Category: Funk/Soul/R&B

  • Lettuce and Turkuaz Bring the Funk To Philly

    On Friday, November 2, Philadelphia turned into a funk lover’s paradise. Lettuce and Turkuaz, two of the biggest names in progressive funk, came together to blow the proverbial roof off the Fillmore. Starting off the evening was The Soul Rebels with their New Orleans inspired funk getting the party started.

    Next up was Turkuaz and they wasted little time mixing old favorites and new jams from their recent release Life in the City to get the near capacity crowd moving. Before long Dave Brandwein and the rest of the Turkuaz crew took their final bow which meant it was almost time for Lettuce and their unique blend of interstellar funk to take over. Deep grooves and sonic explorations ruled the night as Lettuce and the City of Brotherly Love came together for a night that will not soon be forgotten.

    Photography by StrawberryIsland Dweller

  • Funk Night Returns with Beau Sasser Escape Plan’s Tribute to Aretha Franklin

    Funk Night returns to Parish Public House, this time, boasting a musical selection of the late Aretha Franklin tunes on Nov. 15. Beau Sasser (Kung Fu) is no stranger to hosting Funk Night in downtown Albany, as he’s done many times prior with Albany’s own Justin Henricks, as well as members of Kung Fu, Turkuaz, Wurliday, Dopapod and more.

    For Funk Night’s latest installment at the downtown Albany brick accented bar and music venue, a changing lineup of Beau Sasser (Hammond Organ), Bill Carbone (Drums) and Justin Henricks (Guitar) of Beau Sasser’s Escape plan will serve up a tasty tribute to the sorely missed Queen of Soul.

    Get your tickets in advance and hold your place in line to boogie. “Ain’t no way” you’re missing this one!

  • Lettuce Announces Busy January Tour

    Lettuce launches the far-reaching and fast-paced Vibe Up 2019 tour in Rochester on Jan.10. The funk group will return to New York later for performances at the Upstate Concert Hall in Clifton Park on Jan. 12 and at Brooklyn Steel on Jan. 19.

    The band’s legendary career spans two decades. Their sound has matured and “stewed” to perfection over time as evidenced on their latest album Witches Stew. The new album is contemporary jazz fusion inspired by and in tribute to Miles Davis’ Bitches Brew. It would be an oversight to ignore that music like Davis’ was what influenced and initially drew the group together at Boston’s Berklee College of Music in 1992.

    Out-of-state, the tour will bring Lettuce to major cities like Boston, Nashville, Philadelphia, Detroit, Atlanta, Cleveland, and more over the course of one month. Tickets are on sale now. For more information, visit the Lettuce website here.

    [Witches Stew] “…groundbreaking release, the effort allows Lettuce to do justice to their influences, while still retaining their own collective persona.” – All About Jazz

    Affectionately referred to as “Everybody’s favorite funk band” by Red Bull Music, Lettuce only has one performance left for 2018. Currently touring Witches Stew now, the last opportunity to see Lettuce live in 2018 is a special one-night only show with the Colorado Symphony in Denver on Nov. 10. See below for the full January 2019 Vibe Up Tour schedule.

    Lettuce January Dates:

    Jan. 10 – Anthology Live – Rochester, NY*
    Jan. 11 – House of Blues – Boston, MA*
    Jan. 12 – Upstate Concert Hall – Clifton Park, NY*
    Jan. 13 – Higher Ground Ballroom – South Burlington, VT*
    Jan. 15 – The Vogue – Indianapolis, IN*
    Jan. 16 – St. Andrew’s Hall – Detroit, MI*
    Jan. 17 – Rex Theater – Pittsburgh, PA*
    Jan. 18 – Infinity Music Hall & Bistro – Hartford, CT*
    Jan. 19 – Brooklyn Steel – Brooklyn, NY
    Jan. 22 – Whitaker Center – Harrisburg, PA
    Jan. 23 – House of Blues – Cleveland, OH
    Jan. 24 – Madison Theater -Covington, KY
    Jan. 25 – Marathon Music Works – Nashville, TN
    Jan. 26 – Center Stage – Atlanta, GA

    * with Ghost Note

  • Twiddle and Pigeons Playing Ping Pong to Share the Stage at Red Rocks Amphitheater

    Tickets are on sale now via AXS and Eventbrite for the long awaited headliners’ May 2, 2019 concert in Morrison, CO. Anyone who knows the iconic stage can tell this is a summer event people will talk about long after the two Northeast-based bands bow out. Kitchen Dwellers are set to make a special appearance along with co-headliners Twiddle and Pigeons Playing Ping Pong at Red Rocks.

    Twiddle

    While Twiddle has headlined Red Rocks once before, Pigeons Playing Ping Pong are eagerly anticipating this May as their first Red Rocks performance as headliners. Sharing this experience with Twiddle in particular, makes it extra special for the quartet of Pigeons Playing Ping Pong. They have a unique bond with Twiddle, based on previous venues they’ve shared together in the last five years.

    Pigeons Playing Ping Pong High Voltage by Justin Mierzejewski of Miz Changes Photography

    Here’s some perspective from Pigeons Playing Ping Pong frontman Greg Ormont:

    “Words cannot express our excitement to play Red Rocks again… Not only do we get to rock out at one the best venues in the world, but we get to do it alongside our longtime friends Twiddle. We’ve played some shows in Colorado together before, but co-headlining at Red Rocks is the next level. We’re super grateful for the opportunity”

    The two groups really developed alongside each other — from their initial smaller pull of about 200 audience members to now headlining a major venue like Red Rocks together. Ormont described the upcoming Red Rocks concert as being like a, “dream to come true.” Fans can expect a collaborative rock-funk sound that the two bands are able to produce due their familiarity with one another.

  • Hearing Aide: Sister Sparrow ‘Gold’

    “As an artist, we have to evolve. If we stay the same, then we’re going backwards.” It came straight from the ‘bird’s’ mouth – bands need to evolve to stay on top, and that’s what Sister Sparrow and the Dirty Birds have done in their latest album, Gold. It’s their first studio album since 2015 and it’s a smash hit. Long time fans and new ones alike will find something to enjoy, which is no easy feat. Arleigh Kincheloe disclosed in an interview with NYS Music that she and producer Carter Matschullat worked together to create a collection of songs that shed some light into Kincheloe’s life experiences and creative thought process. The result is something spectacular and different from the group’s three prior studio albums.

    Each track has been placed carefully within the album in an obvious effort to ease people into Sparrow’s new direction. Gold kicks off with the ‘Birds’ immaculate horn line and Kincheloe’s blissful, soulful powerhouse pipes. It’s classic Sparrow but with hints of contemporary beats and hooks. Kincheloe speaks about her love life and how she’s a woman with “gold” love. The track is digestible and an earworm listeners will happily have stuck in their heads all day.

    “Leave Here With Me” gets a bit more experimental. The production value is phenomenal thanks to Matschullat. It breathes a new life into the group that will absolutely help propel them into a new genre. Listeners get hints of that hard-hitting horn line and Kincheloe’s soulful voice but all with a very mid 70’s soul, love song vibe. It’s a pretty gutsy move considering they’ve rooted themselves in a very jam-ish genre, but they nailed the formula.

    “Ghost” is the most poppy song on the album which Kincheloe confirmed in our interview with her. It consists of a four on the floor beat, prominent bass and lyrics about tough times with unstable men. It’s hit or miss for long time fans but it shows how versatile the group and Kincheloe can be. Over all, it’s a dancey, radio ready hit with great production value and a wide range of experimentation that may not hit home with long time fans but will definitely rake in some new ones.  

    When we spoke with Kincheloe, she revealed some of her biggest influences for the album which really shine through on “Can’t Get You off My Mind”. they include: The Staples, Aretha Franklin, The Pointer Sisters, Bill Withers, Paul Simon and Joe Cocker. Listeners get a little taste of her brother’s, Jackson Kincheloe, harmonica skills followed by a classic 70’s blues and soul feel. Imagine a Bill Withers back beat with the passion of Aretha Franklin. Listeners can find a similar sound in “Frankie” and “Plastic Paradise”, although “Plastic Paradise” definitely has more modern influences, mainly found in the lyrical aspect of the track.

    The album is tied up in a bow with a dance ready, four on the floor track called “You’re My Party”. Listeners can analyze each layer and find something delicious to soak up. There is a lack of power and edge that would have been the icing on the cake, asserting that Sister Sparrow hasn’t completely lost their roots. The only trace of their distinctive horn line is on the final arc of the track which leaves a good taste in the mouth but definitely doesn’t feel like dessert, but more like an after dinner salad.

    All in all, this was a fantastic effort by Sister Sparrow and friends. They put a lot on the line with this collection and obviously gave it their all. After looking at social media responses to the album, it’s fair to say that it was a polarizing move but fans still presented a monumental amount of support for the group. Long time fans should consider this: there’s a time and a place for all music. Sister Sparrow has simply created a different sound  for a different environment. The group was thoughtful enough to remember their loyal fans and put in a tremendous amount of effort to find a middle ground. Give each song a few listens instead of a one and done. This was an unexpected move for us as well, but after analyzing the songs and speaking with Arleigh Kincheloe, their intentions became clear. And that’s something worth supporting them over.

    Sister Sparrow will be touring with this album for a few more months. They’ll make appearances in NYC at The Egg on November 10 and Irving Plaza on December 1. If you miss those shows, find them in CT at the Infinity Music Hall in Hartford on November 8 and in Fairfield at Fairfield Theatre Company for an NYE show.

    Key Tracks: Gold, Leave Here with Me, Can’t Get You off My Mind

  • Turkuaz Put Putnam In Its Place

    It’s always going to be a fun night when a band sells out a show. It’s going to be even better when that band is Brooklyn’s own, Turkuaz as the funk power house came to Putnam Place in Saratoga Springs on Saturday, October 6. Butcher Brown opened the show with a very groovy set with lots of peaks and valleys. They’ll be starting off each night of Turkuaz’s tour this month. Make sure to get there early and check them out.

    This show was truly one for the fans. With a rare “Gremlins” opener, the band played a slew of incredible classics from their beginnings to start their extra long single set. The energy was peaking for what seemed like the entire show, and with a back to back “Everyone’s a Winner” and “Life in the City,” you could only hope the night would never end. The balance of all the instruments, all the harmonies, all the raw power came together to finish the night with an energetic “Monkey Fingers.”

    You can catch the band around the country for the next couple months. They are down south this week before coming back up to Northampton MA, Providence RI, and a finishing their northeast run with a huge show at the Capitol Theatre in Port Chester. They will also be sharing the stage with tons of amazing talent, such as Cory Henry & the Funk Apostles, Lettuce, and Rubblebucket.

  • Formula 5, Swimmer Team Up for Birthday Bash at The Hollow

    Downtown Albany celebrated in style on Saturday, September 29, with two birthdays and a first-time performance at The Hollow Bar + Kitchen. Formula 5 hosted the night, as the Upstate NY group helped close out one member’s birthday while ringing in another during an appropriate hometown throwdown. Warming things up for the night ahead was a new-to-Albany band, Swimmer.

    Founded in the depths of rickety Plymouth State University basements in 2013, the funky, improvisational quartet has grown with the seasons and emerged on the scene as quite a contender in their genre. The Burlington, VT musicians have been able to corral flocks of fans from their shared bills with top tier performers like Dopapod and Pigeons Playing Ping Pong. Adding Formula 5 to the mix, it only made sense that Albany and it’s strapping live music scene was their next destination to become acquainted with.

    Formula 5 SwimmerAiming to set themselves apart from every other jam-band to emerge from the hippy depths of Vermont, Cotter Ellis (drums), Matt Dolliver (keys/sax), Joe Agnello (guitar) and Jack Vignone (bass) tapped into their truly zany nature, showing off their musical chops and refreshing individuality. It was their tasty covers of Frank Zappa’s “Son of Orange County” >”Trouble Every Day” that found all patrons swiveled in their barstools and cheering on foot, asking their neighbors what band was playing.

    Ready to bring the high-energy festivities to the stage, birthday boy Matt Richards (keys) along with Joe David (guitar) and James Woods (bass) brought their “Widespread’s Dead” covers to their NY fans. Their latest tour boasts an assortment of tracks from the well-loved artists Widespread Panic and Grateful Dead, with Formula 5 originals interwoven throughout the set.

    Richards kicked off the night manning the mic for F5’s own “Bird Song” before tossing in an array of anticipated covers. Although Grateful Dead cover bands certainly aren’t lacking, you can’t help but smile and sing along whenever a Dead tune begins. Once Davis sang the opening notes of the Dead’s “Tennessee Jed,” there was nothing left for anyone to do but smile, smile, smile. Widespread Panic’s “Coconuts” acted as the fan-favorite pinnacle of the night as it was sandwiched between “Tennessee Jed” and a soothing take on “Terrapin Station.”

    Normally celebrating the day after Thanksgiving at The Hollow, Formula 5 took the time to address the crowd for an announcement that their Black Friday gig would make the jump over to The Palace Theatre. On Friday, November 23 the quarter will support the Disco Biscuits during their two-night Albany run.

    Swimmer Setlist: Murphy’s Law, Do it Myself > Son of Orange County* > Trouble Every Day*Jig -> Hyperbole, Curious Spaniard, Cornwallis *zappa cover

    Formula 5 Setlist: Bird Song^-> Blue-> Bird Song^, Greta~-> Booher’s Pass, Tennessee Jed^ Coconuts~ Terrapin Station^ Nu-Gen*-> In The Sand-> Gettin’ Tough Again, Hot Box, Love Tractor~

    ^ Grateful Dead
    ~ Widespread Panic
    * Unfinished

  • Mark Anthony Manning: The story of a rising 20-year-old Albany singer

    The 20-year-old man’s voice soared as he played the piano in a minuscule practice room, eyes shut as he swayed to the music and several veins appeared across his face and neck. The dim lighting and tight space made the experience feel more intimate and hearing his voice echo sonically through the surrounding walls projected the impression of a cathartic release of pent-up energy and passion.

    Mark Anthony Manning had invited me to meet him there at the Massry Center for the Arts in the College of Saint Rose in Albany. He is currently a junior student there and studying towards a bachelor’s degree in Music Industry. Performing a few original songs on the black Steinway & Sons piano which he’d penned, he said that he mainly plays pop and R&B music, is a songwriter, and he has two music-related jobs.

    First, he has been working as a wedding singer for Silver Arrow Band, a company which performs at festivals, corporate events, private functions, and weddings, since early summer. In Manning’s case specifically, he travels with them across the state to perform a collection of requested songs for people’s weddings. Silver Arrow Band has won numerous accolades, including WeddingWire Couples’ Choice Awards every year since 2016.

    “It’s by far the best job I’ve ever had. There’s just so many musicians and you just get offered gigs. I’ve never been to a wedding with like the same exact band, it always like switches out because it’s a company,” Manning said.

    According to him, he usually gets paid at least $500 or $600 per wedding, although it depends on what musical instruments and how many fellow Silver Arrow Band members are brought for the wedding performance. “It helps me pay the bills and I like getting to travel with them,” he said.

    His second stint is being the frontman and lead singer of his own live student band, called Mark Manning and the Sexy Bitches.

    His fellow bandmates are Joseph Taurone on the drums; Gabriel Klinger-Horn playing the guitar; Sam Walczyk on the bass; Dan Carr who is in charge of synth, auxiliary percussion, and can substitute for drums guitar and bass; and finally, Kyle Robinson and Amy Branham who both serve vocals and play the piano too. All are St. Rose students, whom Manning met when he was still a sophomore, and they collectively rehearse together every Monday night.

    Manning first met Klinger-Horn during a college party early last fall where after some small talk, Manning expressed his desire to start a band. He was surprised when Klinger-Horn revealed he plays the guitar and knows of two peers, Taurone and Walczyk, who play the drums and bass. Over time, the remaining members joined but ironically, the band did not have an official name yet.

    It was not until the day of their very first performance together, which occurred at the Rice House — a venue that showcases local collegiate and young adult music talents — in Albany back in October 2017. He noted that that was the night the band made a name for itself in the Saint Rose community and the overall local music scene.

    “That day, I was like, ‘I don’t even know what to call us, guys.’ But there was this other band called Hasty Page and one of its members, Josh Morris [who serves vocals and plays the drums] said ‘Mark Manning and the Sexy Bitches’ as a joke,” he admitted. “I then slipped and said it accidentally onstage. But the performance was so much fun and looking back now, we weren’t really friends back then and we’ve since improved so much. It was the first night we really clicked and bonded. The name just stuck since then.”

    In fact, he recalled that eventually, people from Silver Arrow Band once saw him perform with his own band, and they asked him if he was interested in working for them too as a wedding singer.

    Having started to write songs upon entering college, Manning said “right now, all our songs are about relationships, unreciprocated love and how they don’t work out.”

    “I have not one happy song,” he joked.

    Regarding his songwriting process, it “usually starts with me getting my feelings hurt in some shape or form, and I’ll come to practice and I tend to have the chords first, before getting the melody and tempo. I mean, every song is different though. Some songs, the melody will come to me first in my head before I work on it with the piano.”

    Originally from Long Island, he identifies himself as “maybe a baritone but I’m definitely not a tenor. But I wouldn’t just say I’m a bass either.” Among his sources of inspiration are Beyonce, John Legend, Daniel Caesar and Kirk Franklin. He personally enjoys gospel, jazz and soul music.

    “My three siblings, cousins and I were all like a gospel and sang a lot of gospel, and it was cute that we were all family and being in church,” he recalled his childhood days. “We were called like The Manning 6, but eventually, they all grew out of music and I just didn’t.”

    After Manning began trying to take piano lessons in second grade, then fourth grade, and again in tenth grade, it was not until attending St. Rose where he had to take four semesters of piano to genuinely improve his piano proficiency.

    He was also highly active in musical theater growing up, particularly when he attended Patchogue-Medford High School in Suffolk County, Long Island.

    In terms of high school musicals, he played Gary Coleman in “Avenue Q,” Mr. Black in “Wild Party,” The Wiz in “The Wiz: The Super Soul Musical” and Donkey in “Shrek the Musical.” In college, his credits include playing Seaweed J. Stubbs in “Hairspray” and Mitch Mahoney in “The 25th Annual Putnam County Spelling Bee.”

    “It just feels like this was something I was born to do, I don’t want to do anything else,” he concluded. He hopes to eventually move to California sometime after graduation to grow as an artist. He even wants to become head of A&R — standing for artists and repertoire, they choose certain artists to get signed and develop their brand — of a music label someday.

    “In California, there’s so many record labels and young people out there chasing their dreams,” he said. “I just feel like the resources are more open there. If you want to be noticed by someone important, that’s the place to go. But I really believe in myself and have so much faith. You have to, no one else is going to if you don’t.”

    For now, Manning maintains a website at iammarkmanning.weebly.com and has an upcoming extended play coming out in either October or November.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Shemekia Copeland To Sing National Anthem at Sunday’s Giants Game

    shemekia copeland national anthemOn Sunday, September 30, Grammy-nominated singer Shemekia Copeland will perform the National Anthem on game between the New York Giants and the New Orleans Saints. The game begins at 4:25pm at MetLife Stadium in East Rutherford, New Jersey and can be watched on CBS.

    Copeland is currently on tour, bringing music from her critically acclaimed, powerful new album, America’s Child to fans all across the country. NPR Music says Copeland is “head-turning and outspoken. America’s Child is a true hybrid of simmering, real-talking spirit and emphatic, folkie-and soul-style statement-making. Copeland sings slow-burning soul and rollicking country-blues with growling vigor and potent conviction.”

    Produced by Americana Instrumentalist Of The Year winner Will Kimbrough (who also plays guitar on the album) and recorded in Nashville, America’s Child is a courageous and fiery statement of purpose, a major step forward for the singer whose musical consciousness continues to expand as her star continues to rise. With guests including John Prine, Rhiannon Giddens, Mary Gauthier, Emmylou Harris, Steve Cropper, J.D. Wilkes, Al Perkins and members of the Time Jumpers, America’s Child bursts with Copeland’s bravado and embraces with her tenderness.

    Tune in this Sunday to see Shemekia Copeland perform the National Anthem.

    Upcoming shows in New York:

    Sept 30, 2018 – Met Life Stadium, East Rutherford, NJ
    Nov 15, 2018 Tralf Music Hall Buffalo, NY
    Nov 16, 2018 Center for the Arts of Homer Homer, NY
    Nov 17, 2018 Towne Crier Cafe Beacon, NY

  • Hearing Aide: Turkuaz ‘Life In The City’

    Brooklyn’s own, Turkuaz, has released their fifth full-length studio album Life In The City. With a soundscape more vibrant than a rainbow, each track is crowded with intensity and expressionism. Life In The City paints the aura of a mundane, overstimulated world and bespatters the canvas with electro-funk graffiti. It’s infectious, luring ghost-walkers in from the darkest alleys. Once the nine-piece powerhouse entraps your mind, life as you know it, will cease to exist.

    Turkuaz Life In The City

    The title track, “Life In The City,” sets the stride with heavy isolated synths and layered upbeat guitar.  The pulse is familiar, like walking. Weighted four-on-the-floor kick drum echoes the mass of worn shoes, marching without question. Every step brings a new impetus. The overtones and decay of the drums juxtapose reality as they ring out through a suspended chorus. Choir-esque harmonies, punchy horn lines and random hi-hat splashes seem chaotic, but become increasingly cohesive

    Life In The City  portrays a dark and dystopian future, or current city environment, full of over stimulus,” said guitar/vocalist Dave Brandwein. “It gets harder and harder to appreciate life. Blind in the spotlight and caught up in the hustle and bustle of the city. We want it to feel that way in our songs.”

    Collectively the album is a constant echo of life. From a willingness to try and “just letting it come out”, themes arose, like the reoccurring ‘city noises’ throughout the record. “Make You Famous” is full of funky-energy, bells and ambient percussion. Freeform keyboard leads squawk, reminiscent of Hancock’s Head Hunters. “The Question” becomes more airy and soulful, with predominant female vocals, but as it fades away, synth taunts us with a motif from the title track.

    Life In The City is the most elaborate Turkuaz collaboration to date, according to Brandwein. “If I Ever Fall Asleep,” was co-written with Baritone Saxophonist, Josh Schwartz, with driving energy. The record was co-produced by Jason ‘Jacko’ Randall of More Sound Studios in Syracuse, Rob O’Block of Nashville and Dave Brandwein in the band’s “home-base,” Galaxy Smith Studios in Brooklyn. Moreover, Jerry Harrison of Talking Heads produced “If I Ever Fall Asleep” at The Bunker Studios. “It definitely doesn’t hurt when an inspiration of the band, like Jerry, is on your side,” Brandwein confessed.

    In comparison to the daunting 24-track Digitonium, this release was boiled down to nine tracks. “All of those nine songs, I stand strongly behind,” said Brandwein. “ We actually recorded 20 songs. We will be trickling out material little by little, which is exciting.” Turkuaz will debut the new record on a upstate New York run in early October at The Westcott Theater in Syracuse, Town Ballroom in Buffalo and Putnam Den in Saratoga with Butcher Brown. The band is excited to make their first appearance at The Capitol Theatre in Port Chester with Cory Henry & the Funk Apostles on October 19.  

    “We’re drawing from an eclectic pool of music,” said Brandwein. For newcomers, check out Turkuaz’s latest in-studio video. “I think that song combines a lot of things into one. You can see our energy. It’s got the full package.”

    Key Tracks: Life In The City, Make You Famous, Lady Lovely

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