Category: Jam/Progressive

  • Aqueous Breaks Through the Ice in Rochester

    The warnings were dire. The impending ice storm was set to shut down the city of Rochester. Many events were cancelled. But Aqueous was halfway through a two-nighter at their second home, Flour City Station. Both nights were sold out, and judging by the crowd Saturday night, few stayed home because of the weather.

    If you wanted to see a shining sun in Rochester, this was the place. Aqueous began the weekend ironically with “Staring into the Sun,” and held it open through to the run’s final notes, closing the song out early Sunday morning. In between were the band’s first two full two-set shows of 2018.

    Saturday night began a bit after 10pm, the band acclimating to the evening with bopping slide-guitar led groove. Guitarist Mike Gantzer primed the pump with quickly increasing intensity. The band and crowd together reached a frothing energy and were knee deep in opener “Don’t Do It” before long. The song mixes hard-edge rocking with blues and funk grooves, but of course dissolved into something completely different. They moved through multiple movements while LED bulbs strung above flashed in synchronicity. Gantzer’s guitar danced with Dave Loss’s keys, then bassist Evan McPhaden and drummer Rob Houk took the reins, before they finally all came together for a four-headed bit of improv that pushed the envelope of the band’s full power. 20 minutes into the show, only one song played, but most of the band’s muscle had been flexed. Maybe this article was right, band’s only need to play for 20 minutes? Nah!

    For Aqueous, what is played isn’t quite as important as how it’s played. The journey outweighs the destination. So it mattered less that they busted out Steely-Dan-esque groover “Mice” for the first time in well over 200 shows, and more how the ensuing exploration, led by a ferocious battle of guitar and drums, wound around to beautiful melodic calm.

    The musical quests were often directed by Gantzer calling commands into his mates’ earpieces. Though musical cues still conducted the chaos. Amid a spacey reggae groove in “Underlyer,” Houk tempted the beast with a subtly energizing beat. The beast bit, and the jam jumped into a new realm. Later during a long steady “wah” groove in “Mosquito Valley Part 1,” Loss’s spooky Moog swirls lit a fuse that eventually caught fire, setting off an explosive jam.

    The explorations were long, at times meandering, but they always find pockets of brilliance. Perhaps none more brilliant than deep into “Skyway,” an electro-groove fit for a Nintendo soundtrack dove into a spooky underworld of dark funk and building tension. Gantzer’s guitar flooded the room with intricate sound waves that reached peaks upon peaks and just when it felt it might collapse, the raging crowd egged it on even higher. Before the night was through Metallica, Tool, Randy Newman and Pink Floyd entered into the folds of jams while a full on cover of The Who’s “Pinball Wizard” was debuted. It all finished with the aforementioned close-out of “Staring into the Sun.” But when the crowd departed, they were only staring at their cars caked in ice.

    Setlist

    I: Don’t Do It > Mice > Don’t Do It, Underlyer > Mosquito Valley Pt. 1 > Mosquito Valley Pt. 2

    II: They’re Calling for Ya > Skyway, Uncle Phil’s Parachute, Second Sight > Pinball Wizard > Second Sight

    E: Kitty Chaser (Explosions) > Staring into the Sun

  • Formula 5 Shares Stage with Fellow Tri-state Bands at DROM NYC

    Formula 5‘s spring tour brought them to Manhattan’s East Village venue, DROM, on April 12 with support from other tri-state bands Goose, Animal Reporters and Bee The Band.

    Setlist:

    Breaking Glass, Blue -> Tangled Up In Blue+, The Clear* -> Booher’s Pass, Come Along

    + Bob Dylan cover
    * Unfinished

  • Ghost Light and Magic Beans Join Forces at Brooklyn Bowl

    Ghost Light kicked off the second leg of their debut tour on Wednesday, April 11. The scene’s newest supergroup, consisting of Tom Hamilton (Joe Russo’s Almost Dead, American Babies, Brothers Past, Electron, and former Phil and Friends member), Holly Bowling, Steve Lyons (Nico’s Gun), Raina Mullen (American Babies) and Scotty Zwang (Dopapod), made their east coast debut at Brooklyn Bowl with support from Colorado favourites Magic Beans. Ghost Light’s show consisted of some favourites from Tom Hamilton’s past projects along with some fresh improvisations, and a couple of covers from The Stones and The Dead.

    Magic Beans:

    Set One:
    Give Me Something Real, Mission -> Do Your Thing, Mr Scientist, Lewd -> Lost and Found

    Ghost Light:

    Set 1: Untitled Jam, Simple Gift of Man *, Streets of Brooklyn

    Set 2: Untilted Song> Sway+> Lead Weight > Bullseye Blues

    E: Jack Straw&

    * Brothers Past Cover, First Time Played
    + Rolling Stones Cover, First Time Played
    & Grateful Dead Cover First Time Played

  • The Motet Sell Out Paradise Rock Club

    On April 7 Denver based powerhouse, The Motet, brought some serious funk out to Paradise Rock Club in Boston, MA. With Front man Lyle Divinsky, and Guitarist Ryan Jalbert both being from New England, and with Boston’s own Strange Machines opening the night, this show had a hometown feel to it.

    The sold out crowd was packing in fast as Strange Machines was getting into their set. The band fed off the crowd and played what seemed like a continuous set. The quartet rocked a seamless cover of Blackstreet’s “No Diggity” and then into a Golden Rule > Remote Dream > Golden Rule. Remote Dream was a  nice throw back to their 2014 album, Turn the Tide, while blending with Golden Rule, of their new album, Voice of Color.

    The Motet came out to a sea of crazy Bostonians who only got wilder when Lyle opened his jacket to reveal his Celtics’ Larry Bird shirt. The band was high energy from the beginning and never seemed to slow down. Fan favorites “Keep on Don’t Stoppin” and “Closed Mouth Don’t Get Fed” were met with an uproar. The crowd was also happy to hear a couple new tracks from the group, along with recently released singles, “Get It Right” and “Supernova”. The guys played a long set, ending with a beautiful rendition of George Clinton’s “Knee Deep”.

    The show in Boston was the Motet’s last of their Spring tour, and the band as of now has only one show between now and their Red Rocks headliner on June 2, which is the Sweetwater 420 Fest in Atlanta, Georgia. Check out pictures of both bands below via Zatchmo Lives Media.

  • Cousin Earth take on NYC subways in “Train Luck” video

    Cousin Earth are gearing up for the release of Human Music, the group’s second album, and have released the video for “Train Luck,” a rebuke of the NYC subway system and MTA as a whole. The unique lyric video has a late 70s early music video feel, pulling on influences from Frank Zappa and the Mothers of Invention and overlapping vocals that create a symphonic sound over the ukulele driven solos.

    Bassist Corey Feldman shares his frustrations. “As long-time New Yorkers, we have learned to channel our deep hatred for ‘train traffic’ by playing this song. Joe Calfa crafted this tune, and we all immediately jumped on board as we have all felt the wrath of mass transit.” Given recent frustrations with the city’s handling of the aging subway system, “Train Luck” channels the mood towards the MTA perfectly.

    Cousin Earth’s upcoming album Human Music is due out on April 27 on all platforms and they’ll perform that night at Bowery Electric with The Phyrg and Hunt for Hunter.

  • Hearing Aide: Baked Shrimp ‘Feast of Delight’

    Baked ShrimpBaked Shrimp Feast Of Delight, one of Long Island’s best kept secrets, recently released their album Feast of Delight, showcasing the band’s various styles and genres, including multi-part compositions, radio-friendly pop songs and even a folk song in the single “Orpheus.”

    Since forming in January 2017, Baked Shrimp has broken into the Long Island and NYC jam scene and, over the course of the past year, the high-energy rock trio have played unique shows across the Northeast and are looking to build on that success in 2018 with the release of Feast of Delight that puts front and center a distinct ’90s indie vibe.

    “The Manatee,” a 10 minute gentle giant, gets heavy in the right spots, features elements of post-punk emerging throughout and gives off a Disco Biscuits feel with the continuous vibe built throughout. “Dick Turk” has wide ranging guitar play from Jared Cowen, a versatile stand out, especially on “Machiavellian” which contains guitar work that makes the song a distant cousin of Henry Mancini’s calliope in “Baby Elephant Walk,” building firmly and erupting for a fire-y ending.

    “Orpheus” is the lightest fare on the album, but the acoustic sing along makes it a perfect single off the album and stands out just before the closing “Chimera,” which has a distinct Ominous Seapods feel, even if the bands are nearly 25 years apart, and a little dose of Talking Heads’ “Cities,” wrapping up an album that will be perfect for afternoon listening and dancing to late into the night this summer. Tune into Feast of Light below, on Bandcamp, and check out live shows from Baked Shrimp on Archive.org

    Key Tracks: The Manatee, Machiavellian, Orpheus

  • Magic Beans Bring the Heat to Buffalo Iron Works

    Colorado-based The Magic Beans, currently on tour in support of their latest album Casino Cabaret , found themselves at Buffalo Iron Works on Saturday, April 7. While the calendar may indicate spring, the thermometer said otherwise, but The Magic Beans with support from Formula 5 wasted little time warming up the enthusiastic crowd.

    The opener treated the audience to a 20+ minute version of original “Blue” and nearly as much time on a jammed out cover of Don Henley’s “Dirty Laundry.” The Magic Beans put on one helluva show with the crowd dancing straight through until 1am. Highlights included “Mission” and “More” off Casino Cabaret plus a huge cover of Prince’s “I Wanna be your Lover” after  “Lost and Found.” The Beans are the real deal when it comes to jams that make you dance, and Formula 5 is right there alongside them.

    Check out The Magic Beans this Thursday at The Hollow in Albany with Let’s Be Leonard and, also on Thursday, check out Formula 5 with Goose, Animal Reporters and Bee the Band at DROM in NYC.

  • Hearing Aide: Ripe ‘Joy in the Wild Unknown’


    Boston’s seven-piece phenom Ripe attacks funk-infused rock, groove, jazz, R&B and even ska, with passion, 
    precision and purpose, leaving a wake on the dance floor with their debut offering Joy In The Wild Unknown. The album, due out April 6th, is a reflection the highs and lows of life and the musical connectivity in between. With uplifting tracks like Little Lighter, playful songs like Stanky, and songs about love like Downward, Joy leaves an indelible mark.

    Joy in the Wild UnknownRipe’s unbelievably tight jams , genre-bending originality and rapidly growing fan base have helped them rack up over one million Spotify streams with their fan-favorite Goon Squad, over 15,000 followers on Facebook, and landed them on the bill at venues like the House of the Blues, the Roxy Theater, and Levitate Music Festival in July in the coming months.

    Lead vocalist Robbie Wulfsohn’s distinctive and likeable chops allow him to stand on his own amidst the outstanding musicianship of Tory Geismar (guitar), Jon Becker (guitar), Sampson Hellerman (drums), Josh Shpak (trumpet), Calvin Barthel (trombone) and Nadav Shapira (bass). All seven members graduates of Berklee College of Music, this dynamic and well-oiled music machine can easily appeal to the masses and fit into any scene, from festivals to clubs and beyond!

    With two EP’s, Hey Hello and Produce the Juice, under their belts, Ripe launches straight into a musical holiday from the first track of their first full-length album. Simmering bass lines set the stage to usher in Wulfsohn’s powerful opening lines, while funkified guitar licks and a three-piece horn section glue it all together for a polished finish in “Little Lighter.”

    Joy in the Wild Unknown“Downward,” the fourth-track on the album, produced by Cory Wong of Vulfpeck, mixed by five-time GRAMMY-Winner Joe Visciano and mastered by Randy Merrill, reflects the duality of love with its catchy chorus:

    This love keeps pulling me downward

    Pulling me downward

    And I don’t mind the fall

    The fifth track, “Stanky,” swaggers onto the scene with the instruments a funky game of cat and mouse between the bass and horns, with help from the guitar to create a unique syncopation that packs a powerful musical punch.

    Ripe’s debut offering, Joy In The Wild Unknown, may be a studio recording, but it’s basically propaganda to get you out to one of their live shows. The good news is they’re about to hit the road for an extensive US tour to promote their latest album and there’s a good chance they’ll be coming to a city near you! Be sure to bring a toy to donate to the band’s efforts to collect toys for the local Boys & Girls Clubs of America (link) and give their new listen before you hit the show! 

    Key Tracks: Little Lighter, Downward and Stanky

  • Tom Hamilton and Holly Bowling to Interpret Grateful Dead Music Acoustically

    Tom Hamilton (Brothers Past, American Babies, Joe Russo’s Almost Dead, Ghost Light) and Holly Bowling (Ghost Light) are teaming up for a one night only acoustic exploration of the music of the Grateful Dead.

    Tickets for the Friday, June 1 show at Port Chester’s Capitol Theatre are available for presale today at noon through Ticketfly. The general on sale date is Friday, April 6 at noon.

    The duo is currently in the midst of a tour with Ghost Light, an all-star collective consisting of Bowling, Hamilton, Steve Lyons, Raina Mullen and Scotty Zwang.

    At the Cap show, Hamilton and Bowling will draw from their respective Dead experiences. Hamilton performs with popular Dead cover band Joe Russo’s Almost Dead and Bowling recently released an album of piano interpretations of the Grateful Dead entitled Better Left Unsung.

    Ghost Light’s tour visits the Brooklyn Bowl in Brooklyn on April 11. Tickets for that show are still available.

  • Cayuga Sound Returns for a Second Year

    Cayuga Sound Music Festival will close out back to back summer seasons in Ithaca’s historic Stewart Park and other local venues on Sept. 21-22, expanding the festival to two days during the city’s week long outdoor concert festival series.

    Last year’s event helped raise nearly $50,000 to benefit non-profit organizations that specialize in helping children throughout the community. This year’s festival will be no different, with a portion of the proceeds going back into the community.

    Ithaca natives, platinum recording artists and curators of the festival, X Ambassadors, will return as one of the festival’s headliners along with Young The Giant. Other artists confirmed to appear include Talib Kweli, Matt & Kim, Buddy, Sofi Tukker, Morgxn, with other artists still TBA. Local and regional artists will also appear during the two day event including KNEW, No Comply, and Lady D & the Shadow Spirits to name a few.

    X Ambassadors frontman Sam Harris, shared his excitement for not only being back home, but returning to the festival, “We’re beyond thrilled to be bringing Cayuga Sound back to Ithaca this year. Last year was such a milestone for us and the prospect of making this an annual tradition is so exciting. Expect another eclectic lineup with both global acts and some our favorite Ithaca music too.”

    This Fiction founder, and band manager, Seth Kallen, showed his enthusiasm, “Building a festival from the ground up was huge challenge, but the weekend was incredibly gratifying for all of us involved. To be able to create something that will continue for years to come, while giving back to such a great community was so amazing. We’re so excited to expand to two days this year and bring even more amazing music to the city of Ithaca.”

    DSP founder Dan Smalls, commented on how beneficial the festival was to the community in its inaugural run, “DSP set out to bring a true world class music festival to our home town and we did just that. The comments from folks who attended were just great and we feel we created a venue that made for an amazing experience all around. We donated nearly $50,000 last year and over 80% of that stayed right here with 10 not-for-profits that help kids in our community. There is nothing more gratifying than giving back and we hope to do even more this year – both financially but also through our talk series, events and growing idea list. Just saying it aloud gets me excited for what we have in the works!”

    Early bird two-day tickets for Cayuga Sound Festival will go on sale Wednesday April 4 at 10 a.m. with general admission two-day tickets going on sale Friday, April 6 at 10 a.m.

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