Category: Exclusive

  • Waddy Wachtel and The Immediate Family At The Iridium

    “Waddy (Wachtel) is an amazing guy to play with. He knows what you’re hearing before you do and can play anything. I envy him quite honestly.” – Keith Richards

    Robert “Waddy” Wachtel became infatuated with the guitar, idle in front of his TV screen at five years old. “I was just mesmerized. My mother said: that is a guitar – and that was it for me,” reminisced Wachtel. Now, over six decades later, the Queens-born guitarist is exuberant to bring forth The Immediate Family – a supergroup of session players for the Legends in Sessions series at The Iridium in NYC November 26-28.

    waddy wachtelFor Legends In Sessions, this is the first time these musicians take the spotlight. The Immediate Family includes: guitarist Danny Kortchmar, who has played, produced and written for Don Henley and Jackson Browne; Steve Postelli, who worked with David Crosby and Dave Koz; and rhythm section, Leland Sklar on bass and Russ Kunkel on drums, who collectively played on 5,000 records, from Willie Nelson and George Strait to Phil Collins, James Taylor and Reba McEntire.

    “One day I was driving my beat up ‘57 Chevy to Studio Instrument Rentals. Out of the driveway comes another ‘57 Chevy. The car stops and the driver ask ‘hey, are you Waddy?’ It was Russ Kunkel,” said Waddy. “Next thing I know, I get a call to play with Kortchmar on a reggae session and we were brothers instantly.”

    When The Family gets together, it’s something special. “It’s a hit or miss situation because we cannot be together as much as we want,” said Wachtel. The band is writing a mass of new material and recording within the slightest breaths in scheduling. They just got back from a stint in Japan earlier this year. The weeks’ worth of performances are in process of being mixed for a live album release.

    Legends of this caliber dwell in the shadows. Waddy has backed giants in the industry like Linda Ronstadt, Keith Richards, Warren Zevon, Stevie Nicks, Bon Jovi, and Iggy Pop – a roster that daunts his credits as co-writer and guitarist on Zevon’s “Werewolves Of London.” Wachtel performed on Zevon’s first two albums, co-wrote “Things to Do in Denver When You’re Dead” and co-wrote Stevie Nicks’ “Annabel Lee” and “I Don’t Care.” For all the new-age listeners, Wachtel also appeared on the 2010 Grammys backing Taylor Swift on guitar. If you don’t believe me, “just look at your parents record collection.”

    waddy wachtelThe three-night Iridum showing will be something to behold – fans will be mesmerized like Waddy was at the first glance of that guitar. “We are all looking towards the next recording we can do together. We have a lot of new material being collected, which I think people will dig,” said Wachtel.

    “It comes from all different directions. You’re gonna love everything you write, but that doesn’t mean it is good. You have to stick to a goal about how you write a hit song and make a discerning decision,” said Wachtel. Waddy is working on a “Beatles meets The Supremes type of song,” which he wrote years back. The melody was confident, but lacked meaningful lyrics. With the help of Kortchmar, the track “One More Time Or Two” now sings and reads something beautiful.

    “We came up in a perfect time in Los Angeles. It was an American Liverpool. The creative juices that were flowing, warmth and camaraderie between everybody musically was unlike anything I have ever experienced,” said Wachtel. “You would be in a session – suddenly Don and Glen from The Eagles would come on by and ask if we needed anything.”

    waddy wachtelWhen working on “Excitable Boy,” Waddy wanted a Beach-Boy-esque background harmony. He simply called up Linda Ronstadt and Jennifer Warnes and they came right down to the studio. This willing and vibrant community inspired Waddy to become a dedicated studio musician.

    Waddy is always working towards something greater. He once said, “If I didn’t learn something new musical daily, it wasn’t a good day,” an ideology that makes the guitarist humble and hungry to evolve.

    As a kid Wachtel began taking lessons with one of the jazz greats, Sal Salvatore. “He took a liking to me,” said Wachtel. “He would take me downstairs to this little Italian restaurant after the lesson – it looked just like the restaurant Michael Corleone killed the criminal in from The Godfather [laughs] – Then we would go back upstairs after dinner and he would make me play melody. He crammed a lot of guitar knowledge in my head,” said Waddy. “It was just fantastic.”

    When working with Warren Zevon, “right away we we didn’t get along, but everyone knew there was a very strong, musical, person behind those glasses,” said Wachtel. “We always agreed on certain things like The Rolling Stones. It was a wild and amazing ride.” Next thing you know we were on tour and The Everly Brothers were singing in our hotel room. “It was god-like you could say, something close to heaven.”

    For the Iridium dates, “It is fantastic to finally be together again as US instead of backing up Linda or Phil,” said Waddy Wachtel. The Immediate Family will be playing three consecutive nights starting on Monday. The magnitude of musicianship is unfathomable. Waddy’s uptaking alone was remarkable. Stay tuned to catch the final run for Legends In Sessions with Steve Lukather and Bill Evans’ Toxic Monkey, playing six nights, December 4-9.

  • Premiere: Animal Sounds debut ‘Antelope’ off upcoming album “Ennui”

    Indie psych rockers Animal Sounds from Rochester, NY will release their debut LP Ennui on Friday, October 26th and today premiere with NYS Music “Antelope.”

    animal sounds antelope

    Guitarist Shawn Brogan had this to say about the track: “Dating in the millennial age is confusing and the lack of communication often results in one person wanting completely different things than the other. “Antelope” was written about witnessing a friends-with-benefits situation turn ugly and the emotional turmoil that came with it.”

    Animal Sounds upcoming LP Ennui showcases a variety of songwriting capabilities and progressive song structures, with influences such as of melodic guitar riffs from Minus The Bear, psych groove’s of Tame Impala, and the rock n roll energy of Cage the Elephant found throughout the LP. Follow Animal Sounds on Soundcloud, Bandcamp and Instagram.

  • Premiere: Gallons of Pork debut “WEED POLICE” music video

    The long-awaited music video by New York-based band Gallons of Pork, “WEED POLICE,” debuts today on NYS Music. The song has been an unexpected hit in the Northeast DIY scenes. Produced by Jack of Trades Media, the WPD are a specialized squad who gauge random folks on their Tetrahydrocannabinol levels, tirelessly searching for any dweebs who pass on that loud.

    Gallons of Pork assures fans that there is more to the WEED POLICE than meets the eye: “They will arrest you for not being high / that’s about it, that’s all they do.” … Along with violent involuntary dosing, civil asset forfeiture, and brutal arrests.

    Bassist and video director Frankie Krungus says of the video, “Our nerdy side is apparent; the video is rife with Dragon Ball references, combo moves, and sound effects. I was really inspired by music videos like Black Flag’s ‘TV Party’ and anything by Mac DeMarco, so I took that and peppered it with my dear childhood memories of watching raunchy dashcam footage on YouTube and the tv show ‘Cops.’

    Gallons Of Pork blurs the lines between genres with versatile and high-energy music that is highly addictive, loaded with chemicals, packaged and ready to serve. Gallons of Pork are in a class of their own with bizarre caricatures and zany tonality, teetering atop the precarious point between magnetism and chaos. These are stories about the band and their encounters in a world that they never asked to be born into – each song an expertly-sourced blend of extreme elements of metal, jazz, punk, funk and more, designed to shake the hanging meat right off the hooks.

    Gallons of Pork is bassist Frankie Krungus AKA Copus Krungus in WPD, guitarist and vocalist Joe Kap (the good citizen), singer Peter Grancio AKA Sneaky Pete, guitar maestro Mo LaMastro (another target of the WPD), and drummer Mike Sandbags AKA “Mikey Gash.”

    The band formed when Frankie gathered these hooligans in a rehearsal space. He and Mike knew each other from back in their hometown of Staten Island, NYC. Mike performs with his band Figurehead who is based there. The first time Frankie and Joe Kap met, they jammed while an edible kicked in. Joe gave the band a home to jam and write songs out of on Dietz Street in Oneonta, NY. Mo LaMastro has developed a musical language and flavor unique to his own style and this band. Pete has been a recent addition to the band, at first as engineer, then producer, then performer. He transcends from a bizarre vocalist on the record into an in-your-face MC live. He also plays drums in the bands Elm Sun and Gamma Ghouls, whose members are all featured in the Weed Police video.

    The band is currently recording their third album, The Third Annual Phram Dongleson Memorial Hot Dog Eating Contest for a digital and vinyl release in April 2019, with eight tracks that incorporate their improvisational & multi-genre instincts into a freshest farm to table sound.

  • Rochester’s The Dirty Pennies premiere video for “A Prisoner’s Passage”

    “A Prisoner’s Passage,” a new song with accompanying music video from Rochester’s The Dirty Pennies premieres today on NYS Music. The video, filmed Live at Wicked Squid Studios, will be featured on The Dirty Pennies’ next EP due out in early 2019.

    The song was written shortly after their first run of regional festival appearances at Lilac Fest & Grassroots Festival. The band chose the live video route in order to embody the energy of a live show in hopes of engaging more than just the auditory senses, giving fans, both new and old, a taste of what to expect in the future.

    The Dirty Pennies next show will be on Halloween at Bug Jar in Rochester, with Morning Teleportation & Desert Noises. More info can be found here.

  • Get Up and Dance to Redbeard Samurai’s ‘Turn It Up’ Video

    Redbeard Samurai has just released a new music video that’s going to make you want to get your groove on. The video for his catchy number “Turn It Up” features dancers from a variety of different styles, from hip hop to swing. This fits with the song’s overriding message: “It doesn’t matter how you cut loose, it matters that you cut loose.”

    “Turn It Up” is the first single from from Redbeard Samurai’s upcoming debut hip-hop album Second. The project is the brain-child of versatile musician Blake Pattengale, a recent graduate of Eastman School of Music. With school behind him, Redbeard Samurai is finally ready to launch the music they’ve been writing and recording for the past few years.

    Photo: Dave Jones Empire West Photography

    The video for “Turn It Up” was directed by Josiahx, and features some members of the band and their friends. (Vanishing Sun fans will recognize a cameo by singer Zahyia.) The dancers don everything from traditional dance costumes to a panda suit. It was filmed at Arbor Loft in downtown Rochester, which fit the cleaned-up post-industrial vibe Pattengale was looking to achieve.

    As a concept album, ‘Second’ includes both songs and skits to tell a tale. Pettengale describes it as “an underdog story in which Redbeard Samurai works to liberate the people of Highstrung Falls from the shackles of propriety, conformity and mostly from the autocratic Chancellor who rules Highstrung Falls.” ‘Second’ is being mixed and mastered by Matt Ramerman of The Green Room. The release date will be announced soon. The album visuals were designed by Mexican artists Raul Urias and Moises Cordova.

    To stay current on upcoming events and album news, visit the website or follow Redbeard Samurai on Facebook and Instagram.

  • Premiere: Let’s Be Leonard release “Channel 2” video off ‘Static’

    Let’s Be Leonard has released the second video off their sophomore album Static, for the track “Channel 2.” The video features art design by Toni Nastasi and whimsically depicts the central focus as a love affair between Nick, and his mop-lover, Sally. “Channel 2” follows on the heels of “Most Days,” released earlier this summer.

    The band will release one more single prior to the release of the full film. The feature will be shown at intermissions during a three-day stint at The Barrelhouse in Saratoga Springs on October 11, 12 and 13. Let’s Be Leonard will also appear in Troy at River Street Pub for Troy Night Out on September 28 with Great Mutations and Better Pills.

  • Premiere: ponder releases new single “Fits the Scene”

    Ponder this – Buffalo alt-rock group ponder (small p) today premieres “Fits the Scene,” a groove-oriented, jazz and funk inspired song arranged over dozens of shows with different musicians of varying influences as ponder’s lineup was solidified. The Buffalo alt-rock group has been on a journey since their formation at SUNY Geneseo and have found a sound and lineup that has them on a track for success.

    “Fits the Scene” was originally slated to be released in mid-2017, but when ponder’s original drummer left the band, the song was placed on the back burner while the group decided what the fate of the band would be going forward. With hard work already put into the project and with much on the horizon for the band, Gabe Birkby (guitar/vocals) and Andy Hogan (bass/vocals) chose to rally and rapidly began recruiting as many musicians in the Buffalo area who they knew would help drive the band sonically.

    “Fits the Scene” is ponder’s first release since April 2017’s These Words and acts as a definitive statement of how they have re-invented themselves. “These Words was a hodgepodge of punk, blues, funk, and indie elements — we were more or less absorbing all of our childhood influences and throwing them all against the wall to see what stuck. This new tune builds on those earlier songs like fan favorites “Toast” and “Shot Down” said Hogan. Andy Fischer (trumpet) and Paul Sottnik (keys) are also featured on “Fits the Scene.”

    Ponder’s current line up is stronger than ever with Gabe and Andy with Marcus Peters (drums) and Sam Shafer (lead guitar) helping to launch the band into its next phase. Catch them this fall across New York:

    September 14: Nietzsche’s, Buffalo, NY, with Litz
    September 28: The Firehouse Saloon, Rochester, NY with Adventure Dog
    October 18: TBA
    October 19: CyberCafe West, Binghamton, NY
    October 20: The Black Oak Tavern, Oneonta, NY
    November 1: Buffalo Iron Works, Buffalo, NY with The Werks

  • Premiere: Carpool releases new single ‘Idaho’

    Western New York alternative punk band Carpool has released their debut single “Idaho.” The track is from the band’s upcoming EP I Think Everyone’s A Cop, which is scheduled for release on Sept. 13. Drawing influence from elements of shoegaze and emo, Carpool crafts songs characterized by catchy hooks, insightful lyrics, mathy guitar riffs, and a plethora of pedal effects. Singer/guitarist Chris Colasanto has the following to say about this song:

    ‘Idaho’ is a song about a place I’ve never been. This past year has really been a turning point in my life and has made me realize how slow moving and pathetic I was… Everyone around me was steadily growing up and moving on. It made me really wish I could just get up and go to somewhere unknown. But like everything else in life the grass is never greener on the other side.

    It’s about issues with your self image and self worth. It’s about wanting so badly to relapse into your old toxic self, but knowing that if you let it happen it’ll ruin you and possibly kill you. It’s about giving up on yourself and being who you need to be.

    Digital copies of I Think Everyone’s A Cop will be available Sept. 13. Physical copies will be available in October via Syracuse label Nothing Feels Good Records.

    I Think Everyone’s A Cop Track Listing:
    1. Cigarette Cough
    2. Another Song About Rachel
    3. Beauty School Dropout
    4. Local Joke
    5. Idaho
    6. Close Encounters
    7. I Think Me And Drake Would B Friends

  • Premiere: Black Mountain Symphony debut first single off “Peacetime”

    Black Mountain Symphony, a six-piece indie rock group from the Capital Region, today premieres “Walk to the Edge,” off their upcoming album Peacetime, due out June 2. Peacetime showcases the wide range of styles and influences that Black Mountain Symphony bring to their music, and is the first album with the current line up, representing three years’ worth of song writing and performance experience.

    Guitarist Chris Peppe shares some insight on “Walk to the Edge” and the arrangement of the song:

    “Walk to the Edge Is one of the songs that captures our unique sound and our take on music and songwriting. When people who haven’t heard us ask what kind of music we play, this song comes to mind as a prime example. Most of the music came from group songwriting sessions and jams. We liked the idea of a folksy sounding verse paired with a hard-hitting rock chorus. The music is dramatic. It’s melancholy but hopeful and has twists that draw you in. There are sharp dynamic shifts that keep you involved. We like to experiment with adding our own touch to different styles, but this tune has something we consider our own particular sound. It was one of the first songs we wrote together with the current line-up in 2015 after Paul Burke, on bass, and Jay Matthews, on drums, joined the band. We were all letting loose and finding ourselves in the mix and our individual talents really came through.”

    Black Mountain Symphony blend haunting violin melodies, prolific synth sounds and dance rhythms, and sprinkle sets with hand-picked covers from all over the musical spectrum. The rising artist most recently won NYS Music’s March Madness and have performed with several national rock icons including Rusted Root, Modest Mouse, Flaming Lips and Days of the New. Don’t miss their album release party on June 2 at Centre Street Pub in Schenectady.

  • Behind the Gear: Chris Duffy

    Chris Duffy is the bassist of Denver-based band the Magic Beans. Chris is one of the most well-respected bassists on the scene, as well as one of my favorites. If you listen to the Beans’ recent album, Casino Cabaret, you’ll hear Duffy’s bass prowess exemplified in songs such as “Inventor”, “Casino Cabaret”, “Mr. Scientist”, and my personal favorite, “Hanky Panky”. He knows how to keep a groove going! Check out some more of Chris’ playing in this Beans set from their Fox Theatre show last March.

    Bass

    Lakland 55-02 Deluxe
    Chris Duffy

    Amp

    Markbass Little Mark Tube 800 w/ Markbass Standard 104HF Front Ported Cabinet & 104RF Rear Ported Cabinet
    Chris Duffy

    Pedalboard

    Signal Chain: One Control Iguana Tail Loop MKII 5-channel Loop Switcher

    Loop 1: Boss OC-3 Octave

    Loop 2: Markbass Supersynth

    Loop 3: Source Audio Soundblox Bass Envelope Filter

    Loop 4: Moogerfooger MF-101 Lowpass Filter (w/ Moog EP-3 for Cutoff Frequency)

    Loop 5: Boss CEB-3 Bass Chorus > Earthquaker Devices Avalanche Run reverb/delayChris Duffy

    Interview

    Photo credit to Conor McMahon photography

    Behind the Gear: Did you take any inspiration from some of your favorite artists when you were building your current board? Who are some of your inspirations as a bass player?

    Chris Duffy: As far as bass players go, Dan Kurtz of The New Deal totally changed my approach to playing bass through pedals, specifically in a livetronica/dance setting. He is the master. When I saw his foot riding expression pedals for an entire show, some crucial things clicked. My use of a sub-octave/ distorted tone through the Moogerfoooger Low-Pass Filter is directly inspired by Dan. No one manipulates their live bass tone so freely on this scene. Except, ya know, Squarepusher (laughs). THAT dude is a mad scientist. As far as I can tell, his current pedal board is some obscene number of expression pedals controlling a few rack-mounted effects processors.

    If you or anyone reading knows the details on Squarepusher’s rig, please let me know, it’s fascinating. Or Dan Kurtz’s, for that matter. What a bunch of hyenas. I’ve only been interested in Squarepusher’s rig since seeing Shobaleader One videos a year or two ago, but Dan Kurtz has been influencing me since I was 16. Growing up listening to and emulating Flea means I’ll always have some envelope filters in my rig. The Source Audio is nice because it can save 6 settings, which I’m always experimenting with. It replaced my Pigtronix EP-1 Envelope Phaser, which I got after working a Turkuaz wedding and talking with Taylor Shell. I really need to fix that pedal, it’s the tits. I wish it was smaller!

    BTG: What is the one pedal on your board you couldn’t live without?

    CD: Definitely the Moogerfooger MF-101 Low-Pass Filter. I use that pedal on literally every jam the Beans go into. I probably over use it, but whatever. It gets me fired up, and that’s important in a jam band, since the flow of energy between the artists and the crowd is so fluid and tangible. If you’re having fun, they’re having fun, and vice-versa. I want to add more expression pedals for it. That’s the great thing about Moogerfoogers, you can control almost every knob on the thing with a designated expression pedal. In a perfect world I’d have four or five on my board, but that takes up so much room. Right now I only have the one controlling the filter cutoff frequency. In the future though… I’ll be Squarepusher!

    BTG: What are some of your favorite pedal combinations to play with?

    CD: Octave through envelope filter sounds are always fun. I’ve been loving the Markbass Synth through the MF-101. Throw some delay on that and suddenly I’m an EDM producer. Speaking of delay, I’m working on a sustained lead tone for taking melodic solos higher on the neck. Some sort of compression/distortion pedal that I have yet to find, through the MF-101, into the Avalanche Run, maybe some chorus. The Avalanche Run is a perfect delay/reverb for bass. That tone knob keeps things from getting too muddy. God I love that pedal.

    BTG: Do you remember the first time you were exposed to the use of effects pedals?

    CD: Flea’s tone on the “Around the World” intro led me to buy my first pedal, a Boss overdrive. Then I got into jam bands, Kurtz, Brownie, Ryan Stasik, Mike Gordon; I started copying everything those guys were doing. As I said, The New Deal changed everything.

    BTG: What drove you to pick a Lakland to use as your main bass?

    CD: Ryan Stasik of Umphrey’s McGee. It’s a Skyline 55-02 Deluxe that I bought new in 2006 without even trying one, just because I loved Stasik so much. I’m lucky that they sound so punchy and play perfectly, or else I would have been f***ed! Laklands are the truth. But don’t be like teenage Duff. Play before you buy!

    BTG: Who are some of your favorite contemporaries on the scene currently?

    CD: Man, there are so many great players out there. On the Denver scene, Tim Philpott has got to be my favorite. Everything he plays is so in the pocket and seems well thought out, yet he stays creative and interesting. Another killin’ Denver homie is Tucker McClung, who is simply fearless and slaps like a mothertucker. On the bigger picture, Richard Bona really gets my blood pumping when I hear him. His Jaco-like pocket 16ths are so bouncy and energetic, it makes me run and pick up my bass and start running syncopated afro-beat rhythms to a click. His playing with the Joe Zawinul syndicate makes me want to do laps around the house. Who else, Thundercat of course. I listen to a lot of techno and house DJ sets, lots of the Boiler Room videos get me going, especially people like Solumun and other folks on the Diynamic label. On the jam scene, there’s just so much talent. It’s like with every note you can hear people sorting through all the amazing stuff they see on the internet, and we’re all just mushing it into some ever-developing Mother-Groove. I guess thats what music is now, right?

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