Anyone who’s ever questioned their purpose (so all of us) will relate to the sentiments laid out in TJ Foster’s recent release First Person, Volume One. The album unfolds like a diary decorated with a mix of acoustic guitar, piano, harmonica and occasional drums. Each song explores the obstacles that emerge as people struggle with defining their own identity and finding their place in the world.
The lyrics won’t shock the ear with poetic potency but Foster’s words will validate the listeners’ own questioning of self. The first track, “I Don’t Know,” sets the tone for the album with modest guitar elevated by strong vocal harmonies. The title offers a simple and honest response to the questions that escape our grasp. “57” wrestles with the desire for human connection but hauntingly echoes the chorus “Should I just be alone.” The melancholy ensues with “Basement,” which details a few of the emotional hardships Foster has experienced including losing a friend to suicide and dealing with his parents’ divorce.
“An Ode to my Twenties” surprises the listener with the most upbeat tune on the album, recounting important milestones including graduation, getting married, having two kids, getting a first tattoo, and perhaps most notably, finding a taste for wine. It’s may seem like a minor adult accomplishment, but detecting the subtle nuances in a glass of merlot is an ability often lost on younger drinkers. In “Upside Down,” Foster almost whispers the line “I may act like I’m awake, but I’m perpetually dreaming.” It speaks to the human tendency to be caught up in our thoughts and not actively participating in our own lives, too busy focusing on the negative to revel in the positive.
Though First Person, Volume One offers no comforting solutions to the numerous existential questions it poses, perhaps comfort can be found the questions themselves, as they are familiar to many of us. Released on April 13, the album is available for purchase here.
Key Tracks: I Don’t Know, An Ode to My Twenties, Upside Down
The last time Phish came to Albany, they dropped a legendary “Seven Below” -> “Ghost,” one of the defining jams of the 3.0 era. Today, Phish has announced a 14-date Fall Tour kicking off October 16 with two nights in Albany, NY at the Times Union Center, and concluding with a four-night Halloween Run, beginning on October 31, at MGM Grand Garden Arena in Las Vegas. The tour also includes three-night stands in Chicago, IL, Hampton, VA and two nights in Nashville, TN.
A limited number of tickets are available now at tickets.phish.com through Tuesday, May 29 at 9AM ET. Tickets go on sale to the general public beginning June 1 and continuing through June 2. For more info, visit phish.com.
Phish and CID Entertainment are also offering travel packages (which include hotel & tickets) for Hampton, Chicago and the Halloween Run. Travel Packages go on sale Thursday, May 31 at Noon local time. Full details available here.
Phish 2018 Fall Tourdates 10/16 Times Union Center, Albany, NY 10/17 Times Union Center, Albany, NY
10/19 Hampton Coliseum, Hampton, VA
10/20 Hampton Coliseum, Hampton, VA
10/21 Hampton Coliseum, Hampton, VA
10/23 Ascend Amphitheater, Nashville, TN
10/24 Ascend Amphitheater, Nashville, TN
10/26 Allstate Arena, Chicago, IL
10/27 Allstate Arena, Chicago, IL
10/28 Allstate Arena, Chicago, IL
10/31 MGM Grand Garden Arena, Las Vegas, NV
11/01 MGM Grand Garden Arena, Las Vegas, NV
11/02 MGM Grand Garden Arena, Las Vegas, NV
11/03 MGM Grand Garden Arena, Las Vegas, NV
Darryl Kniffen’s brainchild News From Planet Kniffen released their debut album Dreamland on April 27, and the Vermont-based sextet has shown that they have the chops to produce some truly innovative fusion jazz/funk music. An eclectic musician from Clifton Park, New York, Kniffen has performed with a number of bands and musicians, and dominated the stage solo. He is responsible for all the arrangements found in NFPK’s triumphant debut album.
The 9-track album begins with the promising “Blackness,” a worthy introduction track with soaring horn and trumpet lines, setting the tone for the high-energy voyage the listener is about to embark on. “Peace Journey” features a memorable piano line and some layered drumming, as well as some ultra-smooth sax and trumpet, culminating in a peaceful and ambient tune. The third track is the only cover on the album, a fresh take on AC/DC’s “Back In Black,” which manages to be both inventive and new, while remaining faithful to the hard rock classic.
The aptly-named “Midnight Drive” builds the groove up slowly, and lets each member of the group take turns showcasing their ability and cultivating an entrancing atmosphere. See them perform it live here. After the sultry mellow groove of “Midnight Drive,” the band lets loose with the titular track, “Dreamland.” This is arguably the most danceable number on the album, with a salsa influence shining through their already-recognizable style. This intoxicating Latin-inspired track is sure to animate a crowd.
“Song of Everest” follows on “Dreamland’s” heels with a heavy-metal inspired riff and some aggressive piano, adding more depth to the eclectic palette of the album. “Everest” brings some dark, raw energy that adds interesting variety and features a riveting peak and breakdown. “Beautiful Mystery” is essentially the tonal opposite of the previous song, with NFPK returning to their original, undeniably jazzy sound. “Inspiration” builds on a wave of pleasant horns and a steady build to a euphoric crescendo before the epic coup-de-grace that is “Tick Tock.” “Tick Tock” evokes the feeling of an old spy movie, with its jaunty piano-line and frantic pace, instilling a dramatic sense of urgency.
News From Planet Kniffen shows tons of promise with their first foray into the world of jazz-fusion, with a debut album that blends mesmerizing soundscapes with genre-bending arrangements and musical prowess. These guys are not to be missed. Purchase the albumhere.
Key Tracks: Back in Black, Midnight Drive, Dreamland
Rock musician, singer/songwriter Alejandro Escovedo, will bring his multiple talents to Capital Region when he takes the stage at the Cohoes Music Hall in Cohoes on May 11.
The show will also feature special guest Kris Gruen. Doors open at 7 p.m. and show time at 8 p.m. Tickets range from $25-$35. All ages are welcome.
Born in 1951, the Mexican-American musician’s guitar playing skills cross genres such as punk rock, roots rock, and alternative country. He comes from a family of musicians including brothers Coke and Pete Escovedo. Pop star of the late ’70s and early ’80s Sheila E., is Escovedo’s niece (Pete’s daughter).
Escovedo has released fifteen studio albums since 1992 including his latest effort, Burn Something Beautiful (2016). He collaborated with R.E.M. lead guitarist Peter Buck, and The Minus 5 member Scott McCaughey on songwriting for Burn Something Beautiful. The pair also helped produce the album. Throughout his career, Escovedo has collaborated on several albums including a tribute album to Moby Grape co-founder Skip Spence.
Alongside Jennifer Miro and Jeff Olener, Escovedo started his musical career in the punk rock group The Nuns during the ’70s music scene in San Francisco. In the ’80s, he moved on from The Nuns and teamed up with brothers and former The Dils members Chip and Tony Kinman to form the punk rock band Rank and File. Together they would release three studio albums before disbanding in 1987. He formed the band True Believers with his brother Javier.
When talking about how he carries his career, Escovedo stated: “You just do your good work, and people care. I always believed, when I was a kid, that if you worked hard, you would find fulfillment. I think I got a lot of that from my father and my brothers. A working musician is all I ever wanted to be. Hard work, stay true to what you want to do, and then eventually someone would notice for that very reason.”
Disc Jam organizers released the daily lineups for this year’s festival, being held June 7-10 in Stephentown, NY. Daily headliners include Aqueous and Moon Hooch (Thursday), The Motet and Galactic (Friday), Beats Antique and Lotus (Saturday) and Tom Marshall’s Amfibian All-Stars (Sunday). Late night acts include Gubbulidis and solo sets from Ryan Dempsey and Brook Jordan, all of Twiddle (Thursday), DJ Logic & Friends and Barber Acoustic (Friday), and Electron and Tom Hamilton & Holly Bowling (Saturday).
Tickets for the festival are available now. Attendees can purchase full weekend passes or daily passes. Information on ticketing can be found at the Disc Jam website.
Artists at Large
Once again, Disc Jam will have some of the biggest names in the jam scene performing throughout the festival, collaborating with artists and bands each day. Artists at Large for Disc Jam 2018 include Eli Winderman and Rob Compa (Dopapod), Michelangelo Carruba, Shira Elias, Craig Brodhead, Chris Brouwers, Greg Sanderson, Josh Schwartz (Turkuaz), DJ Logic, and Honeycomb. Experience the collective nature of the Disc Jam community as these incredible musicians join more than 100 artists this June 7-10 in Stephentown, NY.
Woods Stage Artists
This year, Disc Jam has four of the hottest promoters in the Northeast taking over the Woods Stage for themed electronic dance music takeovers. Thursday night will be produced by Rezinate, well known for promoting some of the sought after underground parties and events in Boston. Friday’s duties go to Minus Zero Festival co-producers, NV Concepts, who will be presenting an entire night from the top house music artists off the Dirtybird Records Label, including Christian Martin, Kill Frenzy, Golf Clap and Ardalan. On Saturday, Brooklyn-based Sermon will host a night of bass music with U.K. producer Joker topping their list of wompy artists. The Wook of Wall Street will be hosting nightly curated Silent Disco Sets that go until sunrise.
Disc Jam Flow Tribe
Disc Jam Flow Tribe performances at Disc Jam are a staple for attendees and will once again include a renowned team of well rounded performance artists who have been a major part of the Disc Jam family since 2012. The featured flow artist for 2018 is world renowned Hula Hooper Rachael Lust. Rachael will be hosting flow arts workshops for beginner to expert levels, with multiple sessions each day. A variety of workshops will be offered to broaden the mind, body and spirit. Choose from Wellness, Flow Arts, Yoga, Painting, Disc Golf, and Permaculture classes available daily.
Visual Artists
Visual artists, including live painters and artists, will create massive murals and art installations throughout the site all weekend long. Featured artists Gabriel Welch, Stephen Kruse, Andy Reed, Raf Mata and many more will be creating murals, as well as curating an art gallery tent where attendees can view and buy artwork from all of the artists.
Disc Golf Tournaments
Disc golf is a game for experts, beginners, and everyone in between. Playing at least one round is a must for Disc Jam enthusiasts and the course encourages both the avid and first timer players to try their hand, all at no additional cost to play (outside of tournaments), with discs provided free of charge for those interested in playing.
Disc Golf Tournaments for men and women are held on Saturday and Sunday mornings, with cash and prizes from Innova Disc Golf, Grassroots California, Vibram Five Fingers shoes, Native Eyewear, Suspended in the Trees Hammocks, The Earth Ship Tents and more going to the top finishers. Nationally ranked and touring Team Innova Disc Golf Pro Gregg Barsby will be hosting the tournaments as well as playing rounds, hosting workshops and clinics all weekend long.
Road to Disc Jam Tour
Having kicked off in April, more than 20 Disc Jam artists will perform at 11 venues across seven states including New York, New England and Pennsylvania, with free Disc Jam tickets given away as a door prize at each show.
April 27 – Funky Dawgz Brass Band, Congo Sanchez and Honeycomb – Jewel Music, Manchester, NH April 28 – Formula 5 and Space Carnival – The Hollow Bar and Kitchen, Albany, NY
April 28 – Congo Sanchez – Strange Brew Pub, Norwich, CT
May 4 – Strange Machines and The Clock Reads – Electric Haze, Worcester, MA May 10 – Marbin and Swimmer – Buffalo Iron Works, Buffalo, NY
May 11 – Swimmer and Goose – Nectar’s, Burlington, VT
May 11 – The Wook of Wall Street Pre-Jawn – Sprout Music Collective, West Chester, PA May 17 – Borg Party (members of Dopapod, Turkuaz, Giant Panda) – Flour City Station, Rochester, NY
May 17 – Consider the Source – River Street Jazz Cafe, Wilkes-Barre, PA
May 17 – Kung Fu – Hawks and Reed Performing Arts Center, Greenfield, MA
May 18 – Harsh Armadillo – Arch Street Tavern, Hartford, CT May 18 – Funktional Flow and Swimmer – Funk n Waffles, Syracuse, NY May 19 – Bella’s Bartok and Cousin Earth – Funk n Waffles, Syracuse, NY
May 24 – West End Blend and Craig Brodhead (Turkuaz) – Fete Music Hall, Providence, RI
See the daily schedule and the 2018 Disc Jam announcement below:
The Venn Diagram of ‘Blues Traveler Fans’ and ‘people who like hearing songwriters talk about the music they’re performing’ intersected at The Egg’s Swyer Theater on Thursday, May 3, with John Popper performing songs from across his catalog with fellow Blues Traveler Ben Wilson accompanying him on piano. Over two hours, Popper would dip into song after song, rip passionate vocals onto the crowd, dive into a high arcing harmonica solo, and then after closing the song out, get into a story about that, or the next song. Katrina Woolverton opened for Popper, performing originals such as “Better now” and covered Lady Gaga’s “Million Reasons” alongside guitarist Lance Conner.
Gen X fans of Blues Traveler brought their kids to listen to Popper perform “100 Years,” “Regarding Steven,” and “Alone,” which brought Popper and Wilson back to the early 90s when they lived on 134th street in NYC. “Champipple” had an interesting backstory involving an episode of Sanford and Son where Fred shares his recipe for homemade Champagne – Ripple and Ginger Ale. “Mountains Win Again” and “But Anyway” both made appearances, as well as “Hurry Up and Hang Around,” off the upcoming Blues Traveler album, due out this October, and was inspired by their 2014 trip on JamCruise. “Carolina Blues” led into Wilson’s piano solo of the night, and then seamlessly worked into “Hook,” earning a standing ovation from the audience, and again for an encore of “Imagine” with Woolverton and Wilson.
https://www.instagram.com/p/BiVtmxCHrOo
Popper has evolved over the past 30 years of Blues Traveler into an elder statesman of the jam scene, and being the founder of H.O.R.D.E., he certainly earned the title at a young age. At the same time, Popper looks like your neighbor who takes pride in mowing his lawn and has two young kids running around that he dotes on. Either way, this is a Popper tour real fans should plan to catch.
Joining the ranks of Albany’s tasteful and expansive live music scene over the last two years, Hartley’s Encore has become a recognizable name, plastered on fliers at favored venues and taking on hosting duties for local funk nights, and after rounding up a collection of distinguished tracks, the spunky Capital Region locals finally put forth their first, self-titled album on April 20, 2018.
The 6-track effort was recorded and mixed by Soulives’ Alan Evans at Iron Wax Recording Studio in Millers Falls, MA and comes stacked with talent, including Luke Malamood (Lead and Backing Vocals, Keyboards, Hammond B3, Percussion), Chris Oliver (Guitars, Backing Vocals), Jeff Nania (Saxophones), Josh Gordon (Bass: tracks 1, 3, 4, and 6), Mike Gilet (Drums: tracks 1, 3, 4, and 6) and the help of Erik Pravel (Drums: tracks 2, and 5), Phil Chow (Trumpet) and Brad Monkell (Bass: tracks 2, and 5).
From the album’s opening notes, it’s apparent the assortment has one goal in mind: create funky, dance-leaning tracks that leave the live crowd and listener at home no choice but to groove in their immediate proximity. “Take ‘Em Down” and “Can’t Fake the Funk” are full embodiments of dance anthems, complete with transitions between soulful vocals and an impressive horn section splashed throughout. Groovy, harmonized background vocals and a splash of falsetto are quick to grab an ear as well as carefully placed elements of rock and roll. Although generally funky and soulful, a fiery nugget of psychedelic rock is thrown into the mix with wailing guitar solos by Oliver.
Rotating focus on which instruments shine, “Keep That Bright Light Shining,” “All My Funky People” and “Hooklynn” highlight the ability to swap musical hats with tasteful drum lead-ins, tickling of the keys and fleeting solos on guitar. Appropriately named “Hartley’s Encore” and placed as the closing track of the album, the repeated mantra of “gonna give you an encore” paired with jazzy pockets of saxophone and trumpet leave you feeling the funk up until the final notes.
Over six tracks, Hartley’s Encore manages to fuse their chosen genres in a seamless way, weaving rock and roll amidst funk and jazz while keeping the message lighthearted and fun. Between catchy hooks, tasty riffs and feel-good tunes, the up and comers pieced together a collection of tracks suitable for those live on the dance floor, cookin’ and dancin’ at home or anxiously wiggling in the car during rush hour traffic.
A record release party took place onFriday, April 27 at The Hollow in Albany with special guest Victory Soul Orchestra and was hosted by Guthrie/Bell Productions. They will also perform at Bowery Electric on May 18 in Manhattan. Hartley’s Encore is now available on Spotify and Apple Music.
Key Tracks: (Keep That) Bright Light Shinning, All My Funky People, Hartley’s Encore
The Zappa family has always loved Upstate New York. Frank opened his 1988 U.S. tour at the Palace Theater and his son, Dweezil Zappa, has continued that love for the area on his runs. Coming to The Egg for the first time since 2016, he played everyone’s favorite tunes during this ‘Choice Cuts’ tour. With his usual band of eccentric members, they set expectations high and delivered all night.
As the band members came on stage, the show started into “The Purple Lagoon (Intro)” before Dweezil came out to a thunderous applause. Wasting no time, they started the 1975 favorite, “Andy” and then began the originally unreleased “Lonely Little Girl”. “Flakes” included its usual Bob Dylan homage and a new Eric Cartman section which was hilariously performed by Scheila Gonzalez. Cian Coey took the mic for “Fifty Fifty” and did not let her foot cast stop her from rockin’. Dweezil took it on himself to deliver a blistering solo to end the song and then took them band into “Po-jama People”.
Before the next song, he paused to tell the crowd that it was “great that Albany loves Zappa so much” and then surprised everyone with the “James Bond Theme” which segued perfectly into “Studebaker Hoch”. A lovely “Rollo” medley was followed by an explanation that the next song couldn’t originally be played live because certain feedback techniques were not possible to recreate outside of the studio. Using modern technology, they all brought “Absolutely Free” to life and followed it with “Call Any Vegetable” and “Tell Me You Love Me”, which features some great keyboard work from Chris Norton.
Pausing again to chat with the audience, Mr. Zappa proclaimed that the theme of the show was “It’s so fucking great to be alive”. He went on to say that of all the songs his father composed, his favorite was this next song, “Dog Meat”. The beautiful clamor had people on their feet cheering for more, so the band declared, “And now for something completely different” before launching into AC/DC’s “Back in Black”. Bassist Kurt Morgan was dressed to impress as Angus Young and really shined during this track.
Next up were two “songs from the 80’s” called as “Cocaine Decisions” and “Drowning Witch” before jumping back decades to play “Sleeping In A Jar” and “Florentine Pogen”. Dweezil was happy to announce that it was now ‘Unreleased Time’ and played a song called “Sleep Napkins”, which is a combination of “Black Napkins” and “Sleep Dirt”. Drummer Ryan Brown tore the roof down with his exceptional drumming during both “The Black Page # 1” and “The Black Page # 2” and led the band into everyone’s favorite, “Peaches en Regalia”.
Zappa was more than just a musician and in 1971, Frank directed the movie 200 Motels. Unsurprisingly, he also wrote the soundtrack too and Dweezil brought the classic “This Town is a Sealed Tuna Sandwich” to life for the enthusiastic audience. Jumping to the other end of the decade, the band started into everyone’s favorite, “Keep It Greasy” and when it finished, Dweezil started talking to the crowd about his all-time favorite Zappa songs and said this next one was high on the list. “Cheepnis” became everyone’s favorite by the time it was over and they followed that with “Son of Orange County” before ending the two-and-a-half hour set with “Trouble Every Day”.
After a few minutes offstage, everyone came back to a roaring crowd as Dweezil told a story about a failed jingle that his father wrote back in the day. It was for Remington Electric Razor’s and it was to be performed with Linda Ronstadt. They were paid for their work, but the company was not a fan of the song. “Remington Electric Razor Jingle” was followed by a lovely version of “Oh, In The Sky” performed by Adam Minkoff. Dweezil let loose with another jaw-dropping solo during “Muffin Man” before they ended the night with “The Purple Lagoon (Reprise)”.
In Episode 3 of Empire State Music Podcast, host Andy Hogan talks with Albany’s Formula 5 about their Spring Tour, Rock the Dock Festival in July, and discuss the music scenes in New York and New England.
The Adirondack Independence Music Fest 2018 is quickly becoming one of the fastest growing festivals in the Northeast. This year’s festival is taking place Sept. 1 and 2 at the Charles R. Wood Festival Commons in Lake George and features two sets from both Pigeons Playing Ping Pong and Lucid along with a host of other national and regional acts.
Additional artists scheduled to perform at the 2018 festival include Keller Williams, Pink
Talking Fish, Badfish: A Tribute to Sublime, Lespecial, Formula 5, Jen Durkin & the Business,
Steal Your Peach Band, Gratefully Yours, Swift Technique, Goose, Let’s Be Leonard, Root
Shock, the Melting Nomads and LDF (Ladies Drink Free), with more bands to be announced
soon. The festival also plans to announce a big headliner in late July.
Music runs from 1:00 p.m. to 11:00pm each day on 2 alternating main stages at the festival
grounds, followed by late night performances each night at local venue, King Neptune’s until
3:00 a.m.. Goose, LDF (Ladies Drink Free) and Gratefully Yours have currently been announced
for late night performances at King Neptune’s. Additionally, there will be a free kick-off party
on Friday, August 31, with performances scheduled for both Shepard Park in downtown Lake
George and King Neptune’s. So far, The Funky Dawgz Brass Band have tapped for the kick-off
party, with additional bands still expected to be announced.
Early bird tickets for Adirondack Music Fest 2018 are on sale now and are priced at $70 for the weekend or $170 for weekend VIP tickets. More information can be found at the festival’s website.
Meanwhile, check out the Mirth Films promo video for this year’s event below.
Anyone who’s ever questioned their purpose (so all of us) will relate to the sentiments laid out in TJ Foster’s recent release First Person, Volume One. The album unfolds like a diary decorated with a mix of acoustic guitar, piano, harmonica and occasional drums. Each song explores the obstacles that emerge as people struggle with defining their own identity and finding their place in the world.
Darryl Kniffen’s brainchild News From 
