Category: Features

  • Hearing Aide: Allison Leah ‘Fly Home’

    In a time when music is being self-released by unsigned musicians at a breakneck pace, it can be hard to sift through the barrage of noise and hype. Finding something new and fresh with promise is akin to finding a needle in a haystack. For someone like myself who continuously samples new emerging artists, listening to Allison Leah was like getting a breath of fresh air.

    Leah has been making a name for herself across the state, from her New York City home to her stomping grounds in Rochester and Geneseo. The singer/songwriter even garnered some attention in Nashville when she spent a summer there cutting her teeth in the music industry. After years of honing her songwriting skills, she’s taken six of her songs and recorded them on her debut EP Fly Home.

    “A Love Song,” was the debut single from Fly Home. This pop ballad is a catchy number with its pulsing percussion, jangly guitar and layered vocals. However, the upbeat instrumentation masks the bittersweet lyrics about trying to hold onto a relationship that’s clearly long over. “Sometimes I wonder how we’ve made it this far. ‘Cause I see you with her and I don’t feel a spark. But keep pretending and keep me in the dark. That’s what we both agreed upon.”

    This song gives way to others which also have artful arrangements, catchy hooks, and relatable storytelling. There’s one about healing from heartache and another about venturing out into the world. Perhaps the most unexpected track on the album is “Black and White.” Leah addresses the issue of racism, appealing to people’s sense of humanity. “I met a man the other day and he recalls fighting hate for over decades. See? He wants his kids to learn to dream and play outside unafraid of the streets.” While the melody has a 90’s retro vibe (think Jewel or Lisa Loeb), the subject matter reveals a lot about Leah’s values and convictions about social justice.

    The EP ends with the title track “Fly Home.” Leah strips down the layers of instruments to just a piano and strings, baring her vocals and her soul. The straightforward melody creates a sincere backdrop perfect for the heart-rending tale about loving someone enough to let them go.

    Leah’s songs capture the joys and heartaches of coming of age, touching upon timeless themes of falling in love, heartbreak, self-doubt, empowerment, and rising above adversity. She has an indelible optimistic spark that permeates even the depths of sorrow in her songs. Fly Home is a harbinger of remarkable things to come from this promising young artist with a voice as sweet as honey and a heart of gold.

    Fly Home was produced by Jon Altschiller, and engineered and mixed at Chiller Sound NYC by Jon Altschiller and Danielle Warman. It was mastered by Scott Hull at Masterdisk. The Musical Director was Doug Derryberry, who also performed some of the instruments on the record. Additional instruments were played by John Hadfield (drums/percussion), John McFaul (bass), Eddie Martinez (synthesizer), and John Carroll (piano on “Fly Home”). All music and lyrics were written by Allison Leah, who sang all vocals as well as playing guitar and piano.

    Key Tracks: A Love Song, Black and White, Fly Home

  • Intrepid Travelers Celebrate Solstice in a Most Unique Way

    For the third annual “IT Fest,” Intrepid Travelers treated their fans to a new location, a new vibe, and a new name: “Solstice.” At the gate, guests received bracelets that said “Start Your Orbit,” alluding to the astronomical significance of the summer solstice connected to the Earth’s orbit and our own personal orbit. The weekend featured 5 sets of Intrepid Travelers, each with a different flavor, yet connected together with the central theme of the solstice and the symbolism intertwined in the event: a central culminating point, a turning point, a point beyond which things will be different.

    intrepid travelers Solstice

    Friday featured two sets, with covers alluding to the solstice/astrological symbolism such as “Ain’t Wastin Time No More” by Allman Brothers Band and a pair of Pink Floyd tunes, “Astronomy Domine,” and “Set the Controls for the Heart of the Sun.” They also gave some nods to their Cinco En Mayo residency, with Donny playing a solo piano version of the “Jurassic Park Theme” by John Williams before launching into “Randoh’s Island.” Another choice cover was a 30+ minute bust out version of “Playing in the Band” that by the time they returned to, most audience members had forgotten was the original song being played.

    Saturday featured a day set lasting about two and a half hours, as well as two lengthy sets at night. The day set continued with nods to the solstice symbolism, opening with a lengthy rendition of “Here Comes Sunshine” and also featuring “Here Comes the Sun” as well as originals that allude to the symbolism such as “Funnel” and “Stand the Heat.”

    intrepid travelers Solstice

    After a long break waiting for the sun to start setting, the band returned for the first of 2 sets at night Saturday. Keeping things fresh, the first set featured saxophonist/flutist Ellen Pieroni of Folkfaces for the entire set. The set featured original tunes owing themselves to horns such as “Party People,” “Trek It Out,” and “Get IT to You,” but also saw the band cover a wide array of influences, from Steely Dan’s “My Old School,” Snarky Puppy’s “Grown Folks,” Lettuce’s “Relax,” an upbeat bluegrass version The Beatles’ classic “When I’m 64,” the Derek Trucks Band arrangement of “Sahib Teri Bandi/Maki Madni” – a Middle Eastern folk song originally by legendary Pakstani vocalist Nusrat Fateh Ali Khan, and Herbie Hancock’s impressively difficult jazz funk fusion tune “Actual Proof.”

    The last set showed no signs of fatigue from IT, as they treated fans with a set of some of their most lengthy and ambitious compositions as well as jam vehicles. Again nodding to the solstice symbolism of the festival and their Cinco en Mayo residency in one, the band opened with their own arrangement of a “Star Wars Medley” which follows as such: “Star Wars Main Theme > The Force Theme > The Emperor Theme > Imperial March > Imperial Jam > Imperial March > Rebel Strike > Rebel Jam > Cantina Band.” After a lengthy hip-hop fusion jam at the end of one of many new originals, “Shitpost,” IT played a heartfelt cover of “I Know You Rider.” Capping off the festival the only way they could, IT gave one final nod to the solstice theme with their ambitious composition “Final Voyage,” signifying the final voyage of the band and the audience before returning back to Earth.

    intrepid travelers Solstice

    One festival attendee, Leah Keller, summed it up best: “Solstice aka ‘IT Fest’ was an absolute blast last weekend. Best part of the summer so far. Thanks to the band for playing super tight, the covers were also on point and having Ellen Pieroni play with them for a whole set was a cherry on top of a perfect weekend. I highly recommend more homies to attend next year. It was a retreat away from the doldrums of real life at a beautiful new venue and full of super fam/purely amazing humans. I had a blast playing and boogieing down with everyone. Oh did I mention I paid $20 for 5 sets of music and camping in paradise? See you next year!!!”

    intrepid travelers Solstice

    Solstice setlists:
    Solstice – The “G” Lodge – Hannibal, NY

    Friday, June 22
    Set 1: Woolify, Mind Wander, Ain’t Wastin Time No More(1) > On the Grass, Astronomy Domine(2), Lonely Skies, Captain Jon

    Set 2: Photo Booth Youth > Set the Controls for the Heart of the Sun(2) > Photo Booth Youth, Jurassic Park Theme(3) > Randoh’s Island, Maddy & Anna, Playing in the Band(4), On Inside

    (1) Allman Brothers Band
    (2) Pink Floyd
    (3) John Williams
    (4) Grateful Dead

    Saturday, June 23
    Set 1: Here Comes Sunshine(1), Dark Disease, Funnel, Here Comes the Sun(2), Authority > Stand the Heat

    Set 2: Party People, My Old School(3) > Grown Folks(4), Relax(5), When I’m 64(2), Sahib Teri Bandi/Maki Madni(6), Actual Proof(7), Trek It Out, Get It to You (entire set with Ellen Pieroni on alto sax/flute)

    Set 3: Star Wars Medley, All About It > Boomerang, Shitpost > I Know You Rider(1), Final Voyage

    (1) Grateful Dead
    (2) The Beatles
    (3) Steely Dan
    (4) Snarky Puppy
    (5) Lettuce
    (6) Devon Case on Guitar,
    Nusrat Fateh Ali Khan (Derek Trucks Band arrangement)
    (7) Herbie Hancock

  • Tedeschi Trucks Band Breathes Soul into Midsummer Sunset at CMAC

    Tedeschi Trucks Tuesday is the new unofficial title of the Wheels of Soul Tour, as every NY performance has fallen on this humble day of the week. July 10 ushered Tedeschi Trucks Band along with support from Drive-By Truckers and The Marcus King Band to the foothills of Canandaigua wine country. At CMAC guests can purchase full bottles of wine which the attendant will unceremoniously dump into the biggest plastic to-go cup imaginable. It’s nearly impossible to resist a $16 bottle of blackberry “merlot” until you realize it’s only 6% alcohol and tastes like sugar water with a fruity afterthought.

    Never again.

    This regrettable beverage purchase was the only minor downfall of the night. Having never attended CMAC or a TTB show before, eager anticipation permeated the atmosphere. TTB’s wide appeal drew a charming audience of young and old faces. The bands mirrored this age spectrum, as Marcus King himself is newer to the scene at only 22. Yet his band was a fitting choice to open the night, as they eased fans in with their blues rock style garnished with King’s distinctive howling vocals for a heavier sound. He invited Derek Trucks to the stage for a tune which would be reciprocated later when TTB performed.

    Drive-By Truckers offered more pop rock inclinations with a lighter demeanor. Nothing about their set particularly stood out, but it flowed nicely overall. Once TTB took the stage, the crowd erupted in cheers, electrifying the air with excitement. Their music is what love sounds like. It’s nearly impossible to describe without being cheesy. It massages the ears and makes the heart flutter. Susan Tedeschi’s voice and Derek Truck’s guitar playing are the perfect marriage. Susan took a moment to address the crowd exclaiming, “It’s been really special. We actually paddle boarded on your lake yesterday.” Imagine splashing around in Canandaigua Lake and seeing Susan Tedeschi the queen herself paddling past. Play it cool though.

    The only noticeable hiccup in their set came from the sax player when he went a little too avant garde during his complicated solo, making it too hectic to enjoy. But towards the end of the set the entire horn section rallied with the rest of the band conjuring an intensely energetic dance experience that temporarily transported the crowd to the jazzy streets of New Orleans.

    Tedeschi Trucks Band hemorrhages emotion through delicate instrumentation, momentum building solos and gripping lyrics. The unwavering strength in Susan Tedeschi’s voice could stand alone as something to see live, but the supergroup she is a part of does justice to every band member to create a musical experience that leaves the crowd in awe.

    Stay tuned for a review from their July 17 performance at Artpark in Lewiston!

    Setlist: Keep on Growing, Laugh about it, Just as Strange, Don’t Know What it Means, Shame, Midnight in Harlem, Down in the Flood, Show Me, Let Me Get By, Going Going Gone, Rockin’ in the Free World

    Encore: I Want More/In Memory of Elizabeth Reed

  • Max Weinberg’s Jukebox Brings Rock and Roll Party to Paramount Hudson Valley

    One of rock and roll’s steadiest drummers from Springsteen’s E Street Band and former Late Night and Tonight Show bandleader brought a unique show to the Paramount in Peekskill on June 8, with the tour being billed as Max Weinberg’s Jukebox. No quarters or record-flipping were required for this all-request live show.

    With Bruce Springsteen currently active on Broadway with his residency at the Walter Kerr Theatre through December 2018, Max Weinberg made well with the down-time from the E Street Band’s touring schedule to put on a tour where the audience picks the setlist each night from a roster of 200+ songs from rock and roll history.

    Given that, it might appear to be just another mediocre cover band show but after just a couple of songs that illusion was broken. The familiarity of the tunes in the setlist was a quick grab for the crowd while Weinberg’s character and reputation as an excellent drummer (and the talent of the rest of his band) brought the audience in close to the music. For those familiar with Weinberg’s time as Conan O’Brien’s late night TV musical sidekick, plenty of his on-camera humor had shown through during some dialogue between songs while being quite down to earth.

    The live-request show format was definitely unique for a concert, especially for someone who’s been a major name in the business during a lengthy career. The Beatles and Bruce Springsteen seemed to be favorites of the crowd that night with a few songs from each making their way on stage from requests. In proper fashion, Weinberg closed the show with two Springsteen tunes, “Promised Land” and “Glory Days,” inviting anyone from the audience on stage for the final song to sing along.

    Until Max Weinberg’s Jukebox (hopefully) rolls back through the Hudson Valley, he’ll be making plenty of stops between Atlantic City, NJ, Long Island, and Ridgefield, CT.

    Setlist: She Loves You, Fortunate Son, American Girl, I Wanna Be Sedated, The Weight, Honky Tonk Nights, (And Your Bird Can Sing, White Room, Friday On My Mind, Pink Cadillac, I’m A Believer, Highway To Hell, All Right Now, Rebel Rebel, While My Guitar Gently Weeps, Little Elvis, I Walk The Line, I Can See For Miles, Wipeout, A Summer Song, Pretty Woman

    Encore: Promised Land, Glory Days

  • Two Reasons to Celebrate Vans Warped Tour Final Year

    On November 15, 2017, founder Kevin Lyman shared that after 23 amazing summers of music, Vans Warped Tour would celebrate its final run in the summer of 2018. Making up for the upsetting news was the release of this summer’s diverse lineup, featuring bands from the electronic duo 3OH!3 to folk singer-songwriter Frank Turner, the charismatic members of popular Canadian rock band Simple Plan, to the abrasive metalcore of August Burns Red, with so much more sprinkled in.

    While Vans holds the top seat as the festival’s primary sponsor (hence the festival’s name change), several other sponsors will be hosting multiple stages on the tour, including Journey’s (who will host a ‘Right Foot’ and ‘Left Foot’ stage), Monster (with a cleverly named ‘Mutant Red Dawn’ and ‘Mutant White Lightning’ stage, named after the ultra-caffeinated energy drinks), owly.fm and Full Sail University (to stage some up-and-coming bands). The tour is already underway, making stops in Camden, NJ this Friday, followed by Holmdel, NJ on Saturday, then Hartford, Connecticut this Sunday. The tour will also make a stop at the Darien Center in New York on July 25, and Jones Beach Ampitheatre on July 28. In celebration of it’s 23-year legacy, here are two reasons why Vans Warped Tour stands out as one of the most impressive touring festivals of its era.

    1 – From start to stardom, Vans Warped Tour has introduced us to some of our favorite bands.

    Since its first run in 1995, many bands have Warped Tour to thank for their rise to popularity. Avenged Sevenfold, Fall Out Boy, and Paramore are a few of the many bands that played the Warped Tour stage early in their careers, and continued to play each year in the early 2000s as their repertoire expanded. A prime example of the festival’s impact is Baltimore-based band All Time Low, who played a small stage at Warped back in 2007. Shortly after, the band released their second studio album So Wrong, It’s Right, which caught a wave of fans and charted number 6 on the Independent Albums chart in the US. The band went on to headline the festival in the following years, even topping the lineup list for this year’s fest.

    The festival always had punk rock at heart, but shed some light on other genres, hosting Limp Bizkit in 1997, the Black Eyed Peas in 1999, and Katy Perry in 2008. The festival organizers adapted to the evolving popular music scene while remaining true to their roots, and the massive following that ensued placed Warped Tour as the largest traveling music festival in the United States.

    2 – There’s nothing quite like the Warped Tour experience.

    Walking around the grounds of the fest is a treat alone. The outcasts of the everyday find sanctuary in a crowd of like-minded cohorts at Warped Tour. Goths, skaters, and punks alike flock to the stages to dance, mosh, or whatever feels right for them. This space is theirs and free of judgement, which fosters a unique and enticing crowd experience for a first-timer. The festival takes great pride in activism, drawing attention to important causes as well, from suicide prevention to breast cancer awareness. Patrons who donate to these causes can get special interactions with artists and receive signed gear, only to further awareness among the festival. You can even get express entry to this year’s fest by donating three cans of food or $5 to Feed Our Children NOW.

    Music education also plays a key role in the festival, with free lessons often offered to concert-goers. In past years, the John Lennon Bus has also set up shop at the fest, which holds a mini studio for younger attendees to interact with music in a reclusive setting. When attendees need a break from the scores of performances scheduled for the day, there are so many experiences to take in, and you’ll never know what (or even who!) you might find around the festival grounds.

    A bittersweet heaviness will follow each attendee at the festival’s last return this summer, but the nostalgic lineup and all-encompassing experience will be sure to bring great enthusiasm in honor of a successful 23-year run. Be sure to get your tickets for this weekend’s festivities and the tour’s future stops on the Vans Warped Tour site. The remaining dates can be found there as well in case you’re beyond the tri-state area. For the full artist lineup and more info, head to the Vans Warped Tour artist page and info page, and be sure to follow the latest happenings on Facebook. We’ll see you on tour!

  • Peach Music Festival Ready for Summer Fun

    Now that we’re settling into summer, festivalgoers are looking forward to this year’s Peach Music Festival in Scranton, PA. Peach has become a favorite in the jam scene due to its always killer lineup and ability to coax incredible sets of music out of our favorite bands. The beloved festival is happening a little earlier than years past, kicking off next Thursday, July 19 rather than its typical early August dates.

    This year’s Peach features a few special sets that fans won’t want to miss, namely one of Gov’t Mule’s rare “Dark Side of the Mule” sets, honoring Pink Floyd’s great album, moe.’s tribute set to Little Feat’s beloved live album Waiting for Columbus, and Cabinet’s only 2018 performance. The usual suspects will also have headlining sets this year, such as the big hitters like Joe Russo’s Almost Dead (who have 2 sets!), Umphrey’s McGee and moe., with the addition of Phil Lesh & the Terrapin Family Band and Dickey Betts.

    The main stage features more than the sets mentioned previously, such as blues rock group The Marcus King Band, the horn-centered Funky Dawgz Brass Band, a duo set from Jackie Greene and Anders Osborne, and the Devon Allman Project, ft. Duane Betts. One of the more interesting acts on the Peach Stage are The Revivalists, an alternative rock group from New Orleans that put forth energetic live shows and astounding studio albums.

    Some of the smaller national touring acts are also featured on this year’s lineup, such as The Magic Beans, a space funk quartet based out of Denver, CO, Turkuaz, the always groovy funk band from Brooklyn, NY, and Spafford, a genre-bending band that only use two words to represent themselves: We jam. Guitar prodigy Brandon “Taz” Niederauer and his band will also have a set performing some Taz’s original music and the unconventional LA-based organ trio Organ Freeman will be bringing their funk and jazz stylings to Scranton.

    peach music

    The grounds will have lots of amenities to aid attendees in having the best possible experience, such as refillable water stations, phone charging stations, ATMs, medical stations, and more! Montage also offers a full water park, available to anyone attending the festival. Peach’s Mushroom Stage is located in this water park, where attendees can watch on from the wave pool or enjoy many of the other aquatic attractions the park has to offer. People will want to check out Buffalo’s own Aqueous, Big Something and Tom Hamilton & Holly Bowling’s new group Ghost Light’s sets here.

    Those who bought VIP passes will be treated to a couple of exclusive sets each day, namely solo sets from Joel Cummins of Umphrey’s McGee and Mihali Savoulidis of Twiddle on Friday, Pap & Po, a duo set from Pappy & JP Biondo of Cabinet, a special 45 minute set from Ghost Light on Saturday and, finally, a duo set from Oteil Burbridge of Dead & Company and Scott Metzger of Joe Russo’s Almost Dead on Sunday. All of these sets will take place on the Grove Stage. Fans should also check out Grahame Lesh’s soulful group Midnight North and Hayley Jane and the Primates at the Grove.

    Check out the daily lineup above or create your own personalized schedule through The Peach Music Festival app, which can remind you when your favorite bands are about to start and let you know of any important updates. Keep watch for more of NYSMusic’s coverage of this year’s Peach Music Festival.

  • Barrage, An Onslaught of Classic Rock

    To save you the time and trouble, the word “barrage” is officially defined as “a concentrated artillery bombardment over a wide area.” However, the band’s motto defines this quartet perfectly.

    Barrage is a Long Island, four-member classic rock band that covers the ’60s to the ’90s. The group has been together since 2009 and consists of: Mark Nygren (Bass, backing vocals) Matt Bruno (lead vocals, guitar), Dr. Paul Scarola (drums), and Barry Weiss (lead guitar, backing vocals).

    Earlier this year, with brand new lead singer Matt Bruno, Barrage played a fundraiser for the Good Samaritan Hospital Pediatric Department. Bear in mind, Matt had only been with the band for four weeks when the event took place.

    Hosted by DJ Orlando from Long Island radio station 94.3 FM The Shark, it was set up as a battle of the bands contest. The venue where this took place was 89 North in Patchogue. In order to qualify for the contest, each band had to have at least one medical doctor in the group. Moments after the final performance of the event, Orlando declared Barrage the winner!

    I asked lead guitarist Barry Weiss what it’s like to play in a battle of the bands contest. He said, “This battle of the bands, I thought, was just slightly nerve-racking. We were all well rehearsed. The rehearsals focused on just the set for this gig for over a month. We already knew the songs, so it was just a matter of getting Matt, our new lead singer, up to speed. Which he did amazingly. He memorized the lyrics so he did not need to look at any onstage. I was checking out the other bands’ Facebook pages to see what they were like prior to the event. Most of them, I saw that they played softer music like ’60s or Country. Being on last, we got to see what they were about. We were also the youngest of the bands and we knew that we would blow them away since we were doing good classic rock. Everyone that night were talented and professional and it all went very smoothly. It really was a great time and the crowd loved it. Hard to believe people got so into it on a Sunday afternoon.”

    Barry also mentioned that the buzz continuing throughout the hospital and community has sparked demand for additional performances. Furthermore, the success of this event has enabled Barrage to secure the opening slot for a major Long Island tribute act.

    To see Barrage live, their next gig is Friday July 20th at 89 North in Patchogue. They go on at 8 pm and will be doing one 90-minute set. Doors open at 7 for advanced ticket holders. To learn more about this great band, and see their videos too, visit their Facebook page.

    This article appears courtesy of Under the Radar. Visit their Facebook page and give them some love!

  • Twenty One Pilots Release Two Songs, Music Video, and Tour Dates

    Fans of Twenty One Pilots are finally privy to information about what’s on the horizon for the iconic pop duo. Two songs, a music video, and tour details have just been unveiled – “Jumpsuit” and “Nico and The Niners” are the first singles from the the long-anticipated new LP from Twenty One PIlots, Trench, which is due out on Oct. 5.

    twenty one pilots
    Twenty One Pilots, Photo by Cathy Bechle

    The ensuing Bandito Tour kicks off this fall in the U.S. Over the winter they travel to Australia, New Zealand, and Europe. Dates in New York State include NYCB Live in Uniondale on Oct. 27 and Madison Square Garden in NYC on Oct. 30. Visit twentyonepilots.com for more information.

  • Brad Paisley Heats Up Syracuse With Weekend Warrior Tour

    Blistering heat didn’t stop masses of Brad Paisley fans from coming out to his Weekend Warrior World Tour stop at the St. Joseph’s Health Amphitheater in Syracuse, NY.

    Flocks of ‘Weekend Warriors’ came to the venue early to tailgate by setting up tents, chairs and grills in true parking lot party form.

    Tour mates Dan Tyminski and Kane Brown performed for the crowd as the party moved from the parking lot into the venue for the show. Brown’s good looks and southern drawl left every female, young and old, screaming for more.  

    When Paisley hit the stage, he kept the party atmosphere going by having two bars set up on stage behind him with a handful of lucky fans enjoying drinks while he performed.

    Known for his support for the military and generosity, he brought out members of the military to salute them and every troop for their service. Shortly after that, he signed a guitar and gave it to a young girl in the audience saying, “This is how you make a Taylor Swift,” and instructed the young girl to learn how to play.

    Paisley performed for nearly 90 minutes and his old school guitar pickin’ country was truly refreshing to see. Carrie Underwood even made a surprise “appearance” via video chat with him as she sang their duet hit “Remind Me.”

    Brad Paisley‘s Weekend Warrior World Tour will continue to roll through the United States through September and will re-visit New York in Wantagh at the Northwell Health at Jones Beach Theater on August 10

  • The New York City Ballet is Coming to SPAC

    The annual tradition of the New York City Ballet taking up their summer residency in Saratoga, NY at Saratoga Performing Arts Center (SPAC) is upon us. Earlier this week seven tractor trailers began arriving carrying costumes, shoes, lights, sets, and anything else a world class ballet company would require on tour. Crews are working hard to ready the stage for the dancers including hanging the beautiful backdrops, and running over 3 miles of cable. Dancer’s have an entire truck load of costumes for this year’s one week run of performances along with over 1000 pairs of toe shoes.

    This year’s run begins on Tuesday, July 17 with a production of All Balanchine. George Balanchine was a world renown choreographer, who also had a hand in designing SPAC’s stage and acoustics. There will also be performances of Romeo + Juliet, and 21st Century Choreographers, The closing performance will be on Saturday, July 21 with the 2018 Gala featuring a celebration of Jerome Robbins and Leonard Bernstein. Details can be found at spac.org

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