Aqueous is on the road in force this summer, starting out their summer at Disc Jam Music Festival. Lead singer and guitarist (Uncle) Mike Gantzer joins host Andy Hogan for episode 5 of Empire State Music Podcast. Listen on “>iTunes, via Simplecast and below on Soundcloud.
Category: Features
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Hearing Aide: Teddy Midnight ‘French Press’

French Press Album Cover Teddy Midnight, the Brooklyn-based live electronic band, dropped their newest EP, titled French Press, at its release party at Pianos NYC on April 26. The EP has a jazzy feel to it. It’s sample heavy, but it doesn’t feel like it is when listening to it. It doesn’t sound like something you’ve already heard; it’s got its own originality to it. One of the ways it’s able to do this is with it’s blend of new and vintage synths, keeping the music unpredictable. It uses combinations of Disco, Soul, 90s House, New Wave, Techno and a little Hip Hop, into non-stop, dance party vibes to keep itself intriguing to the listener.
The EP starts off with the song “Say it Loud!” which is an all instrumental track except for the very end when the title of the song is said. It has a very, almost “New Order” feel to it which mostly comes from the repetitive drum machine acting as a backbone to the song. It then moves into the song “Eclipse (Go There)” which is also an instrumental track but more upbeat and best illustrates the intended Hip Hop feel. This sounds like a song that you might hear in a dance club soon. Both songs are good, but slightly repetitive and long. Each song lands close to the six and half minute mark, and for someone not particularly knowledgeable or invested in electronica, it was hard to sit through without having some repetitive pieces of the song to anchor onto, like a chorus.
Then French Press takes a turn with its next song, “Come Over (feat. Tara Lawton & David Schnurman).” You finally get to hear some vocals and the fact the song is six minutes long is barely noticeable, unlike like the previous songs. The album then goes into “Mind the Gap,” which is another instrumental piece. It is very upbeat and has a lot of change-ups that make it one of a kind and continually interesting; this is important since it’s almost nine minutes long. The next song is “Not Enough” which starts off saying, “It’s not enough baby. It’s just not enough,” building up with the tempo in the song. The techno dance party feel increases with those lines appearing often in the change ups of the song. This song, much like “Come Over,” was easier on a listener like myself who might not have as much experience listening to instrumental electronic music. Even though it only really landed on those simple phrases throughout the song, it acted as a point of destination for the song to loop itself back in. The EP concludes on an instrumental version of “Come Over,” which was good, but knowing what it sounded like with the lyrics it felt like it was missing something slightly important to its overall feel. It was able to convey the emotion through the music but, without the words, the listener is left without a direction in which to run those emotions.
The six song EP has a run time of 41 minutes, which is long but, if you’re into mellow synthesized electronica, this definitely could be an album for you. Even the dance party songs have very mellow undertones to them to make the EP something the listener can just close their eyes and disappear into. Not being someone who previously listened to much electronica music, this album wouldn’t necessarily be something I would pick up to listen to regularly, but it was a satisfying mix of those mellow, almost entrancing, undertones, and upbeat, “can’t sit still while listening to” overtones. First time listeners might want to start by dipping their toes in and starting with “Come Over” or “Not Enough.”
Teddy Midnight will perform next on June 1 at Olives in Nyack, NY. And be sure to check out the entire EP available on SoundCloud and Spotify
Key Tracks:
https://soundcloud.com/teddy-midnight/not-enough
https://soundcloud.com/teddy-midnight/come-over
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Photo Gallery: Post Malone Kicks Off Summer at Darien Lake
Post Malone’s coast-to-coast, sold out tour made its only upstate NY appearance at Darien Lake on the last Saturday of May.
All the signs aligned for for an memorable night for fans of the Syracuse native: postcard perfect weather, free entry to the adjacent theme park, first show of the season at Darien and a bevy of up-and-coming hip-hop acts on the bill. Check, check, check and check. From the reaction of the throngs of teenagers and twenty somethings, Posty did not disappoint.
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New Research Shows Music Helps Develop Working Memory
A recent study shows that learning an instrument is an effective way of improving one’s working memory. Working memory is often thought as something that can be improved by doing interactive tasks, like simple games for children that involve memory ability, or improving quickness with vocabulary and mathematics. But becoming a musician might be a better choice.
Working memory, according to Scientific American, is theorized as being basically the “limited number of ‘items’ or ‘chunks’ of information your brain can hold on to at a singular time. This includes the memorization of digits, letters, words, or other units. And maybe one of the most interesting things about working memory is that it is subject to the bias of our subconscious, just like most other things in life. This means, according to research, for some people remembering the flavors of ice cream offered in order will be harder that remembering the first ten digits of pi, just because of the type of information it is they are trying to remember.

A study examining this difference was published this month in the Annals of the New York Academy of Sciences. The 41 Canadian participants were between the ages of 19 and 35 and were either musicians who only spoke English; non-musicians who only spoke English; or English speakers who were fluent in a second language but did not play a instrument. They were divided into these three groups and asked to listen to, then categorize, a series of sounds while their brain activity was being scanned. They were supposed to separate the different sounds they were hearing into three groups: human-caused (such as a sneeze), environmental (like wind rustling trees), or a note from a musical instrument.
What was discovered was that musicians excelled at categorizing sounds and at pinpointing their locations compared to the bilinguals and the non-musicians. This showed that musicians have an aptitude in tasks that strain their working memory. For the musicians to be considered in the study, they had to have at least seven years of training and be currently active in performing music. After looking at the brain scans, researchers commented that musicians’ brains “showed distinct task-specific patterns of activation” in the anterior cingulate cortex, which is in the frontal part of the brain and is associated with processing, learning and memory.
This research could help individuals whose cognitive abilities are suffering because of aging since working memory usually declines with old age, because of degradation of the prefrontal cortex in the brain. Learning to play an instrument could help counteract degradation of working memory from aging. It is also possible it may counteract it in mental illnesses that have a negative effect on working memory, like individuals who suffer from depression and schizophrenia.
The reason this could help individuals who suffer from depression and schizophrenia is because these conditions, according to Scientific American, “are associated with decreased functioning of prefrontal cortex, which can be revealed via neuroimaging.” Because of this, depression and schizophrenia are also associated with having a decreased working memory ability. Playing a musical instrument helped improve working memory, and could potentially help improve the working memories of individuals suffering from depression and schizophrenia.
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Hayley Jane and Michelangelo Carubba to headline Funk Night in Albany on June 21
June 21 will bring out Hayley Jane and Friends for Funk Night in Albany at Parish Public House! Hayley brings along her friends Michelangelo Carubba (Turkuaz), Beau Sasser (Kung Fu), Justin Henricks (Wurliday, The Chronicles) and Daniel Lawson. Tickets are only $10 at the door with the show getting underway at 9pm, shortly after Alive at Five with Matisyahu wraps up at Jennings Landing, just two blocks north of Parish Public House! Get tickets and more info here.

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Hearing Aide: The Tins ‘The Tins’
Don’t judge a book by it’s cover, so they say. But what about an album? In the case of the self-titled album from The Tins, a trio out of Buffalo, you’d do okay making judgment without listening to a note. But you definitely should… listen that is.At passing glance the cover is just a painting of the band’s members, keyboard player and vocalist Mike Santillo, drummer and vocalist Dave Muntner, and guitarist and vocalist Adam Stanley. But to any readers of Rolling Stone magazine in the ’90s, the style will feel quite familiar. That’s because it’s the work of Philip Burke, whose art donned the magazine’s covers for nearly a decade. Burke is also from Buffalo, as is the album’s producer, the Goo Goo Dolls’ Robby Takac. So The Tins have the backing of some historical talent in their hometown.
Burke’s cover, familiar as it is, is sprinkled with bold surprises. Bright and unnatural color combinations jump out of the frame, figures that seemed normal at first glance ooze with distortion on further examination, and hidden shapes emerge from nowhere the longer you stare.
Likewise, the music inside the package, familiar at first, is packed with surprising twists and turns and exciting splashes of color that push it past the ordinary. The rock trio lays out interesting enough rock tunes at their base, with bits of psychedelia, new wave and folk mixed in, and just the right amount of melody and hook to reel the listener in closer. That’s when the colors and shapes start to pop, turning the interesting into the exciting.
Santillo’s keys carry the first pair of songs. Immediately, a bubbling and floating organ joins Muntner’s driving beat on “Hear Me Out,” then returns with an 8-bit sounding flurry near the song’s end. His sound gets crunchier and a bit reminiscent of Genesis next in “Oh My God.” Stanley’s guitar picks up the next two, with a catchy Death Cab for Cutie-esque head bobber in “Sundried Mind” and the ’80s-style rocker “Jigsaw Queen” that bursts with colorful zigs and zags throughout. Bruce Springsteen’s classic “State Trooper” gets updated with a dark underbelly of keyboard swirls and an exhilarating post-scream rock out. “A Minute of Your Time” seems standard at first, but slows to reveal a watery guitar jam, and later again opening up to a suspenseful building finish. “Mountain Song” is what it says, a mountain of a song, a straight up power rocker with loud crunching guitars, pounding drums and big three-part harmonies. But it, too, is not without surprises, as it repeatedly dips into atmospheric interludes.
What does it all mean?! According to Stanley, the songs stand as a singular unit, “about feeling stuck, the need for freedom and escape.” But more importantly, it’s about making people dance. “What good is this if you can’t groove to it, you know?” The Tins‘ eight tracks clock in at a bit over 30 minutes. Perfectly situated to throw it on repeat, surely cracking with new discoveries on each listen.
The album drops this Friday, June 1 when the band will celebrate with a release show at the Lockhouse in Buffalo, followed by a summer tour that will bring them all over the northeast. See the full dates below.
Key Tracks: Jigsaw Queen, Sundried Mind, State Trooper
JUN 01Lockhouse DistilleryBuffalo, NYJUN 02Photo CityRochester, NYJUN 08Bsp LoungeKingston, NYJUN 09Lyric HallNew Haven, CTJUN 14News CafePawtucket, RIJUN 15The Plough and StarsCambridge, MAJUN 16Dover Brick HouseDover, NHJUN 18Radio BeanBurlington, VTJUN 20La VitrolaMontréal, CanadaJUN 21The RainbowOttawa, CanadaJUN 23The Cavern BarToronto, CanadaJUN 27Larkin SquareBuffalo, NYJUN 28The Low BeatAlbany, NYJUN 29The OthersideWilkes-Barre, PAJUN 30Ortlieb’s LoungePhiladelphia, PAJUL 01Black CatWashington, DCJUL 05Mercury LoungeNew York, NYJUL 061919Baltimore, MDJUL 08Shawnee RiverfestShawnee On Delaware, PAJUL 10Bidwell ParkBuffalo, NYJUL 13Cyber CafeBinghamton, NYJUL 14The BarnVolney, NY -
Intrepid Travelers celebrate composer John Williams at penultimate Cinco en Mayo Residency show
Intrepid Travelers kept their month long residency at Nietzsche’s going with a skillful tribute to the movies with a theme by the name of John Williams. Opening up with a Star Wars Suite, which included “Main Theme,” “Force Theme,” “Emperor Theme,” “Imperial March,” “Rebel Strike,” and “Cantina Band” all seamlessly linked together for an opening segment you have to see. Throughout the rest of the night, the band performed original IT arrangements of John Williams compositions from Jurassic Park, Indiana Jones and Harry Potter, along with originals mixed it.
https://www.facebook.com/intrepidtravelersfamily/videos/1952134884819376/
Setlist: Star Wars Suite, Maddy & Anna, Jurassic Park Theme > Randoh’s Island, On the Grass > Indiana Jones Theme > On the Grass, Boomerang, Groove’s On You > Hedwig’s Theme > Groove’s On You
Stay tuned for this week’s show, the final of the residency, joined by Mosswalk with a theme of Freedom. More info here.

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518 Songfest at The Egg provides special moments shared between musicians and fans
518 Songfest at The Egg proved to be an intimate experience between songwriters, performers and fans throughout the night on Friday, May 18. Some of the best stories, however, happened prior to the show.
Below, we’ve captured the evening through vignettes under each artist.
Michael Worthley looks with a smile on his face as Rose Gabriel puts the finishing touches upon the merchandise table. It’s two hours before 518 Songfest at The Egg, and everyone is getting ready. She just placed battery-operated tea light candles in each of several miniature lanterns.

“It’s looking good,” he said, with the sound of appreciation in his voice.
She looks up with a smile on her face and shares how someone already asked how much the lanterns were going for.
“Priceless,” she said.
Rose and her husband Andrew Gabriel make it their jobs to make his daughter, Sydney, look good. The owners of Ambassador Music Group have been doing just that since Sydney dropped her debut album last September.
Michael shakes his head when asked how things are going. He and his wife, Shauna, are sports parents. They’re accustomed to corralling the kids and traveling long hours on the road for their son’s hockey games in Buffalo or in Plattsburgh. Sydney’s burgeoning music career has added another wrinkle to that lifestyle. The two parents helped convince their son to put a hold on hockey. He’s since transitioned to soccer. The family just recently returned from Ohio, where the Gabriels hoped to persuade one of the largest radio stations in the Midwest for more airplay by offering facetime and an interview. Michael shows off a few pictures from when the family stole away a few hours to visit the Rock and Roll Hall of Fame in Cleveland.
The local music scene has looked at Sydney and asked two common questions; The first is, “Who is this?,” once asked in a disconcerting tone. Here was this local girl with a 14-track CD with a high-polish shine. It made no sense until you popped it into a player and listened. Then, the following question,“Where’d she come from?” would follow with surprise.
“We thought Tulip Fest was big,” said Michael, at which Sydney played only last May. Next month she’ll be at Mountain Jam. She’ll play at one of the largest festivals in the Northeast, on the same playbill as Grammy Award-winning artists Sturgill Simpson, The War on Drugs and Portugal. The Man.
Nonetheless, Michael said, she hasn’t developed an ego. Her softball teammates have nicknamed her “Famous.” But, he said, there’s still plenty of her classmates who don’t know who she is.
Julie GoldJulie Gold listens attentively while seated in the auditorium with her companion as Super 400 conducts its sound check on stage. Despite attending the show as the night’s special guest, the Grammy Award-winning artist sits unassuming while attendees prepare the theater.
Gold is from Pennsylvania and lives in New York City. In this one-day festival focused on showcasing music from the 518 area code, the commonality she shares with the region is her proximity to the Hudson River.
“I love this piano,” she exclaimed during her own sound check. “I could play it forever, but The Egg would kick me out.”
The river served as inspiration for her song, “Love Is Love Is Love.” Later in the evening, while introducing the song to the Songfest crowd, she shared her fascination with the river.
Each morning, at 9 a.m., Gold would call and speak with her mother while walking along the banks of the Hudson River in New York. Gold’s mother immigrated to America and processed at Liberty Island in 1930. She was a part of what she called the “great generation” of people who left their homeland for a better life for their children. As she watched the river roll past, Gold said she imagined that some of that same water helped bring her mother to America.
Gold fell in love with music while watching The Beatles on the Ed Sullivan Show when she was 8 years old. Her first piece of music was a 45 of Petula Clark’s “Downtown.” Within its dust cover was the mystery behind finding who “T. Hatch” was. Gold approached her mother, only to learn that there was such a thing as a songwriter. “Before that moment, I thought songs were always there,” she said. Tony Hatch, the songwriter behind the words to “Downtown,” was “one of the lucky ones” to create them.
When it looked like music would be in Gold’s life, her mother didn’t stand in the way. She was open to all sorts of music. In their home, rock and roll was not the “Devil’s Music,” she said. When Gold introduced friends to her mother, with music ever-present in her life, she would always ask what instrument they played. On those morning phone calls — despite her clockwork-like frequency — Gold’s mother would answer, “Oh, Jules! I was hoping it was you.” Last year, on the last day of summer, Gold’s mother died. She said it was the most appropriate time for who she called the “most beautiful of people.”
“Everyday, for all those years, I had her in my life. Until just recently.”
Super 400After more than 20 years of establishing a reputation as a hard-rocking trio, Super 400 prepared itself for a rare acoustic set.
Guitarist Kenny Hohman said he didn’t like playing acoustic guitar, and stayed away from it all together until he and his wife, the band’s bassist Lori Friday, started the Troy Music Academy nearly seven years ago. The school was created out of necessity. Friday sustained serious injuries to her neck, back and kidney after a car accident. Hohman said he learned to appreciate playing acoustically while teaching people the guitar.
Hohman, Friday and the band’s drummer Joe Daley sat inside the auditorium to talk about catching a quick dinner before the show when Julie Gold interrupted.
Gold was listening in on the sound check and wanted to compliment each of them on their musicianship. Before long, a genuine moment of musicians bonding over their craft ensued. Hohman immediately complimented Gold on her “radiating positivity” and the two hugged.
Musicians have a natural curiosity to learn how another started in music.
Check out a full gallery courtesy of The Spot 518.
This article was originally published by The Spot 518. is property of Spotlight Newspapers in Albany, N.Y., and appears as a special to NYS Music. TheSpot518 and NYS Music work in partnership to provide readers with in-depth coverage on the local music scene in the Capital District and New York state, respectively. For more, visit TheSpot518.com.
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Gallery: Journey at Times Union Center
Journey performed at the Times Union Center in Albany on May 23 to a packed house, opening for Def Leppard.
Setlist (courtesy of Setlist.fm): Separate Ways (Worlds Apart), Be Good to Yourself, Ask the Lonely, Neal Schon Guitar Solo #1, Stone in Love, Any Way You Want It, Lights, Jonathan Cain Piano Solo, Open Arms, Who’s Crying Now, La Do Da, Steve Smith Drum Solo, Neal Schon Guitar Solo #2, Wheel in the Sky, Faithfully, Don’t Stop Believin’
Encore: Lovin’, Touchin’, Squeezin’

