosphere of the show, and the effects lined up well with the music the band played. You can tell that these Iron Works shows are special by how in sync the band and the sound and light crew were. Funktional Flow’s set was rock solid; their mix of flavorful reggae and funk rock works to great effect live. They also had a couple of feature percussionists for this event: Ryan Nogle on drums and Griffin Brady on auxiliary percussion. This added a lot to the groove which was simultaneously being fortified by Ben Whelan’s melodic and percussive bass lines. Joey Lewis flashed his technical prowess with scathing guitar solos and carried some of the vocal duties along with singer Jefferey Kuebler. One of the coolest parts of these Funktional Flow sets is when Jefferey and Joey lock in on a guitar riff and get a classic rock type guitar duel going. Matthew Lester provided a heap of energy as he ripped solos on the saxophone and held down the keys to round out a huge live sound. The highlight of the night was hearing their original song “Trouble” with the night’s lineup. The album version from Time Will Tell is great, but the added meat from the auxiliary percussion, on top of Nogle’s huge drum sound and lightning fills, differentiated the tune and revealed a whole different dimension of the song. That’s what these live shows are all about! Definitely catch these two bands if they come through your town and be on the lookout for their music.
Matthew Lester provides energy through his stage presence and concise solosBen Whelan (right) holds down the groove while Joey Lewis (middle) nails riff after riffThe variety of lighting textures added to the audience experienceRyan Nogle and Jefferey Kuebler (right) lock in with Ben and Joey (left)Iron Works filled up with eager supporters
The soulful funk group, West End Blend, shared this week that their impressive Fall 2018 tour will be expanding across cities in the Northeast, Southeast, and Midwest. In what Sam Horan, the band’s drummer, has described as “one of our most exciting tours to date,” eager fans can expect performances including surprises such as a Secret Location TBA for Halloweekend.
This tour will mark the band’s next step to spread their unique sound as they claimed: “We’re visiting some brand new cities and we look forward to expanding that WEB family!” Tickets are on sale now and can be purchased via the band’s website.
This announcement is only the first of many plans for this upcoming fall. West End Blend prides themselves on their own vibe and flair and what better way to do that than with a live album release. Horan mentioned that they have been getting so many requests for this project because “Everyone can agree that while our studio albums sound great, they just don’t quite capture the raw energy and vibe that you see from us live.” It’s the ultimate way to provide the most authentic content possible and Live at the Waterhole will be released Oct. 5.
Recorded during a two-night long session at the Waterhole in Saranac Lake, the album sees technical contributions from GRAMMY Award-winning engineer Brendan Morawski. By building a studio-style soundboard side stage, Morawski was able to capture studio quality recordings of both evenings. This was also taken into consideration for which songs would be included on the album since the objective was to pick those which have taken on new arrangements and morphed significantly from the studio album versions. This direction the band is taking will demonstrate how they want the utmost interactive experience for the fans and how they are constantly rearranging their songs during live performances to showcase their progression as a group.
See Tour Dates and Tracklist below:
Live at the Waterhole Tracklist:
1. Attitude
2. Say Hey
3. Get By
4. I’m Time
5. Too Heavy
6. Day Dreamer
7. Is that All you got
8. The Scene
West End Blend Tour Dates:
Sept. 18 – Brooklyn Bowl – Brooklyn, NY * Sept. 19 – Buffalo Iron Works – Buffalo, NY * Sept. 20 – Funk n Waffles – Syracuse, NY *
Sept. 29 – Brighton Music Hall – Boston, MA ^
Oct. 5 – Toad’s Place – New Haven, CT #
Oct. 6 – H.O.M.E. – Portland, ME Oct. 12 – The Hollow – Albany, NY
Oct. 18 – Woodlands Tavern – Columbus, OH
Oct. 19 – Emporium – Chicago, IL
Oct. 20 – Founder’s Brewery – Grand Rapids, MI
Oct. 27 – Halloween Horror Camp – Secret Location TBA
Nov. 7 – Hofgarden – Richmond, VA
Nov. 8 – The One Stop – Asheville, NC
Nov. 16 – Pour House Music Hall – Raleigh, NC
Nov. 17 – Heist Brewing – Charlotte, NC
Nov. 24 – Riverwalk – Nashua, NH
Nov. 30 – Tropicalia – Washington DC
Dec. 7 – King’s Rook Club – Erie, PA Dec. 22 – The Haunt – Ithaca, NY @
In the coming months, the Westcott Theater in Syracuse will be hosting several exciting events with appearances from Turkuaz, Snails, Dubloadz, and the Ghost of Paul Revere and Charlie Parr. These are all ages shows, allowing for anyone to come and enjoy a great musical experience from any of these talented and entertaining performers.
Turkuaz is a colorful Brooklyn based group that blends male and female harmonies into a unique sound that touches on funk, alternative, and R&B. Their show at the Westcott Theater is one of many on their new promotional tour for their album Life in the City available Sept. 28. They will be accompanied by Butcher Brown.
DJ and producer SNAILS, who has earned tremendous praise from major dubstep stars such as Skrillex, Diplo, Datsik, and Excision, will also be taking over Syracuse for a night. With viral tracks under his belt like “Dirty Raxxx,” “KRMT” and “RUBBR,” the Montreal artist has built a wild bass-loving collection of fans who are always eager for more hardcore beats.
Dave Nardolilli, otherwise known as Dubloadz, is yet another rising dubstep talent who dedicates himself to shocking crowds with his “Savage Wonk” musical style. 2014 was his breakout year as he toured around the globe at high demand shows and demonstrated the love he has for his craft. Ambitious and recognized in the industry, Dubloadz went on to say that: “I can only hopeto inspire people. I love what I do and I want people to realize they can make their dreams happen as well.”
Finally, the Ghost of Paul Revere and Charlie Parr will be performing a beautifully chilling and harmonic set of classic folk music that has earned them a powerful reputation in the genre. With a multitude of influences from Led Zeppelin, Pink Floyd, the Beatles, and Radiohead, their melodies take listeners on a harmonic journey through deeply rooted emotion and the simplicity of letting instruments speak for themselves.
For more information on these and other dates at the Wescott, visit their website here.
Westcott Theater Show Dates:
Turkuaz – Oct. 4
Dubloadz – Oct. 20
The Ghost of Paul Revere and Charlie Parr – Nov. 11
A crowd estimated at more than 16,000 people gathered at the New York State Fair’s Chevy Court in Syracuse on a beautiful moonlit evening to hear the unique sound of the Tedeschi Trucks Band. Susan Tedeschi’s powerful, emotion-soaked vocals are at the front of most of their songs. What makes the band unique is the addition of her husband, world class guitarist Derek Trucks, and a cast of fellow band mates that would be the envy of any guitar/vocal combo. Including the punch of double drums, the wallop of a horn section and extraordinarily gifted backup singers, and the sublime Kofi Burbridge contributing accents on flute and huge swaths of sweeping organ melodies, there is a multi-layered density to their music that simply doesn’t sound much like other bands.
At times, there are elements of funk, soul, roots rock, blues, jazz, free-form jams, and a kind of comfortable pulse or groove to all of it that propels the music further. While Tedeschi and Trucks have their names on the marquees, they allow plenty of latitude for every member of the band to shine and contribute. It’s the type of music that finds people that might be unfamiliar with the songs still smiling, tapping their feet, shuffling and swaying back and forth, and feeling their spirits uplifted as the music builds and soars.
A couple of the evening’s highlights occurred back to back, in the form of Tedeschi’s breathtaking vocals on the gospel-like “Bound for Glory,” followed by Mike Mattison (who shares many songwriting credits in the band) taking the lead to sing a gritty, growling cover of Bob Dylan’s “Crash on the Levee (Down in the Flood)”. Those weren’t the end of the highlights, as a couple of tunes later, the band invited Central New York native Al Schnier from the band moe. to join them in a cover of “Tell the Truth.” This was a guitar fan’s dream, as Trucks, Schnier and Tedeschi stood side by side at center stage and traded riffs for nearly ten minutes. In an interesting twist, the first ever live performance and first ever recording of that song by Derek and the Dominoes included Dave Mason (of Traffic), who had played earlier in the afternoon on the same Chevy Court stage.
The band finished their main set with a song that seemed to perfectly express the sentiments of the crowd, “I Want More.” After a brief exit, the band returned for encores. Derek Trucks and saxophonist Kebbi Williams teamed for an instrumental “Swamp Raga” intro to “Midnight in Harlem.” The band closed the show with an exuberant take of Joe Cocker’s “Space Captain.”
Tedeschi Trucks Band Chevy Court Setlist: Don’t Let Me Slide, Laugh About It, High & Mighty, Get What You Deserve, Lord Protect My Child @, Bound For Glory, Made Up Mind, Crash On The Levee (Down In The Flood) @, Part Of Me, Tell The Truth #, More And More, How Blue Can You Get %, I Want More, Encores: Midnight In Harlem (Swamp Raga intro), Space Captain $
@ – Bob Dylan cover, # – Derek and the Dominoes cover, % – BB King arrangement cover of Johnny Moore’s Three Blazers song, $ – Joe Cocker cover
Trombonist and vocalist Melissa Gardiner put together her jazz trio MG3 in Harlem in 2014. Since that time, they have become an in-demand act in Upstate New York. Besides Gardiner, the trio consists of organist William Gorman and Byron “Kidd” Cage on drums.
December 28 – The West African-inspired, funky, dubbed-out psychedelic band known as Barika will be performing with indie rock group, Vintage Pretty. 
At times, there are elements of funk, soul, roots rock, blues, jazz, free-form jams, and a kind of comfortable pulse or groove to all of it that propels the music further. While Tedeschi and Trucks have their names on the marquees, they allow plenty of latitude for every member of the band to shine and contribute. It’s the type of music that finds people that might be unfamiliar with the songs still smiling, tapping their feet, shuffling and swaying back and forth, and feeling their spirits uplifted as the music builds and soars.
