Category: Genres

  • The Weight Band Announces Release Date for ‘World Gone Mad’

    The Weight Band, an assemblage of veteran musicians with connections to Woodstock, Levon Helm, and The Band, have announced the release date of their debut recording, World Gone Mad.

    Throughout the storied history of the Midnight Ramble performances at Levon Helm Studios in Woodstock, New York, there have been multiple configurations of some of the same musicians for different host bands at “the barn.” The Levon Helm Band had morphed into the Midnight Ramble Band, followed by the Dirt Farmer Band, and most recently The Weight Band. Each of these ensembles has relied on a strong belief in the collaboration of all band members. The entire bands were the focus, rather than any individual being featured above the others. That spirit of collaboration is evident in the writing and recording of The Weight Band’s first full-length album, World Gone Mad, scheduled for CD and digital release on February 23.

    The Weight Band World Gone Mad

    Inclusion of two previously unreleased songs co-written by Levon Helm, “You’re Never Too Old (To Rock N Roll)” and “Common Man,” along with guest appearances by Jackie Greene and Randy Ciarlante, and a cover of the Jerry Garcia/Robert Hunter song, “Deal” give some added flavors to the half dozen original songs by The Weight Band.

    Central New York music fans may recall a previous incarnation of the The Weight Band, with Byron Isaacs on bass and Ciarlante on drums from their appearance at The Camden Music Festival in 2014. Eventually, Albert Rogers and Michael Bram found their way into those respective slots, joining Jim Weider (guitar), Brian Mitchell (keys/accordion), and Marty Grebbs (keys/saxophone). All five members of the band contribute vocals to their sound.

    The title song was a phrase Jim Weider has said he had kicking around in his head for about a year, until a bit of a melody came along to join it, and he collaborated with the renowned Canadian singer-songwriter Colin Linden to complete the tune. Weider and Linden had previously joined forces on several songs. These include “Remedy,” a version of which is included on World Gone Mad.

    https://youtu.be/aouEP5OjB-0

    The Weight Band will tour in support of their pending release, including four New York State appearances.

    TOUR DATES:
    Feb. 9 – Bergen Performing Arts Center – Englewood NJ
    Feb. 10 – The Warehouse at FTC – Fairfield CT
    Feb. 16 – Infinity Music Hall – Hartford CT *Album pre-release concert
    Feb. 17 – Levon Helm Studios – Woodstock NY *CD release ramble
    March 9 – Sportsmen’s Tavern – Buffalo, NY
    March 10 – Anthology – Rochester, NY
    March 11 – Center for the Arts of Homer – Homer, NY
    March 30 – Beacon Theatre – Hopewell, VA
    March 31 – McGlohen Theater at Spirit Square – Charlotte, NC
    April 1 – City Winery – Atlanta, GA
    April 4 – Crest Theatre – Delray Beach, FL
    April 5 – King Center for the Performing Arts – Melbourne, FL
    April 6 – Capitol Theatre – Clearwater, FL
    April 7 – Center for Performing Arts – Bonita Springs, FL
    April 19 – Narrows Center – Fall River, MA
    April 27 – Fox Tucson Theatre – Tucson, AZ
    April 29 – Belly Up Tavern – Solana Beach, CA
    June 24 – Rocks, Ribs & Ridges Festival – Augusta, NJ
    Aug. 20 – Camp Cripple Creek at Full Moon Resort – Big Indian, NY

  • Teddy Midnight launches GoFundMe for new album, add Danny Caridi to lineup

    Brooklyn’s Teddy Midnight has returned to touring following a short break, joining NYC’s Rogue Agency and adding Chromatropic’s Danny Caridi as keyboardist. They recently launched a GoFundMe for their upcoming studio album, and will perform select shows in the Northeast this winter.

    teddy midnight danny caridiTeddy Midnight’s sound has always been eclectic, combining jam, house and funk, but are gearing towards a more electronic/dance sound, as evidenced in recent shows that pull on influences including LCD Soundsystem and Daft Punk. “We take a lot of influence from acts like Disclosure, Todd Terje and Caribou. These are groups
    that bring studio quality music to the live stage with unforgettable performances,” says bassist Sean Silva.

    Having written and recorded new music over the last six months, Teddy Midnight has two albums worth of material that will be released for free over the course of the year, and has started a GoFundMe to cover mastering at Joe Lambert Studio, who has mastered Animal Collective, Johnny Cash and more.

    Listen to a teaser of French Press below and stay tuned for tour dates from Teddy Midnight with new member Danny Caridi.

  • Hearing Aide: Greg Jacquin, ‘Hudson River EP’

    In case the album title didn’t give it away, Greg Jacquin is a native of the Hudson Valley region, and his music and persona possess very apparent undertones of a small town songwriter. Jacquin will release his newest EP, Hudson River on February 9th, but we were able to get a sneak preview of the album first.

    Greg JacquinAlthough acoustic guitar certainly drives each song on the album, Jacquin dices in some interesting instrumentation, including a string and brass section woven in between songs. His album features six songs with two additional bonus song versions. His single for the album “The Station” is featured in two versions on this album, bringing two separate ideas to the table. He has simultaneously released a video for the single, which is slowly rising in views. The video paints his melancholy demeanor, and features shots the daily commuter would consider second nature. But this video is about Jacquin in his nature, with shots of nature in his surrounding area. His album has downs like these, with several ups as well, including the cheerful tune “On the Moorings.” Greg Jacquin is in good company on this album, and each recording is well balanced and intentioned.

    Jacquin will release his album on February 9th, but pre-orders are available now on his website.

    Key Tracks: The Station, On the Moorings

  • Sleepy Creek SpringDig Announces 2018 Lineup

    Sleepy Creek Presents announced their 2018 SpringDig festival, at the family-friendly Sleepy Creek venue in Berkeley, West Virginia. The lineup so far includes Keller Williams, both solo and with More Than a Little, Jeff Austin Band, Dead Winter Carpenters, Black Masala, Brokedown Hustlers, Cousin Earth, The Jakobs Ferry Stragglers, The Judy Chops, Mountain Ride, The Dirty Grass Players, The Kind Thieves, Serene Green, Herb & Hanson, Mateo Monk, and Sleepy Creek Jam Family.

    Sleepy Creek SpringDigSleepy Creek SpringDig returns May 4-6, 2018 for its 5th Year to the region’s favorite family-friendly venue, Sleepy Creek on the Potomac in Berkeley Springs, West Virginia. Centrally located to residents of the 4-State Region, and easily accessible off I-68 & I-70, the annual camp-out festival offers a stellar line-up of local roots music and national superstars. Other attractions include playgrounds, parades, face-painting, food, arts & crafts, late night bonfires, and open jam circles. All Sleepy Creek Events outshine the rest in their devotion to fun for all ages, and create memories that last a lifetime. Kids 15 & Under are always free!

    ​Tickets can be purchased in person at the venue, or on the web.

    This article was originally published by DCMusic News and Review and appears as a special to NYS Music as part of the Regional Music Alliance. The Regional Music Alliance was founded in 2018 as a partnership between regional websites to provide readers with in-depth coverage of the music scenes on the East Coast. 
  • alt-J North American Tour Includes New York Dates in June

    alt-J will be criss-crossing the globe all year, hitting the U.S. in April and June. The first leg of the North American Tour takes place in April on the West Coast and includes Coachella.

    They come back to hit up the East Coast in June, playing Forest Hills Stadium in Queens on June 15 and headlining Mountain Jam, which takes place that same weekend. Of note, Forest Hills will be the largest US venue alt-J has headlined, and will be piped out through an immersive sound system which envelops the audience in the audio experience. Tickets are on sale now for some shows on the North American Tour, including Mountain Jam and Forest Hills Stadium.

    alt-J are Joe Newman, Gus Unger-Hamilton and Thom Green. With three successful albums to date, alt-J’s current project involves collaborating with other artists to reprise and re-imagine 2017’s Relaxer. No word yet on what the concept entails or when it will be available. Follow alt-J for updates.

    TOUR DATES:
    April 7 – Denver, CO – Fillmore Auditorium
    April 10 – Magna, UT – The Great Saltair
    April 12 – Phoenix, AZ – The Van Buren
    April 14 – Indio, CA – Coachella
    April 16 – Santa Barbara, CA – Santa Barbara Bowl
    April 18 – San Francisco, CA – Bill Graham Civic Auditorium
    April 20 – Las Vegas, NV – The Chelsea Theatre – The Cosmopolitan Las Vegas
    April 21 – Indio, CA – Coachella
    April 23 – Davis, CA  – UC Davis – Pavilion at ARC
    April 24 – Eugene, OR – Cuthbert Amphitheater
    April 25 – Spokane, WA – Knitting Factory
    June 6 – St. Louis, MO – Peabody Opera House
    June 7  – Chicago, IL – Huntington Bank Pavilion at Northerly Island
    June 8 – Louisville, KY – Iroquois Amphitheater
    June 7-10 – Manchester, TN – Bonnaroo
    June 11 – Charlotte, NC – Charlotte Metro Credit Union Amphitheatre
    June 12 – Pittsburgh, PA – Stage AE
    June 14 – Dover, DE – Firefly
    June 15 – Hunter, NY – Mountain Jam
    June 15-17 – Forest Hills, NY – Forest Hills Stadium
    June 18 – Portland, ME – Thompson’s Point
    June 20 – Toronto, ON – Echo Beach
    June 24 – Monterrey, MEX – Teatro Banamex
    June 26 – Mexico City, MEX – Pepsi Center
  • Lookin Back on Lockn’ 2017

    For “veteran” festival attendees we still feel the magic around festival season. The weeks leading up; the excitement, the planning. It doesn’t get old you just learn a little more each year and hopefully pass that wisdom on to those coming up behind you. For Lockn’ 2017 I decided to bring my six year old, Ryder. It was by no means his first show but it was his real first festival and his first time camping.

    For music lovers taking their children to their first festival is the equivalent of people taking their child to Disney World for the first time. You see the magic and feel the excitement all over again with a new level of enthusiasm and a level of innocence you had forgotten. To watch the enjoyment and wonder through my sons eyes was incredible. He couldn’t get enough, he loved every moment and wasn’t fazed by any of the bumps along the way. We drove from Florida to Virginia and setup camp in the family camping area. He immediately met our neighbors and played safely under the eyes of multiple parents while I finished getting settled in. For the next four days he was dirty, stinky, covered in orange clay and he couldn’t have been happier.

    Ryder was able to experience music in a way that I believe bypasses most adults. He felt it. He instantly became part of the community and that is where the real magic happens. To him, no one was a stranger and he wanted to hear their stories about where they had come from and what bands did they really want to see. He met the owners of Morning Dew tie dye and spent so much time admiring their work and falling in love with every piece, they were so wonderful to him, answering his questions and embracing his curiosity. Once we left Morning Dew we headed over to the Handlebar Café to see if by chance they could fix a tire on his wagon. They could not have been kinder and did everything in their power to not only fix Ryder’s wagon but to let him help and teach him the process of what they were doing. They spent almost two hours on his wagon – for free. He told them they had to go to Garcia’s Forest and that it was the coolest place he had seen there.

    While all of this was an incredible experience to watch play out for my child it was heightened on a very emotional level for me as well. You see, Ryder has special needs. He has global apraxia, a motor planning disorder that makes it difficult children struggle to speak. But yet, everyone took the time to meet him and understand him. Another major obstacle is that Ryder has (SPD) sensory processing disorder. I was internally terrified of how he would respond to the crowd, the music, the lights, the smells, the food, everything! It is a lot for adults, to be honest I wasn’t sure how it would go. He really wanted a smoothie before we headed to the mainstage for the night, it was hot out and had already been a long day. I stopped by The Loving Cup and they were more than happy to accommodate his dietary restrictions even though they were slammed. In true festival magic it turns out they are from our hometown, Jacksonville Beach, Florida. I strongly believe in the energy that live music produces, there is undercurrent that binds the community together. Sure, some will never feel it and they float by. But others have experiences like Ryder’s where you feel at home.

    As we walked to the main stage Ryder asked me, “can we come back next weekend?” I had to explain that next week this would turn to a large empty field. So he asked, “well, where do we find this?” I simply replied, “tour baby.” Once we settled in for that nights shows I was tapped on the shoulder and a man said, “Will you give this to Ryder?” It was a beautiful stone shaped like a pyramid. He said, “I want him to have it.” It was one of the owners from Morning Dew tie dyes. Ryder loves rocks, gems, stones and all of the Earths wonders. He was over the moon with delight, it still sits safely on his dresser.

    Some people believe children do not belong at shows or that it is pointless to bring them because they won’t remember it. Personally, I believe even if they do not remember the “ins and outs” it helps shape them. My child who struggles every day to do basic tasks has never felt more loved and included. Complete strangers stopping to give him high-fives, dance with him, other children playing hopscotch with glow sticks in the dark, running freely with new friends while digging in the dirt and playing with bubbles. He traded a light up balloon for a flashing lantern so the children could continue to play once the sun was down.

    I had a friend question me about taking him out of school since it had just started to attend a music festival. I explained that to me, he is in school. This is the school of life and love and a fundamental part of growth and development. Ryder’s music teacher happens to play in JJ Grey and Mofro and gave us passes to be able to watch from backstage on Sunday. He was so excited to Mr. Eric at his “real job” as he calls it. When they finished Ryder went down and had his picture taken with Mr. Eric and Craig the drummer who was sweet enough to give Ryder his drum sticks.

    Although I am certain Ryder will not understand what he was a part of at Lockn’ for quite a while, Bob and Phil playing Terrapin Station for the 40th anniversary, being backstage, drum sticks from Craig which by pure coincidence Mofro was Ryders first show when he was an infant. What he does understand is being given a gem by a woman as she told him it was filled with positive energy for him to now go share with the world, a golf cart taxi driver giving him a geode intact that he had dug up in Indiana but he wanted Ryder to have it. All of these events may seem insignificant to cynical adults but to Ryder it was pure magic. He is already excited for Lockn’ 2018 and asks all of the time, “how much longer?”

    In a world filled with so much tension and negativity it feels like gift to be able to share with him a community that I believe in and love. I hope that he continues to feel the music and the undercurrent of energy and spreads the positive energy just like he was asked to. Cheers to you Lockn’ for putting on one hell of a festival for kids of ages all ages to love and embrace.

  • Birocratic Releases Latest Single “Extra Fresh”

    Brooklyn-based beatmaker and hip-hop instrumentalist Birocratic has released his latest single “Extra Fresh” along with a tongue-in-cheek infomercial music video.

    Birocratic, real name Brandon Rowan, initially rose to fame as a student at NYU’s Clive Davis Institute, where his dorm room beat-tape releases Beets and Leftovers became YouTube sensations, and most recently has made official remixes for GRiZ. On “Extra Fresh,” Birocratic pays homage to 80s and 90s house, funk, and hip hop, with familiar synth melodies and deep bass lines.

    Birocratic will tour this summer throughout North America.

  • The Black River Release Debut Album, ‘Classic Universe’

    Syracuse’s The Black River, led by singer-songwriter Mike Powell, has released its first album, entitled Classic Universe. The soulful quintet, who take their name from the North Country river that passes by Powell’s childhood home, came together just over one year ago and have been quickly making their name known throughout New York.

    black river Classic UniverseThe album was produced by Jeff Aderman at Utica’s Big Blue North Studio and exhibits The Black River putting an impressive foot forward in its debut. In the year since the band debuted, they have opened for such artists as The Sadies, Shooter Jennings, The Trews, Mondo Cozmo and Eric Tessmer. A powerful afternoon set at last year’s moe.down also won the band new fans.

    “One of the things we always talk about when we are sculpting these songs is to be sure to listen to one another. That may sound like a very simple concept but when you’re creating a collective sound it’s important that no player be on a sonic island. We aim to be one connected land mass of sound,” Powell said when asked about the goal of his new band. “I have surrounded myself and my songs with monster players that could easily step out and flex their muscles at anytime but all of us understand the importance of doing what is best for the song first.”

    Powell’s assessment of this band is certainly true. All come from different musical backgrounds to forge a sound that isn’t easy to categorize. Longtime Powell collaborator, guitarist John Hanus’ metal chops and experimental solos add an unexpected yet welcome edge to Powell’s personal songwriting and the soulful force created by keyboardist Shane Kelsen and the rhythm section of Joe Bell and Dom Scicchitano. The band’s frequent live performances have helped hone its unique sound over the past year and the band is gelling as a unit at the perfect time.

    black river Classic Universe

    To celebrate the release of the new album, the Black River recently performed the inaugural live session for Syracuse radio show Soundcheck at SubCat Studios. You can view that peformance below. The show, hosted by long time Syracuse radio personality and SAMMYS Hall of Famer, Dave Frisina, has been on the air since 1979. It showcases local and regional musicians each Sunday night at 9:00 p.m. on 105.9 The Rebel.

    Frisina’s new series is called Live @ SubCat Studios and will feature a different local act performing live in front of a studio audience each month.

    The Black River’s Classic Universe is available now on all streaming platforms. Recent performances have included stops at the del Lago Resort and Casino in Waterloo and Three Heads Brewing Company in Rochester. They’re also scheduled to perform at Al’s Wine and Whiskey Lounge in Syracuse in March and Funk ‘N Waffles Syracuse in April. Follow The Black River on Facebook or at their website for information on upcoming performances.

  • Kyle Hollingsworth Band Bringing New Jams to Funk ‘N Waffles

    Music fans are in for a treat this weekend if they are heading out to see the Kyle Hollingsworth Band.

    “As of right now, I’m excited about this little run in the Northeast,” said Kyle Hollingsworth. “I’m excited about hitting the road a little bit and playing some of these tunes I’ve been working on the last year or so — testing out live performance of the songs. And raging the best we can.”

    The keyboardist for String Cheese Incident brings his solo project to New York for a show on Friday in Rochester and another in Syracuse on Saturday, both at Funk ‘N Waffles.

    “We have a new lineup of musicians and it’s more jam-oriented than I’ve ever made it,” he said.

    Hollingsworth’s tour coincides with the release of his new solo album 50 — coming out March 2.

    NEW SONGS

    Fans attending the shows on this tour will be the first ones to hear the new songs played live from the album.

    “There will be some debuts,” he said.

    While he has played about half of the album live already, he said it’s fun playing songs for the first time because people don’t know them and he does more experimentation and jamming.

    “If we screw up the song, people won’t know because they haven’t heard it before,” he said.

    NEW ALBUM, BIRTHDAY

    The album 50 comes out a day before Hollingsworth’s birthday, when he turns 50. Reflecting on that milestone, Hollingsworth is not slowing down at all.

    “I still feel super creative and very active,” he said. “I feel very young still.”

    Regarding the title he laughed and said: “What the hell was I thinking? Why’d I call it 50. I’m gonna call it 25 Again.”

    Hollingsworth describes the album as exploratory and epic. “The album starts out as if you walked into the club and the band is already raging,” he said.

    He said it starts that way in the beginning with the song “Onset” and keeps the theme throughout while the last song is titled “Offset.”

    BREWING BEER

    If it doesn’t seem like Hollingsworth has enough on his plate, he also has a new brew to wash things down. Ground Score IPA came from a collaboration between Hollingsworth, Relix magazine and Sweetwater Brewing Company. The launch party for the 7.1 percent ABV brew coincides with the first date of the tour on and will be served at the first venue they play at, Brooklyn Bowl in New York City.

    “I’ve made about 30 beers with people all around the country,” he said. “And this is one of my more favorite ones,” he said. “It is more unique in their (Sweetwater) style of beer.”

    Hollingsworth picked up homebrewing as a hobby from his brother.

    “I always did anything my brother did,” he said. “He started watching the Grateful Dead, so I started. He started smoking pot, I started smoking pot, and he started brewing beer, so I started.”

    Hollingsworth compares brewing to making music because it gives him the same creative outlet.

    “Once you get it on your fingers, whether it is playing piano or brewing beer, it is fun to improvise and drift from the process, and some of that is where the magic happens,” he said.

    He appreciates the experimentation aspect of both hobbies.

    “It could be a great beer, or it could be a terrible solo,” he said. “Sometimes you win sometimes you lose. Sometimes you have a great beer; sometimes you have a terrible solo.”

    VISIT TO NEW YORK

    Hollingsworth said the beer he made with Relix and Sweetwater was inspired by some of the great Northeastern breweries. He can’t wait to try more local New York brews.

    “I’m excited. I don’t know much about the area,” he said.

    He also invites people to share their creations or favorite local beers with him.

    “People are always welcome to bring me tasty beers,” he said. “Either their home brews or local microbrews — I’ll try them.”

    He also plans to ski in some of his free time on tour. He said he has never heard of a garbage plate, but he would definitely try one.

    STRING CHEESE INCIDENT

    Hollingsworth said String Cheese Incident is in the studio working on a new album.

    “When I’m not running around making beer or touring, I’m in the studio full time with String Cheese,” he said.

    He cannot wait to let loose and get creative in their studio known as SCI Lab.

    Since he keeps himself busy with many projects, he doesn’t get much time to see many shows, but he said at festivals he enjoys drifting to the smaller stages and finding inspiration in what he hears. He mentioned he enjoyed seeing a DJ by the name of Elohim and My Morning Jacket, and he is always finding something new.

    “When I see music, for me, it is just wandering Electric Forest or Hulaween to smaller stages,” he said. “I try to find what inspires me. When I hear something magical, it draws me to the stage.”

    FRIDAY, FEB. 9

    WHAT: Kyle Hollingsworth Band; Sophistafunk opener

    WHERE: Funk ‘N Waffles 204 N. Water St., Rochester, NY

    WHEN: Doors 8 p.m.; Show 9 p.m.

    TICKETS: www.funknwaffles.com

    SATURDAY, FEB. 10

    WHAT: Kyle Hollingsworth Band; Sophistafunk opener

    WHERE: Funk ‘N Waffles 307 Clinton St., Syracuse, NY

    WHEN: Doors 8 p.m.; Show 9 p.m.

    TICKETS: www.funknwaffles.com

    Kyle Hollingsworth Band’s new album “50”

    1. Onset
    2. Wyatt Earp’s Tale
    3. Let me in
    4. All Falls Apart
    5. Finding Our Way
    6. Prime
    7. Stuff
    8. Tumbling
    9. Come On
    10. So Fine
    11. Take the Ride
    12. Offset
  • moe. Returns With a Vengeance for Sold Out Capitol Theatre Run

    After a 7-month break due to bass player Rob Derhak’s battle with cancer, Buffalo rockers moe returned to the Capitol Theatre in Port Chester, New York to deliver two sold out shows on February 2nd and 3rd. Their first shows with the full lineup since July featured a variety of fan favorites as well as four brand new songs from four of the five band members. The first night featured an opening act, with the high-energy funk outfit Kung Fu properly warming up the crowd for the main event.

    After a brief word of thanks from a very emotional Rob, the band wasted little time diving into the flagship “Rebubula,” Rob’s anthemic ode to his wife, Rebecca. They quickly transitioned into the funky “Akimbo” which featured a slap-happy bass interlude that made the hungry crowd explode. This was followed by the twangy, energetic “32 Things” and then a brand new song titled “What Can I Say,” written by guitarist Al Schnier. “What Can I Say” was originally debuted earlier in the week during the band’s pre-show webcast, though this was the first time the song had been played in a live setting. Fans then belted out the opening lines to the fan-favorite “Spine of a Dog” which was followed immediately by “Plane Crash,” which felt particularly deserved, with Rob screaming the words “I don’t wanna die” at the end of the final chorus at the top of his lungs.

    Set 2 started off with a bang with the Pink Floyd-inspired “Silver Sun” and then Rob was able to showcase his brand new tune, “LL3” which he wrote in transit to his chemotherapy treatments. “LL3” already shows great potential as a jam vehicle, and will probably appear on the new album that the band is cooking up. The rest of Set 2 was a continuous battery of rock and roll as they interweaved “Moth,” “Captain America,” the instrumental “Hector’s Pillow,” the legendary “meat.” and finally closed with the end of “Moth,” completing a sandwich that took up the majority of the second half of the show. Guitarist Chuck Garvey then led the band in an encore rendition of “Wind it Up,” that had the entire audience collectively singing the lines “Be on my side, I’ll be on your side” with the band.

    A veritable army of excitable moe.rons showed back up to the scenic Capitol Theatre for Round 2 on Saturday, for a performance that was somehow even better than the previous night, this time with no supporting act. It was a night of pure moe. and once again the crowd was deafening when a happy and healthy looking Rob Derhak took the stage.

    The band opened with the crowd-pleasing “Okayalright,” which segued smoothly into “Not Coming Down,” once again showcasing Rob’s bass skills. This was followed by the entrancing instrumental “Wormwood,” which then seemlessly transitioned into the slide guitar-heavy intro to “St. Augustine.” Next, percussionist and multi-instrumentalist debuted his new song, the dark and moody “I Can Never Remember,” which he sang with his signature rasp. This was followed by the short and pleasant Chuck Garvey tune “All Roads Lead to Home.” After “All Roads” came “Opium,” and Rob showed how well his voice has healed, demonstrating his impressive vocal range. The first set closed out with a monstrous version of the jam beast, “Recreational Chemistry” before they took a short set break.

    Set 2 started with a powerful rendition of “Brent Black” which featured not one or two, but three bass solos from a smiling, enthusiastic Rob as well as a fearsome drum-off between Jim Loughlin and drummer Vinnie Amico. Afterwards, Al Schnier led the band in a spirited version of “Mexico,” telling the story of his tumultuous 21st birthday. This was followed by “Timmy Tucker,” once again proving that Rob still has his vocal chops. Chuck Garvey then debuted his newest song, “New Hope for the New Year,” which definitely shows great promise for future shows and the new album in the works. The rest of the set was vintage, heavy, dark, creepy, spacey moe. as they played “Yodelittle” into the high energy protest song “George,” back into “Yodelittle” and then into the sing-a-long “Buster,” every moe.ron’s favorite song about a flying pig. They encored with “Nebraska,” complete with a ripping talk-box solo from Garvey, and finally the hard-hitting “Annihilation Blues” to cap off the back-to-back performances. 

    moe. proved this past weekend that they are far from done, and after Rob’s recent cancer scare and recovery, he is clearly eager to please his fans and write new music. The historic Capitol Theatre projected a series of images of Rob from different stages of his career throughout the shows, and moe. brought an anxious crowd to their knees. Once again, it’s so good to have you back Rob. We hope for many, many more years of music and laughter from you.

    February 2 Setlist

    Set 1: Rebubula > Akimbo, 32 Things, What Can I Say (FTP), Spine of a Dog > Plane Crash.

    Set 2: Silver Sun, LL3 (FTP), Moth > Captain America > Hector’s Pillow > Moth > meat. > Moth

    Encore: Wind it Up

    February 3 Setlist

    Set 1: Okayalright > Not Coming Down > Wormwood > St. Augustine, I Can Never Remember (FTP), All Roads Lead To Home, Opium, Recreational Chemistry

    Set 2: Brent Black, Mexico, Timmy Tucker, New Hope for the New Year (FTP), Yodelittle > George > Yodelittle > Buster

    Encore: Nebraska, Annihilation Blues