Category: Genres

  • Watkins Glen President puts a Spin on Phish’s Curveball

    One of the most integral people in planning this summer’s Curveball festival featuring Phish is the president of Watkins Glen International, Michael Printup, who took the time out of his busy schedule to give an interview to NYSMusic.

    watkins glen president

    This will be the third festival the band has held at the track most famous for NASCAR racing. In 2011, there was Superball, followed by Magnaball in 2015. Like those two, Curveball is a three-day event taking place August 17 to 19 this year.

    Printup shared some interesting tidbits about Curveball and about his history with the rock band born out of the mountains of Vermont. His first interaction was back in 1998 when he was the general manager of the Providence Civic Center while Phish was on, what has now become, the legendary Island Tour. It was the first time he saw the band live, but his biggest takeaway wasn’t the music.

    “I mean, it was a small arena,” Printup said. “What I remember most was the fans. They’re just — they’re just so awesome. I noticed the respect and dedication of the fans, and I saw that the band respected the fans in a great way. It shows in what they do, all the planning they put into putting on these large-scale festivals. I’ve been in sports for my entire life — the NFL, Southern California, Miami, Boston — and you don’t see that kind of thing between the fans and what they’re coming to see like you do with Phish.”

    That observation has directly led to the relationship that the Phish organization has with Watkins Glen. It was back in 2016 when the planning for Curveball began. Printup said that Richard Glasgow, a member of Phish’s management team, visited the site and began the discussion of a festival in 2018.

    “Richard and I talk at least once a month,” Printup said. “I was in Las Vegas the same time Phish was there in 2016. They realized I was in town and they invited me to attend a soundcheck. So there I was, with like six other people in the empty arena, and they’re just up there jamming.”

    That type of relationship bonding has made doing business with Phish a breeze, Printup said. At Magnaball, he recalled, when the band was walking off stage just before the weekend’s final encore, the band stopped by for a “quick hello” and then invited him stage side for the encore.

    Printup, who is very professional and has a knack for teasing things without giving them away, touched on a variety of topics. For starters, he did confirm that the fan favorite event — in the past titled the Runaway Jim 5K road race — will happen again this year. He mentioned that the band had inquired about a parade, but would not give any more info on the subject.

    One of the things fans have wondered about since Magnaball was the capacity of the venue and the ticketing situation. It was announced prior to the festival that all tickets had been sold and none would be sold at the gate. However, many ticketless fans who showed up were able to buy tickets from the venue at the gate. Printup explained that when the sellout announcement was made, the racetrack was only allowed by officials to cap the capacity at 50,000 people. A late inspection of the venue took into consideration the bathrooms and showers that are at the track year round, thus allowing an extra 10,000 to be added to the max capacity. Printup did not have the information as to whether or not all extra tickets were sold.

    For Curveball, though, he insisted that fans don’t wait much longer to buy their tickets. While for a NASCAR event they’re prepared to handle 160,000 people, it’s not the same for a music festival.

    “I have spoken to Red Light Management and Phish, and they highly recommend buying soon,” he said. “The max we can have is 60,000 per day, and Richard (Glasgow) has said sales are going very well.”

    The discussion then flowed into how Phish puts on their well documented secret sets. At each festival since The Clifford Ball in 1996, the band has done an unannounced or special set. At Superball, they performed the Storage Jam at about 2 a.m. on Sunday morning in a storage shed they had on grounds. Magnaball featured the fan-favorite Drive-In Jam, which was a merging of visual art projected onto a large screen draped from the bleachers, while the band performed an all-improvised set behind the curtain.

    When asked if he could give the fans a hint, or even speak off the record about what Phish has in store for this year, Printup was emphatic and filled with laughter. “No way!” he said.

    Printup gave loads of credit to the local community for the help and support for the weekend.

    “There is a big trust value between everyone,” he said. “There’s so much that comes along with something like this. Our local sheriff knows how to handle it all, the traffic and stuff like that. Our goal is not to inundate the community, but involve them.”

    He said he’s only heard positive things from the locals, who genuinely enjoy when the Phish crowd comes to town. Printup said that he will sometimes check some of the band’s message boards in the week leading up to the festivals and everything has been positive.

    It’s no secret that Phish fans like to party when they experience the band. Printup said that the crowd isn’t that different from other music crowds, but did warn that people trying to be nefarious might want to reconsider.

    “Country fans, EDM fans, they like to have fun as well,” he noted. “But I know how many undercovers there will be out there. I wouldn’t take that kind of risk and possibly be arrested. Obviously booze isn’t going to get you arrested, so I just hope everyone is smart about having fun that weekend.”

    But overall, Printup said that we are all in for a very special time, with a lot of new features to keep fans engaged.

    “I’m most looking forward to the show, of course,” he said. “And I want to give the band a huge thank you, because they’ve just been awesome.”

  • Brooklyn’s Output Club Announces Summer Lineup

    Brooklyn’s premiere destination and award winning club, Output has announced it’s opening weekend, and the rest of the summer lineup for the venue’s sixth season of The Roof starting May 11.

    Output’s multi-level open air deck sets the mood with the Manhattan skyline serving as the backdrop for the venue. On select Fridays throughout the summer, the venue offers its Friday Night Live series, which features live bands and top tier electronic musicians. Opening weekend will see the return of Friday Night Live starting at 5 p.m., featuring Roy Ayers, KiNK, Giorgia Angiuli, Stavroz, Crussen and more to be announced.

    Several international DJs have signed on to appear before the closing weekend on Sept. 22 including Dubfire, Francesca Lombardo, DJ Tennis, Mano Le Tough, Louie Vega, tINI, Kerri Chandler and Victor Calderone.

    Output won club of the year at the inaugural Electronic Music Awards, and made DJ Mag’s ‘Top 100 Clubs’ list in 2017. Highly regarded curator of the BPM Festival, Electric Island, SXM, All Day I Dream, and RUMORS, Pao Lopez, will return for her third season to add her signature to the venue’s rooftop.

    Saturday afternoons, starting at 2 p.m., will see the likes of Dubfire, Anané & Louie Vega, David Morales, and Victor Calderone though the summer. Tiki Disco will return and add summer vibes with founders Andy Pry, Eli Escobar, and Lloydski. Danny Krivit will present his soulful 718 Sessions and Alex Cruz will roll out his Deep & Sexy house.

    Opening at 2 p.m., the venue’s Sundays on The Roof series features world-class DJs and producers, including DJ Tennis, D’Julz, Francesca Lombardo, Audiofly, tINI & the gang, Kerri Chandler, Brawther, Daniel Bell, DeWalta, Francis Harris, ItaloJohnson, Jade, Kalabrese, Mano Le Tough, Move D, Nicolas Matar, Nico Stojan, Tom Trago, Prins Thomas, Ray Zuniga, Recloose, SIT, DJ Fett Burger, Thomas Melchior, and Thugfucker.

    Look for free weekday events from 5-10 p.m., featuring local and international talent including The Scumfrog, Jesse Calosso, Jean Pierre, Blas Cordero, Alex Cecil, Gavin Stephenson, and Iman Rizky.

    Output Summer Lineup:

    Friday Night Live – May 11
    Roy Ayers

    Sunday May 13
    Resolute on The Roof
    SIT
    Move D
    Lauren Ritter

    Saturday May 19
    Tiki Disco

    Sundays on The Roof – May 20
    DeWalta
    D’Julz
    Nicolas Matar

    Thursday May 24
    Arcana Presents
    Jesse Calosso
    Jean Pierre
    Blas Cordero

    Friday Night Live – May 25
    KiNK (live)
    Giorgia Angiuli (live)

    Saturday May 26
    718 Sessions
    Danny Krivit

    Sundays on The Roof – May 27
    Nico Stojan
    Christian Voldstad

    Monday May 28
    Everyday Afrique
    DJ Moma
    Cortega
    Silent Addy
    Kashaka
    Underdog
    Rich Knight

    Saturday June 2
    The Ritual with
    Anané and Louie Vega

    Sundays on The Roof – June 3
    Tom Trago
    Brawther
    Recloose

    Friday Night Live – June 8
    Stavroz (live)
    Crussen (live)

    Saturday June 9
    Dubfire (classic house set)
    Nicolas Matar

    Sundays on The Roof – June 10
    Mano Le Tough
    Jade
    Ray Zuniga

    Friday June 22
    SNBRN

    Saturday June 30
    Tiki Disco

    Sundays on The Roof – July 1
    Audiofly

    Wednesday July 4
    Everyday Afrique

    Saturday July 7
    David Morales

    Sundays on The Roof – July 8
    tINI & the gang

    Sunday July 15
    Resolute on The Roof:
    Daniel Bell
    Thomas Melchior
    Kalabrese & Rumpleorchester (live)

    Saturday July 21
    718 Sessions
    Danny Krivit

    Wednesday July 25
    M.B.T.S.
    The Scumfrog

    Saturday July 28
    Tiki Disco

    Sunday July 29
    DJ Tennis

    Sundays on The Roof – August 5
    Francis Harris
    DJ Fett Burger

    Saturday August 18
    718 Sessions
    Danny Krivit

    Wednesday August 22
    M.B.T.S (Most Below The Surface)
    The Scumfrog

    Saturday August 25
    Tiki Disco

    Sunday August 26
    Kerri Chandler

    Sundays on The Roof – September 2
    Prins Thomas

    Monday September 3
    Everyday Afrique

    Saturday September 8
    Tiki Disco

    Sundays on The Roof – September 9
    Thugfucker
    Francesca Lombardo
    Galen

    Saturday September 15
    718 Sessions
    Danny Krivit

    Sundays on The Roof – September 16
    ItaloJohnson

    Saturday September 22
    Deep & Sexy
    Alex Cruz

  • Magic Beans Throw Down a Stunner in Albany

    A friend recently referred to Albany as the “super deep-tiered jam band capital of the Northeast.” As mediocre as that sounds, we actually do alright. Thursday, April 12 was a “Tier 3 Night” at the Hollow Bar and Kitchen, but good luck convincing those there to see The Magic Beans that it was anything short of incredible.

    Saratoga’s rising star, Let’s Be Leonard, opened up the evening with an ultra energetic “Spit It Out.”  While the members of this band may be young, their sound is mature and smart. Even their vocal jam included nicely blended harmonies. Connor Dunn’s saxophone skills only added to the fun. Although the volume may have been a bit too high for some, it was refreshing to see a band with this much potential. It won’t be surprising to see these guys on the festival circuit for years to come.

    Around 10:30, the crowd began to swell as locals arrived to see Boulder, Colorado’s The Magic Beans. Despite their current Rocky Mountain hometown, Albanians claim a small piece of the Beans as their own. Bassist Chris Duffy, formerly of Dirty Paris, is originally from the Capital City and fans are always delighted to bring him home.

    Like a hurricane gaining strength over water, The Magic Beans’ jams tend to rise in energy and explode with each powerful crescendo. Just when you thin they’re finally ready to set everyone back down on Earth with something light and breezy, they burst back into a fast paced yet funky jam to fuel the groove of the crowd.

    With thick bass lines, heavy synthesized keys and occasional hip hop beats, their transitions are still crisp and seemingly effortless. Scott Hachey’s facial expressions as he flexes his guitar prowess indicate the thrill for both the band and the audience.

    Nearing the end of the night, the Hollow was pulsing with some pretty impressive lights. A powerful “Luck” could have closed the evening, but the Beans decided to throw in some Talking Heads “Girlfriend is Better,” with their latest “Casino Cabaret” for fun.

    After picking my jaw up off the floor, I’ve came to the conclusion we were witnessing the steady rise of what is now a lower tiered jam band. This show was better than the last and light years beyond what we saw a few years ago. Although not someone I’d compare them to in style, I have not been this excited for a band since discovering Pigeons Playing Ping Pong. I fully expect to see this band become a household name in the jam community and they will always have a home here in Albany.

  • Hearing Aide: Ozymandias ‘Godly’

    “I won’t stop until they put me in the earth” and “I’m here to bring a vibe,” Ozymandias says on his newest album, Godly, released March 30, 2018. These two lines could be the spoken synopsIs of the 14-track album which follows up on previous efforts IDKNID and Blvck Cvstles (2017). Godly discusses many topics, features local collaborators and presents polished, yet atypical, production styles.

    We are introduced to the story through the baited dial tone and answering machine that plays Ozymandias’ preoccupied voice, asking for his caller to leave a message. “I’m not picking up my phone for some reason,” he admits, sounding uncertain, as if he does not yet know the reason.

    Throughout the album, we hear the voicemails of others asking the performer why he has not picked up his phone in juxtaposition with lyrics about human connection, love, equality and strong work ethic. One could conclude that a theme of the album is ignoring modern technology in favor of more genuine, and personal, means of communication.

    Godly follows the release of a few singles, “MadMax” (produced by 4k) and “Aim High” (produced by Savion), each accompanied by a cinematic music video. From these crumb trails, listeners take away a potent sample of what to expect from the album: polished, sharp production sandwiched between obscure noise-based tracks, dressed in 808 hits. This type of production is especially found on songs such as “Temporary” (produced by L. Davis), and “No Losses” (produced by Nick Cavs). Ozymandias’ composition follows the sounds found in his previous effort Blvck Cvstles, in particular, but he all but dismisses anxiety over the past. “If I lose it all, I’mma get it back,” Ozymandias says, summing up parts of his stated world view in one line.

    Overall, Godly conveys a series of meaningful messages which could apply to many situations. Much like influencers J. Cole and Kendrick Lamar, the album pairs deep beats with wide reaching lyrics with cuts like “Work” (produced by LebanonDonBeats). Yet, even with obscurity, the album has few, if any, skippable moments. At worst, it’s a solid effort with a few bangers and, at best, an anthemic, insightful crowd pleaser.

    Either way, the album is genuine and convinces the listener that it’s taken blood, sweat, tears and multiple drafts. “I pray that honesty hit ‘em,” the artist says in “Winter Bluez” (produced by Kelly Portis). His lyrics reflect the depth of challenges such as relationships, love, friends, parenthood, sociopolitical issues, and just trying to make it in his career. “Possibly the reason God challenged me is because he sees potential,” he says in the same song. None of this album is subtle, and it shouldn’t be.

  • Huey Lewis Discloses Hearing Loss

    Huey Lewis And The News have announced that they are cancelling all upcoming performances. The announcement is on the advice of doctors whom Lewis has consulted regarding recent hearing loss. In an online statement, Lewis stated:

    Two and a half months ago, just before a show in Dallas, I lost most of my hearing. Although I can still hear a little, one on one, and on the phone, I can’t hear music well enough to sing. The lower frequencies distort violently making it impossible to find pitch. I’ve been to the House Ear Institute, the Stanford Ear Institute, and the Mayo Clinic, hoping to find an answer. The doctors believe I have Meniere’s disease and have agreed that I can’t perform until I improve. Therefore the only prudent thing to do is to cancel all future shows. Needless to say, I feel horrible about this, and wish to sincerely apologize to all the fans who’ve already bought tickets and were planning to come see us. I’m going to concentrate on getting better, and hope that one day soon I’ll be able to perform again.

    Huey Lewis Hearing Loss

    Huey Lewis and the News hit the rock scene in the 80’s, achieving 13 Billboard Top Ten singles and selling millions of records worldwide. Over the past few decades, they have been continually active, performing live and recording a total of nine studio albums. Last fall, they released a 3-disc career-spanning set entitled Collected

    Since opening up about his hearing loss, Lewis has received an outpouring of support, for which he expressed his gratitude in a separate statement. “The response from my colleagues, friends and fans has been truly overwhelming. And extremely heartening. It helps me to focus on improving, and finding a way to sing again. Thanks to everyone.”

    Read our review of Huey Lewis and the News at Tarrytown Music Hall on the 30th anniversary tour in celebration of Sports.

  • Photo Gallery: Twiddle at State Theater of Ithaca

    Twiddle jammed through 2 nights at the State Theater of Ithaca this past weekend. An acoustic set kicked off the first set on Friday, followed by a three-song second set.

    Saturday was capped with an encore of Tom Petty‘s “You Don’t Know how it Feels.” Catch Twiddle this Thursday at the 20th anniversary of Higher Ground in Winooski, VT and Friday in New Haven, CT at College Street Music Hall or this summer in Burlington at Tumbledown.

    Setlist, Friday April 13

    Set 1: Wildfire, Rocky Raccoon, Five, Hattibagen McRat, Glycerine Medley
    Set 2: Gatsby the Great, Polluted Beauty, Apples
    Set 3: White Light, Syncopated Healing, Beethoven and Greene, Jamflowman
    Encore: Orlando’s > Orlando’s

    Setlist, Saturday April 14

    Set 1: Peas and Carrots, Lost in the Cold, Drifter, Earth Mama, Doinkinbonk!!!
    Set 2: Nicodemus Portulay > Subconscious Prelude, Every Soul, Dr. Remidi’s Melodium
    Encore: You Don’t Know How it Feels

  • Kendrick Lamar Wins Pulitzer Prize for Music

    Columbia University announced the 2018 Pulitzer Prize Winners on Monday afternoon. In the category of music, the Pulitzer Prize Board chose Hip Hop artist Kendrick Lamar for his critically acclaimed album DAMN., which was released one year ago. In a statement, the committee called the work:

    a virtuosic song collection unified by its vernacular authenticity and rhythmic dynamism that offers affecting vignettes capturing the complexity of modern African-American life.

    Kendrick Lamar at Pitchfork Music Festival 2014

    Lamar is the first rapper to win the prestigious Pulitzer Prize, which has traditionally been awarded to jazz or classical artists. The prize is named for Hungarian-born journalist and publisher Joseph Pulitzer. Pulitzer has been described as an innovator, a visionary, and a passionate crusader. In his will, he made provisions for fourteen prizes for excellence in journalism and related arts. It has since expanded to twenty one categories, including music.

    Dana Canedy, administrator of the prizes, told the New York Times “The time was right. We are very proud of this selection. It means that the jury and the board judging system worked as it’s supposed to — the best work was awarded a Pulitzer Prize.”

    Lamar had no immediate comment on his monumental achievement.

  • JD McPherson Helps Abilene Celebrate Their 10th Anniversary

    Abilene Bar and Lounge has been a fixture in Rochester’s live music scene seemingly forever, but in reality, it’s been there just ten years. Ten years sitting on a quiet corner of Liberty Pole Way, in the shadow of the Harro East Ballroom across the street. Ten years bringing in quality live music nearly every night of the week. They showcase a healthy mix of both national and local talent, exploring every angle of American Roots music, occasionally venturing off into other genres. Owner Danny Deutsch has made a habit of bringing in relatively unknown talent and cultivating them for the sometimes finicky Rochester palate. He’s happy to book the same band and watch them grow locally and nationally until they’re too big for his intimate establishment. Ten years and it was time to celebrate, so for once Abilene would be casting the shadow on the Harro East. And appropriately, one of the talents that Deutsch has brought to town multiple times over the years and has since ridden a slow rising wave of success, JD McPherson, would be headlining the celebration.

    McPherson has outgrown Abilene and then some, nearly selling out the Harro East on a Friday night jam-packed with live music options in and around town. It was the place to be and to be seen, everyone was in high spirits and ready to celebrate. When opener Woody Pines, another Abilene alum, broke from his usual dark-themed songs to switch it up with a song about love, he was surprised not to hear at least some of the usual boos ring out. But the crowd was in a loving, happy and ready to party mood. Friday the 13th be damned! Pines led his trio of upright bass and clarinet/sax on the steel guitar and harmonica, through songs centered around classic New Orleans swing and southern roots music they like to call “hillbilly boogie.”

    Next up was Jake La Botz, who sat alone center stage with an acoustic guitar and microphone. That’s all he needed to captivate the filling hall. His low voice contained a ton of character, bringing depth to songs from his latest album, Sunnyside, like “The Hotel (Fix Me Now),” “Damsel in Distress” and a bit of humor with “Inflatable Duck.” The album was produced by JD McPherson bassist Jimmy Sutton and he premiered it right here in Rochester last year with a performance at Record Archive.

    Speaking of Record Archive, co-owner Alayna Alderman took the stage next to bring out cake and lead the crowd in “Happy Birthday,” but not just for Abilene, it was also Webster-born drummer Jason Smay’s birthday and the day before was McPherson’s birthday as well.

    Headliner JD McPherson finished off the night in style. The rock was big and the lights were bright. McPherson and band flew through blasts of their unique blend of honky-tonk, rockabilly and classic rock sounds. The beat was swinging and so was the crowd. It was comfortably crowded, allowing enough space for couples to dance if they so desired. Nary a head in the house wasn’t bobbing along. In an hour set, they mixed music from all three albums, making for a show that explored their full history with Rochester. Songs frequently drifted into each other with interstitial mellow rock grooves. There wasn’t a whole lot of stopping or silence at this celebration. They topped it all off with a near 30-minute encore that started with La Botz coming back out to lead them through Hank Williams’ “My Bucket’s Got a Hole In It.” McPherson thanked the crowd for making Rochester like a second home for them before closing out the night with “Northside Gal.”

    The party continued however, as across the street, back in the shadows, Abilene hosted local swing trio Bobby Henrie and the Goners back in their own joint, and the music and jubilation continued on into the wee hours.

    Setlist: Bossy, Fire Bug, It Shook Me Up, Desperate Love, Crying’s Just a Thing That You Do, Under the Spell of City Lights, Head Over Heels, On the Lips, Hunting For Sugar, You Must Have Met Little Caroline?, Mother of Lies, Style (Is a Losing Game), Lucky Penny, Let the Good Times Roll
    E: My Bucket’s Got a Hole In It*, Bloodhound Rock, Wolf Teeth, Northside Gal

    *Hank Williams Sr. Cover, with Jake La Botz on guitar and vocals

  • Aqueous Breaks Through the Ice in Rochester

    The warnings were dire. The impending ice storm was set to shut down the city of Rochester. Many events were cancelled. But Aqueous was halfway through a two-nighter at their second home, Flour City Station. Both nights were sold out, and judging by the crowd Saturday night, few stayed home because of the weather.

    If you wanted to see a shining sun in Rochester, this was the place. Aqueous began the weekend ironically with “Staring into the Sun,” and held it open through to the run’s final notes, closing the song out early Sunday morning. In between were the band’s first two full two-set shows of 2018.

    Saturday night began a bit after 10pm, the band acclimating to the evening with bopping slide-guitar led groove. Guitarist Mike Gantzer primed the pump with quickly increasing intensity. The band and crowd together reached a frothing energy and were knee deep in opener “Don’t Do It” before long. The song mixes hard-edge rocking with blues and funk grooves, but of course dissolved into something completely different. They moved through multiple movements while LED bulbs strung above flashed in synchronicity. Gantzer’s guitar danced with Dave Loss’s keys, then bassist Evan McPhaden and drummer Rob Houk took the reins, before they finally all came together for a four-headed bit of improv that pushed the envelope of the band’s full power. 20 minutes into the show, only one song played, but most of the band’s muscle had been flexed. Maybe this article was right, band’s only need to play for 20 minutes? Nah!

    For Aqueous, what is played isn’t quite as important as how it’s played. The journey outweighs the destination. So it mattered less that they busted out Steely-Dan-esque groover “Mice” for the first time in well over 200 shows, and more how the ensuing exploration, led by a ferocious battle of guitar and drums, wound around to beautiful melodic calm.

    The musical quests were often directed by Gantzer calling commands into his mates’ earpieces. Though musical cues still conducted the chaos. Amid a spacey reggae groove in “Underlyer,” Houk tempted the beast with a subtly energizing beat. The beast bit, and the jam jumped into a new realm. Later during a long steady “wah” groove in “Mosquito Valley Part 1,” Loss’s spooky Moog swirls lit a fuse that eventually caught fire, setting off an explosive jam.

    The explorations were long, at times meandering, but they always find pockets of brilliance. Perhaps none more brilliant than deep into “Skyway,” an electro-groove fit for a Nintendo soundtrack dove into a spooky underworld of dark funk and building tension. Gantzer’s guitar flooded the room with intricate sound waves that reached peaks upon peaks and just when it felt it might collapse, the raging crowd egged it on even higher. Before the night was through Metallica, Tool, Randy Newman and Pink Floyd entered into the folds of jams while a full on cover of The Who’s “Pinball Wizard” was debuted. It all finished with the aforementioned close-out of “Staring into the Sun.” But when the crowd departed, they were only staring at their cars caked in ice.

    Setlist

    I: Don’t Do It > Mice > Don’t Do It, Underlyer > Mosquito Valley Pt. 1 > Mosquito Valley Pt. 2

    II: They’re Calling for Ya > Skyway, Uncle Phil’s Parachute, Second Sight > Pinball Wizard > Second Sight

    E: Kitty Chaser (Explosions) > Staring into the Sun

  • Formula 5 Shares Stage with Fellow Tri-state Bands at DROM NYC

    Formula 5‘s spring tour brought them to Manhattan’s East Village venue, DROM, on April 12 with support from other tri-state bands Goose, Animal Reporters and Bee The Band.

    Setlist:

    Breaking Glass, Blue -> Tangled Up In Blue+, The Clear* -> Booher’s Pass, Come Along

    + Bob Dylan cover
    * Unfinished