Category: Genres

  • Rochester Indie Musician Spotlight Heading Into Fifth and Most Exciting Season Yet

    Imagine a cross between the shows Off Camera with Sam Jones and NPR’s Tiny Desk. Picture the best musicians in the local scene performing and being interviewed at neighborhood venues. And then envision yourself being part of a live audience. For music lovers in Rochester, this is a reality. Music journalist Dan Gross has devoted the past year and a half to bringing this vision to life. Rochester Indie Musician Spotlight highlights the best of the rich and diverse music scene in Rochester, which was recently voted best music town by staff in the Best of NYS Music poll.

    With an exciting lineup of guests and the support of sponsors, Rochester Indie Musician Spotlight’s “Season5” promises to be exciting. “We want to make this the biggest season yet,” Gross told NYS Music. During the off season, he lined up a slew of talented performers. To support the expansion of the program to sixteen episodes, new and returning sponsors are pledging support. One of the new partnerships has led to the creation of a spin-off series. To top it all off, a fundraising campaign this month may make it possible to to air the series on television, in addition to the web.

    Rochester’s Premiere Music Interview and Performance Series

    “Season 5” will showcase sixteen musical acts representing a variety of genres. Among the guests slated to appear are Grammy-nominated jazz saxophonist Jimmie Highsmith Jr., beloved folk band The Honey Smugglers, blues singer/pianist Hanna PK, and comedic songs by Small Signals from their Missed Connections album. This season concludes with the series’ landmark fiftieth episode.

    The majority of episodes are filmed at Bop Shop Records, an independent record shop that carries a wide array of music and specializes in fine condition vinyl. Serving the community since 1982, the shop was originally in Village Gate and is now located at 1460 Monroe Ave. It was the first sponsor of the Spotlight, a partner since the second season in mid-2016. Gross is grateful for the the shop’s owner, Tom Kohn, as the use of venue space allowed the show to expand from a straight interview program to a mixed interview and concert format.

    “To say that Bop Shop Records is the reason this show is happening is an exceptional understatement,” Gross said. “This place – a space dedicated to kindness, building a community and helping people, and great music and records regardless of genre – are the same values that the Spotlight lives by.”

    Over the previous four seasons, the show has featured some of the best of the pool of talented independent musicians with roots in Rochester. Spotlight alumni include Ben Morey & The EyesLost Wax Collective, The Crooked North, Daniel Bennett Group, Talking Under Water, The Mighty High And Dry, and Tart Vandelay.

    “We really enjoyed being able to perform at Bop Shop,” said Marty LoFaso of Tart Vandelay. “The show is a great, one-of-a-kind aspect of our music scene.”

    Filling a Niche

    The longevity of Rochester Indie Musician Spotlight can be credited to both the quality of programming and the high standards established by Gross. After graduating college with a double major in Broadcasting and Music, he has found many outlets for his talents. He has bylines as a writer for the Democrat and Chronicle and Eastman School of Music. He’s on the crew of the local web show My Hometown. You can also find Gross hosting and producing the music interview podcast “Extended Harmony” for jazz record label Outside In Music and hosting a show on Jazz 90.1 on Mondays from 6-8pm.

    Gross started Rochester Indie Musician Spotlight because he wanted to find a way to combine his broadcast journalism skills with his deep appreciation for the Rochester music scene.

    “The philosophy of the show has always been to try to come at it with a journalistic approach,” said Gross. “I believe one of the reasons the show is successful is that it’s not gimmicky… The show doesn’t substitute a gimmick for meaningful material.”

    The overarching goal is to become a benchmark for musicians, providing them with not only exposure to a wider audience and a shareable video, but to be able to become a stepping stone in their career. “I want my show to get to the point where if you’ve come on, that’s a stepping point for you,” Gross said. “I want to give people that ‘Spotlight boost.’”

    “If you’re not doing it to help someone out, what’s the point?” Gross went on to explain. “That’s the difference between content and something that’s meaningful, is that it’s about people. Content is about views. But I’m trying to help people. There are people who live here who don’t understand how much live music is here, or how important Rochester is as an arts community.”

    Growing The Local Scene

    The show has grown from humble DIY beginnings with Gross conducting interviews and friend Stacey Baran on camera. Gross has operated the program on a shoestring budget, learning how to do a multitude of technical tasks himself, including audio mixing and color correcting video. He still tries to do as much as he can to contain costs. He’s deeply thankful to everyone who has helped the program to grow. From videographers Jason Thibault (producer of My Hometown) and Dallas Greene to a growing number of musicians, viewers, and sponsors.

    “This show is not possible without other people,” said Gross. In addition to connecting musicians with an audience, the show promotes local independent businesses and venues which promote the local music scene. Bernunzio Uptown Music, a shop renowned for its quality vintage instruments, has hosted some of the Spotlight shows. Rowe Photo, Video and Audio, a place where Gross has bought some of the equipment he uses to record the sessions, was also an early supporter of the Spotlight.

    Gross has been announcing new sponsors who will also be backing the program this year, including restaurant and roastery Joe Bean Coffee Roasters which features live jazz weekly and instrument sales/rental/repair shop Sound Source. There’s also a new partnership with Three Heads Brewing which launched a monthly series The Rochester Residency. The “Spotlight Spinoff” videos will highlight featured artist of the month.

    The first installment of the “Spotlight Spinoff” with this month’s resident Fran Broderick was released last week. In the debut episode, Gross and Broderick chat at the brewery about Fran’s musical background. Broderick also gives viewers insight into the plans for his sets every Thursday in January: a week doing an acoustic set, another week with his band Friday in America, the third week playing Warren Zevron’s Excitable Boy with a handful of musical guests, and releasing his new album on the final week. The interview is book-ended with some clips of Broderick playing his original songs on acoustic guitar.

    In addition to local business owners, viewers can also become patrons of the show. Donors to the Spotlight’s first crowd sourcing campaign are entitled to a variety of perks at various levels, including t-shirts, coupons or swag bags from sponsors, and being recognized in show credits.

    If the indiegogo fundraiser reaches its target of $3,500, it will enable Rochester Indie Musician Spotlight to make the leap to television. Airing on television as well as being posted to the internet will help the show reach a wider audience. “If everyone who has ever “liked” the Facebook page gave $5, we’d reach our goal,” said Gross.

    During the countdown leading up the highly anticipated “Season5,” Gross is replaying some of the episodes from the first four seasons. You can find them on Facebook at Dan Gross: Music & Journalism . Hit the follow button to get the scoop on upcoming events and new episodes.

  • Black Label Society and Corrosion of Conformity roll into Clifton Park

    Black Label Society along with Corrosion of Conformity and EyeHateGod performed at the Upstate Concert Hall Sunday, January 7. With the venue near full capacity, Zakk Wylde and his band of brothers played a high energy show pleasing fans old and new.

    Black Label SocietyBlack Label Society opened the show with the fast paced “Genocide Junkies,” following up with “Funeral Bell.” Zakk Wylde made no hesitation to melt the crowd’s faces off from the beginning all the way through the whole setlist including crowd favorites “Suicide Messiah” and “Fire it Up.” Later this month, Black Label Society’s new album “Grimmest Hits” debuts. Do not get confused. This is not a greatest hits album.

    Black Label SocietyBlack Label Society brought along Corrosion of Conformity for the tour. Fans in the area were happy to see Pepper Keenan and Corrosion of Conformity back in Clifton Park. From crowd favorites to new songs, Corrosion of Conformity had a song for everyone. They have a new album coming out January 12th called No Cross No Crown. Corrosion of Conformity got the crowd singing with “Albatross,” followed that with an introduction of the rest of the band, before ending the show with “Clean My Wounds.”

    Black Label Society

    Black Label Society Setlist: Genocide Junkies, Funeral Bell, Suffering Overdue, Bleed for Me, Heart of Darkness, Suicide Messiah, All That Once Shined,  Room of Nightmares, Low Down, Bridge to Cross, In This River, The Blessed Hellride, Fire it Up, Concrete Jungle, Stillborn

    Corrosion Of Conformity Setlist: Bottom Feeder (El que come abajo), The Luddite, Seven Days, Vote With a Bullet, Long Whip/Big America, Who’s Got the Fire, 13 Angels, Broken Man, Albatross, Clean My Wounds.

    Black Label Society

  • Druse Signs to Ohio Label Head2Wall Records

    Rochester post-hardcore phenoms Druse announced that they have signed with Head2Wall Records. They’re heading into the studio to record a full-length album under the Ohio-based label. The release date is projected for this summer. Before they start recording, they’re playing one more hometown gig with their friends in California Cousins, Dais, Chrmr, and Derelict Vessel at the Bug Jar this Saturday, Jan. 13.

    Druse. Photo by Spencer Chamberlain

    Head2Wall released a statement, which reads in part:

    With their unique take on the style of heavy, emotive, technical post-hardcore fleshed out in late ’90s by bands like Botch and Frodus, Druse has spent the last three years carving out a place of their own in today’s fickle and ever-evolving heavy music community. With a handful of powerful and infectious EPs, and an indefatigable work ethic, Druse has proven themselves a force to be reckoned with.”

    While waiting for the new album, fans can order a 12” vinyl containing their last two EP’s from the Head2Wall webstore.

  • The Ominous Seapods Reunite to wish Tom Pirozzi a Happy 50th Birthday

     A Plattsburgh State undergrad once asked Max Verna to define an Ominous Seapod. “I don’t really know,” he said, providing no explanation behind the name of his band for the young reporter working on a feature for his student newspaper. “I do like the sound of it, though.”

    The Ominous Seapods, one of the most popular jam bands here in upstate New York in the 1990s, is coming back out for a two-night engagement at the Cohoes Music Hall on Friday and Saturday, Jan. 12 and 13.

    “They were a name I would always see on old show flyers amongst other names that are still big in the scene today,” said Kim Neaton, WEQX-FM radio personality. “I wasn’t familiar with them when they were active, but their name often pops up in conversation and I always would think, ‘Damn. I wish I got to catch a Seapods show!’”

    While Phish and Dave Matthews Band led the charge in a jam band culture described in 2001 as a phenomenon by the New York Times, moe., the Disco Biscuits and the Ominous Seapods pulled up the rear. At the time, both the Seapods and Disco Biscuits were signed under Hydrophonics Records, a subsidiary of Megaforce Records which itself earned success years earlier by introducing Ministry and Metallica.

    “These guys can rip,” wrote Dean Budnick, of the Seapods. The Relix Magazine editor named the group in a well-crafted Who’s Who directory of upcoming bands in his 1998 book “Jam Bands: North America’s Hottest Live Groups.” “The humor of the players often celebrates the absurd, resulting in some memorable, spontaneous interactions between each other and between band and audience. … Such as the time it hosted an eight-track release party.”

    Verna, Dana Monteith, Tom Pirozzi, Brian Mangini and Ted Marotta toured the nation, playing 200-plus gigs a year, a reputation recognized by SPIN Magazine, and appreciated by an online fanbase supported by a website at Dartmouth University affectionately called the Podnet. “We have some really loyal fans on the Podnet who have taken it upon themselves to get the word out and to spread tapes,” Tom Pirozzi told Budnick. “So we’ve walked into a bar in Iowa City where the place is just packed full of people who have heard about us, know our music and are excited to have us there.”

    At one point, the website boasted of having more than 300 subscribers, known as mutants. It was maintained by David Merrill, a Dartmouth technician nicknamed The Bourbon Cowboy. It was a place to find setlists, lyrics and pictures. In its heyday, fans could swap tapes from live shows. The internet was still in its infancy in the late ’90s. Social media and smartphones, absolute requirements for networking and navigating new landscapes, did not exist. So, most fans found out about shows by signing up to the band’s mailing list — postal, not email. (At the

    band’s height, that list contained more than 10,000 names.) Fans could also call the band’s dedicated phone line connected to an answering machine that listed upcoming show dates. The Podnet is still online, but the ’90s design suggests it hasn’t been maintained for years. Some of the mutants, including Merrill, have since moved on to Facebook.

    Pirozzi recently shared his amazement over the power of social media. He said he posted word of the Seapods upcoming Cohoes show on Facebook twice. Once on his page, and another on the Mutants’ page. A short time later, he said, the Saturday evening show was sold out.

    “It sold out in five days,” said Pirozzi. “I was surprised, actually. I knew we’d do well, and thought maybe by the day of the show we’d sell out, or be close to sold out. I didn’t expect to sell out in advance. We were all shocked by that.”

    The band opted to offer a second show on the preceding Friday, Pirozzi’s 50th birthday. (It, too, is close to selling out.) Pirozzi said he’s humbled by the response from fans, and looks forward to seeing faces he hasn’t seen in 20 years.

    “I could see on Facebook, people coming in from Colorado, from North Carolina, California,” asid Pirozzi. “I think it’s just going to be a great reunion for people I haven’t seen in years. Obviously, people I haven’t seen in 20 years. I’m looking forward to that.”

    The definition of an Ominous Seapod, initially sought by a Plattsburgh State undergrad, is less elusive today than it was nearly 30 years ago.

    “By all accounts the band and their fans know how to have a real great time,” said Neaton, who now associates herself with Guthrie Bell Productions. “And, if Greg Bell says a band knows how to party, I think the Cohoes Music Hall is perhaps in for a party unlike anything it’s seen before. It’s really cool to be part of a reunion that’s bringing so many people in from out of town to celebrate a band that meant a lot to the jam scene for so long, especially in a room as special as this.”

    This article was originally published by The Spot 518 and is the property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Hearing Aide: Umphrey’s McGee ‘it’s not us’

    Jam band is a term thrown around, generally referring to the length and frequency of improvisatory segments a band employs in their live shows. But in the higher rungs of the quasi-genre, it could also be used to describe the amount of styles and influences that are ‘jammed’ into a single concert, album, song, or even lick.

    it's not usPut on it’s not us, the latest studio output from rockers Umphrey’s McGee, and your friends will be impressed with the playlist you put together, showcasing your eclectic taste. Would you take credit, or own up to the fact that it was indeed just one band? And one album?

    The album exhibits McGee at their most dynamic and most intriguing. Celebrating their 20th anniversary in 2018, they’re still a band on the rise, tackling new ground, finding ways to innovate and improve along the way. If an album is a band’s current singular statement, this one screams, “This is us!” That certainly defies the chosen title, which they chose as a reference to their beloved fanbase. This collection of songs isn’t a new direction for the band, rather a culmination of everything that has come before, and it is most certainly “them.”

    Their previous release, Zonkey, was a virtual jukebox, with wild mashups of different popular songs. This one plays like a jukebox also, but more impressively, and more successfully encompassing entirely original material. Barroom rock (“The Silent Type”), electric dance pop (“Forks”), 80’s hair band heaviness (“Looks”) or jazzed-up funk (“Speak Up”) all find a home in this player. The infectious blues groove of the not-so-cleverly named “Whistle Kids” would sound right at home billowing up from the smoke at any Dinosaur BBQ. “Remind Me” opens in a slinky groove but switches into a blistering metal rocker, with some signature slash and burn guitar that rears its head throughout the album. It stands in immediate contrast to the ensuing “You & You Alone,” a stripped down folksy track. Though it’s not us is not an album with a finite order, It will hold up well when listening on shuffle, which is how the kids do it these days anyway. Each song stands strongly alone, and like an Umphrey’s McGee setlist, could be reordered on each listen for a unique experience every time.

    it’s not us introduces 11 new songs to the ever-expanding Umphrey’s McGee catalog in a tight 50 minute package with impeccable production value. The sound is rich, from the highest high hat to the lowest bass hit. It won’t sound this good live, even if you spring for the high-end earphone experience. And that’s how it should be, a detail that often gets overlooked by bands that value the live performance as much as this band. Nevertheless, these songs will adapt well to the live shows and find a welcome home on many setlists to come.

    Key tracks: Looks, Whistle Kids, Forks, Dark Brush

  • Photo Gallery: The Nth Power at American Beauty

    For the first of four nights of post-Phish shows at American Beauty, The Nth Power brought their soul funk to a crowd of late night party seekers on December 28. During the night, John Shannon from The Leaders of The Shift and rapper Atlas Gramz joined the Nth Power on stage for what would turn out to be one of the final shows at American Beauty.

  • Tommy Z Band brings the Blues to Funk n Waffles this Wednesday

    Tommy Z, an award winning blues musician from Buffalo will bring his swinging, rocking blues band to Funk n Waffles in Syracuse on Wednesday, January 10.

    tommy zTommy Z is a Top 10 Billboard Blues artist and 2007 inductee into Buffalo’s Music Hall of Fame. He has toured extensively around the world, and has served as sideman to Grammy winner Pinetop Perkins, as well as numerous USO shows in Iraq, Afghanistan, Africa, Europe, Asia and Micronesia. An award-winning guitarist, Tommy combines classic and contemporary blues with jazz, rock and funk influences. He has also composed music for the Red Hot Chili Peppers Biography on A&E, wrote the St. Louis Blues victory song in 2009, and is also the Sunday Blues host on Buffalo’s NPR affiliate WBFO 88.7 FM from 7pm-midnight.

  • Start Off Your New Year With Live Music, Presented by NYS Music

    A very Happy New Year from NYS Music! If your New Year’s resolution is to see more memorable shows in 2018, NYS Music is bringing you the rundown of all the can’t-miss shows around you in New York this January.  The featured cities this month include Buffalo, Syracuse and Rochester.

    Buffalo – Nietzsche’s

    January 6th – Come out to Nietzsche’s for some funk and soul music from the group Tiger Chung Lee, accompanied by Rhubarb.  Hit the event link for more details! Event link.
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    January 13th – For a night full of dynamic funky music, come see the English Project take Nietzsche’s with their groovy improvisation with Mosswalk, the progressive rock group who brings an immersive live music experience, and 18 Wheels and a Crowbar.  Event link.

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    January 20th – The group LITZ blends together a multitude of genres to bring a new, exciting sound for listeners that has the power to transport audiences to another place, free from the stresses of life.  To hear a variety of everything from soul, electronica, jam and funk, catch them at Nietszche’s with Cold Lazarus. Event link.

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    January 26th – Nietzsche’s is bringing you a day packed full of live music on the 26th.  Start early with a free show at Happy Hour featuring The Fibs.  Then come back for more at 10 PM to see Swimmer, Skyepilot and Haewa for a mix of experimental rock-fusion, genre-bending psychedelia, and rock ‘n’ roll. Event link.

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    Syracuse – Funk ‘N Waffles

    As per usual, Funk ‘N Waffles is providing Syracuse (and Rochester) with live music 7 days a week.  All shows are 18+ unless advertised otherwise.

    January 5th – The soul powerhouse group, West End Blend, will be at Funk ‘n Waffles with special guest Akuma Roots, the reggae, afro beat, and dance hall group. Event link.

    January 6th – The Last Revel, the Americana trio will be showcasing their blend of folk, rockabilly, rock and old time string band sounds with hauntingly beautiful vocal harmonies with special guests the Slocan Ramblers Event link.

    January 12th – Don’t miss the dream-like indie-rock sounds of Major Player with special guest Multi-Fonz. Event link.Image may contain: text

    January 16th – Nick Moss with special guest Jimmy Wolfe will be at Funk ‘n Waffles for a night of bluesy rock and roll. Event link.Image may contain: 1 person

    January 17th – “Three dudes making one hell of a racket!”  Don’t miss MonkeyJunk’s swamp roots rock on the 17th.  Event link.Image may contain: one or more people, people sitting, table and indoor

    January 18th – The Rochester-native 12 piece reggae and afro-beat band, The Medicinals, will be performing for the first time with Brooklyn Producer Double Tiger featuring Jay Sparker of JBB. Event link.Image may contain: 1 person

    January 24th – Come out and see the pre-war blues and string band inspired sounds of the Ben Miller Band with special guest Tim Herron. Event link.Image may contain: 3 people, people standing and outdoor

    January 25th – For a unique bluegrass version of the Grateful Dead, come see the Grass is Dead with David Gans. Event link.

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    January 26th – Blue Rootz, the funk and soul band from Buffalo will be performing with Burlington-based indie group Barika. Event link.No automatic alt text available.

    January 27th – Brutal by Design Presents: Mushroom Cloud with Big Sexy and the Scrambled Eggs for a night of explosive rock music. Event link.Image may contain: 4 people, people standing and beard

    January 31th – Independent soul artist Joanna Teters will be at Funk ‘n Waffles with special guests Ramshki Alley and Doug Mason. Event link.Image may contain: 5 people, people on stage, people playing musical instruments, concert and indoor

    Rochester – Funk ‘N Waffles

    January 5th – Before The Last Revel and Slocan Ramblers perform in Syracuse, catch them in Rochester for a bold blend of Americana inspired sound.  Event link.

    January 12th – Milkgang Presents: Space Junk with SKYwalker.  Come out for an always unique performance by these dynamic artists. Event link.

    January 13th – Mumur a Tribute to R.E.M. will be bringing their dynamic and precise recreation of the sounds of R.E.M. to Rochester. Event link.

    January 17th – Don’t miss the original Americana and roots sounds of the group Stay the Plow with Michael Jerling on the 17th.  Event link.

    January 18th – MonkeyJunk will be moving onto Rochester following their Syracuse show. Event link.

    January 19th – After the Medicinals with Double Tiger take Syracuse with Jay Sparker of JBB, they’ll be bringing Rochester another can’t-miss show. Event link.

    January 24th – To remind the people of Rochester about the power of rock ‘n’ roll, River Lynch & The Spiritmakers will be performing with special guests The Mighty High and Dry as well as Dangerbyrd. Event link.

    January 25th – Hosted by David Abdoch with headliner Mike Bova, the NY native, award winning comedian and inspirational speaker, and featuring Big Ern, The Big and Tall Comedy Tour is coming through Rochester and is sure to keep you laughing.  Event link.

    January 26th – Jack Martini will be bringing his hip-hop/60’s rock-inspired and playfully humorous music accompanied by rock, ska, and jazz blended sound of The Saplings. Event link.

    January 27th – If you miss Blue Rootz and Barika at Syracuse, make sure to catch them on the 27th for another night of incredible music. Event link.

  • Saranac Lake Winter Carnival 2018 Fast Approaching; Donna The Buffalo, Sophistafunk, and Lucid Among Headliners

    The 121st Saranac Lake Winter Carnival starts February 2, 2018 and features 17 acts over eight days. Among the list of local and national bands slated to perform are regional favorites Donna The Buffalo, Sophistafunk, and Lucid. All performances take place at The Waterhole Music Lounge in Saranac Lake. For the first time ever, VIP passes are available, which entitle the purchaser to all shows during the carnival as well as special cocktail hours. Tickets are available at the Waterhole or online. The folks at The Waterhole also put together a Spotify playlist of all the featured artists:

    Saranac Lake Winter Carnival 2018

    February 2 – O’Death with Tigerman Woah & Arthur Buezo  – 9pm $13 Adv $15 Door
    February 3 – Kung Fu with The English Project  – 9pm $17 Adv $20 Door
    February 6 – Swampcandy  – FREE SHOW 9pm Downstairs
    February 7 – Sophistafunk with Jiggawaltz – 9pm $10 Adv $12 Door
    February 8 – Donna the Buffalo with The Old Main – 8:30 pm $18 Adv $22 Door
    February 9 – Lucid with Bella’s Bartok – 9pm $20
    February 10 – Post Parade Party with Raisinhead – 2pm “After the Parade” FREE SHOW
    February 10 – West End Blend with The Big Takeover – 9pm – $10
    February 11 – The Plate Scrapers at Bloody Mary Sunday – FREE SHOW – 2pm Downstairs

  • Hearing Aide: Dave DiPrimo Band ‘Reflections’

    One day photographer Michael Slattery found himself chasing elusive clouds with his camera, only to find the perfect shot in his passenger side mirror. Like the artwork memorialized on its cover, Reflections by Dave DiPrimo Band grasps for things in the past, just beyond reach. It’s an album rife with ruminations and dwellings.

    At a time when many of their college-age peers are churning out angsty pop punk, Dave DiPrimo and his bandmates are composing alternative folk songs featuring soulful saxophone riffs. DiPrimo makes references to his maturity in the song “Fall Down,” with the lines “You can call me old fashioned/I prefer to be called an old soul.” Weaving in threads from influences as wide and varied as Otis Redding and The Front Bottoms, Reflections is a contemporary yet traditional tapestry of Americana.

    The title track “Know You Best” sets the nostalgic tone for the poetic, introspective collection. It’s a song about unrequited love and longing for connection. It alternates between pleading verses and a bellowing chorus. “Now” is another contemplative track, rueful oozing with melancholy. “Every day it gets a little bit colder/ every day I get a little bit older,” sings DiPrimo. The slight distortion on guitar lends a distant, dreamy effect. The melody is set to the a rat-tat-tat drum beat laid down by Reid Hoffmeier and deep rhythms from Ian Benz on bass. The saxophone played by Karis Gregory is featured prominently on the bittersweet ballad “Caroline.” The indie rock anthem “Glory Days,” wraps up the album, ending on a slightly higher note with remembrances of happy times.

    Dave DiPrimo Band recorded Reflections in a single day at The Green Room. The 9-song collection was mixed and produced by studio owner Matt Ramerman. CD’s are available at their live shows. The album can be found digitally on multiple music platforms, including Spotify and iTunes.

    Key Tracks: Know You Best, Fall Down, Now, Caroline, Glory Days