Phish frontman Trey Anastasio brought his solo acoustic tour through Ithaca this past Friday night. Trey combined story telling with many of the songs, including stories about Phish shows in Ithaca in the late 80s and early 90s. Download the show here.
SET 1: Prince Caspian [1], NICU[1], Theme From the Bottom[1], Rise/Come Together[2], Ghost[1], The Wedge[1], AC/DC Bag[1], Light[2], The Inlaw Josie Wales[1], Dog Faced Boy[1], Sleep[1], Ocelot[2], Summer of ’89[1], Twist[1], Sand[2], Fuego[2]
ENCORE: Carini[1], Wilson[1]
[1] Trey solo acoustic. [2] Trey solo acoustic debut.
In baseball, one of the most effective tools in a pitcher’s arsenal is to throw a pitch the batter isn’t expecting. Kansas City resident and unabashed Royals baseball fan Samantha Fish was equally effective in keeping a Syracuse audience guessing what was coming next by throwing a variety of aural curveballs at them during her performance on February 9 at the Westcott Theater.
A blustery winter evening saw over two hundred music fans turn out at the Westcott Theater in Syracuse, New York for a double bill of Judge Gazza and headliner Samantha Fish. Both of these artists held surprises for anyone expecting straight ahead blues music. Gazza is a ubiquitous presence at Central New York live music events, supporting his fellow artists and promoting future shows. A burly, barrel-chested man with some prominent chin whiskers, he opened the show accompanied by Joel Reissig on drums. Gazza played slide and finger-picking style on a colorful folk art style cigar box guitar decorated with his name on the fretboard. His vocals were a gruff, gravel-throated sound that took some getting used to, but fit well with a number of the more aggressive tunes in a spectrum that drew from from Mississippi hill country blues to punk rock. Overall, his set was reminiscent of everything from Social Distortion and the White Stripes to Sleepy John Estes and R. L. Burnside, whose “Poor Black Mattie” was covered by Gazza.
Samantha Fish has built a reputation as a popular festival act touring for nearly a decade as a blues trio, with a large slice of cigar-box slide guitar playing of her own. Her latest album and her latest touring band are a decided sonic shift from many of her previous recordings and performances, more roots rock than blues. That may have been unexpected for some attendees anticipating only her older repertoire. Fortunately, Fish’s guitar skills, vocals, and the dense layers of sound that her five piece backing band added were enthusiastically received by the vast majority. Her songs had elements of soul, gospel, country, and Americana, and she was sure to show off her guitar chops on the more blues-tinged numbers, as well as on a roaring cover of the Rolling Stones’ “Heartbreaker.” The variety of styles and sounds kept Fish’s guitar tech busy, frequently changing between an offset Telecaster, Fender Jaguar, Gibson SG, Taylor acoustic, and a gorgeous custom Delaney guitar, before making her way to a cigar box guitar for a second encore.
Among the highlights were the beautiful, plaintive “Need You More,” and the infectious “Somebody’s Always Trying,” accented by the punch of Alex Massa on trumpet, Chris Spies on saxophone and the driving beat of Scott Graves on drums that had dozens of folks up and dancing. Rounding out the band were Chris Alexander on bass guitar and Phil Breen on keyboards.
Fish’s set consisted primarily of songs from her two most recent recordings, Chills and Fever, and her latest, Belle of the West, both on Ruf Records. Each of these 2017 releases have received prominent critical acclaim. The former was named in NY Times music critic Jon Caramanica’s Best of 2017 list. Regarding the latter, Rolling Stone, despite calling Fish a country artist, said, “it sounds like the intersection of coffee-shop folk and juke-joint blues, performed in a sophisticated jazz club.” A broad but apt description, as Fish would likely appeal to fans of artists as diverse as the retro sounds of Duffy or Amy Winehouse, the alt-country of Maria McKee and Lone Justice, to the blues and soul of the Tedeschi Trucks Band. Perhaps most remarkably, Fish now has five studio albums to her name, thousands of performances, international acclaim, and is not yet thirty years old. The future is bright for the Kansas City-based artist, and you should be part of it the next time she’s playing nearby.
Judge Gazza Setlist: Nobody’s Fault But Mine, Going to Brownsville, Jelly Roll, Black Mattie, Bunny Foo Foo, Up Da Punx, Amen, Black Betty, Rollin’ & Tumblin’, Dirty Get Down, You Gotta Move> Nobody’s Fault But Mine
Samantha Fish Setlist: Hello Stranger, American Dream, Blood in the Water, You Can’t Go, Chills and Fever, Little Baby, Don’t Say You Love Me, Need You More, No Angels, Somebody’s Always Trying, Belle of the West, Gone for Good, Nearer to You, Cowtown, Daughters> Heartbreaker
On January 15, dace-pop trio YACHT took the stage in front of an uncharacteristically enthusiastic crowd of Monday-nighters at The Great Scott in Boston, MA. The show began with an ominous tome from a synthesizer and a short recorded monologue before lead singer Claire L. Evans shot across the stage and smashed any early expectations of a quiet evening to pieces.
However, before YACHT got down with everybody, local R&B man Ed Balloon and his band got the small bar up to speed with a buoyant and athletic performance. Before his final number, Ed taught the audience some crowd harmonies, “she’ll be poppin’ it, poppin’ it,” that got most everyone moving and singing along.
YACHT’s opening number of the evening, “Night Crawler,” was a distinctive and undulating track that seemed to also be a crowd favorite. The track had danceability, but it had clear punk roots, especially sung in Claire’s sassy and dramatic vocals. With the second track, “Trap Karaoke,” Claire took a step down from the stage to join the crowd on their level and even offered the microphone to some of the hardcore fans who were singing along with every word.
The rest of YACHT’s performance bounded up and down with strong synth leads, consistent four to the floor beats and a powerful vocal performance from Claire. Jona Becholt, the groups founder, spent most of his time behind the synthesizer and trigger pads with Rob Kieswetter, but he made the occasional dive to the front with a microphone in hand to back up Claire. At times the songs blended together, but overall, there was a a consistent ebb and flow to the performance.
What the music lacked in variability, Claire made up for with her wild performance, theatrics with the band, and her powerful comments including calls of, “Femininity is a a prison and we all know it!” and “The apocalypse is coming, it’s not a question of if at this point, it’s only a question of when!” to which the crowd shouted back their approval. The show proved to be a point of true levity for the fans to begin their weeks with.
Michal Menert wanted to have a party in Denver, Colorado, so he invited a few of his friends to come rock out at the Fillmore. His “Big Band,” The Pretty Fantastics, is a compilation of incredible musicians that accompanied him the night of January 26. And when he says big band, he means it. With horns sections, a cellist, violinist, drummer, DJ, and a backup singer/ keys player, the possibilities were endless.
The lineup for the night was packed. With openers Elliot Lipp, Dynohunter, and Late Night Radio, they got the night started off right. The energy was high right out of the gate, and you could feel the crowd surging. The bill included another heavy hitter, Breaking Biscuits, a mashup of jam-legends, The Disco Biscuits, and electro-funk greats, Break Science. The super group made their debut at Brooklyn Comes Alive back in 2016, and fans have eagerly awaited their return.
Breaking Biscuits began their set on a mile-high note, not letting the crowd forget who was on stage. With covers of RJD2’s “The Horror” and Daft Punk’s “Robot Rock,” the quartet blew the roof off the Fillmore. They were on fire and you could see it in their eyes. After Breaking Biscuits was done throttling the Denver crowd, Dynohunter rocked out a quick intermission set from the soundboard while the plethora of gear and instruments were brought out for The Pretty Fantastics, and the ceiling was reattached.
Michal Menert is not only a very talented producer, but also an incredible guitarist and singer, and his big, massive, gigantically talented band touched all genres. Menert even gave Break Science a nod as he played a couple songs they co-produced together on their EP, Twilight Frequency. Between the horns, strings, and the heavy, heavy bass, you could say they were more than “pretty fantastic.”
Trey Anastasio kicked off a nine-night solo acoustic tour at the Mayo Performing Arts Center in Morristown New Jersey on February 8. He performed to a capacity crowd of 1,302 people. Just for perspective, MSG holds 20,789 people. That’s right around 16 times smaller than the room we all just saw him play in 17 times last year. 2018 is starting off a bit more intimate. The audience shared in a bit of back and forth with Anastasio, “If you sing it I’ll Play It,” Trey told fans as they were coaxing out a “Sleeping Monkey”. That then inspired Trey to challenge the crowd to a “Limb By Limb”. “… But can you do this one?”, he laughed. They could, as both songs feature the audience singing the vocal parts normally done by Page.
As he has been known to do, Anastasio also took time between songs to share stories and engage the audience. Storytime with Trey. He covered topics ranging from pregnant cow’s milk to the tongue-eating louse, killer of fish. We also heard the tale of poor young Payton Hooten getting lost at his first concert. Don’t worry Trey talked to his mom on the phone, and reunited him with his friends. Trey also took the opportunity to share about the loss of his lifelong friend to cancer, and debut a song he wrote during the experience. He went on to describe the Portuguese emotion of “Saudade” just before he began playing, although the song was not officially named at the time.
Trey Anastasio continues his acoustic tour tonight in Ithaca at the State Theatre.
Setlist: Blaze On, Backwards Down The Number Line, Miss You, Strange Design, 20 Years Later, Wolfman’s Brother, Everything’s Right, The Inlaw Josie Wales, Sleeping Monkey, Limb By Limb, Waste, “Saudade”^, Bathtub Gin> Chalkdust Torture> Back On The Train
Encore: Bouncing Around The Room, Push On Til The Day*, More
^ First Time Played, Original- In honor of CCott
*Unfinished- Played up to “…Pete threw a bomb and rang the pole…” then stopped to tell the story of that lyric
Dream Theater returned to their hometown for a packed house at The Beacon Theatre on Manhattan’s Upper West Side on November 16. The evening with Dream Theater was a full show put on by themselves; no opening act was needed.
Dream Theater’s last NYC show was at Radio City Music Hall in Spring 2016 where they told the story behind concept album The Astonishing from start to finish (and purely material from that album). This time around they once again presented an album in its entirety padded by some other compositions from their 30+ year career.
The first set took the Beacon through Dream Theater’s catalog starting on a hard note with “The Dark Eternal Night” before wandering through more progressive melodies and riffs from Jordan Rudess and John Petrucci. Mid-way through the first set, bassist John Myung paid tribute to one of his biggest influences, the late Jaco Pastorius, with a solo bass cover of “Portrait of Tracy.” Aside from this tribute, the band didn’t fail to tip their hat to one of their major influences and inspirations, Geddy Lee and Rush, sneaking in a tease of Rush’s “Cygnus X-1” at the tail end of the second set.
Images and Words took the limelight for the second set as Dream Theater’s tour marked the 25th anniversary of that album. Firing through the album on stage with the anticipated skill and precision of a Dream Theater performance was far from any sort of let-down. While singer James LaBrie stepped aside a few times, each of the members had more chances to show their solo chops and expand a bit upon the original studio recordings. The presentation of Images and Words in its entirety had a true classic Dream Theater appeal and was enthusiastically enjoyed by the crowd.
With just a short break before the encore, Dream Theater came back to play the entire seven-part “A Change of Seasons” off of the EP of the same name serving as a treat to the band’s fans similar to Rush playing “2112” as an encore. It was well-suited for the theme of the night given that “A Change of Seasons” was originally slated to appear on Images and Words before getting bumped to its own EP.
Dream Theater’s performances over the past few years, even through the change of drummers from Mike Portnoy to Mike Mangini, have continued to impress, if not gotten better. For this progressive metal band, the best of times may still be yet to come.
Setlist
Set 1: The Dark Eternal Night, The Bigger Picture, Hell’s Kitchen, To Live Forever, Portrait of Tracy (Jaco Pastorius cover), As I Am, Breaking All Illusions
Set 2 (Images & Words): Pull Me Under, Another Day, Take the Time, Surrounded. Metropolis Pt. 1: The Miracle and the Sleeper, Under a Glass Moon, Wait for Sleep, Learning to Live
After a 7-month break due to bass player Rob Derhak’s battle with cancer, Buffalo rockers moe returned to the Capitol Theatre in Port Chester, New York to deliver two sold out shows on February 2nd and 3rd. Their first shows with the full lineup since July featured a variety of fan favorites as well as four brand new songs from four of the five band members. The first night featured an opening act, with the high-energy funk outfit Kung Fu properly warming up the crowd for the main event.
After a brief word of thanks from a very emotional Rob, the band wasted little time diving into the flagship “Rebubula,” Rob’s anthemic ode to his wife, Rebecca. They quickly transitioned into the funky “Akimbo” which featured a slap-happy bass interlude that made the hungry crowd explode. This was followed by the twangy, energetic “32 Things” and then a brand new song titled “What Can I Say,” written by guitarist Al Schnier. “What Can I Say” was originally debuted earlier in the week during the band’s pre-show webcast, though this was the first time the song had been played in a live setting. Fans then belted out the opening lines to the fan-favorite “Spine of a Dog” which was followed immediately by “Plane Crash,” which felt particularly deserved, with Rob screaming the words “I don’t wanna die” at the end of the final chorus at the top of his lungs.
Set 2 started off with a bang with the Pink Floyd-inspired “Silver Sun” and then Rob was able to showcase his brand new tune, “LL3” which he wrote in transit to his chemotherapy treatments. “LL3” already shows great potential as a jam vehicle, and will probably appear on the new album that the band is cooking up. The rest of Set 2 was a continuous battery of rock and roll as they interweaved “Moth,” “Captain America,” the instrumental “Hector’s Pillow,” the legendary “meat.” and finally closed with the end of “Moth,” completing a sandwich that took up the majority of the second half of the show. Guitarist Chuck Garvey then led the band in an encore rendition of “Wind it Up,” that had the entire audience collectively singing the lines “Be on my side, I’ll be on your side” with the band.
A veritable army of excitable moe.rons showed back up to the scenic Capitol Theatre for Round 2 on Saturday, for a performance that was somehow even better than the previous night, this time with no supporting act. It was a night of pure moe. and once again the crowd was deafening when a happy and healthy looking Rob Derhak took the stage.
The band opened with the crowd-pleasing “Okayalright,” which segued smoothly into “Not Coming Down,” once again showcasing Rob’s bass skills. This was followed by the entrancing instrumental “Wormwood,” which then seemlessly transitioned into the slide guitar-heavy intro to “St. Augustine.” Next, percussionist and multi-instrumentalist debuted his new song, the dark and moody “I Can Never Remember,” which he sang with his signature rasp. This was followed by the short and pleasant Chuck Garvey tune “All Roads Lead to Home.” After “All Roads” came “Opium,” and Rob showed how well his voice has healed, demonstrating his impressive vocal range. The first set closed out with a monstrous version of the jam beast, “Recreational Chemistry” before they took a short set break.
Set 2 started with a powerful rendition of “Brent Black” which featured not one or two, but three bass solos from a smiling, enthusiastic Rob as well as a fearsome drum-off between Jim Loughlin and drummer Vinnie Amico. Afterwards, Al Schnier led the band in a spirited version of “Mexico,” telling the story of his tumultuous 21st birthday. This was followed by “Timmy Tucker,” once again proving that Rob still has his vocal chops. Chuck Garvey then debuted his newest song, “New Hope for the New Year,” which definitely shows great promise for future shows and the new album in the works. The rest of the set was vintage, heavy, dark, creepy, spacey moe. as they played “Yodelittle” into the high energy protest song “George,” back into “Yodelittle” and then into the sing-a-long “Buster,” every moe.ron’s favorite song about a flying pig. They encored with “Nebraska,” complete with a ripping talk-box solo from Garvey, and finally the hard-hitting “Annihilation Blues” to cap off the back-to-back performances.
moe. proved this past weekend that they are far from done, and after Rob’s recent cancer scare and recovery, he is clearly eager to please his fans and write new music. The historic Capitol Theatre projected a series of images of Rob from different stages of his career throughout the shows, and moe. brought an anxious crowd to their knees. Once again, it’s so good to have you back Rob. We hope for many, many more years of music and laughter from you.
February 2 Setlist
Set 1: Rebubula > Akimbo, 32 Things, What Can I Say (FTP), Spine of a Dog > Plane Crash.
Set 2: Silver Sun, LL3 (FTP), Moth > Captain America > Hector’s Pillow > Moth > meat. > Moth
Encore: Wind it Up
February 3 Setlist
Set 1: Okayalright > Not Coming Down > Wormwood > St. Augustine, I Can Never Remember (FTP), All Roads Lead To Home, Opium, Recreational Chemistry
Set 2: Brent Black, Mexico, Timmy Tucker, New Hope for the New Year (FTP), Yodelittle > George > Yodelittle > Buster
The nine-piece funk group Turkuaz played the Cohoes Music Hall in Cohoes, NY Wednesday January 31. This was the group’s first time playing in Cohoes and managed to leave a great impression. No matter if it was your first or tenth time seeing Turkuaz, there was a song for everyone. Just a couple songs into their set, the group played “Mountain,” one of their signatures songs with a long dramatic pause keeping the crowd on their toes.
Throughout the whole show the energy stayed consistantly high. Turkuaz ended the set with “Monkey Fingers.” Lead guitarist Craig Brodhead and Sax player Josh Schwartz traded off solos pushing the song to its limits.
Setlist: Typa-Lika, Mountain, M’Lady, Nightswimming, Snap, Crypto, Fall Asleep, Famous, Holy Ghost, On the Run, 20 Dollar, Slippery People, Habitat, noise, Percy, The Rules, Coast, Don’t Do It, Monkey Fingers
It was a great night of local music on Saturday, January 27 as The Crimson Tips, The Hard Luck Souls, and Iüdica took over the Low Beat in Albany for a very special benefit to help kids diagnosed with cancer. Admission to the event was free and the participating bands only asked that attendees donate a small toy or provide a financial contribution to the not for profit Rosie’s Love Foundation.
Rosie’s Love Foundation was formed after the death of it’s namesake, two-year-old Rosemary Frances Johnson, who passed away after a valiant battle with neuroblastoma. Her family wanted to give something back for all the love Rosie received while being treated for her illness at Albany Medical Center. The foundation provides fun activities and toys for children receiving in-patient cancer treatment and offers various types of assistance to those children’s family members.
First up in the line up was Lake George based Iüdica. The roster of the band includes Brian Michael Rhythm on guitar/vocals, Chris Walker on bass/vocal, Nate Fidd on percussion, and Thom Grover on lead guitar. The group came out strong with a rendition of “Arty” a hard rock in your face number that set the tone of the show. The highlight of the set was the band’s rendition of “Circuits,” which is featured on their 2017 EP Brain Carvings. Iüdica went on to play their new release “Lipstick, Black Dress” which is slated to be released later this year. Lead singer and guitarist Brian Michael lost his guitar strap during the song and while trying to keep the number rolling, wound up whipping off his glasses, which landed on the stage. He was able to keep the pace and when asked about the incident after the show he stated “well that’s rock and roll.”
The Hard Luck Souls were next up on the bill and they came out swinging with “I Never” the second track off of their 2017 release Closer To The Flame. The Souls are a tight unit with front-man Chris Itani commanding the stage like a seasoned veteran. The song’s lyrics describe the end to a messy relationship and paired with the excellent guitar work of Brian Gentile, perfectly represents the hard rock vibe of the four man group. The highlight of the Soul’s set was “Get Back,” a fast paced number reminiscent of The Stone Temple Pilots. The crunchy tune showcased the prowess of the band’s rhythm section which features Dave Smassanow on bass and Mark Schmidt on drums. Deep into their set the Souls treated the audience by performing the band’s newly minted single “Keep On Running.”The number has only been played out live by the boys a few times and was received enthusiastically by the crowd. The Hard Luck Souls finished their portion of the evening strong with high energy renditions of 90’s classics “Nice Shot” by Filter and Soundgarden’s “Outshined.”
The Rock and Roll fund raiser was capped off when the event’s organizers, The Crimson Tips, took the stage. The hard rock outfit is a family affair with Lance Valderrama on guitar/vocal, his son Kyle Valderrama on bass/vocal, and Lance’s cousin John Nicotina on drums/vocals. Lance started the show by thanking everyone for coming out and supporting Rosie’s Love and dedicated the show to his good friend Walter, who is currently battling with fourth stage cancer. He said that the band wanted to do more for shows for charities in the Capital Region in order to give back to their community. The Tips then went into their first number “Please Help Me” off of their 2016 LP Sludge Train. The tune got off to a rocky start due to sound problems which cut off the vocals of drummer John Nicotina. The problem was quickly resolved and the band kept playing through the difficulties. The boys produce tremendous sound for a trio and with pieces like “Let Her Bark” and “Same Shit Different Day,” The Crimson Tips gritty sound hearkens back to the late 80’s NYC punk scene. The Crimson Tips ended their performance with a blistering performance of “I Just Caught You Looking,” a song that is about when someone can’t let go of a failed relationship and becomes a stalker.
Overall the fundraiser at the Low Beat was a success. It was a great lineup of local talent and the bands were able to collect a sizable amount of donations in toys and some much needed money for Rosie’s Love. These tokens of goodwill will hopefully bring a little joy into the lives of some kids who are going through a really tough time.
Setlists:
Iüdica: Arty, Ghosts, Watching, Circuits, Brain Carvings, Lipstick Black Dress, B side Love, Chocolate And Parsley
Hard Luck Souls: I Never, Hold On, Can’t Be True, Izzy’s Thunder, Feels Like Forever, Let My People Go, Way Down Low, In My Head, Fly Away, Get Back, Nice Shot, Better Keep Running, Outshined
Crimson Tips: Please Help Me, Better For You, Let Her Bark, Liar, Sunday Morning, Bleed Me, She Moves, Just A Girl, Freedom, I Won’t Be There, Goodbye, So Low, Hold On, Same Shit Different Day, I Just Caught You Looking
For Honest Folk’s first show of 2018, and their 10th show ever, they brought David Wax Museum, who themselves are celebrating their 10th year as a band. As they’ve made their way around the country, carting along their two kids, eating their kale and kimchi salads in parks or Wendy’s/Gas Station hybrids, they’ve made friendships at show stops along the way, with years separating meaningful contacts. On their drive to Rochester, with the cold and snow blustering in, they wondered if it was such a good idea to visit in January. But they remembered, people need the sense of community and warmth an intimate concert would bring, now more than ever. Right they were.
On a different stage. in a different place, the President was celebrating his first year in office with his State of the Union. David Wax and his wife Suz Slezak, traveling as just a duo for this tour, presented their audience with a different vision of reality. While one was promising walls and deportations, this couple were breaking down barriers and blending cultures. Inspired by an early introduction to Buena Vista Social Club and collaborations with a musically-gifted Paraguayan exchange student, Wax travelled to Mexico where he learned their music and absorbed their culture. He developed a unique sound blending traditional Mexican and American folk music.
Wax and Slezak blended the sounds of guitar, ukulele, fiddle, accordion with traditional Mexican percussion by way of a donkey’s jawbone and a tarima, a small wooden stage to stomp on. The diversity of the instrumentation provided plenty of different flavors throughout the show. On the gentle and moving “Wondrous Love,” Slezak plucked out an echoey melody on her fiddle reminiscent of Andrew Bird. They sang into a single mic on “Turn This Love Around,” which built up, finishing with a gorgeous mesh of guitar, fiddle, vocals and stomping.
In the studio, the band would warm up by playing traditional Mexican folk songs. They shared a couple of them during the evening, including “El Toro Zacamandu,” a song Wax first heard in an ice cream parlor in Missouri of all places. They plan to record another album this year, and also introduced a pair of the new songs that will probably make it, “Line of Light” and “Be Patient.” With those as a sampling, it appears the future of their union continues to be bright.
In a Democracy, citizens are offered the opportunity to participate in the process. The same was true during this concert. During “Yes, Maria, Yes,” the audience was split into two sides down the middle. One side stood and sang, “Yes, Maria, Yes,” while the other stood and sang, “No, Maria, No” in quick succession, up and down and back and forth like a good congressional debate. In a more immersive bit of participation, the crowd was asked to close their eyes during “Every Time Katie” to experience a ‘concert in the blind’. Wax and Slezak walked through the room, playing guitar and bells, providing an intimate surround-sound moment of calm and beauty. A rare feat in this day and age.
Why did the band drive to Rochester in the dead of winter? Because they trusted in the integrity and vitality of the Honest Folk music series, of which they were happy to be a part. A full house of attentive music lovers certainly made it worth their while. And they promised to be back, hoping to bring their full band back to Monty’s Krown, the first place they ever played in town way back when.
As with all Honest Folk shows, there were also tangible answers to the state of our union. On the environmental front, Impact Earth was on hand to help make it a zero-waste event. And 10% of the concert’s proceeds were donated to The Center for Youth, whose Executive Director, Elaine Spaull, spoke about the center’s mission to provide a safe space for LGBTQ youth.
Setlist:
Set 1: Singing to Me, Don’t Lose Heart, El Ahualulco, Line of Light, Wondrous Love, Harder Before It Get’s Easier, At Least I Tried, Yes Maria Yes
Set 2: The Least I Can Do, ?, Turn This Love Around, Be Patient, El Toro Zacamandu, Every Time Katie, Unfruitful, Guesthouse
A blustery winter evening saw over two hundred music fans turn out at the Westcott Theater in Syracuse, New York for a double bill of Judge Gazza and headliner Samantha Fish. Both of these artists held surprises for anyone expecting straight ahead blues music. Gazza is a ubiquitous presence at Central New York live music events, supporting his fellow artists and promoting 
Throughout the whole show the energy stayed consistantly high. Turkuaz ended the set with “Monkey Fingers.” Lead guitarist Craig Brodhead and Sax player Josh Schwartz traded off solos pushing the song to its limits.
Setlist: Typa-Lika, Mountain, M’Lady, Nightswimming, Snap, Crypto, Fall Asleep, Famous, Holy Ghost, On the Run, 20 Dollar, Slippery People, Habitat, noise, Percy, The Rules, Coast, Don’t Do It, Monkey Fingers
