Third World is one of the longest-lived reggae bands and one of Jamaica’s most popular crossover acts, mixing R&B, funk, pop, and rock creating a style of reggae fusion. Thursday, July 19 they brought their talents to Riverfront Park in Albany for Alive at Five. Third World has 10 Grammy nominations with hits that include, “Now That We Found Love,” “96 Degrees in the Shade,” and “Try Jah Love.”
Opening band Mixed Roots, from Ghana, now reside in Albany, NY. Their music is exotic grooves mixed with danceable beats. The band consists of Charles on keyboards, Arya on guitar, TT on percussion, Jared on bass and a horn section with Dave and Catherine.
Charlie Puth brought his tour “Voice Notes” to Saratoga Performing Arts Center on Sunday, July 22nd, much to the delight of thousands of teen girls. After a longer set of familiar pop songs by Hailee Steinfeld, his opener, Puth took the stage dramatically behind a white curtain. Fans swooned and screamed as Puth’s silhouette was first seen on stage, and went wild as the curtain dropped as he crooned “The Way I Am.”
Puth energetically met the crowd, bouncing and singing in his sugary tenor voice to familiar tunes “Slow it Down” and “How Long.” He impressively controls pitch, demonstrating exceptional vocal talent. He also talked the crowd up a bit, reading their signs and conversing easily with fans about his love of all things Japan. He endorsed that he is lyrically open before singing “LA Girls,” admitting he made some mistakes in love. Melodic and perfect for the radio, Puth’s songs were easy to remember and predict.
The crowd was overjoyed by him. Even though the setlist was short (only 16 songs), fans knew almost every song and screamed along with Puth. During “We Don’t Talk Anymore,” Puth held the microphone out for the audience to join in, which they did with zeal. For many teens, this was clearly a first concert and a delight.
Charlie Puth checked all the boxes for a teen heartthrob on tour. He sang familiar love songs, almost all of which had him as the hero. He played keyboard, and also sang and danced. Throughout the night, he unbuttoned his bright green shirt, and by song ten had the shirt completely off. He chatted with the teens like the boy next door, sharing just enough to seem believably ordinary and safe. He wore familiar chinos and sneakers and leaned into the crowd with good eye contact. And of course, there is that voice, that amazingly sweet tenor that was consistently on pitch in its vertical climbs.
But there was something missing. Perhaps it was authenticity that was lost in Puth’s personality when he checked off all the boxes, and inadvertently put himself in one? Or perhaps he is simply shy, which is what his promoters have reported in the past. Either way, Charlie Puth’s performance, while still a gift to SPAC, is limiting. And somewhat disappointing.
Because a voice of that talent shouldn’t be checking off boxes, or put in a box, but allowed to sing its true song.
Let’s hope Puth unleashes his true voice before he gets stuck in that teen heartthrob box forever. Because it’s gorgeous and worth risking some vulnerability to keep him in the music scene beyond a few hits. Puth’s writing and skills could go the distance if he’s brave enough to go.
Set List: “The Way I Am;” “Slow It Down;” “How Long;” “Empty Cups;” “LA Girls;” “Marvin Gaye;” “Patient;” “Change;” “We Don’t Talk Anymore;” “Somebody Told Me;” “Done For Me;” “Suffer;” “One Call Away;” “Attention;” “BOY” and “See You Again”
The Devon Allman Project begins a swing through New York Tuesday, July 24, with a stop at Bearsville Theater in Woodstock. This is followed by dates in Rochester, Albany, Baldwinsville, and Pawling. The man with the legendary Allman Brothers bloodline has teamed up with another Allmans progeny, Duane Betts on a tour that has both men joining forces to display their own projects as well as pay tribute to their fathers’ legacies. NYS Music recently sat down with Allman to discuss the tour, being a father and the state of music today.
Mike Kohli: So is the band starting to gel yet?
Devon Allman: Oh yeah, we rehearsed really hard six months prior. We were doing three to five days a week rehearsal for six months. I wanted us to come out already primed.
MK: You’re working with Duane as well on this tour.
DA: Yeah, he’s got a new EP out. He was in his dad’s band for years and a band called Dawes for maybe a year or two. So this is like the first time he’s come out and done his own stuff, fronted his own band. It’s exciting. He’s great.
MK: You’re sharing a rhythm section?
DA: Yeah, it’s an eight-piece band at the end of it. It’s a brilliant thing.
MK: Doing the tour with Duane Betts, a guy you kind of grew up with. This is something you guys, in a way, dreamed of doing, correct?
DA: We were hanging out with our dads. Their band was experiencing a pretty big renaissance. But that’s where we made our first bond just from being on that tour. I don’t think when we were kids we really had dreams of playing together, but as we grew into adults and started touring and making records, we talked about it. We knew it would be special. And that’s really what it’s all about. We don’t want to go out there and be a tribute band. There’s only one Allman Brothers. But we can certainly do our part to help keep some of their music alive.
MK: What was the trigger that made you guys decide, “We need to do this together?”
DA: It was just timing. I lost both parents inside of five months. I took a year off. I didn’t have the heart to go and perform. So I kind of rallied around my family. I spent a lot of time around my siblings and my son. Duane was wrapping up with Dawes. I knew I was going back out there. And I wanted to go back out there in a bigger fashion. So it made sense to team up. Timing is everything.
MK: So you’re going to be in Syracuse soon. You make your home in St. Louis, right? That’s a big BBQ town. (Laughs). Are you a partaker of the BBQ?
DA: So they say (laughs) I mean, I go back and forth with being a carnivore and not being a carnivore. St. Louis is really a big baseball town and a good blues town. And we have our own pizza. A lot of people don’t realize there is a St. Louis-style pizza and it’s amazing.
MK: Well, if you’re in a carnivorous stage while you’re up here, be sure to check out some of our BBQ.
DA: Is that where Dinosaur is? Oh yeah, I’ve partaken.
MK: Did you always feel that pull to become a musician? You were obviously exposed to music at a young age. Did you want to become a musician right off the bat?
DA: I fell in love with music when I was four years old. My mom used to spin a lot of vinyl. I was infatuated from then on. I saw my first concert at nine. I saw Cheap Trick. When Rick Neilsen pulled out that five-neck guitar, I mean that was it. The epitome of cool. I have to get in on this immediately. I started playing guitar at 13. I had dreams of it but I really never thought I’d get to do what I do. I just thought it was an untouchable magic act to tour and make records. I got lucky and I got to do it. And I put a lot of work into it too.
MK: You’re producing too, right? Also started your own record label?
DA: Yeah, it’s gonna launch this fall. I’m excited about it. I want to give some younger artists a chance to develop a following, become bonafide recording artists. I haven’t put a record out since Ride or Die. That one came out in, I think, late ’16. I’m definitely due. I’m going in the studio this fall so I’ll have a new record out in probably January.
MK: Is that going to come out on your label or are you going to shop it around?
DA: I’ll shop it around. We’ll see.
MK: I have a son the same age as yours. Does he have any interest in music? Are you persuading, dissuading him in regards to music?
DA: I’m really letting him feel his way. He played piano for years and years and he played some guitar. I don’t know. He starts college in the fall and he may end up playing music, he may not. I’m not really sure. But I would never persuade him and I would never try to steer him away from it either. I think his love affair, his passion, his career, that’s gonna be up to him.
MK: Absolutely. This is a bit of a scary time for me. This is my first kid going to college. You just hope you did things right along the way, ya know?
DA: I mean, I’ve spent 45 years either being somebody’s son or being a father to a son. That’s all over, it’s scary new territory. It’s exciting, but it’s also sad. I’m gonna miss having my kiddo around every night.
MK: What do you listen to?
DA: I spin vinyl at home, keeping my mom’s tradition alive. I probably have 500 records. It’s everything, man. There’s Nigerian jazz to thrash metal to Miles and Coltrane. I like to listen to jazz when I’m cooking. I cook a lot. Man, there’s everything.
MK: Any new artists that have been catching your ear lately?
DA: Yeah, man, Caroline Rose. She’s a badass. She really is. She’s a gifted songwriter and storyteller and singer. She’s great. I love the new Lucero record. Always loved Lucero. They’re from Memphis, friends of mine. I love just about everything from Jason Isbell lately. I love his records. He’s a friend. There’s good new music out there. You just have to dig for it.
MK: Do you recognize a renaissance of outlaw country happening, in artists like Isbell and Sturgill?
DA: I think it’s more a renaissance of organic music in general. Doesn’t matter the flavor. I think people that really get into music are looking for something that is real. There’s so much crap out there.
MK: Do you think a lot of it has to do with the environment the country is in now?
DA: No, I think it has to do with the fact that somewhere along the way, it might have started with MTV, ya know, as soon as you could become a TV star by way of music video, I think people started wanting to get into music to become a star, not to make good music. And that’s where it really started getting shitty. If somebody grabs a guitar and wants to tell you a deep story about something they’ve been through, that’s gonna hit you a lot harder than someone who grabs a guitar because they want to be on TV. I guess, since time immemorial in music we’ve had that. There was bubblegum music in the ’50s and ’60s. So it is what it is.
MK: So you have a good stretch of Upstate NY shows coming up, hitting up Woodstock’s Bearsville Theater. Have you been to Levon Helm Studio?
DA: No, I haven’t.
MK: Well, if you ever get the chance, that’s like a church.
DA: Yeah, I know. I’m a huge freak of The Band. I just got their whole vinyl collection, every album. Amazing.
MK: Speaking of Woodstock and taking in sites, do you ever get a chance to take in the towns that you’re touring through or is it more a load in, play your show, head on to the next?
DA: I’m able to a little bit more now because we finally graduated up to a tour bus so we’re arriving to the towns, waking up around 10:00 – 11:00 on the bus, ya know have the whole day until you get called for soundcheck. I went and did a little guitar shopping in New Orleans, vinyl shopping, got to take my men out for sushi in NYC, try to make the most of it.
MK: It’s good to finally have a bit of that luxury, if you will.
MK: We’ll see you on your upcoming Upstate dates. Thanks for your time.
DA: Thanks for your time today, I appreciate you. We’ll see you up north soon.
The Devon Allman Project is currently on tour with Duane Betts. New Yorkers have several opportunities to catch this unique show. Betts opens the show, performing music from his recent EP using Allman’s rhythm section. Allman follows with a set of his own material and for the encore, all the musicians take the stage to pay tribute to the Allman Brothers.
The tour hits Baldwinsville’s Bud Light Amphitheater at Paper Mill Island on Saturday, July 28. Tickets are still available for the show through Ticketfly.
Devon Allman Project/Duane Betts Tour Dates:
July 24 – Bearsville Theater – Woodstock, NY July 26 – Party in the Park – Rochester, NY July 28 – Bud Light Amphitheater – Baldwinsville, NY July 29 – Darryl’s House – Pawling, NY
Aug. 3 – Flood City Music Fest – Johnstown, PA
Aug. 4 – Jergel’s Rhythm Grille – Warrendale, PA
Aug. 5 – Music by the Bay – Ajax, ON, Canada
Aug. 7 – Music by the Bay – Ajax, ON, Canada
Aug. 8 – Kent Stage – Kent, OH
Aug. 9 – Arcada Theater – Saint Anne Woods, IL
Aug. 11 – Riverside Park – Rushville, IN
Aug. 12 – Prairie Magic Music Festival – Valparaiso, IN
A native of New Orleans, John “Papa” Gros has spent more than a quarter-century championing the music of the Big Easy, and is best know for his band Papa Grows Funk. With a bevy of genres at his disposal – New Orleans funk, rock n roll, jazz, blues, Americana, pop and rock, Gros will combine these styles into a genre-bending gumbo while paying tribute to his influences and pushing ahead into new territory. Much like his New Orleans forefathers Allen Toussaint and Dr. John, Gros is a proud local who carries on the tradition of New Orleans music, honoring its past and helping to shape its future.
Swatkins, a joyful prophet of positivity, joins with The Positive Agenda for feel-good funk made by and for real human beings. Steve Swatkins makes raw, fresh soulful music without relying on computers or backing tracks and is a master of the talkbox, the old-school analog effect using his larynx to shape the sound of his keyboard synthesizer sent through a vinyl tube. Think about “California Love” for a moment and combine that with a throwback dance party with a killer live band playing the deepest grooves imaginable – now you’ve got a taste of what The Positive Agenda is all about.
John Gros Band will take the stage at 8:00 p.m. on Thursday, Aug. 16 with Swatkins and the Positive Agenda following around 10:30 p.m. Tickets are $15 advance, $20 at the door. More event info can be found here.
Aqueous just announced their most extensive headlining tour to date. The tour starts this September, ends in December, and will hit 27 cities.
Photo courtesy of Aqueous’s press release.
Aqueous is a Buffalo-based groove-rock quartet and has three studio albums under their belt. They have a reputation for their improvisational skills and are considered one of the most promising improvisational rock acts in the country.
During their tour Aqueous will be receiving support from the likes of Mungion, ELM, The Heavy Pets, EGI and Goose. They will be stopping in five New York cities: Buffalo, Sherman, Utica, Albany, and Brooklyn. The Buffalo, Sherman, and Utica stops are technically before the tour starts but are part of Aqueous’ already existing shows.
The band is made up of guitarist Mike Gantzer, guitarist/keyboardist David Loss, bassist Evan McPhaden, and drummer Rob Houk. Tickets are on sale this coming Friday, July 20th at 10 AM ET.
To purchase tickets or for more information on specific dates, please head to the band’s website.
Tour date listed bellow:
July 21 – The Peach Music Festival – Scranton, PA July 27 & 28 – Cobblestone Live – Buffalo, NY Aug. 23 – Night Lights Music Festival – Sherman, NY Sept. 7 – Saranac Brewery – Utica, NY **
Sept. 20 – Resonance Music and Arts Festival – Thornville, OH
Sept. 21 – Rex Theater – Pittsburgh, PA *
Oct. 24 – Space Ballroom – Hamden, CT ^
Oct. 25 – Higher Ground Showcase Lounge – South Burlington, VT ^
Oct. 26 – The Sinclair – Cambridge, MA ^ Oct. 27 – The Hollow – Albany, NY ^ Oct. 31 – Knitting Factory – Brooklyn, NY ^
Nov. 1 – Wionder Bar – Asbury Park, NJ ^
Nov. 2 – Union Stage – Washington D.C.^
Nov. 3 – The Foundry at the Fillmore – Philadelphia, PA ^
Nov. 4 – The Broadberry – Richmond, VA #
Nov. 6 – The Pour House Music Hall – Raleigh, NC #
Nov. 7 – Charleston Pour House – Charleston, SC #
Nov. 8 – The Social – Orlando, FL #
Nov. 9 – Jack Rabbits – Jacksonville, FL #
Nov. 10 – The Crowbar – Tampa, FL #
Nov. 14 – Zydeco – Birmingham, AL #
Nov. 15 – Aisle 5 – Atlanta, GA #
Nov. 16 – Asheville Music Hall – Asheville, NC #
Nov. 17 – Exit In – Nashville, TN #
Nov. 28 – Blind Pig – Ann Arbor, MI +
Nov. 29 – Chop Shop – Chicago, IL
Nov. 30 – The Miramar Theatre – Milwaukee, WI +
Dec. 5 – Hodi’s Halfnote – Ft. Collins, CO ^
Dec. 7 – Old Town Pub – Steamboat Springs, CO ^
Dec. 8 – Fox Theatre – Boulder, CO ^
Dec. 11 – The Waiting Room – Omaha, NE $
Dec. 12 – The Bootleg at Atomic Cowboy – St. Louis, MO $
Dec. 13 – The Hi-Fi – Indianapolis, IN $
** w/ moe.
* w/ ELM
^ w/ Mungion
# w/ The Heavy Pets
+ w/ EGI
$ w/ Goose
The annual tradition of the New York City Ballet taking up their summer residency in Saratoga, NY at Saratoga Performing Arts Center (SPAC) is upon us. Earlier this week seven tractor trailers began arriving carrying costumes, shoes, lights, sets, and anything else a world class ballet company would require on tour. Crews are working hard to ready the stage for the dancers including hanging the beautiful backdrops, and running over 3 miles of cable. Dancer’s have an entire truck load of costumes for this year’s one week run of performances along with over 1000 pairs of toe shoes.
This year’s run begins on Tuesday, July 17 with a production of All Balanchine. George Balanchine was a world renown choreographer, who also had a hand in designing SPAC’s stage and acoustics. There will also be performances of Romeo + Juliet, and 21st Century Choreographers, The closing performance will be on Saturday, July 21 with the 2018 Gala featuring a celebration of Jerome Robbins and Leonard Bernstein. Details can be found at spac.org
Thursday, June 28 was the perfect evening for the blues underneath the Albany Corning Preserve Boat Launch. The passing of a thunderstorm didn’t stop blues fans from across the Capital Region and beyond, from as far as Chicago, Illinois, from coming to Albany to attend the 4th concert of the 2018 Alive at 5 Concert Series, featuring Tito Jackson of The Jackson 5 and former members of the B.B. King Blues Band, with special guests, The Age.
Infusing their own blend of funk and soul into their original tunes, The Age set the bar high as they brought out their funk and their soothing souls into Downtown Albany. Their short set was led on by The Age’s sister, who was providing the lead vocals throughout the evening. The Age, who happened to have a cold, wasn’t able to provide the vocals to his tunes. He was only able to provide some minimal backing vocals with his sister. Despite his lack of vocals, The Age was able to entice the audience with some sizzling guitar work on his lead solos on stage. Still, their set was just as fun and entertaining and set the mood for a great evening of blues.
The blues remained alive and strong in Greater Albany as blues night continued inside Corning Preserve. The audience, even patrons holding up The Jackson 5 signage along the front barrier of the main stage, was anticipating the wait of the B.B. King Blues Band and their featured guitarist and vocalist, Tito Jackson. Many music fans may remember Tito Jackson from another famous musical family, the Jackson 5. Paying homage to blues great, B.B. King and the Jackson 5, this band was electrifying and certainly brought on the heat to continue to ignite a spark in the love of blues through their music and through the energy of their fans, and new fans alike.
The B.B. King Blues Band, featuring band members Tito Jackson (lead guitar/vocals), Walter King (saxophone, B.B. King’s nephew), Darrell Lavigne (piano), Raymond Harris (trombone), James Bolden (vocals, with over 35 years as an original member of B.B. King’s Band), Russell Jackson (bass/upright bass/vocals), Herman Jackson (drums), Eric Demmer (saxophone), Lamar Boulet (trumpet), and Wilbert Crosby (lead guitar/vocals), were impressive and amazing to watch, paying homage to the late B.B. King as well as the Jackson 5 through a medley of tunes.
Ranging from B.B. King’s “Every Day I Have the Blues,” “Guess Who” and “The Thrill Is Gone” to standard blues songs such as “Big Boss Man,” “Rock Me Baby,” “A Dog Is Still a Dog” (Tito dedicated the tune to his late father Joe Jackson and brother Michael), and even the classic Jackson 5 hit tunes “I Want You Back,” “The Love You Save” and “A.B.C.” among others, the entire ensemble was on fire! The chemistry and the back to back interplay amongst the performers like Herman Jackson (drums) and Lavigne and Eric Demmer, to the guitar interplay by Wilbert Crosby, Russell Jackson (who was tip toeing towards the front of the stage playing the bass guitar as if it was a standard guitar, moving fast along the fret board), and Tito Jackson was captivating to watch! The emotion was certainly felt between the performers through their effortless performances within their song choices.
“I love the blues!,” shouted out bassist Russell Jackson after playing one of the songs during the start of their set! The crowd was certainly giving the band and Tito Jackson some love to their blues playing all evening, waving their arms in the air and swinging album art of the Jackson 5 towards the group for them to sign at a later time.
Upon entering the stage to perform a series of guitar solos during the middle of the B.B. King tune “Every Day I Have The Blues,” Tito Jackson took the time to thank the fans for their kind words and thoughts concerning the recent passing of his father and founder of the Jackson 5, Joe Jackson, who had passed away just two days shy of the 9 year anniversary of his son Michael’s death (June 25). Jackson had contemplated on whether or not he was going to cancel his Albany performance but had decided that the show must go on and performed in honor of both his father and brother. Jackson would also later dedicate “I Want You Back,” “The Love You Save” and “A.B.C.” to his loved ones and his fans. Concluding the evening with B.B. King’s “The Thrill Is Gone,” Tito Jackson stood upon the large speakers and moved along the row to shake hands with his fans and sign autographs on their signage and other memorabilia while the band concluded the song to signal the end of an evening. Although the fans shouted out for an encore song from Jackson, there was no encore performance.
To be a part of watching two established performers such as the B.B. King Blues Band and Tito Jackson on the Alive at 5 Concert Stage was truly an honor and a privilege to be a part of this special evening underneath the Albany Corning Preserve Boat Launch. Great blues from these living and non-living legends continues to remain strong as shown through the eyes of these great performers that continue to keep their band members and family members’ legacies alive through the power of blues.
Southern rock and roll rose up in Saratoga Springs at SPAC on July 3rd, with special guests led by Greenville, South Carolina’s Marcus King Band, Tuscaloosa, Alabama’s Drive-By Truckers and Jacksonville, Florida’s Tedeschi Trucks Band. If that lineup of musicians doesn’t conjure images of extended soulful guitar solos and rock n roll in the vein of The Allman Brothers Band, you may need to eat a peach. Over three hours of combined music, these three bands combined for one of the most rockin’ shows this year, and a treat for anyone able to see the Wheels of Soul tour and is treks across New York State and the country this month, headed west for a two-night run at Red Rocks in Colorado.
Opening with “Tell the Truth,” TTB’s love for Clapton shone on both ends of the set, with “Key to the Highway” appearing later in the set. “Don’t Know What it Means” with its blaring horn intro and Tedeschi’s pipes never fails to get bodies moving, and a giant sax bridge from Kebbi Williams segued perfectly into “The Letter.” A smooth jam in “Little Martha/Midnight in Harlem” preceded covers of Dylan’s “Down in the Flood,” and the Stevie Wonder written/The Band performed “Loving You is Sweeter Than Ever,” then punctuated by “I Want More,” an original that crescendoed like a rock orchestra, ending with thunderous drums from the duo of J.J. Johnson and Tyler Greenwell.
The earlier performers of the evening were welcomed to the stage eagerly by both band and audience. Drive by Trucker’s Patterson Hood joined in on “Let me roll with it,” a sing along featuring double driving guitar via Hood and Trucks. Marcus King joined on guitar and vocals for Clapton/B.B. King’s “Key to the Highway” where Mike Mattison showed monster presence with his powerful vocals. To close the night, the band welcomed Eric Krasno of Lettuce and Soulive fame and Tash Neal from London Souls for an enthusiastic “Statesboro Blues.”
There is as mantle for the wider Allman Brothers Band family, including Gov’t Mule, Les Brers, Great Southern, Derek Trucks Band, Tedeschi Trucks Band, and many more yet to come. To see any is to experience the full southern rock band sound, the real deal, every time.
Setlist (via setlist.fm): Tell the Truth, Part of Me, Don’t Know What It Means, The Letter, Little Martha/Midnight in Harlem, Down in the Flood, Loving You is Sweeter Than Ever, I Want More, Let Me Roll It*, Laugh About It, Key to the Highway^, Shame, Bound for Glory Encore: Statesboro Blues+
* w/ Patterson Hood
^ w/ Marcus King
+ w/ Eric Krasno, Tash Neal (London Souls)
10,000 MANIACS will be rolling into Cohoes Music Hall in Cohoes on Saturday, July 14 at 8:00 p.m.
Photo courtesy of their website.
10,000 Maniacs started in Jamestown, and were founded in 1981. They are known from the early “alternative rock” movement, having released close to 20 albums, including 2015’s Twice Told Tales and 2016’s Playing Favorites. They consistently tour not only the U.S. but abroad as well.
This year marks three significant anniversaries in the band’s history. Their first full-length recording was released 35 years ago. Secrets of the I Ching, which caught the attention of BBC radio legend John Peel, who brought the band to the attention of millions of listeners worldwide. 25 years ago and the second significant event happened; Mary Ramsey began her tenure as lead singer for the band. It was in that same year the 3rd significant thing happened, which was that 10,000 Maniacs made their iconic performance on MTV’s “Unplugged”; the released recording would go on to sell millions of copies.
In celebration of these milestones on their 2018 tour, 10,000 Maniacs will play select acoustic sets including songs from Secrets of the I Ching and MTV Unplugged as well as their hit songs. 10,000 Maniacs is comprised of Mary Ramsey, lead vocals,viola; Steven Gustafson, bass guitar; Dennis Drew, keyboard; Jeff Erickson, guitar; John Lombardo, guitar; and Jerome Augustyniak, drums.
Tickets for the all-ages event are $35.00-$55.00.
For more information call 518-953-0630 or visit Cohoes Music Hall’s website.
For more information on 10,000 Maniacs visit their website.
Berkshires resident and world-loved music legend James Taylor crooned to a sold-out crowd at Tanglewood July 3, the first night of his traditional two nights at the rural venue near his summer home. The crowd filled every inch of the manicured lawn with blankets, tables, chairs and fine dining accessories, clearly reflecting that this wasn’t the first JT concert attended by most fans. Inside seats were filled as the crowd sat in high humidity and heat, waiting with anticipation for the first set.
James Taylor was the first artist to set foot on the stage a little after 8:00, and he was met by cheering fans who quickly forgave the brief tardiness. The 70-year-old star appeared in his long pants, dress shirt and cap, and after brief waves, he slung his guitar over his shoulder as he sang “Carolina on My Mind.”
Photo by Jim ‘JT’ Gilbert
Taylor transitioned through both well-known pieces and some lesser-known songs in the first set. The light show, coordinated with the chorus and highlights of “Country Road,” seemed intent to remind the audience that they are indeed at a rock concert, not a folk concert.
It would be a bumpy first set, though, marked by amp problems, some pacing issues, and low energy from artist and crowd alike. At one point after “Frozen Man,” seasoned Taylor matched the key of the reverb from the amp and joked, “Do we have any songs in that key?” Using humor and his incredibly flexible vocals, Taylor kept the crowd engaged through some slower moments. He introduced band members throughout the first set, and indeed the band members, including 2 percussionists, a trumpet player, flute and saxophone player, three backup singers, pianist, fiddle and of course the customary guitar and bass, are an all-star band. Taylor turned to look at each artist as he or she performed, and genuinely reflected an appreciation for sharing the music with the artists.
Folksy and dancing little jigs, Taylor covered “(I’m a) Road Runner” and danced around the stage. This seemed to wake the audience back up, but there was a bit wrong with the rhythm section and the band seemed off the pace with one another. “Copperline” saved the set, though, with Taylor’s infallible voice finding its vertical pitches with beautiful ease. They rolled into “Handyman” and “Mexico,” bringing the crowd to it’s feet.
Before breaking for intermission, Taylor looked at the setlist and joked with the audience, pacing them for the twenty-minute break and promising “a lot of hits” in the second set. In between, he was on stage, signing autographs and taking pictures with fans.
The second set delivered on the hits, and more than compensated for any troubling moments from earlier in the night. Fans sang along to the most famous James Taylor tunes, swaying in the heat to “Something in the Way She Moves.” Taylor impossibly made himself even more human and relatable with a song about his dog, Sunny, and shared adorable pictures of the pug. Each song in the second set related to the human experience: loving someone, losing someone, having a dog, being a friend.
Photo by Jim ‘JT’ Gilbert
And that’s really why people go to see James Taylor – the articulation of their own very human experience. We go to be reminded that we aren’t alone in these hard emotions, and in fact everyone struggles with sadness, joy, and how to show love. “Shower the People You Love” brought the crowd to its feet, singing along and encouraging folks to do just that – show the love to those around you.
From “Sunny Skies” and “Walking Man,”the set transitioned to the faster, more intense rock feel of “Steam Roller.” Playing on a baby blue electric guitar, Taylor’s only electric guitar song featured some impressive riffs by the pianist, bassist, and sax players. Taylor waved his cap over the instruments, and jumped on one leg like an old time rock star, bringing gasps of joy and screams of love from the audience.
Filled with folks who had traveled long distances to get to Tanglewood, the crowd talked to each other with civility, gentleness, and a genuine interest in one another in the shed. Couples surrounding this reviewer came from New Haven, Rochester, and even Philadelphia. It had become an annual pilgrimage for many of them. When asked why the same smile crossed their lips, heads shook a bit in disbelief, and no one could really articulate a specific reason beyond loving the music. But with the encore of “You’ve Got a Friend,” fans were truly speaking their hearts. James Taylor is their friend, their company in easy and hard times alike.
Photo by Jim ‘JT’ Gilbert
During this time of low civility, isolation, and sad news of disparities in our country, the concert offered a quaint respite in songs lending empathy, kindness, and intelligence. As long as he’s performing at Tanglewood, clearly James Taylor has thousands of friends overjoyed to have him – and each other – on this American holiday weekend.
Setlist
Set One: Carolina in My Mind, Country Road, The Frozen Man, Never Die Young, Don’t Let Me Be Lonely Tonight, Road Runner, Nothing Like a Hundred Miles, Raised Up Family, Copperline, Handyman, Mexico
Set Two: Something in the Way She Moves, Sunny Skies, Walking Man, Up on the Roof, Steamroller, Sweet Baby James, Fire and Rain, Your Smiling Face, Shower the People, How Sweet it Is
Encore: Shed a Little Light, In the Midnight Hour, You’ve Got a Friend
Mike Kohli: So is the band starting to gel yet?
