Category: Jam/Progressive

  • The Silver Linings of Curveball

    It’s been just over a week since Curveball was cancelled. Rarely does a festival get cancelled so close to showtime, and this one came down to the wire, with the plug pulled just as Phish was about to start Soundcheck at 4:00 pm on August 16. Thousands were already on site, and tens of thousands en route to the southern tip of Seneca Lake for Phish’s semi-annual music festival, held for the third, and perhaps the final time, at Watkins Glen International. Sadly, due to circumstances beyond the band’s control, Curveball was cancelled. Despite the shock, sadness & disappointment that flooded the festival grounds, what came next was a very humbling and incredible experience.

    Silver Linings Curveball

    The pre-show excitement that built while preparing for a Phish festival has the joy of feeling like a kid at Christmastime, with surprises in store for all. Ahead of Curveball, fans counted down the days, dreamt up setlists, and stayed on top of the tour leading up to the climatic festival, hoping to get something on their wishlist, if not everything.

    When the news broke, fans stood around just stunned. Those who made it into the venue wandered back to their campsites, a point at which the comradery that is felt among Phish fans came into focus. Deciding to make the best of the circumstances, Curveball’s temporary inhabitants banded together and sought out group therapy as they dove into the Kübler-Ross stages of grief, or postponed them, if not for a single night. New friends were made as they always are, Phish memories were discussed and fans commiserated about “what could have been.”Silver Linings Curveball

    Fans still wanted to boogie and Kenneth Horgan, Production Manager for The Loop Tent, onsite working for Phish Inc. and JEMP records, made that possible. Horgan used his equipment to set up a live stream of the Joe Russo’s Almost Dead show from Red Rocks, where JRAD paid homage to Phish by weaving teases of “Wilson” into “Slipknot” during the second set. While JRAD was streaming from The Loop Tent, next door, The Skinny Pancake turned into a hotspot for hangouts. A mini wiffle ball game took shape, impromptu acoustic music was played, and there was an invasion of dancing mimes.

    Curveball’s cancellation impacted many people, but the 14 surrounding counties that had been ravaged by heavy rains and flooding for almost a week leading up to the event left many people displaced from their homes and in need of supplies. Many vendors were onsite ready to supply food and drink to 60,000 people over the course of the weekend, and Silo Food Truck, Copper Horse Coffee and the Finger Lakes Cider House banded together to feed as many people as they could with their unused inventory, donating 50% of proceeds to the Lodi Flood Relief fund. With the added kick of Schuyler country losing millions in tax revenue, donation stations were set up in the surrounding counties and many Phish fans donated their unused food and supplies to help the flood victims in the area. Phish has announced that they will be selling Curveball merchandise online, including the Curveball Nalgene bottle that was intended for the WaterWheel/Reverb water program. Ticket holders get first dibs, and all proceeds for Curveball merchandise will go directly into relief funds.

    Silver Linings Curveball

    Curveball will go down in music history as the Phish festival that never was, but memories were made despite the unfortunate circumstances. The weekend was a check for fans, who by and large made the best of their weekends and spent time with friends, creating lasting memories, even if the soundtrack was not close to expectations.

    Fans can now look forward to the stream of Phish this weekend, with the code on the back of the Curveball wristband redeemable for the webcast of all three shows at Dick’s Sporting Goods Park in Commerce City, CO beginning August 31, 2018. Couch Tour ticket time is 9:30pm EST.

  • Tedeschi Trucks Band and Chevy Court Crowd Agree: “I Want More”

    A crowd estimated at more than 16,000 people gathered at the New York State Fair’s Chevy Court in Syracuse on a beautiful moonlit evening to hear the unique sound of the Tedeschi Trucks Band. Susan Tedeschi’s powerful, emotion-soaked vocals are at the front of most of their songs. What makes the band unique is the addition of her husband, world class guitarist Derek Trucks, and a cast of fellow band mates that would be the envy of any guitar/vocal combo. Including the punch of double drums, the wallop of a horn section and extraordinarily gifted backup singers, and the sublime Kofi Burbridge contributing accents on flute and huge swaths of sweeping organ melodies, there is a multi-layered density to their music that simply doesn’t sound much like other bands.

    At times, there are elements of funk, soul, roots rock, blues, jazz, free-form jams, and a kind of comfortable pulse or groove to all of it that propels the music further. While Tedeschi and Trucks have their names on the marquees, they allow plenty of latitude for every member of the band to shine and contribute. It’s the type of music that finds people that might be unfamiliar with the songs still smiling, tapping their feet, shuffling and swaying back and forth, and feeling their spirits uplifted as the music builds and soars.

    A couple of the evening’s highlights occurred back to back, in the form of Tedeschi’s breathtaking vocals on the gospel-like “Bound for Glory,” followed by Mike Mattison (who shares many songwriting credits in the band) taking the lead to sing a gritty, growling cover of Bob Dylan’s “Crash on the Levee (Down in the Flood)”. Those weren’t the end of the highlights, as a couple of tunes later, the band invited Central New York native Al Schnier from the band moe. to join them in a cover of “Tell the Truth.” This was a guitar fan’s dream, as Trucks, Schnier and Tedeschi stood side by side at center stage and traded riffs for nearly ten minutes. In an interesting twist, the first ever live performance and first ever recording of that song by Derek and the Dominoes included Dave Mason (of Traffic), who had played earlier in the afternoon on the same Chevy Court stage.

    The band finished their main set with a song that seemed to perfectly express the sentiments of the crowd, “I Want More.” After a brief exit, the band returned for encores. Derek Trucks and saxophonist Kebbi Williams teamed for an instrumental “Swamp Raga” intro to “Midnight in Harlem.” The band closed the show with an exuberant take of Joe Cocker’s “Space Captain.”

    Tedeschi Trucks Band Chevy Court Setlist: Don’t Let Me Slide, Laugh About It, High & Mighty, Get What You Deserve, Lord Protect My Child @, Bound For Glory, Made Up Mind, Crash On The Levee (Down In The Flood) @, Part Of Me, Tell The Truth #, More And More, How Blue Can You Get %, I Want More, Encores: Midnight In Harlem (Swamp Raga intro), Space Captain $

    @ – Bob Dylan cover, # – Derek and the Dominoes cover, % – BB King arrangement cover of Johnny Moore’s Three Blazers song, $ – Joe Cocker cover

  • Dickey Betts New York Shows Cancelled After Legendary Guitarist Suffers Mild Stroke

    In a recent and unfortunate announcement, Allman Brothers guitarist Dickey Betts suffered what doctors believe is a mild stroke and will have to postpone several New York tour dates. These upcoming shows include the August 28th Great New York State Fair in Syracuse, NY; August 30th at the Toyota Oakdale Theater in Wallingford, CT; and August 31st at the Casino Ballroom in Hampton Beach, NH. This decision was made under strong advisement from his physicians and this time away will allow him to properly heal for the rest of the tour.

    This tour was something of a spontaneous decision for Betts who decided to come out of retirement and jump right back into the musical spotlight. When asked about his retirement in a 2017 interview, Betts humbly responded: “I’ve had a great life and I don’t have any complaints.” This answer would soon change as the veteran guitarist reversed his retirement decision for reasons that involved public demand, devotion to his still dedicated fans, and simple boredom. He went on to say that he’s been a bit rusty playing and transitioning back into the artist mentality but more importantly is beyond enthusiastic by the energy and love he’s received from his listeners. This medical issue, although disheartening, will be met with the proper treatment and should only be a temporary challenge as Betts will continue these highly anticipated shows in due time.

  • Turkuaz New Album and Tour Announced with Several New York Appearances

    In a recent and major development from the Brooklyn-based funk band, Turkuaz, the nine member group announced they will be going on tour to promote their new album Life in the City expected to drop on Sept. 28. However, that is not all. For truly dedicated fans they have also released the massive “Lifetime in The City” giveaway which offers two album pre-order bundle options, each with its own benefit. For only one week, the options for the bundles include a limited edition colored vinyl LP, an album t-shirt, and a digital version of the album also gift wrapped in a limited edition Life in the City Nintendo Cartridge. The generosity of the giveaway does not end there as only one lucky fan will randomly receive a golden cartridge in their pre-order which guarantees free Turkuaz concert tickets for life.

    This colorful and sensational group also released a music video for one of the nine tracks set to appear on this album, also named “Life in the City,” which highlights the creativity and barrier-breaking spark of city funk that each of them shines out. For the duration of October and November, New York fans especially will have several opportunities to witness these electrifying performers as they have an impressive five dates locked in for this highly anticipated tour.

    See tour dates and tracklist below:

    Oct. 4 – Westcott Theater – Syracuse, NY
    Oct. 5 – The Town Ballroom – Buffalo, NY
    Oct. 6 – Putnam Den – Saratoga, NY
    Oct. 11 – Songbirds – Chattanooga, TN
    Oct. 12 – The Moonshiner’s Ball – Mt. Vernon, KY
    Oct. 14 – The Blind Tiger – Greensboro, NC
    Oct. 17 – Pearl Street Nightclub – Northampton, MA
    Oct. 18 – Fete Music Hall – Providence, RI
    Oct. 19 – The Capitol Theatre – Port Chester, NY
    Oct. 24 – The Firmament – Greenville, SC
    Oct. 25 – Exit/In – Nashville, TN
    Oct. 26 – Madison Theater – Covington, KY
    Oct. 28 – Suwannee Hulaween – Live Oak, FL
    Oct. 31 – Salvage Station – Asheville, NC
    Nov. 1 – State Theatre – Greenville, NC
    Nov. 2 – Fillmore Philadelphia – Philadelphia, PA
    Nov. 3 – The Anthem – Washington, DC
    Nov. 8 – Rex Theater – Pittsburgh, PA
    Nov. 9 – The Bluestone – Columbus, OH
    Nov. 10 – Vogue Theatre – Indianapolis, IN
    Nov. 11 – Elevation at The Intersection – Grand Rapids, MI
    Nov. 14 – The Waiting Room Lounge – Omaha, NB
    Nov. 15 – High Noon Saloon – Madison, WI
    Nov. 16 – Fine Line Music Cafe – Minneapolis, MN
    Nov. 17 – Park West – Chicago, IL
    Dec. 28 – TBA
    Dec. 29: Anthology – Rochester, NY
    Dec. 31 – The Palladium Downstairs – Worcester, MA

    Life in The City Tracks:
    1.) Life in The City
    2.) Superstatic
    3.) Make You Famous
    4.) The One and Lonely
    5.) The Questions
    6.) If I Ever Fall Asleep
    7.) Lady Lovely
    8.) Rule The World
    9.) Fight The Fire

  • How To Get A Refund On Curveball Tickets

    Flooding this past weekend caused a state of emergency that left Curveball organizers to make the difficult decision to cancel the music festival in Watkins Glen. The cancellation was a disappointment to music fans who were en route to the festival, but the aftermath of last week’s storm has had an ongoing impact on lives and businesses throughout the region.

    Details were revealed on Phish.com about refunds for ticket holders, and also the plan to open an online store for Curveball merchandise, with proceeds going to flood relief and recovery efforts.

    Those who purchased official tickets will receive a full refund of ticket prices, service fees and shipping automatically to the credit card used for the purchase. It will be a laborious process, and the festival organizers are asking for patience during this process. Those who purchased from a secondary market will need to contact the resale agent.

    Ticket holders will still be able to redeem the code on their wristbands to view the Dick’s Webcast of all three shows in Colorado over Labor Day Weekend via  livephish.com/redeem.

    Curveball merchandise including T-shirts, posters, and Nalgene water bottles will be available for purchase online. All profits will go to flood relief and recovery. Curveball ticket holders will be given early access to the online store once it is up and running.

    Check in at Phish.com or follow Phish on social media for updates.

    refund curveball

  • Dark Star Orchestra: A Grateful Dead Time Capsule

    “Dark Star” was first performed, without lyrics, by the Grateful Dead in September 1967. The first version with lyrics was heard three months later. The tunes’ sole focus was improvisation. “Dark Star” was played regularly through the 1960’s, but seldom-heard after 1974. It only appeared on odd occasions in ‘78, ‘79, ‘81 and ‘84 and was last performed in March of 1994 – (deaddisc.com)

    Unbox, Dark Star Orchestra; a continuation of spirit, improvisation and the greatest acid-trip, that ever was, the Grateful Dead. In the midst of digging, we teleport back to the sounds we fell in love with in 1965, obsessed over by ‘69, and post ‘96, we’re left, only aching for more. Dark Star (DSO) is NOT a cover band. They give birth to all that is Dead, then reinterpret it in modern day. DSO is a time capsule – like the vivid memories, postcards and totems we buried long ago.

    “I view it as performance art,” said DSO drummer Rob Koritz. “We are blessed to play music that is 95 percent improvisation and when we’re firing on all cylinders, I can play how I want.”

    Dark Star Orchestra is the idiom of self-expression. In true honor of the Grateful Dead, DSO has made this genre all-inclusive – pulling from rock, jazz, country, The Beatles, Chuck Berry, psychedelia and blues. For Koritz, the list goes on.

    Their testimony goes out to Deadheads and non-cult listeners alike. There is a common thread that weaves through our mind and ears. It’s music. “They hear it and say WOW” added Koritz. “Pretty much everybody will find something.” And when you get confused, just listen to the music play.

    Koritz did everything music. He was in opera, theatre, college marching band and even studied as a classical percussionist. From a music major state-side to traveling overseas, and experiencing the Grateful Dead, Rob is an encyclopedic anchor to DSO in his own regard. A band members’ father is a profound  jazz musician, while another roots himself in progressive rock. A melting-pot would be far to mundane to describe this stew.

    Dark Star Orchestra is prepared in the framework of the Grateful Dead’s catalog. Whether they are playing on a beach or filling massive arenas across the world, familiar tunes will be heard. On the bands’ fourth annual return to Frontier Field, earlier this month, they performed two sets with an encore of “Mr. Charlie” and “C’est La Vie (You Never Can Tell).” Read the full NYS review here.

    Set 1: Alabama, Bucket, West LA, Memphis Blues, Lazy River Road, Esau, Blow Away, Ramble On, Sunrise, Music

    Set 2: China Cat > Rider, She Belongs To Me, Lost Sailor > Saint of Circumstance > Drumz > Dear Mr. Fantasy > Throwing Stones > World To Give > Saturday Night

    “We may go way further out than the Dead would have one night,” said Koritz. “Others we may not be as far out [more structured musically], it all depends.” For the lay-listener Dark Star Orchestra is explained as a group playing Jazz, i.e. improvisational music, in a Rock idiom. The experience becomes trance-like at each venue; in the ear of each listener a different note is digested.It is synonymous with the individual experience. It is unique. Memories of the Dead are relived through this music, we deem our own.

    Like Frontier Field, DSO continues to recur at venues around the world. This past May marked the 7th annual Dark Star Jubilee in Ohio and the band has already announced their 7th annual return to Jamaican Jam In The Sand at Jewel Paradise Cove Resort on January 15-19, 2019.

    DSO is excited to return to Pisgah Brewing Co. for a two night outdoor show in Black Mountain, NC on Friday August 17 and Saturday 18th. The Orchestra carries on across the Midwest with dates in Chicago, Illinois and Ohio. NYS Music fans, be on the lookout for more dates TBA in Rochester and Albany, to name a few upstate. DSO plans to reveal more shows throughout the holidays, with a special New Years Eve show announcement.

  • Curveball Cancelled Due to Aftermath of Heavy Rain

    After several counties in NY calling a state of emergency due to recent heavy rains, Curveball coordinators were forced to make the unfortunate decision to cancel the Phish music festival in Watkins Glen as a matter of public health and safety. After exploring every avenue to try to keep the festival afloat, the required permits that deem the festival site safe for thousands of people to inhabit it for the duration of the weekend could not be granted, and the festival was cancelled.

    Most notably, there was no reasonable way to deliver the necessary amount of clean drinking water needed to run the festival. The local sewage treatment plant could not keep up with the onslaught of rain and local supplies became contaminated.

    According to security, those already en route are permitted to arrive until 7:30 pm Thursday, but must be out by 12:00 pm Friday.

    Ticketholders will be issued refunds. For more information visit phish.com.

    Phish Curveball cancelled

    Curveball Cancelled
    Props from the festival grounds

    Curveball Cancelled

    Curveball Cancelled
    Empty field for would-be campers
  • Arise Music Festival Emerges as an Antidote for Dangerous Times

    These are dangerous times in which we live. Our culture is teetering on the brink. And if music festival organizer, Paul Bassis is correct, the Arise Music Festival held last week outside Loveland, Colorado may well be an antidote to help stop the madness. Bassis’ claim is a bold pronouncement, for sure, but he and his hearty team of Arise staffers and volunteers have made painstaking efforts to make that claim a reality.

    From the festival’s inception six years ago, Arise has staked a claim among a short list of conscientiously-based music festivals that promote environmentally conscious practices as a “leave no trace” event that plants a tree with every ticket purchase. In addition, as in past years, last week’s event featured a wide range of workshops and presentations focused on environmental and social justice issues that ran alongside its hefty live music schedule. While such offerings are familiar to Arise veterans, what has changed recently is the urgency in which Bassis and the Arise crew have pushed its more communal and activist leanings. “There was a time when I wouldn’t have called myself an activist, but now things are different. So much is at stake.”

    This year’s edition of the Arise fest did include a number of popular live and EDM music acts, including Slightly Stoopid, Thievery Corporation, Opiuo, and Trevor Hall, that perform at many other festivals around the country. However Bassis intones that while many festivals offer escapism from turbulent cultural events, Arise is designed to engage festifarians in local and national political affairs. “We have got to build a community that makes changes and makes things right,” he stated on the festival’s closing day. “My stump speech is,” he continued, “there is a reason why call this the Arise Festival and not the Wake-Up Festival.”

    That sense of urgency permeated the festival grounds throughout the weekend by way of world-renowned presenters like environmental activist Julia Butterfly and grassroots activists seeking signatures for a number of issues including a petition to ban oil fracking. After the rousing bluegrass set of the Kitchen Dwellers from Montana, bassist Joe Funk commented that he felt the Arise Festival sense of purpose was  clear and that the festival, itself, came as close as any to be able to change the world.

    Alongside its progressive social and political focus, the Arise Festival featured a diverse entertainment line-up that included a number of magical performances from the little-heralded but fiery acts such as Guerilla Brass Band, and Colorado-locals, the Gasoline Lollipops, with their unique style of psychedelic punk/folk music. Festival stages literally soared with the dazzling acrobatics of Quixotic. Even the festival’s last performance boasted the thunderous, raucous Colorado return of the New Orleans-based funk group Dumpstafunk.

    As to whether the Arise Festival will change the world, only time will tell. But festival organizers like Bassis say they have no other choice. “We must all be activists, and we must meet the challenge.”

  • Phish returns to Watkins Glen this weekend for a Curveball

    It’s that time again! Time to get packed and head out for Curveball! Phish will hold their 11th music festival is being held this weekend, August 17-19 at Watkins Glen International Raceway in Watkins Glen, NY. This will be the third festival held at this venue, and it is sure to be as over the top & extravagant as SuperBall IX & Magnaball.

    Phish Curveball

    Over the last 30 years Phish has developed a large and loyal following, and the 2018 summer tour leading into Curveball has fans ready for an incredible festival experience that only Phish can provide. Summer tour kicked off in mid-July in Stateline, NV, and altogether the band has hit nine venues, playing 2-3 night runs at some of the largest venues in the country. Among many highlight was the return of Hot Chocolate’s ‘You Sexy Thing’ throughout the band’s third night in Alpharetta, GA, plus three versions of “Tweezer Reprise” at the final night before Curveball at Merriweather Post Pavilion in Columbia, Maryland.

    The much anticipated Curveball festival has sold out, selling 60,000 tickets and maxing capacity at the raceway. If you are heading into Watkins Glen, find updated travel info through the festival website, as recent rains have caused road washouts and closures throughout the region. The Schuyler County Sheriff’s Office has announce some road closures around Watkins Glen International to help control the incoming traffic for the festival. Read more information on specific traffic routing via WENY.

    In preparation for the festival, fans should make sure to bring their rain gear! The venue has been receiving a healthy dose of rainfall, but we all know that a little petrichor isn’t a bad thing! All things are running on track for the event despite the weather and the show will go on as scheduled, and a source has shared that the ferris wheel is up and ready to rock!

    Among the many things to look forward to at Curveball are the Runaway Jim Memorial 5k on Saturday, the which takes place on Friday at 12 noon, Saturday at 9am and Sunday at 10 am, and a cornhole tournament also held all three days. There will be dozens of food vendors in and out of the festival grounds, as well as a farmers market, and a farm to table restaurant on site called Farmhouse.

     Phish Curveball

    The water program is also returning to Curveball. The WaterWheel Foundation will have limited edition Nalgenes for sale in conjunction with Reverb and there will be several water refill stations around the venue to make sure fans stay hydrated throughout the weekend.

    And for those who need to ship something home, Phish has you covered, and they also want you to write to your mother! They’ll be giving away Curveball postcards all weekend long on site, while supplies last. Since Curveball will be something to write home about, an official US Post Office will be on site to send both your postcards and merch – just bring your own packing supplies.
    Phish Curveball

    The JEMP Records Store at Curveball will have a series of releases over the course of the weekend, including a vinyl edition of 1997 live album Slip Stitch and Pass, the accompanying poster by Drew Millward, as well as Phish photographer Rene Huemer’s photo print sale.

    The Bunny will once again serve as the festival’s radio station throughout the weekend, with three episodes of “From the Archives,” hosted by archivist Kevin Shapiro and offered a dive into Phish’s catalog. Episodes will air on Thursday at 10pm and on Friday and Sunday at 3pm. Tune into The Bunny on SiriusXM Radio channel 29 or at LivePhish.com.

    Can’t make it to Watkins Glen for Curveball? Order the webcast at livephish.com, either for a single day or the entire weekend and enjoy Couch Tour! Stay tuned to NYS Music on Instagram, Twitter and Facebook, and look for daily reviews and photos starting on Saturday!.

  • Hearing Aide: Circles Around the Sun ‘Let it Wander’

    CATS are back! Circles Around the Sun will release their second instrumental project August 17, shorn from the pretense of set break music like their first album, Interludes for the Dead. The four-man fellowship is guitarist Neal Casal and keyboardist Adam MacDougall (bandmates in the Chris Robinson Brotherhood), bassist Dan Horne (Jonathan Wilson, Grateful Shred) and drummer Mark Levy (We Dream Dawn, Bonfire Dub).

    The seven-track double album jumps right into the eight-minute “On My Mind” with comforting undertones CATS fans adore, but shedding the lethargic nap time vibes to reveal energizing velocity.

    Chuck D of Public Enemy introduces the second track “One For Chuck,” after hearing CATS record at Castaway 7 Studios, digging their sound, and agreeing to make a cameo on the song. The ensuing low key dance groove offers effects with an uncanny likeness to cats meowing but still pleasantly tickles the ears. You don’t have to like cats to like CATS.

    “Immovable Object” embarks on a sultry trajectory, followed by the near 20-minute “Halicarnassus,” which beckons the listener with another contagious progression, slowly darkening in tone, possibly dragging some listeners into the rabbit hole of their own consciousness without drowning in the abyss. The constant gentle beat is the life preserver that keeps the listener afloat. Casual references to the Beatles love song “Something” add a comforting familiarity.

    “Tacoma Narrows” hits hard with soulful guitar, while the sprightly nature of “Electric Chair (Don’t Sit There) is accomplished with the addition of hand drums. “Ticket to Helix NGC 7293” (an actual nebula in our galaxy) rounds out the album with a feelgood beginning that over the course of 20 minutes devolves into a plasmic soundscape fit for a horror film. Gentle guitar breathes life back into the song to end the album on a high note.

    The experience start to finish is satiating. When jams can be overwhelmingly heavy or too loose and disconnected, CATS swiftly navigate the sweet spot in between. They create songs that have just the right amount of weird to intrigue music junkies but still appeal to a wide audience.

    Let it Wander is an album perfect for those looking to add more tunes to their chill party mix. The album title is a fitting name for the project which includes two near 20-minute tracks that truly allow space for the band to wander with their work, and for the listener to wander with them.

    Catch CATS for one of their small hand full of tour dates while you can! Pre-order the album here!

    August 22 – Asbury Park, NJ – Wonder Bar
    August 23 – Brooklyn, NY – Brooklyn Bowl
    August 24 – Ardmore, PA – Ardmore Music Hall
    August 25 – Burlington, VT – Higher Ground
    August 26 – Pine Plains, NY – Huichica Music Festival

    Key Tracks: One For Chuck, Electric Chair (Don’t Sit There)

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