Category: Features

  • Premiere: Watch “VHS” from synth-pop group Founding Fathers

    Cincinnati synth-pop outfit, Founding Fathers, today debut their new video for “VHS,” a track from their latest album, Mating Rites. The retro feel of the video will immediately bring you back to the early days of MTV, when music videos were nascent and MTV actually played videos.

    With a blend of synth-rock, funk, dance, and new wave, “VHS” is both an infectious composition and accompanying video. The band chose “VHS” for their video because of its upbeat and catchy nature, and gives a strong representation of their current sound, per Eric Johnson, guitarist of Founding Fathers.

    The refrain “Pop me in like a VHS cassette, I wanna relive this moment again” has a Devo-esque quality to it and coupled with rustic blue screens for their effects, you’re getting a rough feel of what music videos had in store in the mid-80s. For 2018, this is a throwback video that hits all the right notes: a catchy tune, a poppy synth beat and four guys in purple who clearly loved making this video.

    Founding Fathers vocalist and bassist, Mahoney (Matt Chmielewski) came up with the initial concept to capture the spirit of 80’s public access music videos.  “It became a really appealing idea because we were able to do something visually entertaining, yet have an element of self-awareness and weirdness. It exacerbates the motif of over-using low budget video effects in public access videos,” said Johnson.

    “VHS’ was produced by Mark Borison (The Mark) and Holland Rains of Local Favorite Productions. Catch Founding Fathers this month in Buffalo on Saturday, May 20 at Mohawk Place and in Manhattan on Wednesday May 23 at Bowery Electric. Listen to recent release Mating Rites below.

  • Brandi Carlile Wrestled with Loss to Bring Back Joy at The Palace

    If you were seeking a little bit of country, a touch of rock, some moments reminiscent of church hymns and Irish music, and a whole lot of honesty, the Palace Theatre was the right place to be Sunday night. Brandi Carlile, with special guests Secret Sisters, filled the Palace Theatre with over 2,000 guests to hear authentic harmonies and sometimes almost “too honest to bear” lyrics that offered redemption, forgiveness and even joy.

    Brandi Carlile

    Secret Sisters Laura and Lydia opened the night with the promise that their music was primarily filled with sadness, and noted they were going to “wrestle joy away” from audience members with their harmonies. Their deadpan humor and teasing of one another juxtapositioned their swampy songs of longing perfectly. From Muscle Shoals, Grammy-nominated Laura Rogers and Lydia Slagle sang about loves lost, mistakes made and poor choices, mostly in minor keys. The women acknowledged the normalcy of loving the wrong person as both human and worth growing through. The sisters joked about how Laura named her previous lover in “He’s Fine,” bringing laughter when the sisters sang his name in the actual song.

    Secret Sisters was so welcomed by the audience that it was easy to forget they were just the opening act. Their easy rapport with the crowd, combined with the women’s amazingly clear vocals and Everly Brothers-like harmonies, struck a strong chord with the audience. The sisters closed with “You Don’t Own Me Anymore,” an original song with a nod in the bridge to Lesley Gore’s 1963 tune “You Don’t Own Me.” The audience responded with a standing ovation.

    The silent stage washed in purple lights opened up with a string trio joined by a French horn, teasing melodies from Brandi Carlile’s new album, By The Way, I Forgive You. The crowd cheered these classical musicians as they welcomed Brandi Carlile on stage with twin brothers Phil and Tim Hanseroth. Playing their most popular radio tune first thing, audience members had to notice: this was confidence. What would be left for the rest of the night?

    Brandi Carlile answered any doubts and questions immediately with her high energy jumping across the stage through 17 years of music. The band could play a Crosby, Stills and Nash sound and then jump into a more rock sound, alternating and enjoying the variety. This was true talent.

    Brandi Carlile

    The band’s newest album is full of hard songs to sing. Lyrics about loss, forgiveness, parenthood and survivorship didn’t sugar coat a moment. Two particular pieces, “Sugartooth” and “Fulton County Jane Doe,” touched upon the drug epidemic and violence against women. “The Joke” is a social advocacy song pushing people to be fearless in whom they are. And “The Mother” authentically tackled the normative ambivalence of becoming a parent.

    The twins and Brandi sang an unplugged acoustic version of “Cannonball” to its audience after declaring the Palace “a singing room.” The band members’ strongest pipes are clearly shared among the three vocalists; all three could fill the hall with equal harmony. If you closed your eyes, you could mistakenly believe you were in church. The screaming fans, of course, would ground you back to the theater.Brandi Carlile

    Sounding of country, rock and folk music, Brandi Carlile’s diversity and range was showing. And she was clearly having fun, jumping around the stage like a teen and sharing stories that charmed about her children. She even introduced her four-year-old daughter Evangeline to the audience, who waved and said, “Thank you Albany.”

    And just when you thought they had done everything possible, Brandi Carlile covered the Led Zeppelin tune “Babe, I’m Gonna Leave You” in quite possibly the sexiest and most compelling song of the evening. Brandi’s achingly gorgeous voice as she leaned into her vocals was a reminder: this band can do whatever it chooses to do.

    And it does. Brandi Carlile chose to make us cry and remember past loves. They reminded us to forgive our parents and love them regardless of faults. They cued listeners to be social activists who encouraged acts of goodwill. Brandi Carlile took the Albany audience on a very human journey Sunday night. With a diversity of style and sound, and generosity to include their opener in their later acts, Brandi Carlile wrestled with loss and pulled it away from Albany, leaving pure joy in its place.

    Setlist: Every Time I Hear That Song, Raise Hell, Harder to Forgive, The Eye, The Mother, The Joke, Have You Ever, Sugartooth, Mainstream Kid, Fulton County Jane Doe, Cannonball (front of stage, off mic), Most of All , Babe, I’m Gonna Leave You (Led Zeppelin cover), Secret Sisters song “Mississippi”, The Story, Whatever You Do, Party of One

    Encore: Hold Out Your Hand, Amazing Grace

  • Little Steven and the Disciples of Soul Bring Spiritual Nourishment to the Palace

    Little Steven and the Disciples of Soul brought a crowd of 900 to church on Friday, May 4. The full band of 14, including 5 horns, 2 pianos, 2 percussionists, 1 guitar, 1 bass and 3 back up singers, were joined on stage by Little Steven a little after 8 pm.  As the wall of sound overtook the Palace, it became immediately clear that the crowd was about to get some soul nourishment through old-fashioned big band live music.

    Little Steven spoke to the crowd repeatedly through the concert, asking initially if the crowd liked “good music” as he pointed out dancing, head bobbing fans in the seats. As the band roared through their set list, memories of Little Steven’s history playing in the E Street Band and with Southside Johnny flooded the theatre. The top-notch musicians created chord progression after chord progression of satisfying sound, filling the space with covers and new songs alike and bringing the audience to a fevered pitch of joy.

    Ever the entertainer, Little Steven was in constant motion. Between removing his trench coat, pointing to band members to cue them to take solos, and dancing with his fans, the star powered his way through five songs before taking a break and instructing his audience to “sit and relax” too. He announced the release of the group’s live album and dedicated the night to the teaching profession, noting, “It is time to give them the respect due.” He added he probably should also dedicate it to those teachers he gave a hard time to in school, which drew laughter from the agreeable crowd.

    Steven graciously shared his stage and highlighted talent within his band, giving ample opportunities to each section for solos and audience applause. Generous and joyful, Steven reflected on how live music can nourish your soul.  “The world’s going crazy out there,” he mused, “ We need to gather in cathedrals like this to remember our common ground.”

    Soul music was the common ground for this band, and as they gave nods to Motown and Springsteen alike, they shared high-intensity energy and love for their craft.  They brought the audience with them; with hands clapping and the crowd jumping, as a frenzy of lights and a wall of music lifted spirits and grounded souls in Albany.

    Setlist: Sweet Soul Music (Arthur Conley cover), Soulfire (The Breakers cover), I’m Coming Back (Southside Johnny & The Asbury Jukes cover), The Blues Is My Business (Etta James cover), Love on the Wrong Side of Town (Southside Johnny & The Asbury Jukes cover),  Until the Good Is Gone, Angel Eyes, Some Things Just Don’t Change (Southside Johnny & The Asbury Jukes cover), St. Valentines Day, Standing in the Line of Fire (Gary “U.S.” Bonds cover), I Saw the Light (Little Steven cover), Salvation (Little Steven cover), The City Weeps Tonight (Little Steven cover), Down and Out in New York City (James Brown cover), Princess of Little Italy. Groovin’ Is Easy (The Electric Flag cover), Ride the Night Away (Jimmy Barnes cover), Bitter Fruit (Little Steven cover), Forever

    Encore: I Don’t Want to Go Home (Southside Johnny & The Asbury Jukes cover), Out of the Darkness (Little Steven cover)

  • Field Day at Summer Camp Music Festival Returns for 8th Annual Games

    Summer Camp is almost upon us and that means it’s time to sign up for Field Day! Every year as Summer Camp becomes a must-attend for festivarians, the Field Day games keep getting bigger and better, and now enters its 8th year!

    On Saturday afternoon of Summer Camp, right in the middle of all the music, favorites like dodgeball, capture the flag and tug-o-war are played between the Purple, Blue (current champions) Yellow, and (total cheaters) Red teams. Having competed over the years, Field Day is a great way to add in extra fun to your weekend while making new friends and having a ton of laughs. Check out photos from the last 7 years of Field Day.

    Event times on Saturday, May 26th have been announced, so plan for an afternoon on the field between the Vibe Tent and Starshine Stage – perfect for all to enjoy music all afternoon while battling it out for glory. Sign up and bring your friends along for Field Day – score a free bandana and enjoy a free pizza and a keg from Lagunitas on Sunday for the winning team. Register for Field Day here – registration is free!

    field day summer camp games

  • Hearing Aide: Erez Zobary ‘Love, and Lots of Sleep’

    The end of college can foster a variety of emotions, most commonly fear of the unknown and wonder in where the next path begins. For recent grads like Erez Zobary, her path of music is not only defined, but ensured in the raw talent behind her senior year creation of Love, and Lots of Sleep. This five track phenomena has a emphasis on r&b and soul electronica influences, reminiscent of NAO and Keri Hilson. She released the EP within weeks of graduating college, and with some diverse instrumentation, creative producers, and a lush and powerful voice, this is a strong first step into the music scene for Erez, and we’re certain she’ll have many strong releases to follow.

    Each of the five tracks on this EP offer us a variety of colorful tempos thanks to producer Brian Han (stage name Brahny), with brilliant melodic lines overarching in each song. Most notably, the combination of rhythmic pulsing and melody on the chorus of “Tides” creates a well mixed, layered motion of sound. Contrasting from “Tides” in intensity is the ballad “November,” which features a delicate, tropical backdrop to support yet another catchy and clever melodic line in its chorus.

    Gaining a huge following in her college’s city of Kingston, Ontario, her music still has many miles to travel to reach the ears of her bigger audience. Hopefully her time out of college will make way for more music, allowing her to expand the capabilities of her already well-developed vocal timbre. As she takes more risks as an artist in a post-grad world, we hope to see her grow in popularity, while developing a diverse discography to take her places all over the nation.

    Key Tracks: Tides, November

  • Watch NYC Emcee/Producer EB Rebel Video for “12”

    EB Rebel, a New York City emcee, producer and lyricist, has released her latest music video for “Spiritual,” off her upcoming sophomore EP Mama, I’m OK. This powerfully uplifting track pays homage to EB’s Dallas, Texas roots and follows the success of her debut EP, TRANCE, which was featured in the BET documentary Stay Woke.

    EB Rebel had aspirations of a musical career since she was 10 years old, but chose a more practical profession and to become a lawyer. Thanks to the plummeting economy and a burning desire to create, EB Rebel decide to skip law school to become a hip hop artist. The inspiration behind Mama I’m OK was EB Rebel’s thoughts and feelings during her first year after moving from Dallas to NY and the emotions that came with being away from family and following her dreams. Mama I’m OK is meant to bring attention to mental illness and to remind people to take care of that part of themselves.

    EB will perform at Queer Abstract on May 18, the night of her EP release.

  • Hearing Aide: Dana Fuchs ‘Love Lives On’

    dana fuchs love lives onIt was the immortal bluesman B.B. King who once deftly stated “As long as people have problems, the blues can never die.”  New Jersey native and soul singer extraordinaire Dana Fuchs is living proof that the King of the Blues was right on the money.  After overcoming numerous trials and tribulations in her personal life over the years, Fuchs has been able to overcome that pain and hardship by channeling it into her music. The latest LP from Dana Fuchs, Love Lives On, was recorded on her own newly formed label Get Along Records in Memphis, TN.  The record features a stellar backup band which includes Dana’s longtime musical collaborator and guitarist Jon Diamond as well as R&B legends Charles Hodges on Organ and Stax Records session veteran Steve Potts on Drums.

    Perhaps the most radio friendly number on Love Lives On is the opening selection on the album, “Backstreet Baby.”  The song has an infectious groove and upbeat vibe that features a nice electric guitar hook by Diamond which is supported by a nicely placed funky horn section.  The lyrics are stark and yes a little dark, but Fuch’s streetwise soulful vocals along with the band’s upbeat tempo really makes “Backstreet Baby” cook.

    Dana’s voice has the ability to conjure visions of such female blues greats as Etta James and Janis Joplin.  The soul that is put into the phrasing in her voice is essential to the classic R&B genre and is most reflective on tracks such as “Faithful Sinner.”  The song’s inspiration comes from Fuch’s late father and their relationship.  The lyrics talk about looking past the faults in people in your life and giving them unconditional love. The tune also features a beautiful organ introduction and in concert with Fuch’s gospel inspired vocals transports the listener to a Memphis church straight out of the sleepy South.

    The acoustic “Fight My Way” is a lyrical declaration by Fuchs that the struggle with darkness in one’s life is real and redemption does not come free or easily.   It is a constant battle that takes both your will and hard work to achieve.  Musically the number features Fuch’s at her soulful best, while Diamond demonstrates his folksy blues side by playing slide acoustic along with a pleasing mandolin accompaniment.

    Love Lives On finishes up strong with  a stripped down version of the Johnny Cash classic “Ring Of Fire.”  The LP’s version slows the tempo of the number down drastically and transforms the defiant and angry number into a classic Soul Cry torch song. The drastic change up from the Cash original totally works, and is a testament to the collaborative creativity that Fuchs and Diamond have developed over the years working together.

    Dana Fuchs will be touring in support of Love Lives On with numerous dates both in the U.S. and Europe this summer.

    Key Tracks: Ready To Rise Sittin’ On, Back Street Baby, Ring Of Fire

  • John Popper gets Intimate at the Swyer Theater

    The Venn Diagram of ‘Blues Traveler Fans’ and ‘people who like hearing songwriters talk about the music they’re performing’ intersected at The Egg’s Swyer Theater on Thursday, May 3, with John Popper performing songs from across his catalog with fellow Blues Traveler Ben Wilson accompanying him on piano. Over two hours, Popper would dip into song after song, rip passionate vocals onto the crowd, dive into a high arcing harmonica solo, and then after closing the song out, get into a story about that, or the next song. Katrina Woolverton opened for Popper, performing originals such as “Better now” and covered Lady Gaga’s “Million Reasons” alongside guitarist Lance Conner.

    Gen X fans of Blues Traveler brought their kids to listen to Popper perform “100 Years,” “Regarding Steven,” and “Alone,” which brought Popper and Wilson back to the early 90s when they lived on 134th street in NYC. “Champipple” had an interesting backstory involving an episode of Sanford and Son where Fred shares his recipe for homemade Champagne – Ripple and Ginger Ale. “Mountains Win Again” and “But Anyway” both made appearances, as well as “Hurry Up and Hang Around,” off the upcoming Blues Traveler album, due out this October, and was inspired by their 2014 trip on JamCruise. “Carolina Blues” led into Wilson’s piano solo of the night, and then seamlessly worked into “Hook,” earning a standing ovation from the audience, and again for an encore of “Imagine” with Woolverton and Wilson.

    https://www.instagram.com/p/BiVtmxCHrOo

    Popper has evolved over the past 30 years of Blues Traveler into an elder statesman of the jam scene, and being the founder of H.O.R.D.E., he certainly earned the title at a young age. At the same time, Popper looks like your neighbor who takes pride in mowing his lawn and has two young kids running around that he dotes on. Either way, this is a Popper tour real fans should plan to catch.

  • Album Review: Hartley’s Encore ‘Hartley’s Encore’

     

    hartley's encore albumJoining the ranks of Albany’s tasteful and expansive live music scene over the last two years, Hartley’s Encore has become a recognizable name, plastered on fliers at favored venues and taking on hosting duties for local funk nights, and after rounding up a collection of distinguished tracks, the spunky Capital Region locals finally put forth their first, self-titled album on April 20, 2018. 

    The 6-track effort was recorded and mixed by Soulives’ Alan Evans at Iron Wax Recording Studio in Millers Falls, MA and comes stacked with talent, including Luke Malamood (Lead and Backing Vocals, Keyboards, Hammond B3, Percussion), Chris Oliver (Guitars, Backing Vocals), Jeff Nania (Saxophones), Josh Gordon (Bass: tracks 1, 3, 4, and 6), Mike Gilet (Drums: tracks 1, 3, 4, and 6) and the help of Erik Pravel (Drums: tracks 2, and 5), Phil Chow (Trumpet) and Brad Monkell (Bass: tracks 2, and 5).

    From the album’s opening notes, it’s apparent the assortment has one goal in mind: create funky, dance-leaning tracks that leave the live crowd and listener at home no choice but to groove in their immediate proximity. “Take ‘Em Down” and “Can’t Fake the Funk” are full embodiments of dance anthems, complete with transitions between soulful vocals and an impressive horn section splashed throughout. Groovy, harmonized background vocals and a splash of falsetto are quick to grab an ear as well as carefully placed elements of rock and roll.  Although generally funky and soulful, a fiery nugget of psychedelic rock is thrown into the mix with wailing guitar solos by Oliver.

    Rotating focus on which instruments shine, “Keep That Bright Light Shining,” “All My Funky People” and “Hooklynn” highlight the ability to swap musical hats with tasteful drum lead-ins, tickling of the keys and fleeting solos on guitar. Appropriately named “Hartley’s Encore” and placed as the closing track of the album, the repeated mantra of “gonna give you an encore” paired with jazzy pockets of saxophone and trumpet leave you feeling the funk up until the final notes.

    Over six tracks, Hartley’s Encore manages to fuse their chosen genres in a seamless way, weaving rock and roll amidst funk and jazz while keeping the message lighthearted and fun. Between catchy hooks, tasty riffs and feel-good tunes, the up and comers pieced together a collection of tracks suitable for those live on the dance floor, cookin’ and dancin’ at home or anxiously wiggling in the car during rush hour traffic.

    A record release party took place on Friday, April 27 at The Hollow in Albany with special guest Victory Soul Orchestra and was hosted by Guthrie/Bell Productions. They will also perform at Bowery Electric on May 18 in Manhattan. Hartley’s Encore is now available on Spotify and Apple Music.

    Key Tracks: (Keep That) Bright Light Shinning, All My Funky People, Hartley’s Encore

  • Intrepid Travelers Kick off Cinco en Mayo Residency with Funky Tribute to James Brown

    Intrepid Travelers kicked off their Cinco en Mayo residency at Nietzsche’s with some funk and celebrated the birthday of James Brown by bringing in a front man and a reed section. “Get Up Offa That Thang” featured a breakdown drum and bass solo, “Sex Machine” saw Eric Crittenden taking over Donny Frauenhofer’s keyboard rig and “The Boss” had a hip hop jam and heavy “Xxplosive” (Dr. Dre) teases.

    “Goodness Sakes, Look at Those Cakes” was highlighted by solos from the entire sax section and Critt rapping about the “cakes” he and the band saw. The James Brown show concluded with a stretched out take on the Intrepid Travelers original “Photo Booth Youth.” Ellen Pieroni joined the band for the encore with a performance of Vulfpeck’s “Funky Duck.”

    https://www.facebook.com/intrepidtravelersfamily/videos/1929817953717736/

    Setlist: Pass the Peas(1)$, Get Up Offa That Thang(1)$ > Sex Machine Bridge(1)$ > Sex Machine(1)$, The Boss(1)$ > Goodness Sakes, Look at Those Cakes(1)$, Superbad(1)$, Photo Booth Youth

    Encore: Funky Duck(2)%

    (1) James Brown Band
    (2) Vulfpeck
    $ with Eric Crittenden on lead vocals and alto saxophone, Ellen Pierono on alto saxophone, Jon Lehning on tenor saxophone, and Kyle Ohlsen on baritone saxophone
    % with Ellen Pieroni on alto saxophone

    The second week of IT’s Cinco en Mayo residency will feature Haewa and celebrate the Golden Years on over 65 night!

    intrepid travelers james brown

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