NYS Music 20​18

Category: Alternative/Indie

  • Hearing Aide: Idle Bloom ‘Flood the Dial’

    Idle Bloom

    Based out of Nashville, TN, Idle Bloom is an indie-rock quartet whose name has been popping up since their first release, Little Deaths in 2017. Since then, the group has covered ground from Tennessee to Chicago, and now they’re taking the larger NY area with their most recent tour. On top of touring more seriously, the band also sounds more matured in their most recent release, Flood the Dial. They build on their prowess for creating uniquely structured songs and excel in experimenting with so many facets of how a guitar can function in a song. Big power chords and traditional rock-guitar stylings still pop up in the album, but not nearly as much as the arpeggiated chordal interplay between two jangly guitars that breathe an air of dream-pop into each track. This experimentation mixed with familiarity pays off in a big way for the band, as they create a musically consistent album that doesn’t lose its luster with each passing song. Olivia Scibelli’s melodic style of crooning places her voice in the spotlight for much of the album, with hers and Gavin Schriver’s guitars taking over in the spaces between vocal lines. These voices float over top of a strong foundation created by Katie Banyay’s steady bass, and a rocket drummer, Weston Sparks, who’s use and placement of fills adds density to the mix. Idle Bloom successfully takes cues from noisier rock groups like Dinosaur Jr. and Pixies, and meshes them with the more pop-sensible songs from groups like Tigers Jaw and Crying.

    Idle Bloom does a really good job of not only maintaining a consistently unique sound through the album, but also build the energy throughout. The first track, “Wasted Time”, offers some jangly guitar interplay mixed in stereo to cover space as it immediately becomes clear that the group is adept at writing more mellowed out songs without sacrificing variety. Sparks keeps a heavier pulse with huge cymbal rides and a specifically thick sounding set of toms. While maintaining its teeth, the song has a nice flow and hook. It doesn’t amp up the energy to 11, leaving room for later on. The build continues through the next few tracks, giving more in terms of stacked harmonies and counterpoint guitars. The bass stays in the pocket and supplements the kick drum really well.

    The third song, “Sleeping In” even introduces a synth that carries over into more songs, and acts as a good transitional voice between songs. It’s hard not to notice how well Scibellie’s lyrics come across not only in flow but also in content. “Sleeping In” emotes a feeling of depression, steeped in the musings of a millennial coming to terms with the current state of the world and opting to keep trying as opposed to sleeping forever. The following track “Exposure” reflects on the heavier topic of sexual abuse/assault and cover-ups- commentary on an age old issue brought to light in modern times. The song is juxtaposed with the bubblier backing track, giving the narrator an edge of empowerment in their situation despite the seriousness of the topic.

    In the ninth track, “Empath”, Banyay and Sparks link up to create a punchy, exciting rhythm part that the guitars are able to accentuate with chucked funk chords and short harmonized lead lines. The melody, namely guitars and vocals, do a good job here of only coming forward when needed. The Steely Dan styled guitar duo on this and the sixth song, “Rewired”, came as pleasant surprises and showcase the versatility of the band. It felt like the band took the kind of American Football/Midwest emo guitar voicings and jazzed them up. This speaks to their ability to color thematically similar songs in a way that differentiates them and adds upon each of the prior tracks.

    The final song, “Contact”, acts as a great closer and culminates with just about every element that made the album such a fun listen. The post-rock experimentation of guitar tones and their function, the harmonized vocals, and a really punchy drum line all trade off the center stage. This is the most dynamic song on the album, and likely the most melodically colorful. From top to bottom, Flood the Dial is an exciting listen. Idle Bloom will be going on tour this fall, making stops at a few NYS locations. Check them out in a city near you, and be sure to stream the album here!

    Key Tracks: Contact, Empath, Wasted Time

    Upcoming Shows:

    October 5th – Ypsilanti, MI @ The Late Station

    October 6th – Cleveland, OH @ @ Happy Dog

    October 7 – Rochester, NY @ Bug Jar

    October 8th – Saratoga Springs, NY @ Desperate Annie’s

    October 10th – Brooklyn, NY @ Secret Project Robot

    October 11th – Philadelphia, PA @ No Face Studios

    October 12th – Baltimore, MD @ The Undercroft

    October 13th – Raleigh, NC @ The Wicked Witch

    October 14th – Johnson City, TN @ The Hideaway

  • Premiere: Gallons of Pork debut “WEED POLICE” music video

    The long-awaited music video by New York-based band Gallons of Pork, “WEED POLICE,” debuts today on NYS Music. The song has been an unexpected hit in the Northeast DIY scenes. Produced by Jack of Trades Media, the WPD are a specialized squad who gauge random folks on their Tetrahydrocannabinol levels, tirelessly searching for any dweebs who pass on that loud.

    Gallons of Pork assures fans that there is more to the WEED POLICE than meets the eye: “They will arrest you for not being high / that’s about it, that’s all they do.” … Along with violent involuntary dosing, civil asset forfeiture, and brutal arrests.

    Bassist and video director Frankie Krungus says of the video, “Our nerdy side is apparent; the video is rife with Dragon Ball references, combo moves, and sound effects. I was really inspired by music videos like Black Flag’s ‘TV Party’ and anything by Mac DeMarco, so I took that and peppered it with my dear childhood memories of watching raunchy dashcam footage on YouTube and the tv show ‘Cops.’

    Gallons Of Pork blurs the lines between genres with versatile and high-energy music that is highly addictive, loaded with chemicals, packaged and ready to serve. Gallons of Pork are in a class of their own with bizarre caricatures and zany tonality, teetering atop the precarious point between magnetism and chaos. These are stories about the band and their encounters in a world that they never asked to be born into – each song an expertly-sourced blend of extreme elements of metal, jazz, punk, funk and more, designed to shake the hanging meat right off the hooks.

    Gallons of Pork is bassist Frankie Krungus AKA Copus Krungus in WPD, guitarist and vocalist Joe Kap (the good citizen), singer Peter Grancio AKA Sneaky Pete, guitar maestro Mo LaMastro (another target of the WPD), and drummer Mike Sandbags AKA “Mikey Gash.”

    The band formed when Frankie gathered these hooligans in a rehearsal space. He and Mike knew each other from back in their hometown of Staten Island, NYC. Mike performs with his band Figurehead who is based there. The first time Frankie and Joe Kap met, they jammed while an edible kicked in. Joe gave the band a home to jam and write songs out of on Dietz Street in Oneonta, NY. Mo LaMastro has developed a musical language and flavor unique to his own style and this band. Pete has been a recent addition to the band, at first as engineer, then producer, then performer. He transcends from a bizarre vocalist on the record into an in-your-face MC live. He also plays drums in the bands Elm Sun and Gamma Ghouls, whose members are all featured in the Weed Police video.

    The band is currently recording their third album, The Third Annual Phram Dongleson Memorial Hot Dog Eating Contest for a digital and vinyl release in April 2019, with eight tracks that incorporate their improvisational & multi-genre instincts into a freshest farm to table sound.

  • Hearing Aide: Mirk ‘Sense’

    Mirk has been a part of the local scene since it first formed in 2009. Each of the band’s previous six releases has its own vibe, which makes it difficult for anyone to pigeonhole the band into a specific genre. The band’s sound is best described as “dance clap,” incorporating elements of pop music from different eras to get audiences onto the dance floor, and clapping.

    In the past, Mirk has played with the harmonizing doo-wop of the ’50s, the horn arrangements common in soul music from the ’60s followed by the predominant guitar and drums of the ’70s. Mirk’s sound, however, never strays from its roots of hip-hop, R&B and soul.

    Mirk’s seventh and latest album Sense is inspired by the music frontman Joshua Mirsky hears from his clients at his Foster House Studios in Albany. Mirsky said it delves more into the pop, which is evident from the electronic beats on some of the tracks. But, overall, the album is steeped in rich and soulful R&B.

    The baseline on “Priceless,” the album’s opening track, sets the tone for the entire listening experience. It introduces the listener to a smoldering atmosphere with a danceable beat with electric accents. It aptly holds your hand into the next track, “Cleopatra,” an equally hot song featuring Stellar Young frontman John Glenn.

    Glenn is one of four local musicians brought along for the ride on this 12-track album. Another, Nick Horace of The 7th Squeeze, lends a powerful performance on the ambient track “First of Her Name.” Tara Merritt lends her vocals on two tracks. The Albany singer has been associated with members of Groovstick and The Chronicles. She really shines through on the final track, “Rapture.”

    Your up-close and personal dance tracks move aside after “Pretty Brown Eyes.” featuring Troy R&B artist James Rock providing the hook with his silky smooth voice. From there, the pace picks up a notch with “Options” and “Living It Up,” only to ease back subtle like.

    By the time you get to “So Bad,” you will understand that this is not a disco dance compilation. Sense is light the candles, turn the lights down low, sexy. This is the soundtrack to your Friday night; whether you have plans with someone, or you plan to cruise the scene downtown. Audiophiles with their headphones should also check this out. Whatever your intent may be, this is good music.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYSmusic. TheSpot518 and NYSmusic work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Rochester’s The Dirty Pennies premiere video for “A Prisoner’s Passage”

    “A Prisoner’s Passage,” a new song with accompanying music video from Rochester’s The Dirty Pennies premieres today on NYS Music. The video, filmed Live at Wicked Squid Studios, will be featured on The Dirty Pennies’ next EP due out in early 2019.

    The song was written shortly after their first run of regional festival appearances at Lilac Fest & Grassroots Festival. The band chose the live video route in order to embody the energy of a live show in hopes of engaging more than just the auditory senses, giving fans, both new and old, a taste of what to expect in the future.

    The Dirty Pennies next show will be on Halloween at Bug Jar in Rochester, with Morning Teleportation & Desert Noises. More info can be found here.

  • Hearing Aide: The Upstart Crows ‘The Upstart Crows’

    The Upstart CrowsMoving out from a small college town music scene into one of the world’s largest and most diverse arts cities is daunting. For The Upstart Crows, fitting in means being different. So, when they moved from a small college town in New Hampshire into the Big Apple, they were able to settle right in. Late in August the band released their first album; a combination of punk, honkey tonk, and a vaudeville styled theatrical influence. The self-titled album, The Upstart Crows, is a grab bag of these various influences that the band draws from. The two piece group, comprised of Jon Adams (vocals/guitar) and Forest DeCoste (drums/bass), recorded at Proper Pop Studios in Brooklyn, NY. The band seized the opportunity to layer on elements that their two-member setup has handcuffed them from doing; the band plays as a guitar and drum duo typically. The addition of bass and some other backing instruments gives every song more dimension and enabled the group to hash out the ideas a bit more. Despite this, the album does feel a little meandering, focusing on the lyrical theme of sadness but not staying true in terms of genre and flow. The album remains an interesting listen despite the scattershot and shows how well the duo can formulate a song with consistently catchy melodies and tight performances.

    The album opens a little heavier with “Bad Medicine”, the first single The Upstart Crows put out in anticipation of the album. The song feels similar to an early 2000’s era emo tune, without the over-saturated production. The bass line fits well with the drum beat and provides a solid foundation for the rich guitar chords to lay out the progressions. The guitar ultimately leads the bass, with both instruments locking together in such a way you’d expect to hear in a song written by a smaller crew of people. The song is fun, heavy, and not overbearing. Adam’s vocals immediately stand out as theatrical and exciting. A few songs follow this formula of heavier instrumentals and grittier vocals. One vocal performance, from “Lying and Crying”, has Adam’s singing with a distortion on his vocals. This works really well with his higher tenor voice, commanding the listener’s attention. The end of this song also has an octave-matched guitar solo that adds some meat and more development to the melody.

    While the heavier songs provide good energy to the album, The Upstart Crows do really well in their more pop-oriented songs. Adam’s vocals shine in track 7, “Heart to California”. A more bubbly song with an indie/alt vibe, the band takes a catchy hook and layers on a lot of fun percussive parts and some group vocal refrains. Similar to a song you’d hear from The Dear Hunter, this offers a view of the band that would be interesting to hear more of. “What Did I Say” gives a similar vibe, keeping the song fresh with catchy hooks and a honkey-tonk feel. Adam’s vocals float above the instrumental like Ben Folds or Tom Chaplin (Keane). The mix gives the song a heavier feel without pumping the distortion of muddying the vocals. Like a few other songs on the album, this one had a seamless transition from the previous track. The band makes portions of the album feel like they were recorded one after the other without break, which yields a cool effect.

    From the heavy distorted wash of instruments, to a more jangly and organic songs, this album does not get boring. While the rocky flow and genre mixing can be a drawback at points, the ability to write consistently catchy hooks and execute performances that are tight make this album fun to listen to. The Upstart Crows cover a wide spectrum of genres in this album, and it’d be interesting to hear an album (or two) that focus on a steadier narrative and true genre. With this first release, the band has started to establish a theatrical alt-rock sound that can be refined to great effect. Check out the album, and if you’re in the NYC area don’t hesitate to catch a live set! You’ll get something a little different than the album, and that’s a great reason to catch a live set.

    Key Tracks: Heart to California, What Did I Say, Bad Medicine

    https://soundcloud.com/user-362945912/bad-medicine

  • Hearing Aide: Roan Yellowthorn ‘Indigo’

    The color indigo is unique in pigment, featuring hues of inspiration across the color spectrum, while staying true to a rather dark disposition. Such is the feeling of the album released by indie pop songwriting pair Roan Yellowthorn, titled Indigo in its own right. You may recognize the last name of the band’s lyricist and lead singer, Jackie McLean, from her father, the great songwriter Don McLean. Following slowly in his footsteps, McLean and production partner Shawn Strack release their debut album with no outside assistance, honing in on their personal vulnerability and growth as songwriters.

    Roan Yellowthorn Indigo

    Supporting McLean’s buzzing vocal lines are a variety of instruments, including soothing piano lines, cranked guitar chords, and interesting choices of auxiliary percussion. The title track of the album is a clear example of this, switching from a soft section to a more abrasive rock interlude, with words of inner crisis to round it out. The duo also released a pulsing preview to the album with the single release of “Talk About It” earlier in August, with a unique video to go along with it. While this song may lead you to believe this album is dance-oriented, it surely isn’t. There are energetic surprises, but the album is about reflection, so the somber tone is an overarching theme of the album.

    The soft guitar strumming of “How Are You” to combat the forceful piano chords creates an inner conflict, a true testament to the band’s ‘indigo’. Arguably the best song on the 10-track album, entitled “Mark My Words”, is slightly out of place from the rest of the album, and ultimately sounds like a sweet serenade of inner despair. Being only about a minute and a half in length, McLean’s voice is filtered with some kind of EQ, giving off the sound of a voice through an old radio, to match the abrasive chords and feedback that resonate behind her.

    All in all, this first crack at audio production for Stack is above adequate, only to improve with the genres of music they tap into in future albums. As this group develops their style, the lyrics will follow, a musical choice that contrasts them at this moment. The group has a series of vignettes to inspire their lyrical creativity, and with some more work to strengthen the backbone of their sound, Roan Yellowthorn is sure to become a beloved duo in the indie pop sphere.

    Don’t forget to follow Roan Yellowthorn on her journey via her website and Facebook page. They’ll also be playing a show at the Bitter End in NYC on October 20th in celebration of their new release, Indigo.

    Key Tracks: Talk About It, Mark My Words

  • Photo Gallery: Lark Fest

    Albany’s Lark Fest 2018 featured beautiful late summer weather and local acts including opener The Ryan Leddick Trio, Bendt, and Mirk who released their fourth album Sense the night before. Kimono Dragons and Victory Soul Orchestra w/ J.B., aka Dirty Moses, kept the crowd pumped for headliner The Age.

  • Yo La Tengo Puts a Spell on Buffalo

    Thursday, September 13 saw iconic indie rockers Yo La Tengo settle into an evening within the confines of Asbury Hall at Babeville in Buffalo. With no opener the first set found the trio testing their footing with a concise selection of mostly mellow tunes showcasing Ira Kaplan’s whisper sung lyrics. In contrast, the second set wasted little time upping the tempo and intensity as the band delved into the more sonically adventurous side of their catalogue.

    Photography by Matt Shotwell / Strawberry Island Dweller

  • El Modernist wins WEQX Battle of the Bands, opens Saturday’s Pearlpalooza

    El Modernist WEQXWill Fredette of El Modernist walked into a conversation that included radio personality Jeff Morad of WEQX. The radio station just concluded the second round of its annual battle of the bands competition. It pits four bands against one another to determine who opens Pearlpalooza, a large all-day block party in the middle of Albany. On this night it looked like Fredette’s band wasn’t going to be it. His band lost, earning first runner-up honors to Dooojj.

    Fredette extended a hand and thanked Morad for the opportunity to play. His El Modernists had just played a tight set. Despite the short 20 minutes, the four came out hot. They got the Friday night crowd on their feet with a lively punk act that contrasted against the popular jam and garageband sound across the scene. If he was dejected by the loss, he didn’t show it. The kid’s toothful grin made it look like he just earned the job.

    “Nice burp you had there,” Morad said, complimenting Fredette for appearing loose enough on stage to let out a belch into the mic. The lead singer admitted to downing a drink just prior to taking the stage. He felt the air bubble crawling back up from his gut as he was introducing the band to the crowd. He laughed as he later explained what was a pending dilemma in his mind. Should he back away or just own it?

    He shrugged it off. “I had to own it,” he said.

    El Modernist came out with, not so much a devil may care attitude, but more of an affable and earnest personality between them. Afterall, the band wasn’t supposed to be there. The collection of bands playing in this year’s competition included recognizable names. Acts that had CDs to sell at their merchandise table in the back of Jupiter Hall. The four of them just formed as a band. They only played their first gig together on St. Patrick’s Day five months before.

    “Honestly, that first set… we liked that opportunity,” said Will Hahn, El Modernist’s drummer and occasional rapper. The 15 minutes allotted to each band in the preliminary rounds was like doing a late night show on television. Just enough time to do a quick highlight of the band’s act. “Get it done and leave people wanting more.”

    It was enough to have judges bring the band back to the final round, and the gratitude was expressed yet again on stage. The largest crowd out of all the rounds gathered for the last act to see who would win. There were members from other bands, promoters and manager scattered around. The local music community was in one room. As if in tune to the fact, Hahn announced he created a Spotify playlist, “We Are Albany NY,” to market all of the local bands online.

    “Every single band in every round we played with was a great band,” said Hahn. “Not only that, but very supportive. Awesome people to work with. Fun part of the event was that you get more people to play some shows with.”

    These newcomers were going against veterans. Honey Suckle Vine, though relatively new to the local scene, had played together out West before moving into town. Joey Jaquez, who often sported a mean harmonica, fronted the four-piece band that brought a blues flavor to the party. Dooojj, who beat out El Modernist in the second round, was a good four-piece garageband. Then, there was Bendt.

    The members of Bendt knew how to embrace the local music community. Before taking the third round, Matt Plummer knew to thank and compliment his competitors. Hahn said he couldn’t “be mad” to losing to a bunch of guys like them. In the final round, taking the stage after El Modernist, with each of its four members sporting a T-shirt from Girl Blue, Good Fiction, Stellar Young and Hasty Page. If any one band knew how to win, it was Bendt. The band’s grunge style won Schenectady County’s Battle of the Bands last year.

    El Modernist, however, stood out with elements of punk — screaming guitar riffs and electric drums. The four each graduated from the College of St. Rose’s prestigious music program. They’ve messed around with other bands before coming together in March, blending various influences and creating something entirely their own.

    “El Modernist seemingly came out of nowhere to take us all by surprise with their performance at the finals,” said Morad, after the four earned the coveted Pearlpalooza slot. “It says a lot about them when you consider they knocked off the likes of Bendt, Honey Suckle Vine and Dooojj!”

    Morad said El Modernist pulled away with the win because of it’s “high energy, engaging and unique.”

    “Going from the wild card slot and winning it, I was little surprised,” said Joe DeTillio, El Modernist’s bass player. “Aside from that, it was so cool.”

    The opportunity now places El Modernist in the same company with Good Fiction and four different national acts coming in to Albany to play Pearlpalooza: Kitten, The Greeting Committee, Caroline Rose and Superorganism.
    “The four other bands are all national acts that blew everybody away at the 2018 SXSW Fest in Austin,” said Morad. “We’re glad to have been able to put them all together on the same day — for free! Not to mention, but I am mentioning, all four national acts are female fronted, cause girlpower.”

    El Modernist is already on the move. After the band sets the scene for Pearlpalooza this Saturday, at 1 p.m. and follows up with a gig at Savoy Taproom at 9:30 p.m. The band released its debut single “Up” on all available streaming services, including the band’s Albany-centric playlist on Spotify.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • A Music-Lover’s Guide to Rochester Fringe Festival 2018 Opening Weekend

    The seventh year of the KeyBank Rochester Fringe Festival is underway. Now the largest multi-genre festival in New York State, the 2018 Rochester Fringe Festival offers more than 500 performances and exhibits across dozens of venues. Offerings include theater, comedy, art exhibits, multidisciplinary shows, and live music. Here’s the NYS Music Guide to what music-lovers can look forward to this opening weekend.

    https://youtu.be/f2WL6Gy329o

    The main attraction this weekend is the outdoor spectacle on Friday and Saturday, featuring the US debut of Massaoke. The UK sensation is sweeping the festival circuit world-wide, playing everyone’s favorite sing-along hits. Catch the act at Parcel 5 on Main Street. Massaoke starts at 8:30pm each night, but live music starts at 5pm. Opening on Friday night are The Crooked North (Americana), La Muralla (salsa), and Vanishing Sun (funk/soul). Saturday night features Chris Eves and The New Normal (rock), EightFingers (country/blues), and Cold Fronts (garage rock from Philadelphia). Parcel 5 events are free and open to the public.

    For the night owls, the party continues long into the night at the Immersive Igloo 3D sound experience at Spiegelgarden at 9:30 and 10:30 and the Silent Disco in the Spiegeltent. These two events are ticketed, and sell out quickly. Check ticket availability: Immersive Igloo and Silent Disco.

    Silent Disco photo by John Schlia

    Looking for something a little more laid-back? Settle in and enjoy some refreshments at local coffee shops and enjoy some free live music.

    Java’s Cafe on Gibbs Street hosts eclectic rock/folk band Paxtor at 7 p.m. on Friday. Then on Saturday, they feature acoustic trio The Genesee Three on Saturday at 5 and the eclectic musical stylings of Leah and the Upheaval at 7 p.m.

    Around the corner the Little Theatre Cafe has plenty to offer music-lovers, starting with local cover bands B2 and Sad Bastards on Friday night. A full bill on Saturday starting at 2 p.m. includes RIT Surround (a capella barbershop), Proof of Purchase A Capella, The Annual Bill Destler and Rebecca Johnson Show (folk), Norm and The Outliers (jazz), Desert Rhythms (belly dancing), and Howie Lester (international/folk). And the fun continues with interactive shows on Sunday with Music and Visuals with Motion Capture at 1:30 and Virtual Karaoke at 5:30.

    Eastman School of Music will be hopping this weekend. Friday night features two performances by the University of Rochester’s Institute for Popular Music: a performance of The Yes Album at 7 p.m. and Led Zeppelin IV at 9 p.m. Dave Rivello’s ensemble performs Saturday Night. And Sunday brings the return of the popular Gospel Sunday at 2 p.m. Gospel Sunday is free, but the room fills to capacity quickly, so arrive early. Tickets are on sale for the other shows at Eastman School of Music’s Killbourn Hall.

    U of R Institute for Popular Music

    Fans of contemporary dance troupes will want to check out the schedules for PUSH Physical Theatre and Garth Fagan. And if you’re in the mood for a musical, there’s Hedwig and the Angry Inch at 7 p.m. all this weekend or next Thursday and Friday at Lyric Theatre (click here for tickets).

    If you’re already looking ahead to next week’s events, you may want to consider heading out on Wednesday night to catch a rare live performance of Instrumental, the soundtrack to the comic of the same name. Author and composer Dave Chisholm released the set last year, and this will be the first time it will be performed with the comic pages projected as the backdrop. More information and tickets are available here.

    This is just a taste of what this weekend has to offer in Rochester. A comprehensive list of events can be found at the Rochester Fringe website rochesterfringe.com.

    Several events are already selling out. If you plan to attend a show, purchase tickets in advance. 
    Online: rochesterfringe.com
    Phone: (585) 957-9837 (additional fees apply)
    Box Office: One Fringe Place (corner of Main & Gibbs Streets)
    In Person: Venue door one hour before start of show (subject to availability)