Category: Special

  • The Wonder of the Wanee Music Festival

    There’s something magical about the Wanee Music Festival. It always feels like the start of festival season, the official kick off if you will.

    Wanee began as a two-day festival with only 11 bands; it is now a three-day festival with as many as 44 performers. The lineup never disappoints, and you always end up with a few crossover sit-ins that are memorable and unique. The days are long; music typically begins around 11 a.m. and can go until close to 3 a.m. Then there’s the drum circle afterward. It’s only natural that the park’s motto is “Music Lives Here.”

    Wanee Music Festival

    Still, Wanee Music Festival couldn’t be what it is without the Spirit of the Suwannee Music Park. Maybe I am biased as a born-and-raised Floridian, but I believe this park encompasses the best Florida has to offer. It consists of over 800 acres of sprawling oak trees, natural springs, and a brackish river that probably terrifies visitors. In many ways the park still feels untouched, even as it fills with thousands of people for events. I have no doubt this is why The Allman Brothers began hosting the festival in 2005 and continued until 2014. The park even offers bands on Wednesdays now. It is a perfect marriage that brings out all of the beauty and wonder that Florida has to offer.

    There are two primary stages in the music park—the Peach stage (main stage) and the Mushroom stage. The Peach stage is in a large open field, and there you will find the bigger names that typically rotate out yearly with a few regulars added into the mix. There is a large blowup mushroom with “The Allman Brothers” written on it as a way to pay homage to the festival’s roots; it sits near the large Ferris wheel that runs most of the day. The Mushroom stage is built strategically into the woods so as not to disturb Mother Nature but to embrace all that she has to offer. The amphitheater seating is made from old railroad ties that are carefully placed and stacked to not disrupt the large oaks that provide much needed shade from the Florida sun—as well as a place to hang your hammock. This is the stage on which the smaller bands play. Don’t let that description fool you, though; the bands that grace this stage are still top-notch and put on one hell of a show. I can’t count how many times I’ve watched a band play on the Mushroom stage only to find them again in a year or two on the Peach stage.

    At the festival, you will also find beer guys with light-up hats dancing the night away while working, festival crews dressed in matching shirts, and children playing with new friends and loving every minute of it. Without question, someone will be wearing an animal onesie even though its 90 degrees out. You are also certain to see a few tutus, and people of all ages. Somehow it all works seamlessly for these few wonderful days, and everyone is just there to enjoy the music, take in the scenery, and have a great time.

    This year’s festival headliners on the Peach stage were Dark Star Orchestra (Thursday), Widespread Panic (Friday and Saturday), and Phil Lesh & The Terrapin Family Band (Friday and Saturday). Other acts that performed on the Peach stage were Bobby Lee Rogers Trio, The Chris Robinson Brotherhood, Sonny Landreth, St. Paul & The Broken Bones, and As the Crow Flies. The Mushroom stage was packed with talent as well. Midnight North, Jaimoe’s Jasssz Band, The Marcus King Band, Walter Trout, The Main Squeeze, and North Mississippi Allstars all played on Friday. On Saturday, talent included The Yeti Trio, New Orleans Suspects, Pigeons Playing Ping Pong, George Porter Jr., Soul Rebels, and Karl Denson. Everything I saw was fantastic! Although Marcus King sitting in with Phil Lesh & The Terrapin Family Band was my highlight!

    For an event of this size, festival organizers did a good job overall of not overlapping competing bands on the two stages. Any festival junkie knows that the worst part of the festival is trying to preplan each day at each stage so no bands are missed! It can be rather difficult. However, the close proximity of the stages to one another helps to keep festival goers on schedule.

    I always say that the weeks following Wanee are the “Wanee Hangover;” it is so hard to get back to reality and the daily grind. There is just something very special about the festival, where you think, “Take me back!” The biggest comfort is that, since this is the “kickoff” of festival season, at least you know the summer tour is right around the corner. Until next year, “Merry Wanee!” I hope you enjoy going to the woods as much as I do.

    This article originally appeared on Gratefulmommabear.com

  • Premiere: Listen to Komrads “Prom Dress” off upcoming album

    Komrads, a Synthpunk/Darkwave duo based out of Rochester, NY have released the first track off their upcoming album Resistor, due out on May 25 and now available for pre order. The track, “Prom Dress,” is a post-punk inspired anthem about love and loss. Resistor was produced, mixed, and engineered by Joshua Pettinger at Wicked Squid Studios and mastered by Brian “Big Bass” Gardner.

    The album release party and Resistor tour kick off on June 8 at Rosen Krown in Rochester with dogmath and DJ Bumphead, and after a jaunt through the Midwest, Komrads return to New York for a show in Buffalo on June 22 at Milkies with Curse of Cassandra (Cincinnati, OH Witch House/Goth Trap), Industry of Life Divine, Finality Complex, And Armageddon Party.

    Resistor Tour Dates
    June 8th – Rochester, NY – Rosen Krown
    June 9th – Flint, MI – Churchill’s
    June 10th – Chicago, IL – Livewire Lounge
    June 11th – Muncie, IN – Be Here Now!
    June 12th – St. Louis, MO – The Monocle
    June 13th – Indianapolis, IN – Black Circle Brewing*
    June 14th – Cincinnati, OH – The Listing Loon*
    June 15th – Columbus, OH – Cafe’ Bourbon Street*
    June 16th – Mansfield, OH – La Luna*
    June 22nd – Buffalo, NY – Milkies
    June 23rd – Salem, MA – KOTO

    *with The New Void

  • Premiere: Watch “VHS” from synth-pop group Founding Fathers

    Cincinnati synth-pop outfit, Founding Fathers, today debut their new video for “VHS,” a track from their latest album, Mating Rites. The retro feel of the video will immediately bring you back to the early days of MTV, when music videos were nascent and MTV actually played videos.

    With a blend of synth-rock, funk, dance, and new wave, “VHS” is both an infectious composition and accompanying video. The band chose “VHS” for their video because of its upbeat and catchy nature, and gives a strong representation of their current sound, per Eric Johnson, guitarist of Founding Fathers.

    The refrain “Pop me in like a VHS cassette, I wanna relive this moment again” has a Devo-esque quality to it and coupled with rustic blue screens for their effects, you’re getting a rough feel of what music videos had in store in the mid-80s. For 2018, this is a throwback video that hits all the right notes: a catchy tune, a poppy synth beat and four guys in purple who clearly loved making this video.

    Founding Fathers vocalist and bassist, Mahoney (Matt Chmielewski) came up with the initial concept to capture the spirit of 80’s public access music videos.  “It became a really appealing idea because we were able to do something visually entertaining, yet have an element of self-awareness and weirdness. It exacerbates the motif of over-using low budget video effects in public access videos,” said Johnson.

    “VHS’ was produced by Mark Borison (The Mark) and Holland Rains of Local Favorite Productions. Catch Founding Fathers this month in Buffalo on Saturday, May 20 at Mohawk Place and in Manhattan on Wednesday May 23 at Bowery Electric. Listen to recent release Mating Rites below.

  • Field Day at Summer Camp Music Festival Returns for 8th Annual Games

    Summer Camp is almost upon us and that means it’s time to sign up for Field Day! Every year as Summer Camp becomes a must-attend for festivarians, the Field Day games keep getting bigger and better, and now enters its 8th year!

    On Saturday afternoon of Summer Camp, right in the middle of all the music, favorites like dodgeball, capture the flag and tug-o-war are played between the Purple, Blue (current champions) Yellow, and (total cheaters) Red teams. Having competed over the years, Field Day is a great way to add in extra fun to your weekend while making new friends and having a ton of laughs. Check out photos from the last 7 years of Field Day.

    Event times on Saturday, May 26th have been announced, so plan for an afternoon on the field between the Vibe Tent and Starshine Stage – perfect for all to enjoy music all afternoon while battling it out for glory. Sign up and bring your friends along for Field Day – score a free bandana and enjoy a free pizza and a keg from Lagunitas on Sunday for the winning team. Register for Field Day here – registration is free!

    field day summer camp games

  • New York Series: The Beastie Boys ‘An Open Letter to NYC’

    Despite how tiring and overwhelming New York can be sometimes, one of the glaring strengths of character which nearly every New Yorker possesses is their resilience. New Yorkers are generally filled with integrity and pride, and if something knocks them back they rarely stay down for long. Whatever problems New Yorkers may have with each other are quickly tossed aside when something drastic happens which forces them to bond together and defend their communal way of life. In ‘An Open Letter to NYC,’ the Beastie Boys draw inspiration from the unlikely alliance of New Yorkers after a time of crisis to demonstrate just how strong the city is.

    An Open Letter to NYC’ was written as a tribute to the city following the 9/11/2001 terrorist attacks and is written as a love letter of sorts to the melting pot of cultures that came together to defend the city the Beastie Boys call home. Unlike other songs which may only focus on a single borough, ‘An Open Letter to NYC’ makes it a point to reference each of the five boroughs, as they are all unique. The clash of cultures throughout different neighborhoods is what brings strength to the city, and makes it so different from every other place in the world.

    The song describes the different heritages of people which make up the city, from Asian and Middle-Eastern to Latin and Black, and explains how no matter where you may be from, everyone is still the same. The overall message of the song is about how the cities’ fortitude comes from diversity, and that no matter what happens we are unified as a whole. Regardless of where you live or your occupation, if you live in New York you are part of something bigger.

    The lyrics to “An Open Letter to NYC” are overwhelmingly positive, and come from a group of artists who know the city better than anyone. They know that no matter what happens New York will bounce back, but that doesn’t mean they can’t help by giving people a little nudge in the right direction. The song channels the feelings of togetherness which many New Yorkers felt following the 9/11 terrorist attacks, and told the world that not matter what happens, we are strong.

    “An Open Letter to NYC” should follow “Fight for Your Right,” “So What’cha Want” and “Sabotage” into the Beastie Boys’ hall of slang as anthems defining a moment in hip-hop history. Running on the rails of a bubbling keyboard, [this track] is a stylized shout-out to New York City, from Battery Park to Brooklyn. It may be the next phase in the post-9/11 healing process. Where Bruce Springsteen’s “The Rising” was about recovering from wounds, the Beastie Boys’ lyrics are about rising from the flames. There is little dark imagery, just a call for unity and Big Apple pride” – Michael D. ClarkHouston Chronicle, 2004

    ‘An Open Letter to NYC’ Lyrics:

    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Brownstones, water towers, trees, skyscrapers
    Writers, prize fighters and Wall Street traders
    We come together on the subway cars
    Diversity unified, whoever you are
    We’re doing fine on the One and Nine line
    On the L we’re doin’ swell
    On the number Ten bus we fight and fuss
    You know we’re thorough in the boroughs ’cause that’s a must
    I remember when the Duece was all porno flicks
    Running home after school to play PIX
    At lunch I’d go to Blimpies down on Montague Street
    And hit the Fulton Street Mall for the sneakers on my feet
    Dear New York I hope you’re doing well
    I know a lot’s happened and you’ve been through hell
    So, we give thanks for providing a home
    Through your gates at Ellis Island we passed in droves
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    The L.I.E. the B.Q.E
    Hippies at the band shell with the L.S.D.
    Get my BVDs from VIM
    You know I’m reppin’ Manhattan the best I can
    Stopped off at Bleeker Bob’s, got thrown out
    Sneakin’ in at four am after going out
    You didn’t rob me in the park at Dianna Ross
    But everybody started looting when the light went off
    From the South South Bronx on out to Queens Bridge
    From Hollis Queens right down to Bay Ridge
    From Castle Hill to the Lower East Side
    From ten-ten WINS to Live At Five
    Dear New York, this is a love letter
    To you and how you brought us together
    We can’t say enough about all you do
    ‘Cause in the city we’re ourselves and electric too
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Shout out the South Bronx where my mom hails from
    Right next to High Bridge across from Harlem
    To the Grand Concourse where my mom and dad met
    Before they moved on down to the Upper West
    I see you’re still strong after all that’s gone on
    Lifelong, we dedicate this song
    Just a little something to show some respect
    To the city that blends and mends and tests
    Since 9-11 we’re still livin’
    And lovin’ life we’ve been given
    Ain’t nothing gonna take that away from us
    We lookin’ pretty and gritty ’cause in the city we trust
    Dear New York I know a lot has changed
    Two towers down but you’re still in the game
    Home to the many, rejecting no-one
    Accepting peoples of all places, wherever they’re from
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York you make it happen
    Brooklyn, Bronx, Queens and Staten
    From the Battery to the top of Manhattan
    Asian, Middle-Eastern and Latin
    Black, White, New York, we make it happen
  • Premiere: Listen to “Hyperbole” off Swimmer’s upcoming album “Throw It Out”

    Swimmer has premiered “Hyperbole” off their upcoming album Throw it Out, exclusively through NYS Music. The 11 minute track is a sojourn through tempo, winding through 70s rock with a disco beat, while jazz flows through the composition.

    Matt Dolliver (keys, sax) says of the track “Hyperbole is a journey. It’s up and down. It’s left and right. It’s fast and slow. It’s here! Oh, look! It’s over there! It’s a tune we wrote collaboratively and has proven over time to be a highlight in a live setting.” Catch Swimmer this summer at StrangeCreek Music Festival, as well as stops in Buffalo and Syracuse this month.

    Throw it Out will be released on Friday, May 4th on Swimmer’s Bandcamp.

  • Ace Frehley releases new song ‘Bronx Boy’

    On April 27, Ace Frehley celebrated his birthday and released a new song, proclaiming that after all these years, he’s still a “Bronx Boy.” The song is a the first single from his upcoming eighth studio album. No date or title yet on the new release, but the first release has a lot of old-school rock and roll grit that shows the co-founding Kiss is still a contender. Rumor has it the new album will be out this summer.

    Paul Daniel Frehley was born and raised in The Bronx (Boy), New York City, the youngest of three children of Esther Anna (Hecht) and Carl Daniel Frehley.

    Frehely grew up on the corner of Marion Avenue and 201st Street, off Bedford Park Boulevard (also known as 200th Street) and Webster Avenue in the Bedford Park section of the Bronx.

    bronx boy ace frehely

    Frehely invented the persona of The Spaceman (a.k.a. Space Ace) and played with the group from its inception in 1973 until his departure in 1982. After leaving Kiss, Frehley embarked on a solo career, which was put on hold when he rejoined Kiss in 1996 for a highly successful reunion tour.

    Frehley’s second tenure with Kiss lasted until 2002, when he left at the conclusion of what was originally purported to be the band’s Farewell Tour. His most recent solo album, Origins Vol. 2, was released on September 18, 2020. Guitar World magazine ranked him as the 14th Greatest Metal Guitarist of All Time. Outside Kiss, Frehley had commercial success, with his first solo album going platinum. His first album with his “Frehley’s Comet” band was also a big seller. Frehley is noted for his aggressive, atmospheric and melodic guitar playing and is also known for the use of many “special effects” guitars, including a Gibson Les Paul guitar that emits smoke from the neck humbucker pickup and produces spinning pyrotechnics, and a custom Les Paul that emits light based on song tempo.

  • Upstate Punk Band Surmiser Announces Upcoming EP ‘Hold The Static’

    Surmiser’s latest EP, Hold The Static, will be available on June 8. The grungy garage punk band will celebrate the release with a show on June 9 at The People’s Cauldron in Rosendale. The band issued a music video for “Trains,” from the upcoming release, which debuted at New Noise Magazine.

    ‘Trains’ is about dead-end life in a small city and an analogy to the way that people in this place, and indeed these types of places, allow themselves to be derailed by anger, addiction and the patterns created of the previous generations mistakes.

    The video was shot by shot by Mike Parish of 424recording.com. Jay Andersen at Bohemesphere in Saugerties recorded and mixed Hold The Static. It was mastered by Oliver Ackermann at Death By Audio, Brooklyn, NY.

    Follow Surmiser for the latest news and show listings.

  • Watkins Glen President puts a Spin on Phish’s Curveball

    One of the most integral people in planning this summer’s Curveball festival featuring Phish is the president of Watkins Glen International, Michael Printup, who took the time out of his busy schedule to give an interview to NYSMusic.

    watkins glen president

    This will be the third festival the band has held at the track most famous for NASCAR racing. In 2011, there was Superball, followed by Magnaball in 2015. Like those two, Curveball is a three-day event taking place August 17 to 19 this year.

    Printup shared some interesting tidbits about Curveball and about his history with the rock band born out of the mountains of Vermont. His first interaction was back in 1998 when he was the general manager of the Providence Civic Center while Phish was on, what has now become, the legendary Island Tour. It was the first time he saw the band live, but his biggest takeaway wasn’t the music.

    “I mean, it was a small arena,” Printup said. “What I remember most was the fans. They’re just — they’re just so awesome. I noticed the respect and dedication of the fans, and I saw that the band respected the fans in a great way. It shows in what they do, all the planning they put into putting on these large-scale festivals. I’ve been in sports for my entire life — the NFL, Southern California, Miami, Boston — and you don’t see that kind of thing between the fans and what they’re coming to see like you do with Phish.”

    That observation has directly led to the relationship that the Phish organization has with Watkins Glen. It was back in 2016 when the planning for Curveball began. Printup said that Richard Glasgow, a member of Phish’s management team, visited the site and began the discussion of a festival in 2018.

    “Richard and I talk at least once a month,” Printup said. “I was in Las Vegas the same time Phish was there in 2016. They realized I was in town and they invited me to attend a soundcheck. So there I was, with like six other people in the empty arena, and they’re just up there jamming.”

    That type of relationship bonding has made doing business with Phish a breeze, Printup said. At Magnaball, he recalled, when the band was walking off stage just before the weekend’s final encore, the band stopped by for a “quick hello” and then invited him stage side for the encore.

    Printup, who is very professional and has a knack for teasing things without giving them away, touched on a variety of topics. For starters, he did confirm that the fan favorite event — in the past titled the Runaway Jim 5K road race — will happen again this year. He mentioned that the band had inquired about a parade, but would not give any more info on the subject.

    One of the things fans have wondered about since Magnaball was the capacity of the venue and the ticketing situation. It was announced prior to the festival that all tickets had been sold and none would be sold at the gate. However, many ticketless fans who showed up were able to buy tickets from the venue at the gate. Printup explained that when the sellout announcement was made, the racetrack was only allowed by officials to cap the capacity at 50,000 people. A late inspection of the venue took into consideration the bathrooms and showers that are at the track year round, thus allowing an extra 10,000 to be added to the max capacity. Printup did not have the information as to whether or not all extra tickets were sold.

    For Curveball, though, he insisted that fans don’t wait much longer to buy their tickets. While for a NASCAR event they’re prepared to handle 160,000 people, it’s not the same for a music festival.

    “I have spoken to Red Light Management and Phish, and they highly recommend buying soon,” he said. “The max we can have is 60,000 per day, and Richard (Glasgow) has said sales are going very well.”

    The discussion then flowed into how Phish puts on their well documented secret sets. At each festival since The Clifford Ball in 1996, the band has done an unannounced or special set. At Superball, they performed the Storage Jam at about 2 a.m. on Sunday morning in a storage shed they had on grounds. Magnaball featured the fan-favorite Drive-In Jam, which was a merging of visual art projected onto a large screen draped from the bleachers, while the band performed an all-improvised set behind the curtain.

    When asked if he could give the fans a hint, or even speak off the record about what Phish has in store for this year, Printup was emphatic and filled with laughter. “No way!” he said.

    Printup gave loads of credit to the local community for the help and support for the weekend.

    “There is a big trust value between everyone,” he said. “There’s so much that comes along with something like this. Our local sheriff knows how to handle it all, the traffic and stuff like that. Our goal is not to inundate the community, but involve them.”

    He said he’s only heard positive things from the locals, who genuinely enjoy when the Phish crowd comes to town. Printup said that he will sometimes check some of the band’s message boards in the week leading up to the festivals and everything has been positive.

    It’s no secret that Phish fans like to party when they experience the band. Printup said that the crowd isn’t that different from other music crowds, but did warn that people trying to be nefarious might want to reconsider.

    “Country fans, EDM fans, they like to have fun as well,” he noted. “But I know how many undercovers there will be out there. I wouldn’t take that kind of risk and possibly be arrested. Obviously booze isn’t going to get you arrested, so I just hope everyone is smart about having fun that weekend.”

    But overall, Printup said that we are all in for a very special time, with a lot of new features to keep fans engaged.

    “I’m most looking forward to the show, of course,” he said. “And I want to give the band a huge thank you, because they’ve just been awesome.”

  • Premiere: Hartley’s Encore eponymous single off debut EP

    Albany’s breakout funkateers Hartley’s Encore are slated to release their eponymous debut EP on April 20, and have released the first single, also titled “Hartley’s Encore,” through NYS Music. The track was written by Hartley’s co-founders Luke Malamood and Christopher Oliver, and the album was recorded and mixed by Alan Evans of Soulive at Iron Wax Recording Studio in Millers Falls, MA.

    The refrain “Gonna give you an encore” fits perfectly as the last track of this 6-song EP, a party starter live and sure to leave those enjoying the EP wanting more. Driving horns stand out over a rous built by Luke Malamood’s keys and organ. Sax and trumpet interludes from Jeff Nania and Phil Chow, respectively, keep the flow of this funky number moving, just as your feet and hips will be once you get a taste of this funky troupe’s flavor.

    Hartley’s Encore will be released on Friday, April 20, with a Record Release Party on Friday, April 27 at The Hollow in Albany with special guest Victory Soul Orchestra and hosted by Guthrie/Bell Productions. They will also perform at Bowery Electric on May 18 in Manhattan. Pre-order the album now.