NYS Music 20​18

Category: Rock

  • The Yard Amphitheater at Ray Brothers BBQ Announces 2018 Summer Lineup

    Ray Brothers BBQ, located on State Route 20 in Bouckville, announced its summer 2018 concert schedule for The Yard Amphitheater, located on the grounds of the popular BBQ joint. The season kicks off on Memorial Day with the 3rd Annual Backyard BBQ & SPCA Benefit featuring the Lightkeepers and Mike Powell & the Black River. Tickets for the Memorial Day show are $10 with proceeds benefiting the SPCA.

    Other acts making their way to New York’s antique capital include Zach Deputy, Big Mean Sound Machine, Chris Eves & the New Normal, Hayley Jane & the Primates, Wild Adriatic, Sophistafunk, the Talking Heads tribute band, Start Making Sense and the 2017 NYS Music March Madness winner, Root Shock.

    The penultimate event on the calendar is the 4th Annual Hop Harvest Festival featuring Keller Williams. This takes place Labor Day weekend. Williams also performed at the Yard last year.

    Tickets for the shows will be available at Ray Brothers and through Ticketfly. For more information about the summer concerts, visit their website here.

    The Yard at Ray Brothers BBQ Summer Concert Schedule:

    May 28 – The Lightkeepers w/the Black River
    June 1 – Zach Deputy
    June 6 – Big Mean Sound Machine w/Joe Driscoll
    June 16 – Adam Ezra Group w/Mike D & the Laughing Buddha Episodes
    June 23 – Root Shock w/the Buddha Council
    June 30 – Wild Adriatic w/Barroom Philosophers and the Spring Street Family Band
    July 6 – Chris Eves & the New Normal w/the J.J. Murphy Trio
    July 14 – TBA
    July 21 – The Magic Beans w/special guest TBA
    July 28 – A Controlled Incident Presents: To Be Announced!
    Aug. 4 – Danielle Ponder & the Tomorrow People w/special guest TBA
    Aug. 10 – TBA
    Aug. 11 – Sophistafunk and Kris Lager w/West End Blend
    Aug. 18 – TBA
    Aug. 25 – Hayley Jane & the Primates w/Nina’s Brew
    Sept. 2 – 4th Annual Hop Harvest Smoke Out with Keller Williams (special guest TBA)
    Sept. 8 – TBA
    Sept. 15 – Start Making Sense: Talking Heads Tribute Band

  • Ace Frehley releases new song ‘Bronx Boy’

    On April 27, Ace Frehley celebrated his birthday and released a new song, proclaiming that after all these years, he’s still a “Bronx Boy.” The song is a the first single from his upcoming eighth studio album. No date or title yet on the new release, but the first release has a lot of old-school rock and roll grit that shows the co-founding Kiss is still a contender. Rumor has it the new album will be out this summer.

    Paul Daniel Frehley was born and raised in The Bronx (Boy), New York City, the youngest of three children of Esther Anna (Hecht) and Carl Daniel Frehley.

    Frehely grew up on the corner of Marion Avenue and 201st Street, off Bedford Park Boulevard (also known as 200th Street) and Webster Avenue in the Bedford Park section of the Bronx.

    bronx boy ace frehely

    Frehely invented the persona of The Spaceman (a.k.a. Space Ace) and played with the group from its inception in 1973 until his departure in 1982. After leaving Kiss, Frehley embarked on a solo career, which was put on hold when he rejoined Kiss in 1996 for a highly successful reunion tour.

    Frehley’s second tenure with Kiss lasted until 2002, when he left at the conclusion of what was originally purported to be the band’s Farewell Tour. His most recent solo album, Origins Vol. 2, was released on September 18, 2020. Guitar World magazine ranked him as the 14th Greatest Metal Guitarist of All Time. Outside Kiss, Frehley had commercial success, with his first solo album going platinum. His first album with his “Frehley’s Comet” band was also a big seller. Frehley is noted for his aggressive, atmospheric and melodic guitar playing and is also known for the use of many “special effects” guitars, including a Gibson Les Paul guitar that emits smoke from the neck humbucker pickup and produces spinning pyrotechnics, and a custom Les Paul that emits light based on song tempo.

  • ‘Genny Fest’ to Feature Music By Jackknife Stiletto and Allison Leah

    To celebrate five and a half decades on the air, SUNY Geneseo’s WGSU will host a music festival and food truck rodeo on Friday, April 27 from 4-7 pm. “Genny Fest” takes place on the college campus and is free and open to students and the general public.

    Festival-goers can catch music from up-and-coming New York City musicians, all-girl rock band Jackknife Stiletto and singer-songwriter Allison Leah. Seven food trucks will be on site, so there’s sure to be something for everyone. Proceeds from t-shirt sales and donations of cash or nonperishable food will benefit Foodlink.

    Following the festival, The Geneseo A Cappella concert takes place at the College Union Ballroom (tickets are $5, and will be available at the door).

  • Hearing Aide: Big Something ‘The Otherside’

    While April 20 tends to be a day known for celebrating greener lifestyles and festivities, for Big Something, it will notch the release and celebration of their latest studio album, The Otherside.

    big something the othersideTucking away their fifth studio effort, the North Carolina 6-piece offers Big Something fanatics a piggy-back off of last year’s Tumbleweed. Thumbing listeners through an encyclopedia of genres, the 2018 release continues the haunting narrative of wandering through the depths of a post-apocalyptic desert while undergoing some serious soul searching, hoping to come out of the clutches of a bad peyote trip. Unable to place the album’s pulse on one particular sound, the sonic exploration allows focus to be placed on the group’s unfolding concept instead.

    The first few notes of “Sundown Nomad” welcome Big Something fans to their familiar, glitchy EWI sounds before diving into a land of spoken word trip-hop. As the eight-track album continues, “Wildfire” follows as a feel-good tune paired with less than hopeful lyrics, repeatedly exclaiming “woe is me.” The tight-knit ensemble of Nick MacDaniels (guitar, vocals), Doug Marshall (bass), Josh Kagel (keys, trumpet), Casey Cranford (sax, EWI), Jesse Hensley (lead guitar), and Ben Vinograd (drums) play with poetic juxtaposition on this track, while the uplifting riffs seem blissful, the lyrics divergently describe one thousand acres burning to the ground and the world going up in a wildfire.

    “We wanted to pay homage to the original concept of ‘an album’ with this release where sitting down and listening to the whole thing is an experience – 20 minutes per side with a break between. Side A complements Side B. This is the first time we’ve setup an album to fit perfectly on a vinyl record like that,” vocalist Nick MacDaniels shared.

    “The Cave” offers a more emotional outlet through Daniels’ heart-rendering vocals and slower time signatures while the album’s title track, “The Otherside,” takes shape of a fleeting 1:47 ambient break in the midst of the album. “Smoke Signal,” a track specifically written for the album and yet to receive the live debut treatment, holds it’s own as a silky smooth jazz track, with a combination of velvety vocals and saxophone. Most tracks are given a new life through Big Something live performances. It’s a wonder what they’ll do with “Smoke Signal” for its first time in front of a live audience.

    Cranford’s EWI majesty helps “Cosmic Dust” tap into 80s synth- Stranger Things theme song elements before the last two tracks showcase the groups funk and hard rock in its finest form. With the help of groovy trumpets and top-notch shredding on guitar, the album finds its fastest and strongest notes at a pinnacle of high-energy upon its conclusion.

    The powerhouse rockers found their voices through storytelling and fusing unique elements together to wrap up the story they’ve been telling since their 2017 predecessor album. Creating another layer of emotion folded into the album, it’s dedicated to the memory of Paul Interdonato, the band’s late lyricist and friend who tragically passed away on December 3, 2017 – the same exact day the band was gearing up to record in studio.

    The Otherside takes on thematics of musical journeys in more ways than one– the story of the album’s troubled, vagabond protagonist as well as a touching tribute of inspiration from a lifelong friend.

    Key Tracks: Smoke Signal, Cosmic Dust, Hole

  • Hearing Aide: Jane Lee Hooker ‘Spiritus’

    Jane Lee HookerJane Lee Hooker is back, and better than ever.

    After the release of their debut album No B! in 2016, the five piece punk-blues powerhouse caught much deserved attention among NYC’s club scene. Since then, Jane Lee Hooker has spread like a wildfire: one that certainly won’t be extinguished anytime soon.

    Spiritus, the band’s second album, was released in November of 2017. Primarily comprised of original music, Spiritus further explores JLH’s unorthodox take on the blues. The ten-track release is riddled with undeniably catchy hooks, superb guitar licks, and just the right amount of grit.

    The album goes from 0 to 60 in a matter of seconds with the first track, titled “How Ya Doin’?” From there, Spiritus takes a step back with some slow/moderately paced jams (including the most popular track “Later On,” which currently has over 21,000 spins on Spotify).

    But don’t be fooled; halfway through, Spiritus lifts off once again with “Black Rat.” Shortly afterward, to the listener’s unexpected surprise, the album takes a moody turn with a downtempo track titled “How Bright the Moon.” And to wrap things up, Spiritus comes full circle with the longest track on the album, “The Breeze.”

    To say the least, Spiritus is bold, nostalgic, and groundbreaking. If you’re in search of a sound that steps far beyond the boundaries of modern rock music, Jane Lee Hooker’s gotcha covered. Keep up with JLH on Facebook, Twitter, and Instagram.

    Key Tracks: Later On, How Ya’ Doin?, The Breeze

  • Celebrating with The Dave DiPrimo Band

    The Dave DiPrimo Band (DDB) was back at it at Buta Pub on Saturday April 14. The band brought their upbeat attitude to warm up a crowd that was brave enough to venture through the ice and the rain, and had the place on fire all night long. The band consisting of lead singer Dave DiPrimo, saxophonist and guitarist Kares Gregory, drummer Reid Hoffmeier, and bassist Ian Benz; has been performing around New York State together for over a year.

    The band has a constantly evolving sound that is electric and catchy. DDB came to Buta Pub with one goal in mind, to celebrate. DDB did so in a fantastic way with the theme of the show being a glow party. DDB brought glow sticks and glow glasses for the crowd who enjoyed every minute of it. DDB played some some fan favorites like the spicy Latin melody of “Selena” and the always catchy “Caroline”. DDB always brings an eclectic mix of fast paced songs like “End of the World” and slows it down and connects with the audience with the slower rhythms of songs like “Four Letter Word” and “Whiskey Melody”.

    The smooth sounds of Kares Gregory on the sax makes the slow songs methodical and dreamy while on the faster paced songs like “Selena” the sax drives the tempo of the song pushing the pace and then reeling it in in the tense moments of the song. Gregory is also a stellar lead guitar player as he shreds solos on songs like “End of the World” and “Whiskey Melody”.  Drummer Reid Hoffmeier is always great as he controls a lot of the band’s emotions and feelings throughout the show. Not only is Hoffmeier an amazing drummer who can do everything that DDB requires him to do and more, he is the underlying humor and emotion that the guys are feeling during their show. Ian Benz was spectacular as always on the bass; fulfilling that low under tone that DDB was missing back when the original band was put together years ago. The front man and the person the band is titled after is Dave DiPrimo. All the songs are written by DiPrimo and DiPrimo will lead the band to spontaneous jam sessions at some point in the show.

    At Buta Pub the crowd cheered for the jam session as DDB uses this opportunity for crowd participation. Whether it’s a hula contest or simply a call and answer song, the band always brings the room to life. DiPrimo not only has a voice that can hit all the ranges of the demanding setlist; whether its screaming in “End of the World” and in parts of “Selena” or the soft gentle whisper of “Four Letter Word” and at the end of “Out in the Cold”, DiPrimo can do it all as he executes every word with passion and clarity. DiPrimo also sports three different guitars throughout the band performance. The classic electric acoustic he uses for the softer songs, the Resonator he uses for some of the folk songs and the electric for solos on songs like “Glory Days” and “Know you Best”. DiPrimo’s guitar playing has improved over the time DDB has been together as the solos he played sounded crisp. His confidence not only as a singer and guitar player can be seen improving in every show; but also his confidence speaking to the crowd on a more personal level.

    The sizable crowd enjoyed every moment of DDB and was crowded around the stage dancing and having a good time. DDB will be performing on April 27 at Funk ‘n Waffles Music Hall with Corey Glover of Living Colour and The Alchemystics. The Dave DiPrimo Band has released two albums, the first being One Year with original band members and Reflections with the current band. Both CD’s are available for purchase at all DDB shows with other merchandise that the band sells. You can also find DDB’s music on all music streaming sites like: Spotify, Apple Music, I tunes, Google Play, Amazon and all of DDB’s music can be streamed and purchased on their website

  • Huey Lewis Discloses Hearing Loss

    Huey Lewis And The News have announced that they are cancelling all upcoming performances. The announcement is on the advice of doctors whom Lewis has consulted regarding recent hearing loss. In an online statement, Lewis stated:

    Two and a half months ago, just before a show in Dallas, I lost most of my hearing. Although I can still hear a little, one on one, and on the phone, I can’t hear music well enough to sing. The lower frequencies distort violently making it impossible to find pitch. I’ve been to the House Ear Institute, the Stanford Ear Institute, and the Mayo Clinic, hoping to find an answer. The doctors believe I have Meniere’s disease and have agreed that I can’t perform until I improve. Therefore the only prudent thing to do is to cancel all future shows. Needless to say, I feel horrible about this, and wish to sincerely apologize to all the fans who’ve already bought tickets and were planning to come see us. I’m going to concentrate on getting better, and hope that one day soon I’ll be able to perform again.

    Huey Lewis Hearing Loss

    Huey Lewis and the News hit the rock scene in the 80’s, achieving 13 Billboard Top Ten singles and selling millions of records worldwide. Over the past few decades, they have been continually active, performing live and recording a total of nine studio albums. Last fall, they released a 3-disc career-spanning set entitled Collected. 

    Since opening up about his hearing loss, Lewis has received an outpouring of support, for which he expressed his gratitude in a separate statement. “The response from my colleagues, friends and fans has been truly overwhelming. And extremely heartening. It helps me to focus on improving, and finding a way to sing again. Thanks to everyone.”

    Read our review of Huey Lewis and the News at Tarrytown Music Hall on the 30th anniversary tour in celebration of Sports.

  • JD McPherson Helps Abilene Celebrate Their 10th Anniversary

    Abilene Bar and Lounge has been a fixture in Rochester’s live music scene seemingly forever, but in reality, it’s been there just ten years. Ten years sitting on a quiet corner of Liberty Pole Way, in the shadow of the Harro East Ballroom across the street. Ten years bringing in quality live music nearly every night of the week. They showcase a healthy mix of both national and local talent, exploring every angle of American Roots music, occasionally venturing off into other genres. Owner Danny Deutsch has made a habit of bringing in relatively unknown talent and cultivating them for the sometimes finicky Rochester palate. He’s happy to book the same band and watch them grow locally and nationally until they’re too big for his intimate establishment. Ten years and it was time to celebrate, so for once Abilene would be casting the shadow on the Harro East. And appropriately, one of the talents that Deutsch has brought to town multiple times over the years and has since ridden a slow rising wave of success, JD McPherson, would be headlining the celebration.

    McPherson has outgrown Abilene and then some, nearly selling out the Harro East on a Friday night jam-packed with live music options in and around town. It was the place to be and to be seen, everyone was in high spirits and ready to celebrate. When opener Woody Pines, another Abilene alum, broke from his usual dark-themed songs to switch it up with a song about love, he was surprised not to hear at least some of the usual boos ring out. But the crowd was in a loving, happy and ready to party mood. Friday the 13th be damned! Pines led his trio of upright bass and clarinet/sax on the steel guitar and harmonica, through songs centered around classic New Orleans swing and southern roots music they like to call “hillbilly boogie.”

    Next up was Jake La Botz, who sat alone center stage with an acoustic guitar and microphone. That’s all he needed to captivate the filling hall. His low voice contained a ton of character, bringing depth to songs from his latest album, Sunnyside, like “The Hotel (Fix Me Now),” “Damsel in Distress” and a bit of humor with “Inflatable Duck.” The album was produced by JD McPherson bassist Jimmy Sutton and he premiered it right here in Rochester last year with a performance at Record Archive.

    Speaking of Record Archive, co-owner Alayna Alderman took the stage next to bring out cake and lead the crowd in “Happy Birthday,” but not just for Abilene, it was also Webster-born drummer Jason Smay’s birthday and the day before was McPherson’s birthday as well.

    Headliner JD McPherson finished off the night in style. The rock was big and the lights were bright. McPherson and band flew through blasts of their unique blend of honky-tonk, rockabilly and classic rock sounds. The beat was swinging and so was the crowd. It was comfortably crowded, allowing enough space for couples to dance if they so desired. Nary a head in the house wasn’t bobbing along. In an hour set, they mixed music from all three albums, making for a show that explored their full history with Rochester. Songs frequently drifted into each other with interstitial mellow rock grooves. There wasn’t a whole lot of stopping or silence at this celebration. They topped it all off with a near 30-minute encore that started with La Botz coming back out to lead them through Hank Williams’ “My Bucket’s Got a Hole In It.” McPherson thanked the crowd for making Rochester like a second home for them before closing out the night with “Northside Gal.”

    The party continued however, as across the street, back in the shadows, Abilene hosted local swing trio Bobby Henrie and the Goners back in their own joint, and the music and jubilation continued on into the wee hours.

    Setlist: Bossy, Fire Bug, It Shook Me Up, Desperate Love, Crying’s Just a Thing That You Do, Under the Spell of City Lights, Head Over Heels, On the Lips, Hunting For Sugar, You Must Have Met Little Caroline?, Mother of Lies, Style (Is a Losing Game), Lucky Penny, Let the Good Times Roll
    E: My Bucket’s Got a Hole In It*, Bloodhound Rock, Wolf Teeth, Northside Gal

    *Hank Williams Sr. Cover, with Jake La Botz on guitar and vocals

  • Joyous Wolf Show off Skills in Clifton Park

    With only a few shows left on their current run opening shows for Fozzy, Southern California rockers, Joyous Wolf, made their first stop ever in Upstate New York, at Upstate Concert Hall in Clifton Park Wednesday, April 4.

    Joyous Wolf were slotted in the middle of the lineup right before Through Fire and Fozzy. As each band member took their position on stage, frontman Nick Reese, slowly paced the stage while giving the crowd a deep dark stare as he slowly panned through all the fans in attendance with his eyes.

    The band opened with their song “Mountain Man.” As soon as the song dropped, Reese went from a cool calm zen state, right into an acrobatic, charismatic performer on cue, even hitting a full front flip and split before showing off his moves like Jagger. The small stage at Upstate Concert Hall was not big enough for Reese.

    Joyous Wolf’s performance of their song “Turning Blue,” sends chills live. The bands musical arrangement along with Reese’s powerful grunge meets blues vocals and facial expressions can make any concert goer watching feel the band’s passion for music. Reese’s vocals had that old 90’s grunge sound to it. He’s a cross between Scott Weiland and Chris Cornell. Reese especially channeled his inner Chris Cornell while performing “Turning Blue.”

    During the bands performance of their new song “Witch Doctor,” guitarist Blake Allard showed off some of his impressive skills on the hammer. Drummer Robert Sodaro would not be upstaged with a brief drum solo.

    Formed in 2014, Joyous Wolf has been recently signed to Atlantic Records Road Runner division this past March. They will continue touring through the summer when they refuel and hit the road with Adelitas Way on April 12-19, and a extensive run with Blacktop Mojo April 21-June 13. Joyous Wolf will appear at several of the year’s major annual rock festivals including Welcome To Rockville, Carolina Rebellion, Northern Invasion, Rock On The Range, and Rock USA.

    After the show, I caught up with singer Nick Reese. While captivating on stage, he is very humble and down to earth off stage, during our small chat. He was very compassionate when talking about his bandmates. He stated that after several years trying to make it, especially the last 3 years, he couldn’t have asked for better bandmates than the ones he has now. Reese said, “Not only are they really great musicians, they are like brothers to me. I would put them up against anyone.” He went on to say that Fozzy guitarist Rich Ward, said that he wouldn’t mess with bandmate and guitarist Blake Allard when it comes to playing. When talking about getting signed by Road Runner, Reese couldn’t express enough how hard he and his band worked to get there and is very grateful for the opportunity the label has given them.

    With Adelitas Way:
    04-12 – Scout Bar – Houston, TX
    04-13 – Come and Take It – Austin, TX
    04-14, Jakes – Lubbock, TX
    04-15, Paper Tiger – San Antonio, TX
    04-16, Lava Cantina – Colony, TX
    04-17, XR Club – Amarillo, TX
    04-19, Launchpad, – lbuquerque, NM

    With Blacktop Mojo:
    04-21 – Las Rageous Festival –  Las Vegas
    04-27 – Welcome To Rockville – Jacksonville, FL
    05-02 – Mainstage – Morgantown, WV
    05-03 – Smiling Moose –  Pittsburgh, PA
    05-04 – Carolina Rebellion Festival – North Carolina
    05-08 – The Forge – Joliet, IL
    05-10 – Route 20 Outhouse – Racine, WI
    05-12 – Cheers Pub – South Bend, IN
    05-12 – Northern Invasion – WI
    05-15 – Spicoli’s Grill/The Reverb Rock – Waterloo, IA
    05-16 – The Shoverlhead Saloon / Hyped Up – Danville, IL
    05-17 – Fubar –  St. Louis, MO
    05-18 – The Warehouse –  Clarksville, TN
    05-19 – Sidetracks Music Hall – Huntsville, AL
    05-20 – Rock On The Range – Columbus OH
    05-23 – Jakes Backroom – Lubbock, TX
    05-24 – ock House Bar – El Paso, TX
    05-25 – The Green Room –  Flagstaff, AZ
    05-26 – The Slidebar Rock and Roll Kitchen –  Fullerton, CA
    05-31 – he Knitting Factory Concert House –  Spokane, WA
    06-01 – 3rd Wheel –  Lewiston, ID
    06-02 – Perham Hall – Zillah, WA
    06-03 – Analog Cafe & Theater – Portland, OR
    06-04 – El Corazon – Seattle, WA
    06-06 – Diamondz Event Center – Jerome, ID
    06-07 – The Gem – Idaho Falls, ID
    06-08 – The Knitting Factory Concert House – Boise, ID
    06-12 – The Black Sheep – Colorado Springs, CO
    06-13 – Streets Of London – Denver, CO
    07-13 – Rock USA – Oshkosh, WI

  • Hearing Aide: Ripe ‘Joy in the Wild Unknown’


    Boston’s seven-piece phenom Ripe attacks funk-infused rock, groove, jazz, R&B and even ska, with passion,     precision and purpose, leaving a wake on the dance floor with their debut offering Joy In The Wild Unknown. The album, due out April 6th, is a reflection the highs and lows of life and the musical connectivity in between. With uplifting tracks like Little Lighter, playful songs like Stanky, and songs about love like Downward, Joy leaves an indelible mark.

    Joy in the Wild UnknownRipe’s unbelievably tight jams , genre-bending originality and rapidly growing fan base have helped them rack up over one million Spotify streams with their fan-favorite Goon Squad, over 15,000 followers on Facebook, and landed them on the bill at venues like the House of the Blues, the Roxy Theater, and Levitate Music Festival in July in the coming months.

    Lead vocalist Robbie Wulfsohn’s distinctive and likeable chops allow him to stand on his own amidst the outstanding musicianship of Tory Geismar (guitar), Jon Becker (guitar), Sampson Hellerman (drums), Josh Shpak (trumpet), Calvin Barthel (trombone) and Nadav Shapira (bass). All seven members graduates of Berklee College of Music, this dynamic and well-oiled music machine can easily appeal to the masses and fit into any scene, from festivals to clubs and beyond!

    With two EP’s, Hey Hello and Produce the Juice, under their belts, Ripe launches straight into a musical holiday from the first track of their first full-length album. Simmering bass lines set the stage to usher in Wulfsohn’s powerful opening lines, while funkified guitar licks and a three-piece horn section glue it all together for a polished finish in “Little Lighter.”

    Joy in the Wild Unknown“Downward,” the fourth-track on the album, produced by Cory Wong of Vulfpeck, mixed by five-time GRAMMY-Winner Joe Visciano and mastered by Randy Merrill, reflects the duality of love with its catchy chorus:

    This love keeps pulling me downward

    Pulling me downward

    And I don’t mind the fall

    The fifth track, “Stanky,” swaggers onto the scene with the instruments a funky game of cat and mouse between the bass and horns, with help from the guitar to create a unique syncopation that packs a powerful musical punch.

    Ripe’s debut offering, Joy In The Wild Unknown, may be a studio recording, but it’s basically propaganda to get you out to one of their live shows. The good news is they’re about to hit the road for an extensive US tour to promote their latest album and there’s a good chance they’ll be coming to a city near you! Be sure to bring a toy to donate to the band’s efforts to collect toys for the local Boys & Girls Clubs of America (link) and give their new listen before you hit the show! 

    Key Tracks: Little Lighter, Downward and Stanky

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