Category: Alternative/Indie

  • Hearing Aide: Jon Lewis Band ‘Get Wild Somewhere’

    Everyone loves rooting for the hometown star to catch a big break. Rochester’s very own Jon Lewis Band’s  latest offering Get Wild Somewhere has the potential to expose them to their widest and most diverse audience yet. It has nothing to do with luck though. The eighth album they’ve recorded in four years stands solidly on the five member’s pure and unadulterated passion, dedication, friendship and, most importantly, talent. 

    The band’s namesake, Lewis is on lead vocals and rhythm guitar, accompanied by Dave Drago on bass, Jake Walsh on drums, Shawn Brogan on lead guitar and Alex Northrup on keys. With more time spent traveling to Los Angeles to record than actually spent in the studio, Get Wild Somewhere’s classic sound was accomplished through the use of vintage recording gear. All ten tracks were written with the intention of being played and recorded live.

    “We didn’t want to do overdubs or try to manipulate our sound too much,” said Lewis. “That made it possible to record in a shorter period of time and also enabled us to make something that showcases all of our individual strengths.”

    Fueled by adrenaline, backed by fans who crowdsourced over $2,000 to support the band’s trip to LA to record, and fed by the largest pizza they’ve ever seen (it had to be delivered through the loading dock door) Get Wild Somewhere has a polished, timeless sound that could only be done justice with vinyl.

    The Jon Lewis Band consists of Dave Drago, Shawn Brogan, Jon Lewis, Alex Northrup and Jake Walsh.

    Written by Lewis and produced, mixed and mastered by Drago in his 1809 Studios in Macedon, NY, Get Wild Somewhere tears onto the scene with the catchy opening track “Jerry My Berry.” Borrowing from the piano track that was used in famous recordings like “Werewolves in London” and “Summer Breeze,” combined with a catchy chorus, driving beat and melodious guitar licks, “Jerry My Berry” kicks the album off on an energetic note.

    Track two, “Charity,” is a beautiful opus with rich vocal harmonies complimenting mournful wails from Northrup’s organ.

    “You Don’t Wanna,” the third offering on the album, has a Beach Boys, surfer rock vibe to it. The clavinet introduces listeners to a an easy, breezy, likeable song that encapsulates the vintage vibe.

    I just want to see your face

    I just want to waste your time

    I just want to talk to you

    Cause you will see that I’m alright

    The rough riding “Cinnamon Only,”carried by a driving lead guitar, is the first song on the album to have a full-length video to accompany it. Lewis created the video over one month’s time entirely with colored papers and sketches.

    “I draw and cut out the characters, then photograph/animate them against a green screen, then I put all the layers together to create something I like to call ‘Paper World,’” he explains ,”The plot and story completely unfolded as I continued to work, just letting the song dictate the imagery.”

    The album’s closer, So Familiar,“ is a gorgeously dark and stormy, mostly instrumental, song that hits to the core.

    Get Wild Somewhere is the sound of five friends pouring their hearts out and having the time of their lives producing fresh, original and crush-able jams, heartfelt ballads and indie rock. Each song come together effortlessly and stands on their own, as if they were just waiting to be born.

    The energy and connection on the album translates easily to the stage. Check the Jon Lewis Band out for yourself Friday, May 18 at their Album Release Party at Three Heads Brewing. Here’s hoping that this is just the start of something even bigger for these five Rochester musical dynamos!

    Key Tracks: Jerry My Berry, You Don’t Wanna, So Familiar

    https://www.facebook.com/jon.lewis.1401/videos/1781207945233793/

  • Seth Faergolzia Multibird Appears on Rochester Indie Musician Spotlight

    Seth Faergolzia stopped by The Bop Shop for the 10th of fifteen episodes in this season’s Rochester Indie Musician Spotlight. The experimental folk rock artist spoke with the show’s producer/host Dan Gross about Multibird and his other bands, his recent European tour, and participating in the 100 Songs Project. Following the interview segment, Faergolzia and the members of Multibird performed a selection of songs, including “Garbage Night,” “High Diver,” and “Yup’s Birthday.”

    This episode of Rochester Indie Musician Spotlight is directed, edited, recorded and hosted by Dan Gross. Camera work and production by Gross and Jason Thibault. Josh Pettinger of Wicked Squid Studios mixed the audio. This season is made possible by Bop Shop RecordsRowe Photographic Video and AudioBernunzio Uptown MusicSound SourceJoe Bean Coffee RoastersThree Heads BrewingWicked Squid Studios, and patrons who contributed to the Season 5 indiegogo campaign.

    For more about the Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.

  • Brandi Carlile Wrestled with Loss to Bring Back Joy at The Palace

    If you were seeking a little bit of country, a touch of rock, some moments reminiscent of church hymns and Irish music, and a whole lot of honesty, the Palace Theatre was the right place to be Sunday night. Brandi Carlile, with special guests Secret Sisters, filled the Palace Theatre with over 2,000 guests to hear authentic harmonies and sometimes almost “too honest to bear” lyrics that offered redemption, forgiveness and even joy.

    Brandi Carlile

    Secret Sisters Laura and Lydia opened the night with the promise that their music was primarily filled with sadness, and noted they were going to “wrestle joy away” from audience members with their harmonies. Their deadpan humor and teasing of one another juxtapositioned their swampy songs of longing perfectly. From Muscle Shoals, Grammy-nominated Laura Rogers and Lydia Slagle sang about loves lost, mistakes made and poor choices, mostly in minor keys. The women acknowledged the normalcy of loving the wrong person as both human and worth growing through. The sisters joked about how Laura named her previous lover in “He’s Fine,” bringing laughter when the sisters sang his name in the actual song.

    Secret Sisters was so welcomed by the audience that it was easy to forget they were just the opening act. Their easy rapport with the crowd, combined with the women’s amazingly clear vocals and Everly Brothers-like harmonies, struck a strong chord with the audience. The sisters closed with “You Don’t Own Me Anymore,” an original song with a nod in the bridge to Lesley Gore’s 1963 tune “You Don’t Own Me.” The audience responded with a standing ovation.

    The silent stage washed in purple lights opened up with a string trio joined by a French horn, teasing melodies from Brandi Carlile’s new album, By The Way, I Forgive You. The crowd cheered these classical musicians as they welcomed Brandi Carlile on stage with twin brothers Phil and Tim Hanseroth. Playing their most popular radio tune first thing, audience members had to notice: this was confidence. What would be left for the rest of the night?

    Brandi Carlile answered any doubts and questions immediately with her high energy jumping across the stage through 17 years of music. The band could play a Crosby, Stills and Nash sound and then jump into a more rock sound, alternating and enjoying the variety. This was true talent.

    Brandi Carlile

    The band’s newest album is full of hard songs to sing. Lyrics about loss, forgiveness, parenthood and survivorship didn’t sugar coat a moment. Two particular pieces, “Sugartooth” and “Fulton County Jane Doe,” touched upon the drug epidemic and violence against women. “The Joke” is a social advocacy song pushing people to be fearless in whom they are. And “The Mother” authentically tackled the normative ambivalence of becoming a parent.

    The twins and Brandi sang an unplugged acoustic version of “Cannonball” to its audience after declaring the Palace “a singing room.” The band members’ strongest pipes are clearly shared among the three vocalists; all three could fill the hall with equal harmony. If you closed your eyes, you could mistakenly believe you were in church. The screaming fans, of course, would ground you back to the theater.Brandi Carlile

    Sounding of country, rock and folk music, Brandi Carlile’s diversity and range was showing. And she was clearly having fun, jumping around the stage like a teen and sharing stories that charmed about her children. She even introduced her four-year-old daughter Evangeline to the audience, who waved and said, “Thank you Albany.”

    And just when you thought they had done everything possible, Brandi Carlile covered the Led Zeppelin tune “Babe, I’m Gonna Leave You” in quite possibly the sexiest and most compelling song of the evening. Brandi’s achingly gorgeous voice as she leaned into her vocals was a reminder: this band can do whatever it chooses to do.

    And it does. Brandi Carlile chose to make us cry and remember past loves. They reminded us to forgive our parents and love them regardless of faults. They cued listeners to be social activists who encouraged acts of goodwill. Brandi Carlile took the Albany audience on a very human journey Sunday night. With a diversity of style and sound, and generosity to include their opener in their later acts, Brandi Carlile wrestled with loss and pulled it away from Albany, leaving pure joy in its place.

    Setlist: Every Time I Hear That Song, Raise Hell, Harder to Forgive, The Eye, The Mother, The Joke, Have You Ever, Sugartooth, Mainstream Kid, Fulton County Jane Doe, Cannonball (front of stage, off mic), Most of All , Babe, I’m Gonna Leave You (Led Zeppelin cover), Secret Sisters song “Mississippi”, The Story, Whatever You Do, Party of One

    Encore: Hold Out Your Hand, Amazing Grace

  • 2018 Saranac Thursday Lineup Announced

    The F.X. Matt Brewery in Utica announced the lineup for its 20th anniversary Saranac Thursday series for 2018. The annual event showcases many local and regional acts with the occasional national act as well. This year’s series kicks off May 24 with the Rome-based classic rock outfit, Work Related.

    In addition to 20 years of Saranac Thursdays, the brewery is celebrating 85 years of Utica Club, the brewery’s flagship beer, and 130 years of the F.X. Matt Brewing Company.

    Gates to the courtyard open at 5:30 and performances begin at 6:00 p.m. each week. A portion of the proceeds benefits the United Way of the Valley and Greater Utica Area. The events have raised more than $600,000 dollar total to date.

    2018 Saranac Thursday Schedule: 

    May 24 – Work Related
    May 31 – Chris Eves & The New Normal
    June 7 – Big Mean Sound Machine
    June 14 – Eric Tessmer Band
    June 21 – Our Common Roots
    June 28 – Follow the Muse
    July 5 – Gridley Paige
    July 12 – Last Left
    July 19 – LDF
    July 26 – Sir Cadian Rhythm
    Aug. 2 – Showtime
    Aug. 9 – The Old Main
    Aug. 16 – The Crazy Fools
    Aug. 23 – Handsome Young Ladies
    Aug. 30 – The Bomb
    Sept. 6 – Floodwood

  • Deer Tick Storms into Buffalo

    Deer Tick may have been nearing the end of a lengthy tour but you wouldn’t have known it from the energy the Rhode Island based band brought to the stage of Buffalo Iron Works on Tuesday May 1st.

    They came out of the gate swinging and held the captivated audience entertained with their unique blend of americana soaked indie rock. To start the night off Nashville’s Liz Cooper and the Stampede played an intensely fun set that won over many in attendance.

  • New York Series: The Beastie Boys ‘An Open Letter to NYC’

    Despite how tiring and overwhelming New York can be sometimes, one of the glaring strengths of character which nearly every New Yorker possesses is their resilience. New Yorkers are generally filled with integrity and pride, and if something knocks them back they rarely stay down for long. Whatever problems New Yorkers may have with each other are quickly tossed aside when something drastic happens which forces them to bond together and defend their communal way of life. In ‘An Open Letter to NYC,’ the Beastie Boys draw inspiration from the unlikely alliance of New Yorkers after a time of crisis to demonstrate just how strong the city is.

    An Open Letter to NYC’ was written as a tribute to the city following the 9/11/2001 terrorist attacks and is written as a love letter of sorts to the melting pot of cultures that came together to defend the city the Beastie Boys call home. Unlike other songs which may only focus on a single borough, ‘An Open Letter to NYC’ makes it a point to reference each of the five boroughs, as they are all unique. The clash of cultures throughout different neighborhoods is what brings strength to the city, and makes it so different from every other place in the world.

    The song describes the different heritages of people which make up the city, from Asian and Middle-Eastern to Latin and Black, and explains how no matter where you may be from, everyone is still the same. The overall message of the song is about how the cities’ fortitude comes from diversity, and that no matter what happens we are unified as a whole. Regardless of where you live or your occupation, if you live in New York you are part of something bigger.

    The lyrics to “An Open Letter to NYC” are overwhelmingly positive, and come from a group of artists who know the city better than anyone. They know that no matter what happens New York will bounce back, but that doesn’t mean they can’t help by giving people a little nudge in the right direction. The song channels the feelings of togetherness which many New Yorkers felt following the 9/11 terrorist attacks, and told the world that not matter what happens, we are strong.

    “An Open Letter to NYC” should follow “Fight for Your Right,” “So What’cha Want” and “Sabotage” into the Beastie Boys’ hall of slang as anthems defining a moment in hip-hop history. Running on the rails of a bubbling keyboard, [this track] is a stylized shout-out to New York City, from Battery Park to Brooklyn. It may be the next phase in the post-9/11 healing process. Where Bruce Springsteen’s “The Rising” was about recovering from wounds, the Beastie Boys’ lyrics are about rising from the flames. There is little dark imagery, just a call for unity and Big Apple pride” – Michael D. ClarkHouston Chronicle, 2004

    ‘An Open Letter to NYC’ Lyrics:

    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Brownstones, water towers, trees, skyscrapers
    Writers, prize fighters and Wall Street traders
    We come together on the subway cars
    Diversity unified, whoever you are
    We’re doing fine on the One and Nine line
    On the L we’re doin’ swell
    On the number Ten bus we fight and fuss
    You know we’re thorough in the boroughs ’cause that’s a must
    I remember when the Duece was all porno flicks
    Running home after school to play PIX
    At lunch I’d go to Blimpies down on Montague Street
    And hit the Fulton Street Mall for the sneakers on my feet
    Dear New York I hope you’re doing well
    I know a lot’s happened and you’ve been through hell
    So, we give thanks for providing a home
    Through your gates at Ellis Island we passed in droves
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    The L.I.E. the B.Q.E
    Hippies at the band shell with the L.S.D.
    Get my BVDs from VIM
    You know I’m reppin’ Manhattan the best I can
    Stopped off at Bleeker Bob’s, got thrown out
    Sneakin’ in at four am after going out
    You didn’t rob me in the park at Dianna Ross
    But everybody started looting when the light went off
    From the South South Bronx on out to Queens Bridge
    From Hollis Queens right down to Bay Ridge
    From Castle Hill to the Lower East Side
    From ten-ten WINS to Live At Five
    Dear New York, this is a love letter
    To you and how you brought us together
    We can’t say enough about all you do
    ‘Cause in the city we’re ourselves and electric too
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Shout out the South Bronx where my mom hails from
    Right next to High Bridge across from Harlem
    To the Grand Concourse where my mom and dad met
    Before they moved on down to the Upper West
    I see you’re still strong after all that’s gone on
    Lifelong, we dedicate this song
    Just a little something to show some respect
    To the city that blends and mends and tests
    Since 9-11 we’re still livin’
    And lovin’ life we’ve been given
    Ain’t nothing gonna take that away from us
    We lookin’ pretty and gritty ’cause in the city we trust
    Dear New York I know a lot has changed
    Two towers down but you’re still in the game
    Home to the many, rejecting no-one
    Accepting peoples of all places, wherever they’re from
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York, we make it happen
  • The Yard Amphitheater at Ray Brothers BBQ Announces 2018 Summer Lineup

    Ray Brothers BBQ, located on State Route 20 in Bouckville, announced its summer 2018 concert schedule for The Yard Amphitheater, located on the grounds of the popular BBQ joint. The season kicks off on Memorial Day with the 3rd Annual Backyard BBQ & SPCA Benefit featuring the Lightkeepers and Mike Powell & the Black River. Tickets for the Memorial Day show are $10 with proceeds benefiting the SPCA.

    Other acts making their way to New York’s antique capital include Zach Deputy, Big Mean Sound Machine, Chris Eves & the New Normal, Hayley Jane & the Primates, Wild Adriatic, Sophistafunk, the Talking Heads tribute band, Start Making Sense and the 2017 NYS Music March Madness winner, Root Shock.

    The penultimate event on the calendar is the 4th Annual Hop Harvest Festival featuring Keller Williams. This takes place Labor Day weekend. Williams also performed at the Yard last year.

    Tickets for the shows will be available at Ray Brothers and through Ticketfly. For more information about the summer concerts, visit their website here.

    The Yard at Ray Brothers BBQ Summer Concert Schedule:

    May 28 – The Lightkeepers w/the Black River
    June 1 – Zach Deputy
    June 6 – Big Mean Sound Machine w/Joe Driscoll
    June 16 – Adam Ezra Group w/Mike D & the Laughing Buddha Episodes
    June 23 – Root Shock w/the Buddha Council
    June 30 – Wild Adriatic w/Barroom Philosophers and the Spring Street Family Band
    July 6 – Chris Eves & the New Normal w/the J.J. Murphy Trio
    July 14 – TBA
    July 21 – The Magic Beans w/special guest TBA
    July 28 – A Controlled Incident Presents: To Be Announced!
    Aug. 4 – Danielle Ponder & the Tomorrow People w/special guest TBA
    Aug. 10 – TBA
    Aug. 11 – Sophistafunk and Kris Lager w/West End Blend
    Aug. 18 – TBA
    Aug. 25 – Hayley Jane & the Primates w/Nina’s Brew
    Sept. 2 – 4th Annual Hop Harvest Smoke Out with Keller Williams (special guest TBA)
    Sept. 8 – TBA
    Sept. 15 – Start Making Sense: Talking Heads Tribute Band

  • Finger Style Guitarist Mark Grover Shines On Rochester Indie Musician Spotlight

    The ninth episode of this season’s Rochester Indie Musician Spotlight series features guitarist Mark Grover. In this session, Grover talks with producer and host Dan Gross about what drew him to playing this style of guitar and his process for writing and transcribing the works of others for playing finger style. After the interview, he plays a selection of songs, including renditions of “Isn’t She Lovely” and “Higher Ground,” arranged by Grover and Eric Roche.

    This episode of Rochester Indie Musician Spotlight is directed, edited and hosted by Dan Gross. Sound, camera and production were also done by Gross. Josh Pettinger of Wicked Squid Studios mixed the audio. This season is made possible by Bop Shop RecordsRowe Photographic Video and AudioBernunzio Uptown MusicSound SourceJoe Bean Coffee RoastersThree Heads BrewingWicked Squid Studios, and patrons who contributed to the Season 5 indiegogo campaign.

    For more about the Rochester Indie Musician Spotlight, read the NYS Music feature. For the latest news and access to dozens of episodes, visit Dan Gross Music and Journalism.

  • Popovic’s ‘Stormy Monday’ Blues Night at The Cohoes Music Hall

    It was a “Stormy Monday” for the blues inside the prestigious Cohoes Music Hall on April 16. The heavy rain didn’t put a damper on the blues fans that had stepped inside the music hall on a Monday evening to escape from the everyday stresses of daily life for a worry-free, entertaining evening of music from both Girl Blue and Serbian-Blues guitarist and vocalist, Ana Popovic.

    Popovic

    Almost a full year since her last performance at the music hall, this time around, Popovic pulled out all of the stops as she continued to dazzle the audience with her electrifying guitar solos, captivating vocals, and a stunning cast of performers within her five piece ensemble that had joined her for her tour to promote her new three disk album Trilogy.

    Popovic’s rhythm and horn ensemble were tight and in full swing throughout the entire evening. Her rhythm section begun the evening with an instrumental of their own rendition of “Ana’s Shuffle” from the album Can You Stand The Heat. They continued to jam along to the tune before Popovic, dressed in the similar red tank top, jeans, and heels that was previously worn at last year’s concert, joined the band on stage to play some solos on her guitar before moving on to perform a series of her songs from Trilogy.

    “It’s great to be back!” called out Popovic to the audience as she had begun her song, “Can You Stand the Heat”, from her previous album. Song after song, Popovic and her ensemble were outstanding, never outshining each other as they performed their own riffs, rhythms, and solos for each song. Popovic took the time to introduce the City of Cohoes to her full ensemble before performing “Train” from Trilogy: Disk #1 (Morning) to a happy audience that was excited to also hear Popovic’s drummer, Cedric Goodman, play some riffs on the drums that got them dancing and moving in their seats. “Long Road Down” brought her listeners back in time to the times of being on the Oregon Trail while focusing on Popovic’s extensive travels as she had continued on her journey to further pursue music as she had moved from her origins of Belgrade, Serbia, to Amsterdam, Holland, Memphis, Tennessee, and settled in Los Angeles, California where she has currently resided for the past two years.

    Popovic is able to smoothly transition well from performing lead to slide guitar as she continued to play slide on “If Tomorrow Was Today.” Following suit to her empowering gym-based workout song, “Show How Strong You Are,” each of her key players in her ensemble rose to the occasion and performed their energetic, emotionally-felt awakening solos, from the jazz-lead bass playing of the bassist, back to Popovic, to the drummer, and on towards the other performers to close out their main set.

    The blues wasn’t exactly going to end completely from Popovic and her ensemble. The band returned to the stage for their encore as they concluded the evening with a cover of Popovic’s “Mo’ Better Love,” and closing out the event with a cover of a song that she had discovered recently before she began recording Trilogy, “Fence Walk” from the Brooklyn, NY based band, Mandrill. Popovic’s interaction with both the crowd and with her own band members is both electric and entertaining to watch. Moving from side to side, Popovic joined in on the jam between her horn players, Jon Ramm (trombone) and Brad Walker (saxophone), on the right side of the stage as they had gathered around each other, creating a musical dialogue heard within their notes and soloing while closing out the evening. Popovic left the stage, leaving the remainder of the ensemble to continue to jam to the tune and close out the funky number on a high note that satisfied both the band and the audience.

    Albany based act, Girl Blue, featuring vocalist and guitarist, Arielle O’Keefe, opened up for Ana Popovic and her band. Playing a set of eight original songs, O’Keefe did a great job performing solo to her tunes that were mixed in with her own vocals being recorded on a loop. My first time hearing O’Keefe perform live, the sound of her voice reminded me of a mix between Norah Jones, Regina Spector, Alanis Morrisette, and Katy Perry, as she had sung her own unique, original tunes that related back to teenage and early adult moments of angst, drinking, and other fun, significant moments within her life.

  • Hearing Aide: Soviet Dolls ‘Hunters’

    Masters of dark synth pop Soviet Dolls strike again with their new EP Hunters. In a mere four tracks, the Rochester band flaunts their prowess at delivering decadently dark and sensual lyrics shrouded in seductive glittery electronica.

    soviet dolls huntersSoviet Dolls make no bones about their intentions to seduce the listener, starting from the first lines in the title track. “We are the hunters, we make sacrifices. We leave our mothers, cause we have appetites,” croons singer Alexandra Wendt in her deliciously sultry voice. Pulsating beats pound out beside undulating rhythms which swirl together to entice the listener into a mesmerizing hypnotic state.

    In subsequent tracks, Soviet Dolls continue to marry supernatural reveries and pop electronica in a way that will delight fans of new wave acts like Echo and the Bunnymen, The The, and The Cure who are looking for something fresh and new. The gothic storylines also hearken back to classic themes of glorification of eternal life, the thrill of the hunt, and falling in love with a phantom. Hunters is the perfect pick to listen to on a night prowling the town, or indulging in the guilty pleasure of reading goth novels.

    Follow Soviet Dolls on Facebook, and find Hunters on Bandcamp.

    Key Tracks: Hunters, Ghostlover

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