Category: News Desk

  • USPS remembers Beatles legend John Lennon with new stamp

    Preceding the ceremony to unveil the new John Lennon stamp, his late-Beatles wife expressed gratitude for the throngs of fans who gathered at the Naumburg Bandshel in New York City’s Central Park for the event.

    “Even if it was five or ten people, I would have appreciated it,” said Ono, with their son Sean at her side. “But, look at this. This is beautiful.”

    Instead, hundreds of fans gathered to pay tribute to a complex man who first stirred teenage girls into a frenzy and later helped lend a voice to a rebellious generation against war. John has been dead for nearly as long as he was alive, assassinated outside of his home in December 1980, at the age of 40. Earlier this month, the U.S. Postal Service honored the singer and songwriter with a stamp.

    John Lennon Stamp

    “It’s a privilege to commemorate the life of John Lennon – one of the most celebrated musicians and iconic personalities of the 20th century,” said Postmaster General and CEO Megan J. Brennan. “The world was influenced by John Lennon’s music and his commitment to the ideals of peace and unity. We continue to be inspired by his memory.”

    John joins Elvis Presley, Ray Charles and Sarah Vaughan as artists immortalized by the USPS in its Music Icons stamp series. The commemorative stamp features a photo taken by noted rock ’n’ roll photographer Bob Gruen in August 1974. It shows the musician on the rooftop of his Manhattan apartment taken for the 1974 album Walls and Bridges. The original black-and-white image was treated in gradations of color to create the artwork for the stamp, which is now available for purchase.

    John Lennon Stamp

    Gordon Thompson has yet to purchase the stamp. The Skidmore College professor is considered the local expert on all things Beatles. He is the music department chair for Skidmore. He said he remembers the Ed Sullivan broadcast that introduced his generation to the Mersey Sound. Thompson is a ethnomusicologist, or one who studies the relationship between music and culture. He’s taught classes on how The Beatles influenced culture from the 1960s to today. Though he is a fan of John and the Fab Four, he said he does not collect memorabilia.

    “Unless books and recordings are memorabilia,” said Thompson, “in which case I’m guilty.”

    Ono’s perplexing admission that she was concerned few people would attend the day’s ceremony contrasts against her late husband’s iconic status. He was, of course, a founding member of the Beatles. The Beatles still hold records for a string of hits released from 1962 to 1970, including “All You Need is Love,” which later served as an anthem for John’s humanitarian endeavors. John also was a successful solo artist. His last of seven studio albums, “Double Fantasy,” was released three weeks before he was killed. It includes “Beautiful Boy,” a lullaby to his son, Sean.

    Julian Lennon, John’s son from his first marriage, did not attend the ceremony. Since his father’s death, he has been candid with details describing a dismissive and abusive father. In a 1998 interview with The Telegraph, Julian called his father a “hypocrite.” As the world recalled hearing him sing “give peace a chance,” Julian recalled how that same voice could easily “tear someone up.” Julian had a distant relationship with his father, both geographically and emotionally. He didn’t know him as the doting father Sean did.

    “I think [John] Lennon offered us an example of our best and worst impulses,” said Thompson. “He was no saint, but neither was he evil; and we watched as he wrestled with his impulses on a very public stage.”

    Thompson referenced a line from The Beatles’ 1967 hit “Getting Better.”

    “I used to be cruel to my woman, I beat her and kept her apart from the things that she loved.”

    It was an innoxious statement fans seldom thought to analyze when it was released on “Sgt. Pepper’s Lonley Hearts Club Band.” John, however, would later admit to Playboy magazine, quoting from his own song, that he was an abuser.

    “I was a hitter,” John told Playboy. “I couldn’t express myself and I hit. I fought men and I hit women. That is why I am always on about peace.” He added that he did not curb his volatile behavior until he met Ono. Soon afterwards, the world would see Lennon as an advocate for peace, a champion for women’s rights and a critical voice against organized religion.

    “He questioned the role of religion in society and the righteousness of those who present themselves as religious,” said Thompson. “He recognized the hypocrisy inherent in religious practice and spoke out about it. And for that, he was assassinated. His killer had harbored resentment over the comments about the relative popularity of Jesus and brought these with him to New York.”

    John Lennon was shot dead on Dec. 8, 1980, in the archway of the Dakota Apartments by Mark David Chapman. He was posthumously inducted into the Songwriters Hall of Fame in 1987 and twice inducted into the Rock and Roll Hall of Fame: as a member of the Beatles in 1988 and as a solo artist in 1994.

    Julian was left out of his father’s will. Though a trust was established to benefit all of John’s children, Julian sued to obtain his share of his father’s estate. Julian told The Telegraph that he continues to reach out to his brother, Sean, but that the relationship is distant.

    The USPS designed the John Lennon stamp pane to resemble a vintage 45-rpm record sleeve. One side of the pane includes the stamps and brief text about John Lennon’s legacy. A black-and-white photograph of him seated at his white piano appears on the reverse.

    “Not to be too cliched, but I think Lennon’s death symbolized for us the official passing of an era,” said Thompson. The Beatles expert was absorbed in the music and culture of India when Lennon was killed. The young ethnomusicologists had “moved on.”

    “Lennon and the Beatles had shaped a major part of our lives, he said, “but we, and they, had moved on. We had abandoned a phase in life when we had ignored the consequences for our actions. We had become adults. John Lennon had once been Peter Pan, lured into the world of mortals. Now, we recognized that we had lost something special.”

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Hearing Aide: Groovestick ‘Mosaic’

    Mosaic carves out a unique jazz-funk sound in the vein of Head Hunters while injecting subtle pop melodies, making the album as accessible as it is complex. Original member Dan Gerken (guitar/bass/vocals) has assembled a power house of a group with Chris Carballeira on keyboard/vocals and Dave Berger on drums. A fun mixture of richly dynamic songs gives Groovestick a few staple releases, as well as 10 tracks of dance-able tunes drawing influences from funk pioneers all over the board.

    Right from the start, any funky human can tell that the album is going to be a pleasure to listen to. “Balloons” sets the scene with a laid back groove with a great hook and a theme of soulful guitar solos and organ majesty is conveyed immediately. Groovestick takes a handful of sticky riffs a step further than offering a single hook and elaborates on that by casting out a collection of ear worms within each song. They tastefully add in elements of prog rock by developing and layering on new ideas and hooks for the listener to latch on to. It is vital to be able to keep the song interesting to the audience in this style and genre, and Groovestick shows they definitely learned how to engage people with a song by playing live and getting that feedback. The key here for the band is that they were able to transfer the atmosphere of a live show onto an album. They do really well to keep the songs fun, and are able to showcase their jam-ability; no doubt a product of their intensive work on stage and in numerous musical projects.

    The second and sixth tracks (“Mischief”, “Nola”) show the band foremost instrumentally, as they’re able to keep the vibe of the opening track going without needing any words. Groovestick takes a wordless tune and still emotes the feeling of each piece through their skillful improvising. There are a few instrumental tracks on the album overall, with one standout being “Crablegs.” Gerken’s bass lines match seamlessly with Carballeria’s left-hand work on the organ to great effect. One major point on the album that stands out is the way these two are able to sync so well together to hold a groove. Berger is able to lay out quick yet spacious drum beats to hold the groove down, giving each song a flash of jazzed taste. There is a lot of play with dynamic range as well, namely in “Scrumptious” where the band seamlessly breaks the song down to almost nothing before coming back into set the mood for the next song, “Inkblot.”

    A highlight track on Mosaic is definitely “Inkblot.” It’s possible to write an entire review on this one song with how many dimensions the band is able to mesh together. From jazz, to funk, to even ska (!), this song covers so many bases while still being….a song! The band is able to navigate the line between these genres and fuse them together. As a whole, the album has a similar feeling to this song in that the transitions between each song gives the album a nice instrumental and dynamic arc. Switching between vocalized and instrumental pieces while maintaining a consistent theme and feel added a lot to the listening experience and gave a nod to the deep knowledge the band possesses in their musical experience.

    All of the performances are very tight, with everything from rumbling and climbing bass solos, to ripping guitar leads and magnificently executed key-lines, with the drums never faltering in the groove foundation. This was a very fun listen! Definitely check out Groovestick’s release and go out to see them live if they come to town. It’s going to be interesting to hear some of these songs live with how much they make me want to dance in my seat.

    Album release party is 9/29 at Parish Public House!

    Key Tracks: Inkblot, Crablegs, Mischief

  • Dickey Betts to Undergo Surgery After Traumatic Injury Places Him in Critical Condition

    Dickey Betts, the 74-year-old former member of the Allman Brothers, was hospitalized once again after surgery, having suffered another medical issue at his Florida home this week. While playing outside with his dog, Betts suffered a blow to the head as he slipped and fell. The full extent of the injury remains to be seen as he is currently in critical condition but will be undergoing brain surgery to relieve the swelling on Friday. Betts has been accompanied by his wife Donna and their children through this worrisome event and sent out a word to the fans stating: “The family appreciates all of your thoughts and prayers during this very trying time…Dickey is a notorious fighter and he is displaying that now.”

    Following his recovery from a sudden stroke last month, this wound has become another obstacle for upcoming tour dates. There were regular health updates about Betts from his longtime friend and manager David Spero who recently tweeted on Sept. 14: “Dickey Betts is raring to go. His recovery from his minor stroke is ahead of schedule and he has already started playing his guitar again.”

    However alarming this struggle may be, this has not deterred Betts’ family, friends and bandmates on focusing their attention to Betts once again regaining his health. The tour will understandably be facing cancellation of certain dates but in another assuring statement released by Spero: “It was just a few days ago that Dickey was telling me how excited he was to get back in front of the fans on Nov. 1…It is very unfortunate, for all involved, that we need to cancel those shows. Please add Dickey into your thoughts and prayers. I’ll keep everyone updated on his expected progress.”

    Based on his past determination to provide for his fans and will to persevere, Dickey Betts will continue on his journey to better health that all of us wish for him.

  • Lark Fest to Pack a Punch this Weekend in Albany

    When Adrian Lewis takes the stage at Lark Fest this Saturday, Sept. 22, he will complete an unofficial Triple Crown here in the Capital District.

    Better known as The Age, Lewis played Rockin’ on the River and Alive at Five this year. He and his band will headline upstate New York’s largest one-day street festival this Saturday.

    “I’m super excited about Lark Fest,” said Lewis. “I’ve wanted to be a part of it for a few years now and it’s kind of mind blowing that we are going to be a headlining act this year.”

    To place his excitement into perspective, he opened for the B.B. King Blues Band featuring Tito Jackson at Alive at Five this June.

    The Age is one of two headlining acts which also includes Stellar Young. Saturday’s performance will be Stellar Young’s third at Lark Fest.

    “We’re so humbled to be a part of such an awesome event,” said lead vocalist John Glenn. He added that the band will be selling sunglasses to fund its third release “And Turned to Ash.”

    The lineup to this year’s festival, the 37th for Lark Street, is worth taking note.

    The music starts with Becoming a Ghost at 11 a.m. Becoming a Ghost most recently played at WEQX’s Battle of the Bands at Jupiter Hall. It put on a high energy, interactive performance that moved the crowd. The band could have just as easily won the competition to open last week’s Pearlpalooza.

    The lineup continues with the Ryan Leddick Trio, Onlyness, Bendt, Greens, Mirk, Apostrophe S, Kimono Dragons, Useless Cans, and JB & Victory Soul Orchestra. Stellar Young takes the stage at 3:45 and The Age follows at 4:20 p.m.

    The all-day event expects to attract 50,000 people with live music, local vendors, food trucks and more. Start walking at 10:30 a.m. and finish the day at 5:30 p.m.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • West End Blend announces expansive fall 2018 tour plus ‘Live at the Waterhole’ Album Release

    The soulful funk group, West End Blend, shared this week that their impressive Fall 2018 tour will be expanding across cities in the Northeast, Southeast, and Midwest. In what Sam Horan, the band’s drummer, has described as “one of our most exciting tours to date,” eager fans can expect performances including surprises such as a Secret Location TBA for Halloweekend.

    This tour will mark the band’s next step to spread their unique sound as they claimed: “We’re visiting some brand new cities and we look forward to expanding that WEB family!” Tickets are on sale now and can be purchased via the band’s website.

    This announcement is only the first of many plans for this upcoming fall. West End Blend prides themselves on their own vibe and flair and what better way to do that than with a live album release. Horan mentioned that they have been getting so many requests for this project because “Everyone can agree that while our studio albums sound great, they just don’t quite capture the raw energy and vibe that you see from us live.” It’s the ultimate way to provide the most authentic content possible and Live at the Waterhole will be released Oct. 5.

    Recorded during a two-night long session at the Waterhole in Saranac Lake, the album sees technical contributions from GRAMMY Award-winning engineer Brendan Morawski. By building a studio-style soundboard side stage, Morawski was able to capture studio quality recordings of both evenings. This was also taken into consideration for which songs would be included on the album since the objective was to pick those which have taken on new arrangements and morphed significantly from the studio album versions. This direction the band is taking will demonstrate how they want the utmost interactive experience for the fans and how they are constantly rearranging their songs during live performances to showcase their progression as a group.

    See Tour Dates and Tracklist below:

    Live at the Waterhole Tracklist:

    1. Attitude
    2. Say Hey
    3. Get By
    4. I’m Time
    5. Too Heavy
    6. Day Dreamer
    7. Is that All you got
    8. The Scene

    West End Blend Tour Dates:

    Sept. 18 – Brooklyn Bowl – Brooklyn, NY *
    Sept. 19 – Buffalo Iron Works – Buffalo, NY *
    Sept. 20 – Funk n Waffles – Syracuse, NY *
    Sept. 29 – Brighton Music Hall – Boston, MA ^
    Oct. 5 – Toad’s Place – New Haven, CT #
    Oct. 6 – H.O.M.E. – Portland, ME
    Oct. 12 – The Hollow – Albany, NY
    Oct. 18 – Woodlands Tavern – Columbus, OH
    Oct. 19 – Emporium – Chicago, IL
    Oct. 20 – Founder’s Brewery – Grand Rapids, MI
    Oct. 27 – Halloween Horror Camp – Secret Location TBA
    Nov. 7 – Hofgarden – Richmond, VA
    Nov. 8 – The One Stop – Asheville, NC
    Nov. 16 – Pour House Music Hall – Raleigh, NC
    Nov. 17 – Heist Brewing – Charlotte, NC
    Nov. 24 – Riverwalk – Nashua, NH
    Nov. 30 – Tropicalia – Washington DC
    Dec. 7 – King’s Rook Club – Erie, PA
    Dec. 22 – The Haunt – Ithaca, NY @

    * w/ Five Alarm Funk
    ^ w/ Strange Machines
    # w/ Bella’s Bartok
    @ w/ Root Shock

  • Experience Phish: Riviera Maya this February for a luxurious, tropical concert vacation

    Time to start stocking up on sunscreen and swimsuits. Phish will be returning to Mexico this February for their Riviera Maya concert vacation. With a variety of packages to choose from, family and friends alike can enjoy Mexico’s Caribbean coastline while immersing themselves in cultural foods, tequila tastings, and  classic Phish performances. The four-night, all-inclusive event will be taking place February 21-23 on the gorgeous clear beaches of Barcelo Maya where fans can also be shuttled in from five other select hotel resorts.

    The activities for anyone attending are seemingly endless with each resort boasting a variety of quality restaurants, upbeat bars, and lounging by the beach or pool. Off-site adventures are just as plentiful with exploring the nearby town of Tulum, magnificent barrier reefs, and breathtaking views. After long days of soaking in the sun, concertgoers will be entertained by authentic Fire Dancers, Mayan Warriors, and be catered to with complimentary drinks as they are led to the main stage on the beach for an electrifying set of Phish music.

    As the unforgettable weekend concludes, you will also have an opportunity to purchase One-of-a-kind custom event merchandise. That being said, Revenge of the Return of Phish: Riviera Maya will truly be a spectacle for all attendees as well as an exotic vacation.

    For more information on Phish: Riviera Maya in February 2019, visit the event website here.

  • Cohoes Music Hall hosts Holly Bowling on Sunday September 16

    Holly Bowling returns to the Capital District on Sunday, September 16 at Cohoes Music Hall, bringing her classical interpretations from the catalogs of the Grateful Dead and Phish with her. Bowling has twice performed in Albany at the Massry Center for the Arts, as well as at The Whisper Dome in Schenectady, most recently last October. With Phish just one month away in the state capital, Bowling will find a familiar audience once again in one of the oldest venues in the state. Check out what we said of her performance at The Whisper Dome in March of 2017 and get your tickets to this special night of music.

    After studying piano performance at SF State University, Bowling has turned her agile mind and interpretive prowess to the works of Phish on 2015’s Distillation Of A Dream album and the Grateful Dead focused Better Left Unsung (2016, The Royal Potato Family). Her compelling playing and unerring ability to successfully collaborate with other musicians in an impressive array of styles has brought her to the attention of Bob Weir, Phil Lesh, Gov’t Mule’s Warren Haynes, and other luminaries who’ve asked Bowling to perform with them. Already a rising star on the festival circuit, Bowling currently tours as a member of Ghost Light with Tom Hamilton, Steve Lyons, Raina Mullen and Scotty Zwang. Texture, nuance, and a gift for dexterous high-wire improvisation are the hallmarks of San Francisco-based classically trained pianist Holly Bowling.

  • Winter WonderGrass Music Festival set to Make Northeast Debut in Vermont this December

    The WinterWonderGrass Music Festival has been an exciting treasure of Colorado and California for several years. Being an all-ages, community-centric event, with a variety of craft beer, cider, and local foods, it has earned the love and admiration of many who have attended. Not to mention that it features world-class bluegrass and roots artists who add musical entertainment to the mix. However, what was once thought to be an event almost entirely composed of local residents, WWG has made its first steps to expand its amazing winter lifestyle celebration to the east coast. After an impressive seven years in Steamboat Springs, Colorado and five years at Squaw Alpine Meadows in Lake Tahoe, Stratton, Vermont will be the first Northeast destination to experience this thrilling combination of high-quality artists and authentic partners/vendors from December 14-16.

    Founder of WinterWonderGrass, Scotty Stoughton wished to make his vision of community, family, philanthropy and leadership into a fantastic display of music, craft beer, and cuisine appreciation. When asked about what WWG truly stands for and the motivation to create such an immensely popular communal event, he responded:

    The inspiration behind WinterWonderGrass is to recreate the magic of ending your snow day at the base of the hill surrounded by family and friends, reminiscing about the days turns, while sipping a beer and listening to acoustic music. I learned to ski at Bromley, and those moments and memories are never far from my spirit. Living in the West, I have observed the expansion of ski towns and mountains, and I have a deep desire to recapture the true essence of the sport and communities that were built around mountain adventure!

    Out of the 20+ bands performing on four stages over the course of three days, Railroad Earth and The Infamous Stringdusters have already been announced to kick off the extravagant grassroots festival. The layout of the event itself is conveniently designed to accommodate all attendees, music lover or otherwise.

    The outdoor main stage is flanked by three heated beer halls, where side stage acts deliver inspired performances, often joined by guest musicians. The audience then has a variety of delightful options to move from the main stage, to the toasty beer halls, to the coffee bar, kids zone and to on-site sponsor activities. This journey of winter music and spectrum of drinks is shaping by the day to include more attractive performers and contributors to make it an event you do not want to miss.

    For further information on General Admission, VIP, and Ski Pass details, check out the WinterWonderGrass Music Festival website here and be set for the Northeast and Vermont’s very own December debut of this iconic celebration.

  • A Music-Lover’s Guide to Rochester Fringe Festival 2018 Opening Weekend

    The seventh year of the KeyBank Rochester Fringe Festival is underway. Now the largest multi-genre festival in New York State, the 2018 Rochester Fringe Festival offers more than 500 performances and exhibits across dozens of venues. Offerings include theater, comedy, art exhibits, multidisciplinary shows, and live music. Here’s the NYS Music Guide to what music-lovers can look forward to this opening weekend.

    https://youtu.be/f2WL6Gy329o

    The main attraction this weekend is the outdoor spectacle on Friday and Saturday, featuring the US debut of Massaoke. The UK sensation is sweeping the festival circuit world-wide, playing everyone’s favorite sing-along hits. Catch the act at Parcel 5 on Main Street. Massaoke starts at 8:30pm each night, but live music starts at 5pm. Opening on Friday night are The Crooked North (Americana), La Muralla (salsa), and Vanishing Sun (funk/soul). Saturday night features Chris Eves and The New Normal (rock), EightFingers (country/blues), and Cold Fronts (garage rock from Philadelphia). Parcel 5 events are free and open to the public.

    For the night owls, the party continues long into the night at the Immersive Igloo 3D sound experience at Spiegelgarden at 9:30 and 10:30 and the Silent Disco in the Spiegeltent. These two events are ticketed, and sell out quickly. Check ticket availability: Immersive Igloo and Silent Disco.

    Silent Disco photo by John Schlia

    Looking for something a little more laid-back? Settle in and enjoy some refreshments at local coffee shops and enjoy some free live music.

    Java’s Cafe on Gibbs Street hosts eclectic rock/folk band Paxtor at 7 p.m. on Friday. Then on Saturday, they feature acoustic trio The Genesee Three on Saturday at 5 and the eclectic musical stylings of Leah and the Upheaval at 7 p.m.

    Around the corner the Little Theatre Cafe has plenty to offer music-lovers, starting with local cover bands B2 and Sad Bastards on Friday night. A full bill on Saturday starting at 2 p.m. includes RIT Surround (a capella barbershop), Proof of Purchase A Capella, The Annual Bill Destler and Rebecca Johnson Show (folk), Norm and The Outliers (jazz), Desert Rhythms (belly dancing), and Howie Lester (international/folk). And the fun continues with interactive shows on Sunday with Music and Visuals with Motion Capture at 1:30 and Virtual Karaoke at 5:30.

    Eastman School of Music will be hopping this weekend. Friday night features two performances by the University of Rochester’s Institute for Popular Music: a performance of The Yes Album at 7 p.m. and Led Zeppelin IV at 9 p.m. Dave Rivello’s ensemble performs Saturday Night. And Sunday brings the return of the popular Gospel Sunday at 2 p.m. Gospel Sunday is free, but the room fills to capacity quickly, so arrive early. Tickets are on sale for the other shows at Eastman School of Music’s Killbourn Hall.

    U of R Institute for Popular Music

    Fans of contemporary dance troupes will want to check out the schedules for PUSH Physical Theatre and Garth Fagan. And if you’re in the mood for a musical, there’s Hedwig and the Angry Inch at 7 p.m. all this weekend or next Thursday and Friday at Lyric Theatre (click here for tickets).

    If you’re already looking ahead to next week’s events, you may want to consider heading out on Wednesday night to catch a rare live performance of Instrumental, the soundtrack to the comic of the same name. Author and composer Dave Chisholm released the set last year, and this will be the first time it will be performed with the comic pages projected as the backdrop. More information and tickets are available here.

    This is just a taste of what this weekend has to offer in Rochester. A comprehensive list of events can be found at the Rochester Fringe website rochesterfringe.com.

    Several events are already selling out. If you plan to attend a show, purchase tickets in advance. 
    Online: rochesterfringe.com
    Phone: (585) 957-9837 (additional fees apply)
    Box Office: One Fringe Place (corner of Main & Gibbs Streets)
    In Person: Venue door one hour before start of show (subject to availability)

  • Celebrate Pride in Oswego this Weekend

    Be a part of Oswego history and come ‘Out’ and show your support for the local LGBT community as Oswego Pride Festival will celebrate at West Linear Park Sept. 14-15, with family friendly events, a drag show, music and much more.celebrate pride in oswego

    On Friday, Sept. 14, a Drag Show Fundraiser will be held at American Foundry, with proceeds benefiting the Oswego Pride Committee. Tickets are available here. On Saturday, the Oswego Pride Parade lines up at 10 a.m. at Breitbeck Park for an 11 a.m. kick off with a theme of ‘Love in Color.’ All are welcome to join the parade and no registration is required.

    Following the parade, from 12-4 p.m. at West Linear Park at the Veteran’s Stage, there will be a family friendly drag show, local musical groups, a children’s activities area and audience participation games on the main stage. There will also be a nonprofit organizations with information tables as well as craft and food vendors. You can even sign up for a stage spot in the “Oswego Pride’s Got Talent.”

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