NYS Music 20​18

Category: Genres

  • Dino Skatepark unveil “Boogeyman” video

    This past Halloween, Long Island based prog rockers Dino Skatepark has released the music video for “Boogeyman.” The punk band gets heavy in “Boogeyman,” with eleven different time changes, and style changes from punk to jazz and metal. The video was filmed by local videographer Sean Johnson with direction inspired by Dino Skatepark vocalist Dylan Belpanno and drummer Joe Quinn.

    https://www.youtube.com/watch?v=UqWA_XdgIWg

    Dino Skatepark has released four singles, including “East Quogue” released in June 2018 and are in the process of releasing four new songs throughout the course of the next few months accompanied by music and lyric videos. Stay tuned to Dino Skatepark on Facebook for updates and upcoming shows.

  • Mike Gordon Announces East Coast Spring Tour

    Mike Gordon and his band released plans for Spring appearances around the east coast. The rapid-fire March tour will bring Phish bassist Mike Gordon and company to several venues in up and down the east coast, beginning in Atlanta and finishing up with a four night run in Cambridge, MA. General Admission tickets went on sale on Friday.

    New York fans of the rock group will be excited to see that Mike Gordon will be performing in Buffalo at the Town Ballroom during the March Tour. For more info regarding the tour and ticket purchases visit Mike Gordon’s website. Current tour dates are below.

    Mike Gordon Tour Dates:

    March 8 – Variety Playhouse – Atlanta, GA
    March 9 – The Orange Peel – Asheville, NC
    March 10 – The Basement East – Nashville, TN
    March 12 – Charleston Music Hall – Charleston, SC
    March 13 – Harvester Performance Center – Rocky Mount, VA
    March 15 – 9:30 Club – Washington, DC
    March 16 – Asbury Lanes – Asbury Park, NJ
    March 17 – White Eagle Hall – Jersey City, NJ
    March 19 – Town Ballroom – Buffalo, NY
    March 21-24 – The Sinclair – Cambridge, MA

  • No music falls on deaf ears at Palaye Royale Las Vegas performance

    Music is one of the most inclusive interests humans are able to appreciate and share. Genres expand to any identity or personality you could think of and easy accessibility make it available for any to enjoy. But what if you couldn’t hear? How do the deaf listen to music? Unfortunately some would say they simply don’t. However, this September those barriers were broken and deaf fans got to experience music on a level like never before. A collaboration between music group Palaye Royale and Music: Not Impossible Technology led to a test launch at their Las Vegas show.

    The four year long technological advancement has been described as a five-piece device consisting of a vibro harness, two wristbands and two ankle bands. The device syncs with the live performance accordingly and each of the five areas vibrate along with it. The vibes have several settings which can be adjusted from low, medium or strong vibes and immerses the listener in a “surround body” sensation. In addition, a sign language interpreter was also involved on stage for the convenience of other hearing impaired attendees.

    Check out a video below from Music: Not Impossible that exhibits the technology during its first real-world use.

    Dubbed “The hottest band of 2018” by the English music press, Palaye Royale is entertainment at full volume. A combination of musical and artistic expression with immense popularity on all different streaming platforms. They have amassed over 30 million views on smash songs like “Higher,” “Don’t Quite Feel Right,” and “Ma Cherie.” This stands among the achievements of their albums titled Boom Boom Room (Side A) and this year’s highly anticipated follow-up Boom Boom Room (Side B). The Canadian fashion rock-trio is currently on an expansive tour all throughout the states and several parts of Canada. Tickets, both general and VIP, are on sale now.

    The brothers will visit the Lost Horizon in Syracuse this Friday. See below for announced dates.

    Palaye Royale Tour Dates:

    Nov. 15 – Le Ministere – Montréal, QC
    Nov. 16 – The Lost Horizon – Syracuse, NY
    Nov. 17 – Beachland Ballroom – Cleveland, OH
    Nov. 18 – Metro – Chicago, IL
    Nov. 19 – Loving Touch – Detroit, MI
    Nov. 20 – Rave – Milwaukee, WI
    Nov. 21 – Skyway – Minneapolis, MN
    Nov. 23 – The Rec Room – Edmonton, AB
    Nov. 24 – The Legion – Calgary, AB
    Nov. 26 – Rickshaw – Vancouver, BC
    Nov. 27 – El Corazon – Seattle, WA
    Nov. 28 – Bossanova Ballroom – Portland, OR
    Nov. 30 – Slim’s – San Francisco, CA
    Dec. 1 – Holy Diver – Sacramento, CA
    Dec. 2 – Glasshouse – Pomona, CA

  • Vermont’s first WinterWonderGrass hosts Grass After Dark series

    A favorite feature of the Colorado version of the winter music celebration, WinterWonderGrass Stratton has finally introduced its own iteration of the Grass After Dark Series with one month until the event kicks off.

    Grass After Dark

    Bluegrass fans new to the festival should be aware that festival tickets are not required for the Grass After Dark series. All of the late night shows are 21+ and are a separate purchase from the WWG day festival tickets. Grass After Dark tickets are limited and expected to sell out quickly. You can secure your spot at the event by purchasing your tickets at the WWG website.

    The night series opens on the eve of WWG Stratton day festivities, with An Evening with the Infamous Stringdusters on Dec. 13 at Grizzly’s. The GAD series is hosted between two intimate mountainous locations for four nights of bluegrass in the village. Dec.r 15 is the only night attendees will have to choose between Grizzly’s and the Green Mountain Room in Black Bear Lodge at the Stratton Mountain Resort. The full GAD late night show schedule is down below:

    GRIZZLY’S:

    Thursday, Dec. 13 – An Evening with the Infamous Stringdusters
    Saturday, Dec. 15 – Keller Williams and Fruition
    Sunday, Dec. 16 – Billy Strings and Lindsay Lou

    BLACK BEAR LODGE:

    Friday, Dec. 14 – Horseshoes & Hand Grenades and Saints & Liars
    Saturday, Dec. 15 – The Kitchen Dwellers and Rumpke Mountain Boys

    Tickets are still available for those interested in the full WinterWonderGrass community experience. Single day prices are currently $59 for Friday, $79 for Saturday, and $59 for Sunday. For the complete festival schedule and all ticket packages, visit the WinterWondergrass website for more information.

  • Joni Mitchell featured in special Morrison Hotel gallery – JONI

    Beloved singer-songwriter Joni Mitchell is featured in an upcoming Morrison Hotel Gallery entitled JONI. The exhibition is a collection of over a dozen photographers’ work who have captured her essence as a folk pioneer in addition to cultivating her artistic relationships of mutual respect and admiration.

    The opening date for the photography exhibition and sale is Friday, Nov. 16. The event is being held at various locations: the Sunset Marquis Hotel location in Los Angeles, at the New York City gallery on Prince Street in SoHo and the gallery in Maui at Mick Fleetwood’s General Store and restaurant.

    Morrison Hotel Gallery is proud to represent the world-class talents of a group of photographers who together have taken some of the most beautiful and timeless images of Joni Mitchell – an artist who many consider to be one of the greatest songwriters of the 20th century. — Morrison Hotel Gallery co-owner Peter Blachley

    The photos range from Joel Bernstein’s gatefold Hijira album to Amalie R. Rothschild’s concert action shots to Norman Seef’s cover art and various sessions with Joni. Other photographers featuring Joni Mitchell include: Henry Diltz, Graham Nash, Baron Wolman, Bonnie Schiffman, Rowland Scherman, Ken Regan, Jay Blakesburg, David Gahr, and Guido Harari. These priceless images give life to Joni’s musical career from as earlier as 1967 at the Newport Folk Festival, through the late ’90s.

    Aside from being the good friend of a great many gifted photographers, Joni Mitchell is remembered as one of the greatest musical artists of the late 20th century. Mitchell is well-known for her blues and jazz-infused style present in some of her long-praised folk tunes. She recently celebrated her 75th birthday earlier this month so this exhibition could not be more perfectly timed for fans to look back and honor the great Joni Mitchell.

  • John Medeski’s Mad Skillet Cooks at Buffalo Iron Works

    John Medeski brought his latest project, a quartet with Will Bernard on guitar, Kirk Joseph on sousaphone and Terence Higgins on drums, to the Buffalo Iron Works on Sunday night. Collectively known as Mad Skillet, the seasoned veterans brought fresh sounds from a wide expanse of influences, mixing in styles from the South, East and West.

    Touring behind their just-released album, they stretched those tracks and some additional material into two super-grooving hour-plus long sets. Joseph held down the low end with honking sousaphone blasts that twisted and exploded with electronic distortions. Bernard shredded a hollow body guitar with jazzy chops, funky cuts and bluesy slide-laden swirls. Medeski threw in everything but the kitchen sink: massive swells and chunks of B3 organ, heady splashes of Mellotron and a bit of spice from the Wurlitzer. Higgins beat it all together to a perfect blend.

    They weren’t shy in slathering on some jam either. They moved in, out and through grooves with ease. Each player headed up the kitchen while the others played the sous chef. The baton was passed around the room until the dish was ready and all the flavors came together for a glorious four-pronged meal of sound. Regardless of the on-stage dynamic, playing as one, two, three or the full band, each individual flavor came through loud and clear; nothing was lost in the mix. Each individual musician sounded exactly like themselves, and the end result was no more surprising. As good as you would come to expect.

    Mm mm good.

  • Mikaela Davis Joins Bob Weir and the Wolf Brothers in Syracuse

    Bob Weir brought his new trio, the Wolf Brothers, featuring Jay Lane on drums and Don Was on bass, to the beautiful Landmark Theatre in Syracuse, and invited harpist and singer Mikaela Davis up for a few songs. After the sellout crowd settled in, the band emerged and took their time tuning and prepping for the night ahead. The show got off to a bit of a sluggish start with an uninspired and sloppy “Jack Straw” that included some unnecessarily long rhythmic interludes. Weir switched to the acoustic and kicked into “Gonesville” off 2016’s Blue Mountain. The trio seemed custom-built to handle this slice of Weir’s repertoire and played more inspired as they locked in nicely for the short country ballad.

    Mikaela Davis Bob Weir

    The set could have stood to have some more from that album, but they switched immediately back into the tried and true Grateful Dead trademarks. Sticking with the acoustic, the run of “Me and My Uncle,” “Peggy-o” and “Deep Elem Blues” hewed folksy and sounded great, Weir added a fresh shine with some subtle shifts in the melodies. There was an air of intimacy as he stopped to provide snippets of the songs’ histories.

    Moving back to electric, “Althea” transitioned nicely out of “Deep Elem Blues” and the set started to pick up some steam as “Loose Lucy” followed. Pushing past 70 minutes, the set felt like it might be winding down when a harp came rolling from backstage. Rochester’s own Mikaela Davis followed closely behind to join the trio for a version of “Bird Song” that provided a real kick in the pants to close out the first set. The added melodic flourishes from the harp gave Weir something to play off and showcase his true rhythmic guitar genius.

    The second set continued to build on the energy from the first. “All Along the Watchtower” was played jagged and grungy with Weir taking on a languid psychedelic tone. The band showcased its agility and morphing ability in a shifty “The Music Never Stopped.”

    Mikaela Davis Bob Weir

    After the bluesy “Standing on Shaky Ground,” the harp came rolling back out and the band started up “Wharf Rat.” Davis confidently took on a more prominent role and the band dug out a nice space for her and Weir to take the jam to strange and beautiful places. The ensuing “China Cat Sunflower” played right into Davis’ strengths. The longer she held court on stage, the audience became more rapt with the sounds she brought into the mix. By the time “I Know You Rider” wound around, Davis was controlling more of the reins, providing the tune with extra bounce, and the crowd responded with increasing excitement.

    The harp remained on stage after set close and they returned for the encore as a quartet. Not only was Davis feeling more comfortable, she was now ready to lead the band and counted out the start as they kicked into Neil Young’s “Down By the River.” It was a Neil Young cover, sure, but it was Davis’ version, and the one she’s been playing on tour all year. She sang and played the lead with the seasoned veterans backing her all the way. Jay Lane powered the jam with incredible pounding flourishes to shoot it into the stratosphere, and the crowd roared in appreciation. “Ripple” was the perfect nightcap to emerge out of the fizzle, and a full crowd sing-along had everyone leaving fully satisfied with the songs that filled the air.

    Bob Weir and the Wolf Brothers, featuring Mikaela Davis – November 9, 2018 – Landmark Theatre, Syracuse, NY

    Set 1: Jack Straw, Gonesville, Me and My Uncle, Peggy-O, Deep Elem Blues > Althea, Loose Lucy > Bird Song*

    Set 2: Easy to Slip, Two Djinn, All Along the Watchtower, Music Never Stopped > Shaky Ground, Wharf Rat* > China Cat Sunflower* > I Know You Rider*

    Encore: Down By the River*, Ripple*
    * – with Mikaela Davis on harp and vocals

  • Arlo Guthrie’s “Back By Popular Demand” Tour

    Legendary folk music icon Arlo Guthrie brought his Back By Popular Demand Tour to the Paramount Hudson Valley Theater in Peekskill, NY. The tour coincides with the 50th Anniversary of the feature film Alice’s Restaurant, originally released in 1969, starring Arlo as himself.

    Guthrie performed solo and with a full band featuring daughter Sarah Lee Guthrie (guitar, keyboards, vocals) and son Abe Guthrie (keyboards, vocals) bringing “Alice’s Restaurant” and other Guthrie classics to life. You can catch Arlo Guthrie’s annual Thanksgiving celebration at Carnegie Hall on November 24th.

  • November 9th is for the children – ‘Wu-Tang Clan Day’ declared in Staten Island

    Rap culture has been blessed with many genius artists and movements that have allowed it to evolve into one of the most popular genres in the world. Those pioneers are celebrated in lyrics/shoutouts by many current stars and respective hometowns take much pride in the influence they invested in the artist.

    Friday marked another one of those celebrations and for none other than the infamous Wu-Tang Clan. Staten Island has officially named November 9th as Wu-Tang Clan day to pay tribute to the 25th anniversary of their legendary debut album: Enter the Wu-Tang (36 Chambers).

    Wu-Tang Clan Day

    Their impact has transcended music and represented how their upbringing converted them into artists in their craft. Record label, Certified Classics, has displayed their appreciation for the timeless rap group in a new short film entitled: “For the Children: 25 Years of Enter the Wu-Tang (36 Chambers).” It explores the background struggles and rise of the group in a world where they felt that music was their only voice. It even takes fans on a journey through production of signature songs and analysis of lyrical content.

    For more modern fans of rap, the film also features interviews and appearances from new school artists including ASAP Rocky, ASAP, Ferg, Joey Bada$$ and other contemporary MCs known for their lyrical skill. They delve into their own influences from the Wu-Tang sound and how it molded their image to be a combination between classic and state of the art. Even 25 years later in a new era of music, their pages on streaming platforms boast millions of listens and impressive monthly listener statistics.

    Watch the short film “For the Children: 25 Years of Enter the Wu-Tang (36 Chambers)” below. The Clan also performed live on “Good Morning America” Friday morning. You can also view that performance here.

  • Hearing Aide: Neighborhood of Make Believe ‘Two Nighttimes’

    Take the attitude of Dr. Dog, the horn line spice of Cake, and the essentials for a modern folk group and you get Neighborhood of Make Believe. Okay, that’s a very general statement but there’s a lot of experimentation going on in NOMB’s debut album so it’s hard to say what their sound is exactly – flowing, warm and washy are definitely some constants. That being said, listeners will have to cull through the 12 track collection to find something they like, but it’s still worth giving a listen to from beginning to end. They’ve dropped their songs strategically throughout the album so it’s a bit of a roller coaster which will hold the listener’s interest. Maybe not one with corkscrews and loops, rather a traditional wooden one with some exciting drops and turns.

    Songs like “Track Name’s,” “Fairness” and “Thin Soup” are easy going, slow moving and have a great sense of peacefulness. The immediate emotion isn’t sadness – it’s only until listeners dive into the lyrics of the track do they then understand the direction and purpose of the song. I suppose that is true to most songs in this genre but they’ve found a well working formula and they stick to it, creating an engaging album when combined with the following contrary tracks.

    We find more energetic and multilayered tracks like “When Willem’s Wife Was Wet” that add some flavor to the album. “Willem’s Wife” has the most depth and direction in the collection and it’s something this group should definitely try to reproduce in coming works. Instrumentation is crisper and clearer, movements are well defined – it’s much needed separation as well as mood booster from the other, lower energy tracks.

    “Faces” is worth dissecting as well. Some might say it’s lacking in direction but its just omnidirectional. It’s ominous, then jovial, hopeful and open – it’s just interesting. It’s not necessarily catchy but is definitely fun to listen to. The chord progressions are bizarre and just blend into each other enough to create a unique atmosphere.

    Things get more interesting as we’re introduced to a western, backwoods feel in “Traveling Standing Still.” Complex guitar work, odd time signatures and a super cathy bridge/ chorus create another fantastic space with loads of potential and direction, although the song drops off without any sort of climax. Still one of the coolest works on the album.

    The remainder of the tracks reflect their style at the beginning of the album which is a bit of a let down to be honest. The prior three tracks were highly engaging, unique and just plain fun to listen to. It would be music to our ears if we could hear these guys come back with another album following the abstract sounds found in “Standing Still”, “Faces” and “Willems Wife”. Die hard indie/ folk lovers will enjoy this collection for sure. Give it a once over and you’ll find a several things to enjoy.

    Key Tracks: When Willem’s Wife Was Wet, Faces, Traveling Standing Still

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