Category: Music Festivals

  • Walkin’ in the WinterWonderGrass

    A weekend of walkin in the finest jamgrass around was made possible by the debut appearance in Vermont over December 14-16 at Stratton Mountain. WinterWonderGrass, now in its 7th year, has held events in Colorado and California since 2012, with founder Scott Stoughton and his team creating a musical village with a welcoming vibe at all turns.

    Stratton was as idyllic a setting out east as WinterWonderGrass could have asked for. Located in south-central Vermont, the mountain is tucked away and has sprawling condos and chalets, a village that practically transports you to the Alps and world class skiing. This weekend added in 8 hours of bluegrass daily, with artists from across the country making the inaugural WinterWonderGrass at Stratton a rousing success.

    walkin in the winterwondergrass
    Photo by John-Ryan Lockman © WinterWonderGrass Festival All Rights Rerserved 2018

    Scott spoke to Jambase earlier this month about the inception of the WinterWonderGrass: “The original idea for WinterWonderGrass came together because I saw a lot of different music festivals happening,” Stoughton explained. “I saw the beer culture expanding. I was also living in a mountain town at the time, and I saw corporatization of mountain communities, influx of people, everything was branded, and it wasn’t feeling right. It wasn’t authentic.”

    The result of Scott’s strive for authenticity is a music village that could be found at any ski mountain – after a run down the slopes, take off your skis and head over to the sound of banjos, mandolins and dobros and take a break with a cold one (or some hot coffee, cocoa or yerba mate). Walking into the venue each day, you feel like a member of a larger family, one that is smiling, laughing and dancing, and most of all, welcoming and friendly to all.

    walkin in the winterwondergrass
    Photo by John-Ryan Lockman © WinterWonderGrass Festival All Rights Rerserved 2018

    Friday kicked off with multiple sets from Pappy & Friends, Beg, Steal or Borrow, Fruition, Horseshoes & Hand Grenades, Pickin’ on the Dead and Vermont’s own Saints & Liars. With the three tent stages all close to each other, catching all three was as simple as strolling 50 feet away for a taste of something new. Headliners Jeff Austin Band and The Infamous Stringdusters had the crowd looking forward to the next two days, with powerhouse sets from both. Jeff Austin led a Yonder-style band with a set of speedy jammed out bluegrass originals and covers, capping the set with crowd favorite “Sideshow Blues,” while Stringdusters took spins on Phish’s “Possum” and “Bathtub Gin,” and invited up artist-at-large Bridget Law for Aretha Franklin’s “Respect.” Late night sets featured more from Saints & Liars and Horseshoes & Hand Grenades, as well as John Stickley Trio and Beg, Borrow or Steal.

  • Monster Energy Outbreak Tour Announces first tour of 2019 featuring A Boogie Wit Da Hoodie

    The Monster Energy Outbreak Tour is coming out of the gates strong in 2019. The prestigious touring brand just named multi-talented rapper, singer and songwriter, A Boogie wit da Hoodie, as the headliner for their upcoming winter and spring tour. The tour kicks off February 20 in Austin, TX and will make stops in Los Angeles, New York, Chicago, San Francisco, Atlanta and other major cities across the U.S.

    Monster Energy Outbreak

    Bronx native Artist Dubose, aka A Boogie, rose to stardom when his major label debut, The Bigger Artist, reached #1 on Billboard’s Emerging Artists chart and cracked the top 5 of the Billboard Top 200. Named by The New York Times as “the most promising young rapper the city has produced in some time,” and nominated by BET for 2018’s Best New Artist award, A Boogie is poised to prove that his accolades are well-deserved in 2019.

    Amidst all the acclaim, A Boogie remains humble. Describing his excitement to connect with fans, A Boogie stated, “Partnering up with The Monster Energy Outbreak Tour marks a milestone moment in my career. I can’t wait to create memories with the fans that will live with them for a lifetime.”

    Tickets for the Monster Energy Outbreak Tour will go on sale on Friday, December 7th at 10am local at www.outbreakpresents.com and www.aboogiehbtl.com, with pre-sale schedule as follows:

    TOUR DATES:
    2/20/19 AUSTIN,TX – EMO’S
    2/21/19 DALLAS, TX – HOUSE OF BLUES
    2/23/19 HOUSTON, TX – HOUSE OF BLUES
    2/25/19 TAMPA, FL – THE RITZ
    2/26/19 ATLANTA, GA – TABERNACLE
    2/28/19 CHARLOTTE, NC – THE FILLMORE
    3/1/19 RALEIGH, NC – THE RITZ
    3/4/19 BALTIMORE, MD – SOUND STAGE
    3/5/19 SILVER SPRING, MD – THE FILLMORE
    3/7/19 NEW YORK, NY – TERMINAL 5
    3/10/19 BOSTON, MA – HOUSE OF BLUES
    3/12/19 TORONTO, ON – REBEL
    3/13/19 CLEVELAND, OH – HOUSE OF BLUES
    3/15/19 GRAND RAPIDS, MI – INTERSECTION
    3/16/19 DETROIT, MI – THE FILLMORE
    3/19/19 INDIANAPOLIS, IN – DELUXE
    3/22/19 CHICAGO, IL – HOUSE OF BLUES
    3/23/19 MINNEAPOLIS, MN – VARSITY THEATER
    3/26/19 DENVER, CO – SUMMIT
    3/28/19 LAS VEGAS, NV – HOUSE OF BLUES
    3/29/19 PHOENIX, AZ – THE VAN BUREN
    3/30/19 SAN DIEGO, CA – HOUSE OF BLUES
    4/1/19 ANAHEIM, CA – HOUSE OF BLUES
    4/2/19 LOS ANGELES, CA – THE BELASCO THEATRE
    4/4/19 SAN FRANCISCO, CA – THE FILLMORE
    4/5/19 SACRAMENTO, CA – ACE OF SPADES
    4/8/19 VANCOUVER, BC – COMMODORE BALLROOM

  • 2019 Newport Folk Fest Sells Out, Begins Lineup Announcements

    2019 Newport Folk Festival tickets went on sale last Thursday and completely sold out all three days within a matter of hours. This news is not particularly surprising as the festival has been selling out with increasing quickness over the past few years. But it is no less incredible, particularly since not a single artist had been announced. You can read our review of last year’s festival to get a sense of why it is a special event that garners such fervor among it’s fans new and old, old and young.

    If you missed the on sale, don’t fret, there’s still a chance. In one of many moves the organizers have employed to fight the ever present threat of scalpers, the festival set up its own fan-to-fan resale site, hosted by Lyte. Sign up for a spot in line and hope for the best. It might seem like a long shot, but it has proven to be a very successful system in the past, so sit tight. And definitely be wary of any other resellers. Since tickets haven’t even been issued yet they are most definitely not real.

    Newport is a festival of surprises, and in a pleasant surprise, soon after the sell out they revealed the festival’s finale set. Entitled “If I Had a Song,” the set will celebrate what would have been festival co-founder Pete Seeger’s 100th birthday with a singalong.

    This set will surround hate, and force it to surrender. In what would have been our co-founder’s 100th year, we could think of no better way to celebrate Pete’s spirit in a time where we need each other now more than ever, than to do so with a celebratory sing-along. We’re stronger when we sing together, so we intend to do just that for this year’s festival finale.

    The festival also announced that on behalf of every artist playing this year, the Newport Festivals Foundation will make a donation to a music education charity of the artist’s choice. In honor of this set, the festival will be making a donation to Beacon Advocates for Music in Seeger’s hometown of Beacon, NY.

    Dear Folk,

    This is an important day for the festival and the foundation because we are sharing our vision for 2019 and beyond with you, our folk family.

    Sixty years ago, our event defined the modern day festival paradigm, which is so prevalent today. Yet we feel that our own understanding of what it means to be a festival needs to be reexamined. Are we empowering artists? Are we supporting the next generation of musicians? Are we inspiring our fans? In short, can we be doing more?

    While we’ve laid the groundwork as a non-profit in recent years, it has become clear that the increasing burden to sustain music education in America is falling squarely on communities like ours.

    Therefore, we are making a commitment to partner with every artist playing Newport Folk this summer on donating to a music education cause of their choosing. That’s right, EVERY ARTIST.

    Yes, it’s going to be a challenge, but together we’re confident we can make a difference, because that’s what families do for each other.

    Grateful,

    Jay Sweet, Executive Producer

    Usually the lineup would start trickling out starting in January or February, but the festival just announced the second artist for the 2019 lineup. Gregory Alan Isakov, the indie-folk musician from Colorado will return to the Fort after his last appearance in 2014. He is slated for an appearance on Saturday, July 27 and in his honor the Foundation will be making a donation to the Columbine High School guitar class.

    Stay tuned for more lineup announcements!

  • Vermont’s first WinterWonderGrass hosts Grass After Dark series

    A favorite feature of the Colorado version of the winter music celebration, WinterWonderGrass Stratton has finally introduced its own iteration of the Grass After Dark Series with one month until the event kicks off.

    Grass After Dark

    Bluegrass fans new to the festival should be aware that festival tickets are not required for the Grass After Dark series. All of the late night shows are 21+ and are a separate purchase from the WWG day festival tickets. Grass After Dark tickets are limited and expected to sell out quickly. You can secure your spot at the event by purchasing your tickets at the WWG website.

    The night series opens on the eve of WWG Stratton day festivities, with An Evening with the Infamous Stringdusters on Dec. 13 at Grizzly’s. The GAD series is hosted between two intimate mountainous locations for four nights of bluegrass in the village. Dec.r 15 is the only night attendees will have to choose between Grizzly’s and the Green Mountain Room in Black Bear Lodge at the Stratton Mountain Resort. The full GAD late night show schedule is down below:

    GRIZZLY’S:

    Thursday, Dec. 13 – An Evening with the Infamous Stringdusters
    Saturday, Dec. 15 – Keller Williams and Fruition
    Sunday, Dec. 16 – Billy Strings and Lindsay Lou

    BLACK BEAR LODGE:

    Friday, Dec. 14 – Horseshoes & Hand Grenades and Saints & Liars
    Saturday, Dec. 15 – The Kitchen Dwellers and Rumpke Mountain Boys

    Tickets are still available for those interested in the full WinterWonderGrass community experience. Single day prices are currently $59 for Friday, $79 for Saturday, and $59 for Sunday. For the complete festival schedule and all ticket packages, visit the WinterWondergrass website for more information.

  • WinterWonderGrass comes to Vermont in December

    WinterWonderGrass arrives this weekend at Stratton Mountain Resort from December 14-16 in Stratton Vermont. Locals introduced to this traditionally Colorado music festival can expect craft beers, tasty treats, outdoor winter fun, and the intimate family atmosphere that WWG is famous for fostering. At the popular mountain resort located just a short drive from both Boston and New York City, concert attendees can enjoy a perfect winter backdrop for WWG’s inaugural New England appearance.

    Here’s this weekend’s schedule including ‘Grass after Dark’ shows held nightly.

    WinterWonderGrass vermont Single day tickets are currently $59 for Friday and Sunday, while Saturday tickets are $79.  The best priced ticket package is the three-day ticket ($149). On top of three days for WWG musical offerings, three-day tickets include three hours of beer, cider, tea and Switchel samplings each day.

    After each day’s main headliner, fans are welcome to attend special performances at the Soapbox featuring Pickin on the Dead on Friday, Rumpke Mountain Boys on Saturday, and the Jon Stickley Trio to wrap up on Sunday. Committed to community engagement, WWG is also hosting free afternoon meetings for WWG artists and local musicians interaction. Bring your own instrument, refreshments will be provided.

    Be on the lookout for more bluegrass events at the festival, more is still to come for the evening.  WWG is preparing to announce ‘Grass after Dark’ late night shows on Nov. 13. The late shows will bring guests to more intimate peaks and settle the concert into a more casual vibe. Connecting artists with the local community, these events bring you up close and personal with bluegrass icons as they improvise musical conversations with ease.

    WinterWonderGrass is a low-impact event with music throughout the day. Get to know the lay of the land, what beers will be available for sampling (daily from 2-5p), what food trucks will be on hand, where the Kids Zone is and more.

    If you still need lodging options, WinterWonderGrass has partnered up with a few local options to ensure maximum comfort during your visit. Shuttles will run from select properties in Manchester as well.

    In 2018 alone, WinterWonderGrass diverted more than 23,000 lbs of waste from landfills due to their composting, recycling and food donation program. WWG has long been a partner with Waste-Free Earth out of Burlington. Get to know their company and how big of an impact they’ve made on our festival community.

    Check out the dining options around the resort outside of the festival grounds and for more info, check out WWG’s additional FAQs with anything and everything you need to know to have the best possible WWG experience. From what to wear, what not to bring, what’s allowed and so on. See you in Stratton!

  • Autumn is the new Summer at first Borderland Festival

    On the equinox, the border between summer and autumn, just outside Buffalo at the border between the US and Canada, emerged a brand new festival showcasing music, arts, and crafts bordering in and around roots and Americana. The first Borderland Festival was, by all measures, a huge success in its inaugural year, establishing itself as a viable extension to the Western New York festival season and an event worthy of a summer’s long anticipation.

    The festival was gorgeously situated at Knox Farm State Park. Parking was on polo grounds, craft vendors were set up inside horse stables (a few of which actually housed horses), and craftsmen were scattered about, demonstrating their expertise in sheep shearing, cigar rolling, beer brewing, horseshoeing and more. Tasty local food and beverages were available via tent and truck, and a consciousness for the environment was on display with many people drinking from available reusable metal cups and volunteers assisting in proper disposal of all garbage, recyclables and compostables.

    Though with non-stop quality music filling the air, there really was time for little else. Two main stages, the Grasslands Stage and the Split Rail Stage, sat mere yards apart and featured alternating sets for a continuum of music across the entire day. A short walk past the horse stables sat the Homespun stage where local talent held court, filling time as viable alternatives to the main acts. Buffalo roots bands like Folkfaces, The Observers and 10 Cent Howl kept the party rambling with down home jams and singalongs. All of the stages were within a few minutes walk and fans could easily catch some of everything with little sacrifice.

    And O, the music! Sister Sparrow and the Dirty Birds gave a little preview of their forthcoming album, busting out the upbeat and catchy “Ghost” and showcasing singer Arleigh Kincheloe’s incredible vocal range on the soulful “Gold.” Montreal’s Barr Brothers made a rare appearance in the area, opening with “Come in the Water” and closing with “You Would Have to Lose Your Mind” in a set chock full of their warm and eclectic folk rock. With harps, pedal steels and 12-string guitars, it was a rich tapestry built of many strings, and even one thread which Brad Barr pulled through his guitar for a spacey sonic vibration that reverberated across the farm.

    Veteran indie-rockers Dr. Dog are no strangers to Western New York and they were treated like old friends by the crowd which was dancing and singing along from note one. Decked out in matching festival sweatshirts, they treated the audience to an energetic career-spanning set, featuring classics like “The Breeze” and “That Old Black Hole” while also working in a solid chunk of their 2018 release Critical Equation. The slinky groove of “Listening In” turned heavy and dark while “Go Out Fighting” built an deep energy that reached a My Morning Jacket-style intensity level.

    The Sam Bush Band showcased their unique take on traditional music, delving into Bush’s newgrass roots on the instrumental “Greenbriar” and getting funky on a fine cover of Alan Toussaint’s “Sneakin Sally Through the Alley.” There was still room for some classic bluegrass stomps with “Howling at the Moon” and “Big Rabbit” and even some social action with “Stop the Violence.” Another Canadian crossing the border for the Borderland Festival, Sam Roberts thanked the area fans for being his first American audience to take him in. Roberts and his band, with stylish guitar-heavy grooving rock, delighted the audience with fan favorites like “Brother Down” and “Mind Flood.”

    The clouds persisted for most of what was a perfectly brisk first day of fall. But just as the sun was setting, the clouds parted enough for a beautiful sky filled with reds, oranges, yellows and purples to flow over the festival. It was against this backdrop that New Orleans octet The Revivalists took the stage for the final set of the evening. The crowd kept plenty in the tank and were ready to rage along as the band brought an infectious energy to the stage. Blasting horns, tight rhythms, shredding guitars and a soaring pedal steel formed a crunchy American rock sound that jammed and grooved its way through the darkening night. Autumn was officially here, but for one small corner of the world, a few thousand people were still holding on tight to the spirit of summer.

  • Lark Fest to Pack a Punch this Weekend in Albany

    When Adrian Lewis takes the stage at Lark Fest this Saturday, Sept. 22, he will complete an unofficial Triple Crown here in the Capital District.

    Better known as The Age, Lewis played Rockin’ on the River and Alive at Five this year. He and his band will headline upstate New York’s largest one-day street festival this Saturday.

    “I’m super excited about Lark Fest,” said Lewis. “I’ve wanted to be a part of it for a few years now and it’s kind of mind blowing that we are going to be a headlining act this year.”

    To place his excitement into perspective, he opened for the B.B. King Blues Band featuring Tito Jackson at Alive at Five this June.

    The Age is one of two headlining acts which also includes Stellar Young. Saturday’s performance will be Stellar Young’s third at Lark Fest.

    “We’re so humbled to be a part of such an awesome event,” said lead vocalist John Glenn. He added that the band will be selling sunglasses to fund its third release “And Turned to Ash.”

    The lineup to this year’s festival, the 37th for Lark Street, is worth taking note.

    The music starts with Becoming a Ghost at 11 a.m. Becoming a Ghost most recently played at WEQX’s Battle of the Bands at Jupiter Hall. It put on a high energy, interactive performance that moved the crowd. The band could have just as easily won the competition to open last week’s Pearlpalooza.

    The lineup continues with the Ryan Leddick Trio, Onlyness, Bendt, Greens, Mirk, Apostrophe S, Kimono Dragons, Useless Cans, and JB & Victory Soul Orchestra. Stellar Young takes the stage at 3:45 and The Age follows at 4:20 p.m.

    The all-day event expects to attract 50,000 people with live music, local vendors, food trucks and more. Start walking at 10:30 a.m. and finish the day at 5:30 p.m.

    This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.

  • Burning Man: a Weird, Wacky, and Wonderful Family Reunion

    Shortly after two in the morning, after a reoccurring nightmare woke me up for the third time, I began to wonder if my forthcoming trip to the Burning Man was such a great idea after all. It was late summer 2002, and for the third time in several hours I dreamed that I was standing at the gates of hell. (There was a seven hour wait to get in.) I had been warned for weeks about the withering heat and relentless sandstorms, and suddenly it dawned on me that unless you were born and raised in a Mad Max post-apocalyptic future world, the Black Rock desert of northern Nevada might be a fairly inhospitable environment that could resemble a trip to hell.

    burning man

    Riding shotgun in my friend, Daddy Vegas’ minivan a few weeks ago, I chuckled at the memory as I was about to make my 15th entry to the annual week-long festival. The face of the surrounding desert peaks began to blush pink against the face sunrise as I peered into the cracked rearview mirror of my mind. As I approached the beginning of my 15th year at Black Rock City I found myself in a self-reflective mood. The festival’s founder, Larry Harvey, had recently died due to a massive stroke. Losses have a way of causing pause, and then flinging us forward into the unknown.

    That’s what it had been about all those years ago-pushing myself, a budding Southern Baptist preacher at the time, through the gates of Dante’s Inferno. I had questions about my chosen path. There was the gnawing clench of my heart muscle that told me I was missing something. That the universe was a bigger place than I had previously imagined, and I had an all-too-eager friend coaxing me to a budding festival once hyped by writer Daniel Pinchbeck as “more decadent than Warhol’s Factory, more glamorous than Berlin in the 1920s, more ludicrous than the most lavish Busby musical, more of a love-fest than Pepperland, more anarchic than Groucho Marx’s Freedonia, more implausible than any mirage.”

    burning man

    “Come on!” she implored as curly dark locks danced around her impish gaze,” Go with me to the desert. If you still want to be a preacher when we get back, then go to it!” Of course, there was no going back. There never is for anyone, but I didn’t realize that truism at the time. All I saw was the cracked, bleached pavement of a single lane road leading me to an open-ended journey set on the salty dust of a prehistoric lake bed.

    As I look through the rear view mirror of Vegas’ van the words read that objects in the mirror were closer than they appeared to me, but inside I felt the vast distance of  a by-gone time. That first year of Burning Man, as many others before me had experienced, had changed my life. I never preached again. I literally became myself with each new year of attending Burning Man. My life grew larger as the festival expanded.  I found a new career in special education, learned to climb, ski, and mountain bike though I have a slight form of cerebral palsy. I discovered that I had a talent for photography, and traveled the lower 48 states documenting arts and music festivals. In 2015 I married my wife Greta at Black Rock City.

    The festival grew up and I grew up with it. When I first attended Burning Man there was around 25,000 participants and now there is over 70,000. The art structures are larger, more plentiful, and as beautiful as ever. The city is more sprawling with lit-up fire-shooting grandeur. The festival’s live music presence continues to grow as well. There were surprise shows from the Alan Parsons Project, Infected Mushroom, a significant funk/New Orleans jazz presence that included the Preservation Hall Jazz Band. But that’s not what brings me back anymore. I most certainly enjoy the eye-popping sights and gaudy fashions. But I do understand the worry of some critics who say that in its size, Burning Man has lost its way sort of like a wayward itinerant preacher who is no longer certain of his beliefs. For some there is no longer any reason to go. For others, there never will be a reason to go.

    burning man

    Except for me, there is a reason. Family. Back in 2002, I and my impish curly-locked friend were invited to camp for that week in the Reno-based theme camp Gallavant with their modest, but still-sailing pirate ship mounted on a bread truck. That camp, as the larger population of Burning Man, is a varied group of doctors, electricians, artists, accountants, teachers, misfits, construction workers, wayward seekers, finders, anarchists, doubters, and dreamers-all of whom want nothing more than to find and create their place in an indifferent world. There are more posers, preeners, and naval gazers that attend Burning Man now. (The bigger the population, the more of every kind of folk you’ll experience.)

    Still, for many of us, for at least for one week, we reach across the wind-scrubbed empty canvas of our differences to find what binds us all together. That magic still happens out there. All these years later. I and my wife are still members of Camp Gallavant. And each year we return is a joyous reunion. Unlike my fevered dream, Burning Man didn’t deliver me the gates of hell-or heaven-for that matter. Just home.  If you decide to venture their one year, you might find that too. The festival’s impulse, at its best, is less Dante and more Laura Ingalls Wilder-if she hooked up with director John Waters. It’s all about finding family-a weird, wild, and wacky family for sure-but still, family.  So, here’s to all the misfits and dreamers who still believe the Burning Man spirit still beats deep in the heart of the sprawling spectacle of Black Rock City. Even if there is a seven hour wait at the gate.

    burning man burning manburning manburning man burning manburning man burning man burning man burning manburning man burning man  

  • Rochester Fringe Continues: A Recap of Saturday Afternoon at Parcel 5

    It was a muggy 80 degrees in Rochester with nary a breeze to be found, but that didn’t stop people young and old from gathering at Parcel 5 for some live music on Saturday afternoon. Four days into the 11-day-long KeyBank Rochester Fringe Festival, and the party is still going strong. The lineup at the main stage included Chris Eves and the New Normal and Shane Scarazzini & EightFingers, leading up to an encore performance by the UK’s Massaoke.

    Chris Eves and The New Normal kicked things off. The Syracuse-based band jam band has shared a bill with the likes of Zac Brown Band, Jon Fishman of Phish, Turkuaz, Gov’t Mule, Cheap Trick, and Gregg Allman. Today, they opened up the main stage on the first weekend afternoon at New York State’s largest multi-media festival.

    With a smooth blend of roots rock, funk, and blues, Chris Eves and The New Normal have been making a name for themselves in the region. The band laid down some groovy tunes that got people from ages 8 to 80 up and dancing. The set included their original songs, featured on their SAMMY-nominated debut album Find Your Wayas well as their latest single “In Between.”

    Following this act was Shane Scarazzini & EightFingers. A Hudson Valley native, Scarazzini relocated to Nashville a few years ago. Luckily for us, he still spends a lot of time gigging in New York. EightFingers is his latest endeavor, a trio that includes Don Holocher on drums and Lucas Carillo on bass.

    They started their set strong with a searing hot cover of Johnny Cash’s “Folsom Prison Blues.” People around me were singing along, even though the official mass karaoke party wouldn’t start for a couple hours. The band was comfortable playing everything from rock standards to country. Their set also included their latest original song, “Camilla.”

    Check out our opening weekend preview and coverage of Friday night’s Massaoke headlining set. Stay tuned to NYS Music for more coverage of the KeyBank Rochester Fringe Festival, which runs daily through Saturday, September 22.

    For information about upcoming events, go to RochesterFringe.com, where you can filter the 500+ events by type, venue, and date.

  • Massaoke Transforms Parcel 5 Into Sing-Along Dance Party at Rochester Fringe

    KeyBank Rochester Fringe has brought the band Massaoke from the UK for the US debut. The sensation of the international festival circuit brings the karaoke experience to the masses – complete with live band, on-screen lyrics, and audience participation.

    Downtown Rochester comes to life during Fringe: people are out and about and there’s something to do or see on every street corner. But the main stage is at Parcel 5, part of the former site of Midtown Plaza on East Main Street. Thanks to a recent vote, parking is still free at meters on weekday evenings. But with record-breaking attendances every year, it was no surprise that I couldn’t find a spot on the street and had to use one of several garages within walking distance.

    When I arrived on site Friday night, the party was in full-swing, with an audience of thousands between the stage and the lights of the Liberty Pole singing along to “Teenage Dirtbag” by Wheatus. While I’m not comfortable standing on stage to sing karaoke, I was quickly swept up in the excitement of the experience. I found myself setting down my camera and notebook several times to sing and dance along with the people beside me to favorites like Blink 182’s “All The Small Things” and The Village People’s “YMCA.”

    Massaoke led the audience in some themed medleys, some specific to decades or genres like 80’s or disco. They also did a really fun guys versus girls sing-off with songs from Grease. In traditional karaoke, people can choose songs. Massaoke replicates this through having the audience vote by volume (for example, Blink 182 beat out Backstreet Boys on this night). They also have an app where fans can vote in polls, request songs, or ask for a shout-out.

    For those who missed last night’s performance, there’s an encore tonight at 8:30pm. It will be the last chance to see Massaoke before they head back across the Atlantic.

    Parcel 5 is where the food trucks are stationed, so if you don’t need to go far to grab a quick bite. Organizers have cordoned off an area where people can bring their own lawn chairs for the shows. There are also stadium-style risers to the side for those who opt not to bring their own chair.

    All tuckered out from the show, I popped over to the Spiegelgarden at the corner of Main and Gibbs. The “pop-up urban lounge” is a great place to relax and enjoy refreshments. This is where you’ll find the Immersive Igloo, the Cirque Du Fringe, and the Silent Disco. But it’s also a place to relax between the 500+ events that occur during the 11 days Rochester Fringe. Grab some refreshments, then rally some friends for a game of cornhole, dominoes or connect four. Or pick up a pair of headphones and flop on a beanbag to enjoy the pedestrian drive-in – just like a drive-in but without the cars! While you’re there, pick up some Rochester Fringe merchandise, pick up tickets at the box office, or just chat with the Fringe volunteers about upcoming events.

    Check out the NYS Music preview of some of the music shows this weekend, and head over to the official rochesterfringe.com website to search for events by type, day, and/or venue. Rochester Fringe runs through Saturday, September 22. Stay tuned to NYS Music for more coverage and next week’s preview.