Category: Genres

  • David Byrne Continues American Utopia Tour In Kingston, NY

    David Byrne brought his American Utopia Tour to Kingston at the Ulster Performing Arts Center on Saturday, March 10. This was the 6th show on his new tour, which he claimed would be “the most ambitious show I’ve done since the shows that were filmed for Stop Making Sense.” David hired 11 other musicians to create this performance which would “allow everyone to be mobile on an empty stage”. The lack of wires (and lack of shoes) enabled David to create a performance unlike anything he has attempted before.

    Audience members entered the venue to see a single table on stage with a model of the human brain atop it. The borders of the stage area were lined with a lightweight, semi-opaque chain which allowed the performers to move through it with ease while also perfectly casting shadows onto it. While not yet apparent, the stage design and lack of wires would allow the performers to move freely about the stage in a way not seen in traditional concerts.

    The show started with “Here,” the final track on David’s new album, American Utopia. This was followed by the 2002 track “Lazy,” which he co-wrote with the English House duo X-Press 2. This upbeat change from the first song got the crowd excited as he went into his first Talking Heads cover of the night. The audience all stood at once as the opening beats of “I Zimbra” began to take hold. All six of the percussionists picked by Byrne brought this song to life as they moved back and forth on stage with the tempo and dazzled the crowd with their syncopated melody.

    The Talking Heads songs continued as David led the band into “Slippery People,” which features an interesting vocal breakdown towards the end of the song. The covers continued with “I Should Watch TV,” a song featured on the collaboration between David and St Vincent from 2012. As the lights turned red and the performers got into a single line on stage, “Dogs Mind” changed the mood of the show. Three of the drummers moved their instruments up and down to the tempo as the performers slowly moved closer to the stage during this moving piece.

    Continuing with tracks from his new release, David took his performers into “Everybody’s Coming to My House” before bringing the crowd to their feet with “This Must Be The Place (Naive Melody).” He continued to delight the audience with his classic gyrations as he brought the band into “Once In A Lifetime”. David kept one drummer on stage to perform with him during “Doing The Right Thing.” While performing this new track, the other percussionists were almost hidden behind the edges of the stage, as their instruments were the only thing visible to the crowd.

    Before continuing, David told the crowd that they were going to play a song by a “man who goes by the name of Fatboy Slim, who made a wonderful video for this song.” The crowd was delighted as he went into “Toe Jam” before introducing the band to everyone. The Talking Heads classics continued with “Born Under Punches (The Heat Goes On).” This upbeat gem ended with the stage lights turning off, and when they turned on, each member of the band was lying on stage except for the keyboardist. David stood up as the song began and the rest of the band slowly followed him one-by-one. The highlight of this track was the band dancing silently before the final chorus ended the song.

    “Bullet” was one of the most intriguing tracks of the evening. A single lamp containing a naked bulb was brought on stage. This prop contained the only wire to grace the stage all evening and David used this single light source to play with the shadows forming on the back of the stage. The band walked in a clockwise circle around Byrne as he described a bullet slowly entering a body in detail. By the end of the song, he was the only remaining person on stage as the band had been slowly exiting. The circular theme continued with “Everyday is a Miracle” as the band stood in a circle. David faced the audience as the band faced inward until halfway through the song when he moved into the circle, starting a mini conga-line on stage. This silly but upbeat track ended with a patiently executed trust fall before going into the 2001 crowd favorite “Like Humans Do”.

    David continued to play with the lights during the hit song “Blind.” This song featured a single light at the front of the stage which cast an enormous shadow of David. The band proceeded to move around in such a way as to exaggerate their shadows on the backdrop and this continued until an incredibly funky drum solo ended the song. The set concluded with the Talking Heads highest-charting single “Burning Down The House.” The energy of the entire show culminated in this performance and the applause was deafening as the band left the stage.

    Another Fatboy Slim collaboration started the first encore as David Byrne came out to “Dancing Together” from their musical Here Lies Love. The Talking Heads classic “The Great Curve” finished up the encore with a scorching guitar solo from Angie Swan at the end. To everyone’s surprise, David and the band came out without their grey suit jackets to perform Janelle Monoe’s “Hell You Talmbout.” David and company put all of their might into this rousing encore and there was an apparent sense of satisfaction in performing this for the Kingston audience. David ended the show in his usual fashion by saying, “thank you” in a way that only he can.

  • Echo Black release video for latest single “DAWN”

    New York based dance rock band Echo Black recently released the official music video for their single, “DAWN,” an evocative and visceral song with an arena sound and dark imagery.

    “DAWN” was directed by Chris Newhard and appears on the October 2017 debut album of the same name. Echo Black says of the single, “DAWN is introspective. It is theatrical, it is angry, it is mournful, it is joyous, and it is rebellious. We do our best to take into account all of our musical tastes when we write; DAWN is our coming of age story and is, justifiably, chock full of emotions, varied genres, and passion.”

    Echo Black

    The Turn It To Eleven Tour, with City of the Weak
    4/07 @ The Drunk Horse Pub – Fayetteville, NC
    4/19 @ The Blue Note – Tampa, FL
    4/10 @ The Haven Lounge – Winter Park, FL
    4/11 @ Rack’Em Spirits & Times – Cape Coral, FL
    4/13 @ Carts, Bikers, & Babes Rally – Houston, TX
    4/14 @ The Zone – Abilene, TX
    4/15 @ Boozers Rockbar – Corpus Christie, TX
    4/16 @ The Rail Club – Fort Worth, TX
    4/17 @ Red Brick Bar – Norman, OK
    4/18 @ Hero’s – Fort Smith, AR
    4/19 @ Aftershock Live – Merriam, KS
    4/20 @ The Phoenix Lounge – Sioux Falls, SD
    4/21 @ Lifers – Algona, IA
    4/24 @ Bayso’s – Grayson, KY
    4/26 @ Hijynx – Fort Atkinson, WI
    4/27 @ The Music Factory w/ Super Bob – Battle Creek, MI
    4/28 @ Ground Floor 2.0 – Williamsport, PA
    4/29 @ Therapy Cafe – Dayton, OH
    4/30 @ Mohawk Place – Buffalo, NY
    5/2 @ Asbury Park Music Foundation – Asbury Park, New Jersey
    5/3 @ Voltage Lounge – Philadelphia, PA
    5/4 @ The Knitting Factory – New York, NY
    5/5 @ 37th and Zen – Norfolk, VA

  • Indie Pop singer Yoke Lore release “Fake You” off upcoming album, Absolutes

    “Fake You,” indie pop artist Yoke Lore‘s recent single, off his upcoming album Absolutes, finds him exploring the grey areas between black and white ideas while building upon the lush, sonic palette of his past works. Adrian Galvin, formerly of Walk the Moon and Yellerkin, embarks on a solo musical endeavor that combines echoing waves of banjo, vocals, and percussion to create unforgettable pop songs with tactile sincerity and conviction.

    Galvin will release Absolutes in the summer of 2018 after a cross-country spring tour with FRENSHIP. Discussing the upcoming album, Galvin explains, “These songs all gravitate around the struggle between two sides of something. The opening track, “Fake You,” is about the difficulty of realizing your perception of someone doesn’t necessarily match who they really are. “Cut And Run” follows, conveying the instinct to flee versus the instinct to find a home, and “Concrete” illustrates Galvin’s struggle between living in the city and being in the country. “So, they are all the conflicts of absolutes,” he states. “There must be a balance, some movement and some pull. A life of absolutes is no life at all.”

    Galvin first hit the ground running in 2016 with Yoke Lore’s debut EP, Far Shore, released on B3Sci Records. In 2017, the title track of his 2017 EP Goodpain hit #1 on Hype Machine, and quickly after his songs caught fire on Spotify, racking up over 10 million plays throughout the year. The new music finds multi-instrumentalist, dancer, and visual artist Adrian Galvin polishing his heartfelt anthems and ruminating on finding balance amid respective oppositions by breaking through the notion that truth necessitates purity.

    Yoke Lore performs at the Neon Gold Showcase at SXSW on March 14

  • JRAD at Brooklyn Bowl: Night 3

    Joe Russo’s Almost Dead (JRAD) brought their three-night run at Brooklyn Bowl to an end on March 10. JRAD filled the Williamsburg venue with deep jams and surprises from start to finish, from opening with a JRAD debut cover of The Rolling Stones’ “The Last Time,” to finishing the second set with a “Throwing Stones” that went into two other debut covers, Led Zepplin’s “Good Times Bad Times” and The Band’s “Chest Fever,” before coming to an end.

    They mixed in some fun teases of songs like Radiohead’s “Myxomatosis,” WOLF!’s “Fastso’s Last Stand” and there may have been a few “Terrapin Station” riffs tossed around at points as well. Topping the whole Brooklyn run off was a “One More Saturday Night” encore that left a capacity crowd calling for more. It’s official, Brooklyn Bowl no longer has a roof. Marco Benevento, Tom Hamilton, Scott Metzger, Dave Dreiwitz and Joe Russo have blown it clean off. Again.

    Set List
    Set 1: The Last Time> Shakedown Street> The Other One> Mission in the Rain> Crazy Fingers> Truckin’
    Set 2: Slipknot!> Foolish Heart> Help on the Way> Slipknot!> I Need A Miracle> Franklin’s Tower> Throwing Stones> Good Times, Bad Times> Throwing Stones> Chest Fever> Throwing Stones Reprise
    Encore: One More Saturday Night
  • NYS Music’s 2018 March Madness: Round of 16

    We start off this week with Round 3 of NYS Music’s 2018 March Madness! Starting with 64 artists, we are now down to sixteen of New York State’s up and coming bands, taking part in a friendly tournament-style competition.

    These artists who hail from the Empire State are a sampling of the next generation of artists and come from all corners of the state, from Buffalo to Binghamton, Plattsburgh to Patchogue and all points in between. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

    Haewa (fusion rock) vs Sprocket (high power technical jam)
    Black Mountain Symphony (symphonic groove pop) vs  Let’s Be Leonard (jam/jazz fusion)

    Candy Ambulance (alternative/grunge) vs Folkfaces (roots folk/jazz)
    Moho Collective (creative instrumental) vs Jiggawaltz (funk metal)

    ShwizZ (progressive funk rock) vs Intrepid Travelers (funk/jazz/rock)
    Polyvamp (funk and rock) vs Cold Lazarus (reggae jam rock)

    The Switch (rock/funk/blues) vs Formula 5 (jam/rock/fusion)
    Space Bacon (electronic rock jam) vs Space Junk (progressive jam trance)

    Third Round voting begins at 10AM EST on Monday, March 12, and closes at midnight on Wednesday, March 14. Round of 8 begins at 10AM EST on Thursday, March 15. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • JRAD at Brooklyn Bowl: Night 2

    Joe Russo’s Almost Dead hit Brooklyn Bowl March 9 for the second of a three-night run. The sold-out crowd was treated to three JRAD debuts: The Grateful Dead’s “Peggy-O,” Junior Parker’s “The Next Time You See Me,” and The Rolling Stone’s “It’s All Over Now.” The show was full of teases as well. JRAD found ways to slip in “What’s Going On” by Marvin Gaye, “Sledgehammer” by Peter Gabriel, “Borderline” by Madonna, and  “Becky” by The Benevento Russo Duo just to name a few. The band has one more night in Brooklyn before heading upstate to play two more sold-out shows in Syracuse and Albany.

    Setlist

    Set 1: Eyes of the World, Dancin’ in the Streets, The Music Never Stopped, Tennessee Jed, Next Time You See Me

    Set 2: Iko Iko, Black-Throated Wind, Bertha, Feel Like a Stranger, Peggy-O, Playing in the Band

    Encore: It’s All Over Now

  • Washington Avenue Armory Files Suit Against Rap Group Migos

    In 2015, Atlanta-based rap trio Migos, performed a show at the Washington Avenue Armory in Albany when all hell broke loose during their performance. Since then, no live music has been performed in the building due to the incident in which six concertgoers were stabbed.

    Armory operators, the Albany Basketball and Sports Corporation, have filed suit against Migos, charging that the trio incited a riot by telling fans “to fight,” “give them hell,” and “kick ass.” Court documents also reveal that the group blew off a paid fan meet-and-greet, by showing up late smelling like marijuana and alcohol.

    The lawsuit filed in Albany’s supreme court stated, “Rather than attempting to dissuade the crowd from fighting, Migos and/or their agents, servants and employees were heard encouraging, cheering and inciting the patrons to fight. As a result of the defendants’ actions, a brawl erupted and numerous patrons were injured.”

    The Armory’s business has suffered since the event. The Times Union reports that the Armory seeks an unspecified amount of money for “property, personal, breach of contract, economic, loss of income, and loss of business and further damages to be determined.” Armory spokesman, Joe Bonilla, made the following statement:

    The significant, unfortunate actions by Migos … have led to considerable business disruption to the Washington Avenue Armory and its parent, the Albany Basketball and Sports Corporation.The unwarranted negative media attention and subsequent government actions against the Armory stemming from the event has placed an undue burden upon the Armory’s operations and its ability to attract programming. Therefore, on the eve of the three-year anniversary of that fateful concert, the Armory is taking this important action to remedy the losses incurred from and arising from that event.

    Sharome Ross of Albany, a concertgoer who attended the event, sued the band and the Armory after he was injured during the show. Ross, who suffered severe injuries to his face, shoulder and eyes said the venue’s operators should have known that the trio had a bad reputation for attracting a belligerent fan base, and would likely be late which presents a danger to fans in attendance.

  • Joe Russo’s Almost Dead at Brooklyn Bowl: Night 1

    On March 8 Brooklyn Bowl’s begotten sons returned to the venue of their conception for the first night of three. Joe Russo’s Almost Dead had fans lined up around the block and packed in on the floor. The couches on the bowling allies were pushed back to make room for the freaks in the vip section. With the room ready to burst at the seems, Marco Benevento, Dave Dreiwitz, Tom Hamilton, Scott Metzger, and Joe Russo took to the stage. With them, Joe Russo’s Almost Dead brought their approach to the music of the Grateful Dead.

    Setlist:

    Set 1: Alligator, St. Stephen, Dupree’s Dimond, King Solomon’s Marbles, Touch of Grey

    Set 2: The Golden Road (To Unlimited Devotion), Jack Straw, Hell In A Bucket, Scarlet Begonias, I know you Rider, Stella Blue

    Encore: Man Smart Woman Smarter, Not Fade Away

  • NYS Music’s 2018 March Madness: Round 2

    It’s time for Round 2 of NYS Music’s 2018 March Madness! We have brought together 64 of New York State’s up and coming bands for a friendly tournament-style competition throughout the month of March, and we are now down to 32.

    These artists who hail from the Empire State are a sampling of the next generation of artists and come from all corners of the state, from Buffalo to Binghamton, from Plattsburgh to Patchogue and all points in between. Discover your new favorite band and vote for your favorites!

    These are 64 bands you might not know about, but should. NYS Music March Madness is a great way to discover a new and upcoming band in your area and show your support and love for bands you see often. We’d like to thank our regional sponsors Putnam Place, Anthology, Funk n Waffles and CEG Presents. These venues and promoters are small businesses and a sample of the backbone of the statewide New York music scene that helps artists grow and reach ever-widening audiences.

    Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

    Get to know the 8 artists in the Putnam Place region and vote below

    Mikaela Davis (singer/songwriter) vs Haewa (fusion rock)
    The Dirty Pennies (indie rock) vs Sprocket (high power technical jam)
    Eastbound Jesus (Northern rock) vs Black Mountain Symphony (symphonic groove pop)
    Fondude (groove/jam) vs Let’s Be Leonard (jam/jazz fusion)Check out the 8 artists moving on in the Anthology region and vote below

     

    Iudica (alternative/grunge) vs Candy Ambulance (alternative/grunge)
    Sun Parade (grunge power pop) vs Folkfaces (roots folk/jazz)
    Chris Eves and the New Normal (jam rock) vs Moho Collective (creative instrumental)
    Jiggawaltz (funk metal) vs Ballroom Thieves (alternative rock)

    8 artists remain in the CEG Presents region. Check them out and vote below

    ShwizZ (progressive funk rock) vs Wild Adriatic (rock n roll)
    Intrepid Travelers (funk/jazz/rock) vs Escaper (space funk psyche rock)
    Polyvamp (funk and rock) vs Space Carnival (psychedelic groove rock)
    Sophistafunk (funk/hip-hop) vs Cold Lazarus (reggae jam rock)

    Get to know the 8 remaining artists in the Funk n Waffles region and vote below

    Holly and Evan (blues alt-rock) vs The Switch (rock/funk/blues)
    Formula 5 (jam/rock/fusion) vs The Other Brothers (soul/funk/R&B)
    Teddy Midnight (electro dance funk) vs Space Bacon (electronic rock jam)
    Space Junk (progressive jam trance) vs Dark Honey (indie pop rock)

    [colorvote id=”5″ style=”wpcvp-poll”]

    Second Round voting begins at 10AM EST on Thursday, March 8, and closes at midnight on Saturday, March 10. Round of 16 begins at 10AM EST on Monday, March 12. Vote now for your favorites and discover some of the great up and coming music that New York State has to offer!

  • Andrew Bird Monday Performance Soars Above The Egg

    With ten years in the rear view mirror since his last visit, Andrew Bird finally returned to The Egg Performing Arts Center in Albany for a nearly sold out, intimate performance for an all-ages crowd. Making a comeback to the acoustically enchanting venue, the violin-wielder set up a cozy shop on stage for an uninterrupted show, complete with ample finger plucking and whimsical whistling for an evening of nature-inspired bliss.

    A dapper Bird took the stage solo to unleash an eclectic mix of live music and cinematic visuals to “River” and “Canyon” from his 2015 and 2017 albums, Echolocations. Combining the delicate sounds of nature, alluring violin compositions and “visuals generated from USGS Topographic Imagery of Los Angeles River and Coyote Gulch, Utah,” the ethereal musician was able to bring the great outdoors to a chillingly quiet audience, ready to absorb the emotion ahead. With previously captured video of Bird strumming along to the rhythmic flowing of canyon water while barefoot, the audience felt like they too were ankle-deep in the same stream Bird splashed around in.

    Showcasing his talent and vulnerability as a solo artist, the Chicago native proved that one instrument and a few foot pedals can provide endless looping and musical possibilities. With a main backdrop and two smaller screens off to the side of stage left and right, visuals of vast canyons of wonder and trickling rivers worked in tandem with Bird’s musically replicated sounds of nature, creating a sensory highway for the masses. The film footage, captured by Tyler Manson, allowed Bird to duet with himself for a harmonious delivery and even seemed stunted to the larger scope of the musician playing on screen behind him.

    As the visuals subsided, the tranquil music was paused for three bandmates, a drummer, bassist/guitarist and pianist/guitarist/bassist to hop on stage. While the fans remained glued to their chairs with wide eyes, Bird didn’t refrain from rocking out in front of an illuminated, color-changing backdrop. The whistling wizard and his band began with a mini throwback off the 2005 album Andrew Bird & the Mysterious Production of Eggs (fitting for the venue), “A Nervous Tic Motion Of the Head to the Left,” which brought exuberant energy to the spherical theater. While maintaining the up-beat tempo the band supplemented on stage, Bird partook in some witty banter with the crowd admitting he was “… shredding so hard” as he ripped loose hairs off his shedding bow.

    After “working out some frustrations” to the song “Are You Serious,” he and the band scaled back to play acoustic tunes with all four musicians circled around one booming mic. The 44-year-old musician collected a group of fantastic artists to play alongside him, as they were able to swap instruments to perfectly compliment each song’s energy. Among xylophone solos and a spinning double horn speaker, a fan-favorite treat of the night came in a flawless cover of Neil Young’s “Harvest” during a three-song encore.

    With acoustics bouncing off the wall and striking internal emotional chords, Monday night’s story was illustrated through a perfect amount of sensory creativity and topographical genius for the audience to talk about for the foreseeable future.

    Andrew Bird was set to wrap the tour on March 7 at Kingston NY’s Ulster Performing Arts Center, but due to an impending storm, it’s been rescheduled for Friday, June 22.

    Setlist: Intro, Down Under the Hyperion Bridge, Gypsy Moth, Sweep the Field, Nervous Tick Motion of the Head to the, Left, Capsized, Bloodless, Why?, Truth Lies Low, Are You Serious, Roma Fade, My Sisters Tiny hands (Handsome Family Cover), Orpheo Looks Back, Give it Away, By any Means, Three White Horses, Archipelago, Pulaski at Night, Danse Caribe

    Encore: Harvest (Neil Young cover), Sisyphus, Weather Systems