Category: Saratoga Springs

  • Charlie Puth Checks All the Boxes for Heartthrob at SPAC

    Charlie Puth brought his tour “Voice Notes” to Saratoga Performing Arts Center on Sunday, July 22nd, much to the delight of thousands of teen girls. After a longer set of familiar pop songs by Hailee Steinfeld, his opener, Puth took the stage dramatically behind a white curtain. Fans swooned and screamed as Puth’s silhouette was first seen on stage, and went wild as the curtain dropped as he crooned “The Way I Am.”

    Puth energetically met the crowd, bouncing and singing in his sugary tenor voice to familiar tunes “Slow it Down” and “How Long.” He impressively controls pitch, demonstrating exceptional vocal talent. He also talked the crowd up a bit, reading their signs and conversing easily with fans about his love of all things Japan.  He endorsed that he is lyrically open before singing “LA Girls,” admitting he made some mistakes in love.  Melodic and perfect for the radio, Puth’s songs were easy to remember and predict.

    charlie puth

    The crowd was overjoyed by him. Even though the setlist was short (only 16 songs), fans knew almost every song and screamed along with Puth. During “We Don’t Talk Anymore,” Puth held the microphone out for the audience to join in, which they did with zeal. For many teens, this was clearly a first concert and a delight.

    Charlie Puth checked all the boxes for a teen heartthrob on tour. He sang familiar love songs, almost all of which had him as the hero. He played keyboard, and also sang and danced. Throughout the night, he unbuttoned his bright green shirt, and by song ten had the shirt completely off. He chatted with the teens like the boy next door, sharing just enough to seem believably ordinary and safe. He wore familiar chinos and sneakers and leaned into the crowd with good eye contact. And of course, there is that voice, that amazingly sweet tenor that was consistently on pitch in its vertical climbs.

    But there was something missing. Perhaps it was authenticity that was lost in Puth’s personality when he checked off all the boxes, and inadvertently put himself in one? Or perhaps he is simply shy, which is what his promoters have reported in the past. Either way, Charlie Puth’s performance, while still a gift to SPAC, is limiting. And somewhat disappointing.

    Because a voice of that talent shouldn’t be checking off boxes, or put in a box, but allowed to sing its true song.

    Let’s hope Puth unleashes his true voice before he gets stuck in that teen heartthrob box forever. Because it’s gorgeous and worth risking some vulnerability to keep him in the music scene beyond a few hits. Puth’s writing and skills could go the distance if he’s brave enough to go.

    Set List: “The Way I Am;” “Slow It Down;” “How Long;” “Empty Cups;” “LA Girls;” “Marvin Gaye;” “Patient;” “Change;”  “We Don’t Talk Anymore;” “Somebody Told Me;” “Done For Me;” “Suffer;” “One Call Away;” “Attention;” “BOY” and “See You Again”

  • The New York City Ballet is Coming to SPAC

    The annual tradition of the New York City Ballet taking up their summer residency in Saratoga, NY at Saratoga Performing Arts Center (SPAC) is upon us. Earlier this week seven tractor trailers began arriving carrying costumes, shoes, lights, sets, and anything else a world class ballet company would require on tour. Crews are working hard to ready the stage for the dancers including hanging the beautiful backdrops, and running over 3 miles of cable. Dancer’s have an entire truck load of costumes for this year’s one week run of performances along with over 1000 pairs of toe shoes.

    This year’s run begins on Tuesday, July 17 with a production of All Balanchine. George Balanchine was a world renown choreographer, who also had a hand in designing SPAC’s stage and acoustics. There will also be performances of Romeo + Juliet, and 21st Century Choreographers, The closing performance will be on Saturday, July 21 with the 2018 Gala featuring a celebration of Jerome Robbins and Leonard Bernstein. Details can be found at spac.org

  • Special Guests join Tedeschi Trucks Band at SPAC for a Night of Rockin’ Southern Soul

    Southern rock and roll rose up in Saratoga Springs at SPAC on July 3rd, with special guests led by Greenville, South Carolina’s Marcus King Band, Tuscaloosa, Alabama’s Drive-By Truckers and Jacksonville, Florida’s Tedeschi Trucks Band. If that lineup of musicians doesn’t conjure images of extended soulful guitar solos and rock n roll in the vein of The Allman Brothers Band, you may need to eat a peach. Over three hours of combined music, these three bands combined for one of the most rockin’ shows this year, and a treat for anyone able to see the Wheels of Soul tour and is treks across New York State and the country this month, headed west for a two-night run at Red Rocks in Colorado.

    tedeschi trucks special guests

    Opening with “Tell the Truth,” TTB’s love for Clapton shone on both ends of the set, with “Key to the Highway” appearing later in the set. “Don’t Know What it Means” with its blaring horn intro and Tedeschi’s pipes never fails to get bodies moving, and a giant sax bridge from Kebbi Williams segued perfectly into “The Letter.” A smooth jam in “Little Martha/Midnight in Harlem” preceded covers of Dylan’s “Down in the Flood,” and the Stevie Wonder written/The Band performed “Loving You is Sweeter Than Ever,” then punctuated by “I Want More,” an original that crescendoed like a rock orchestra, ending with thunderous drums from the duo of J.J. Johnson and Tyler Greenwell.

    The earlier performers of the evening were welcomed to the stage eagerly by both band and audience. Drive by Trucker’s Patterson Hood joined in on “Let me roll with it,” a sing along featuring double driving guitar via Hood and Trucks. Marcus King joined on guitar and vocals for Clapton/B.B. King’s “Key to the Highway” where Mike Mattison showed monster presence with his powerful vocals. To close the night, the band welcomed Eric Krasno of Lettuce and Soulive fame and Tash Neal from London Souls for an enthusiastic “Statesboro Blues.”

    There is as mantle for the wider Allman Brothers Band family, including Gov’t Mule, Les Brers, Great Southern, Derek Trucks Band, Tedeschi Trucks Band, and many more yet to come. To see any is to experience the full southern rock band sound, the real deal, every time.

    Setlist (via setlist.fm): Tell the Truth, Part of Me, Don’t Know What It Means, The Letter, Little Martha/Midnight in Harlem, Down in the Flood, Loving You is Sweeter Than Ever, I Want More, Let Me Roll It*, Laugh About It, Key to the Highway^, Shame, Bound for Glory
    Encore: Statesboro Blues+
    * w/ Patterson Hood
    ^ w/ Marcus King
    + w/ Eric Krasno, Tash Neal (London Souls)

  • The Doobie Brothers and Steely Dan Turn the Heat up at SPAC

    The Doobie Brothers and Steely Dan stopped at SPAC on a scorching Saturday on June 30 during The Summer of Living Dangerously tour.

    Steely Dan Setlist: Kid Charlemagne, Hey Nineteen, Black Friday, Aja, Bodhisattv, Peg, My Old School, Dirty Work, Time Out of Mind, Black Cow, Rikki Don’t Lose That Number, Green Flower Street, Pretzel Logic, New Frontier

  • Music as the Last Real Magic: Imagine Dragons Cast a Spell on Saratoga

    Imagine Dragons brought the sound, look, and energy of a big-time rock show to Saratoga Springs on Friday, June 29 on their EVOLVE Tour. With Grace Vanderwaal opening, the group rolled into town with high energy, showmanship, and a unifying message of music as healing.

    Grace Vanderwaal, the Upstate teenager who made it big on America’s Got Talent, opened promptly at 7pm, bopping onto the stage singing “Dancing in the Moonlight.” Families sang along with the upbeat and likable Grace, who chatted up the audience and reminded folks she was originally from the area. Playing the ukulele and dancing barefoot, she brought a wholesome and organic positive energy to the night.

    The crowd had to wait a bit for Imagine Dragon stars to take the stage but were entertained by a slowly building classical score in the backdrop as folks filed in. Then, with steam, smoke, lights and a wall of sound, musicians were lifted on a stage above the main stage as they sang the very well known “Radioactive.”

    With the energy of big-time stars and a larger venue, Imagine Dragons musicians danced, sang and transported their audience with hit after hit. Lead singer Dan Reynolds appeared shirtless, bringing screams and gasps from many in the audience as he sang and jumped across the stage. ‘High energy’ isn’t sufficient to describe the band’s excitement and mood as they welcomed their fans; dynamic and vigorous, the group members’ smiles were matched with the audiences’ powerful spirited responses.

    Reynolds thanked the audience early in the evening for joining the band, specifying that music is the last real magic that unites people. In a climate of divisiveness, the American born band was clearly making a statement about acceptance and unity at a time when racism and hatred are more pronounced than ever.

    The bands’ vivacious musicianship pounded through the night with a wall of sound paired thoughtfully with visuals to match. Reynolds acted as a conductor, engaging the audience in singing lines like “I’m never changing who I am.” Shaking his finger at the fans, squatting to get closer to the audience, and even rolling his arms toward him in a circle, he drew the magic directly from the young families, teens and older couples who screamed lyrics of hope and self-assurance.

    The love song “Next To Me” seemed to speak directly to anyone who has loved and received unconditional love regardless of errors. Reynolds spoke of lovers and loners, reminding everyone that love needs to start with themselves before it is shared with another.

    Guitarist Wayne Sermon’s riff screamed out his own intense talent during “I’ll Make it Up to You.” For a brief moment, we were back in the 1980s with guitarists whose talent could steal the entire show. Sermon’s control of his instrument and confidence in the vertical riff brought gasps from the audience; it almost didn’t belong in the pop feel of the night, except to remind us that Imagine Dragons is, in fact, a rock band.

    After a beautiful rendition of “Mouth of the River,” complete with backdrop visuals of sunset, the group moved to a second stage embedded in the audience for three acoustic songs. This set, if not moving simply due to the closeness to fans, ended with a heart rendering “I Bet My Life on You,” a song about how parents give up much for their children with little in return, and yet everything in return.

    As if all this emotion and movement wasn’t enough, the band returned to the stage for a powerfully intense version of “Demons.” With fans singing along, Reynolds spoke directly out about depression and seeking help rather than facing demons alone.

    The fevered pitch of the concert had multiple peaks, including confetti and balloon drop punctuated moments during songs about love, appreciation, and the vitality of life. Finishing with “On Top of the World” and “Believer,” fans were mesmerized.

    Imagine Dragons reminded us: music really is the last real magic in the world.

    It unifies us. It reminds us to care for ourselves. It connects us to others. It reminds us to hope. And it stays with us, even after the last note is played.

    Setlist: Radioactive, It’s Time, Whatever It Takes, Yesterday, Walking the Wire, Next to Me, Shots, I’ll Make It Up to You, Start Over, Rise Up, Gold, Don’t Know Why, Mouth of the River, Born to Be Yours, Amsterdam, I Bet My Life, Demons, Thunder, On Top of the World, Believer

  • Let’s Be Leonard share first official music video “Most Days” off upcoming album “Static”

    Let’s Be Leonard have shared the first glimpse of their crowd-funded album Static in the form of “Most Days,” the band’s first ever official music video ever. The full movie of Static will premiere on July 27 at Park Theater in Glens Falls, NY, followed by two sets of Let’s Be Leonard. More info can be found here.

  • Mayer and Company Offer Their Weirs to a Packed SPAC

    Saratoga Performing Arts Center hosted Dead & Company with John Mayer on Monday, June 11, bringing in over 17,000 head nodding, barefoot dancing, arms-in-the-air, grooving fans to SPAC.

    Mayer SPAC

    True confession: this was my first experience with a Dead & Company show. And I wasn’t sure what all the fuss would be about. I’d listened to the Dead plenty of times, and while I liked the music, it wasn’t life altering to listen to alone in my room or the car.

    The experience of the jam music, however, surrounded by thousands of joyful, if not chemically altered, adults was entirely different than anything listening to tapes could prepare you for. The band opened up with “Jack Straw,” a well-loved favorite. The band felt slower than usual, and like they were struggling to get their feet under them. But the audience didn’t mind, grooving along and smiling. There was a long guitar introduction and what felt a bit like an extended warm-up; fans were tolerant and were overjoyed by the band’s very presence.

    Mayer SPAC

    John Mayer improved the energy, taking the lead on “Easy Wind” and then “Friend of the Devil.”  There was an ease to Mayer’s voice and playing that fit the folk feeling perfectly.  John Mayer’s ease stepping in Jerry Garcia’s role enhanced the music with a fresh voice and picking soul, refreshing old folk music with a new vibe.

    And the music didn’t stop, it simply picked up the pace in the second set. Varying from jam music to bluegrass to soul, the band played for 90 minutes for their first set, with only a short intermission before returning with a roaring cover of “The Weight.” They played furiously to the end of the set, hitting on old favorites like “Uncle John’s Band” and closing with “Touch of Grey.”

    Mayer SPAC

    While there were some shockers for this writer, including how absolutely stereotypical the drug use and over drinking was among the crowd, the true surprise of the evening was how intensely relaxing and fun the music could be when played live. The mellow groove that shifted into familiar songs as the night wore on made for a really fun community experience with music. Parents with young children, adults who were old enough to know better (but still drank too much), and young people alike danced together, sang together and remembered their common humanity together.

    It is worth a visit to a live Dead & Company concert, if only for the social experiences and energy from the band that changes the sound from what you might hear on the radio to a magical community experience.

    Setlist: Dead & Company | Saratoga Performing Arts Center | Saratoga Springs, New York | 6/11/18

    I: Jack Straw, Easy Wind > Friend of the Devil, Minglewood Blues, Ship of Fools, Corrina, Cassidy

    II: The Weight, Other One Jam > Truckin’ > He’s Gone > New Speedway Boogie > Uncle John’s Band > Supplication Jam > Drums/Space > Uncle John’s Band, Black Peter > Good Lovin’

    E: Touch of Grey

  • Hearing Aide: Black Mountain Symphony ‘Peacetime’

    The winner of NYS Music’s March Madness this year followed up their victory with the release of their EP Peacetime. Black Mountain Symphony is a six-piece band consisting of members Annie Campo (vocals, violin), Bear Campo (vocals, keys), Paul Burke (bass), Jason Matthews (drums), Chris Peppe (vocals, guitar), and Charlie Burgess (vocals, guitar, Native American flute). Each band member compliments the other, and brings a unique skill set to the band culminating in the creation of their unique sound. Referred to as both a symphonic groove pop group and a rock band, Black Mountain Symphony’s sound goes beyond the confinements of genre.

    Their EP was released at the start of this month on June 2, 2018 and is a cohesive piece of work featuring six tracks. The opening song, “Closer” sets the tone for the rest of the album. It lets the audience know they are about to give their ears a treat as all six tracks are composed using real instruments – a rarity in today’s popular music scene. Campo’s somewhat haunting yet soothing addition of the classical violin is the stand out moment for me in nearly every track. There is something special about hearing a violin in recorded music today that adds an element of richness.

    “Scorched Earth” is the second song on the EP and serves to highlight their beautiful harmonies. These harmonies are very complementary to the music in the piece as neither instrument overpowers the other. Another noteworthy track is “Peacetime” whose title perfectly sets the song up for its peaceful and groovy melody. Lastly, (and a personal favorite) is the song “Walk to the Edge”, specifically when the male and female voices come together and sing what sounds like ghostly “ohs”.

    If you voted for Black Mountain Symphony in our March Madness or are a fan of their sound, don’t forget to catch them live as they tour New York State this summer!

    Key Tracks: Peacetime, Walk to the Edge

  • Hearing Aide: News From Planet Kniffen ‘Dreamland’

    Darryl Kniffen’s brainchild News From Planet Kniffen released their debut album Dreamland on April 27, and the Vermont-based sextet has shown that they have the chops to produce some truly innovative fusion jazz/funk music. An eclectic musician from Clifton Park, New York, Kniffen has performed with a number of bands and musicians, and dominated the stage solo. He is responsible for all the arrangements found in NFPK’s triumphant debut album.

    The 9-track album begins with the promising “Blackness,” a worthy introduction track with soaring horn and trumpet lines, setting the tone for the high-energy voyage the listener is about to embark on. “Peace Journey” features a memorable piano line and some layered drumming, as well as some ultra-smooth sax and trumpet, culminating in a peaceful and ambient tune. The third track is the only cover on the album, a fresh take on AC/DC’s “Back In Black,” which manages to be both inventive and new, while remaining faithful to the hard rock classic.

    The aptly-named “Midnight Drive” builds the groove up slowly, and lets each member of the group take turns showcasing their ability and cultivating an entrancing atmosphere. See them perform it live here. After the sultry mellow groove of “Midnight Drive,” the band lets loose with the titular track, “Dreamland.” This is arguably the most danceable number on the album, with a salsa influence shining through their already-recognizable style. This intoxicating Latin-inspired track is sure to animate a crowd.

    “Song of Everest” follows on “Dreamland’s” heels with a heavy-metal inspired riff and some aggressive piano, adding more depth to the eclectic palette of the album. “Everest” brings some dark, raw energy that adds interesting variety and features a riveting peak and breakdown. “Beautiful Mystery” is essentially the tonal opposite of the previous song, with NFPK returning to their original, undeniably jazzy sound. “Inspiration” builds on a wave of pleasant horns and a steady build to a euphoric crescendo before the epic coup-de-grace that is “Tick Tock.” “Tick Tock” evokes the feeling of an old spy movie, with its jaunty piano-line and frantic pace, instilling a dramatic sense of urgency.

    News From Planet Kniffen shows tons of promise with their first foray into the world of jazz-fusion, with a debut album that blends mesmerizing soundscapes with genre-bending arrangements and musical prowess. These guys are not to be missed. Purchase the album here.

    Key Tracks: Back in Black, Midnight Drive, Dreamland

  • An all-star Everyone Orchestra lineup hits Putnam Place on May 3

    Everyone Orchestra is all-star pure improvisation. With conductor Matt Butler leading a rotating cast of big name musicians, these shows thrive on in-the-moment improvisations, twists and turns that can only be found among talented collaborators. On May 3, Butler brings together an all-star cast for the next Upstate New York installment of Everyone Orchestra.

    All-Star Everyone Orchestra

    Featuring John Kadlecik (Furthur), Michael Travis (The String Cheese Incident), Al Schnier (Moe.), Andrew Altman (Railroad Earth), Sam Brouse (Papadosio), Shannon Lynch (Conehead Buddha) and Shaun Bazylewicz (Conehead Buddha), you’ll be on your toes all night dancing and seeing what comes next out of this musical mashup of individual artists who know a thing or two about improv.

    Tickets are only $20 in advance and 25 day of show. The show is 18+ with a $5 surcharge for those under 21. More info on the show can be found here.

    Musicians Describe Everyone Orchestra from Peter Hwosch on Vimeo.

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