Jamestown four-piece fusion group Cold Lazarus have recently released the video for “Butterflies.” Filmed in various locations in Western New York – including Ripley Beach on Lake Erie, downtown Jamestown and Nietzsche’s in Buffalo – over a period of about two months, the video was directed by Jamestown-based filmmaker Nigel Eastman, who was assisted by his director of photography, John Brown.
“Butterflies” first appeared on Cold Lazarus‘ debut EP All Alone in February 2017, and was re-recorded for inclusion on the band’s self-titled full-length debut album, released in January 2018. Stream their music on Spotify and Apple Music.
Although they’ve gone their separate ways, Oneonta’s Space Carnival have shared video from their late night Wormtown Festival set from September 15. The combination of “Pleasure in Sin” -> “2001” -> “Moon Boots” come from Space Carnival’s first Wormtown show and the late night set after Lettuce was a packed cabin for the duration of their two and a half hour set. One of the final Space Carnival shows, guitarist Jeremy Kraus said “We went into it with zero rules and no plans for anything, as we always did.”
A weekend of walkin in the finest jamgrass around was made possible by the debut appearance in Vermont over December 14-16 at Stratton Mountain. WinterWonderGrass, now in its 7th year, has held events in Colorado and California since 2012, with founder Scott Stoughton and his team creating a musical village with a welcoming vibe at all turns.
Stratton was as idyllic a setting out east as WinterWonderGrass could have asked for. Located in south-central Vermont, the mountain is tucked away and has sprawling condos and chalets, a village that practically transports you to the Alps and world class skiing. This weekend added in 8 hours of bluegrass daily, with artists from across the country making the inaugural WinterWonderGrass at Stratton a rousing success.
Scott spoke to Jambase earlier this month about the inception of the WinterWonderGrass: “The original idea for WinterWonderGrass came together because I saw a lot of different music festivals happening,” Stoughton explained. “I saw the beer culture expanding. I was also living in a mountain town at the time, and I saw corporatization of mountain communities, influx of people, everything was branded, and it wasn’t feeling right. It wasn’t authentic.”
The result of Scott’s strive for authenticity is a music village that could be found at any ski mountain – after a run down the slopes, take off your skis and head over to the sound of banjos, mandolins and dobros and take a break with a cold one (or some hot coffee, cocoa or yerba mate). Walking into the venue each day, you feel like a member of a larger family, one that is smiling, laughing and dancing, and most of all, welcoming and friendly to all.
Friday kicked off with multiple sets from Pappy & Friends, Beg, Steal or Borrow, Fruition, Horseshoes & Hand Grenades, Pickin’ on the Dead and Vermont’s own Saints & Liars. With the three tent stages all close to each other, catching all three was as simple as strolling 50 feet away for a taste of something new. Headliners Jeff Austin Band and The Infamous Stringdusters had the crowd looking forward to the next two days, with powerhouse sets from both. Jeff Austin led a Yonder-style band with a set of speedy jammed out bluegrass originals and covers, capping the set with crowd favorite “Sideshow Blues,” while Stringdusters took spins on Phish’s “Possum” and “Bathtub Gin,” and invited up artist-at-large Bridget Law for Aretha Franklin’s “Respect.” Late night sets featured more from Saints & Liars and Horseshoes & Hand Grenades, as well as John Stickley Trio and Beg, Borrow or Steal.
Wintercourse, a one-night-only midwinter music festival hosted by Brooklyn’s own Cousin Earth, returns to the Knitting Factory for its 8th year. Local rockers Bushicks begin the festivities which are then rounded out by Funky Dawgz Brass Band, Cousin Earth and Bella’s Bartok.
Initially a music and comedy festival, Wintercourse is the brainchild of Corey J. Feldman, ukulele bassist for Cousin Earth. The show has gravitated towards focusing more on music in recent years and has featured performances by acts such as The Reformed Whores, Space Bacon, Chromatropic, Teddy Midnight, The Matty Carl Project, Mercury Landing, Stevie and The Lion and many others.
“This year’s lineup is fire!” says Corey J.Feldman, ukulele bassist for Cousin Earth. “This is going to be the best Wintercourse yet!”
The concert, presented by NYS Music, takes place Saturday, January 5th at The Knitting Factory (361 Metropolitan Ave., Brooklyn) Doors are at 7:30pm and the music kicks off at 8pm. The show is 21+ and ID will be required. Tickets are $12 in advance and $15 on the day of the show.
There is no shortage of after shows to hit up when Phish come to NYC for their New Years Eve run, and for those feeling the pinch of the holidays in the Big Apple, Sounds Good To Steve and the Offside Tavern have you covered.
On December 28th and 29th, FREE after shows will get started at 11pm and stretch until to 3am, with the music going late and live painting both nights. Not far from Madison Square Garden, Offside Tavern is located at 137 w 14th Street between 7th avenue and Avenue of the Americas.
On Friday the 28th, The Mike O’Donnell Band will be playing all night with live painting by James McNulty of The Uncommon Culture. For this new project, guitarist Mike O’Donnell called on some friends from various Long Island based bands and things took off. Michael Mirino, who plays bass with O’Donnell in the band Sofus is joined by Ben Pinnola from the band GeoTribe on keys. Julian Sarabia Maultsby from Medicine Fish teams up with Danny Roman for duel drumming and percussion duties. O’Donnell and Roman also play together in the up and coming band and winners of the 2018 Long Island Blues Challenge, Carrie and the Cats.
Sunday, December 30thfinds Brooklyn based Jazzjam band International Orange (iO) teaming up with rising ragers, Ronald Reggae for a long long crazy crazy night. Featuring former members of the Mike Gordon and Steve Kimock bands, and a current member of Peter Apfelbaum’s NY Hieroglyphics, iO pulls some serious grooves out of their deep pockets.
Speaking of groove, sitting in with iO will be some special friends from the Easy Star All-Stars. If that’s not enough, undoubtedly still riding the high from jamming with Twiddle front man Mihali during one of their back to back Twiddle pre-shows at Garcia’s, you can count on the energy from Ronald Reggae to keep you going late. The bands provide the tunes, live painter GalaxyGus creates the eye candy and all you need to do is stroll on in.
Tickets are not on sale because these shows are FREE! Stop down after Phish and spend the night boogieing down on Friday the 28th and Sunday the 30th!
In an unprecedented collaboration between an academic journal and live music community, Phish.net, the Philosophy School of Phish, and the Public Philosophy Journal (PPJ) are soliciting abstracts for essays about the improvisational rock band Phish, its music, and fans. Selected papers that successfully complete the PPJ’s Formative Peer Review process will be published in a special issue of the Public Philosophy Journal, co-edited by Dr. Stephanie Jenkins (Oregon State University, assistant professor of Philosophy) and Charlie Dirksen (Mockingbird Foundation, Vice President and Associate Counsel).
Contributors may submit abstracts on any topic of philosophical significance related to the Phish phenomenon. Proposed essays should explore philosophical questions, problems, concepts, themes, or historical figures through connections to the music and fan culture of Phish. Topics may include, but are not limited to:
Aesthetics: beautiful; sublime; emotion
Music, performance, and lyrics: conceptual themes; Gamehendge mythology; improvisational ethos; live performance; music ontology; narrations; gags
Ethics: “phan” ethos; ticket trading and secondary market; tarping; environmental impacts of tour
Politics: fan counterculture; activism; issues of race, gender, sexuality, disability, class, and religion
Phenomenology: embodiment; lived experience of jams, “IT,” lighting, or concert space
Technology: recording; social media; RFID data and surveillance; live streaming; tape trading
This special issue is part of a PPJ pilot project that aims to reconfigure the relationship between the academy and the public. To this end, the editors seek proposals for essays that will be of interest to both audiences. You do not have to be a professional scholar or philosopher to submit.
Submission Guidelines
Please submit abstracts of 250-500 words and a brief bio via this Google form. Your abstract should summarize your proposed essay, outline its argument, and identify its significance to both Phish fans and scholars new to the band.
Relevance: Responds to an issue of concern to the Phish community
Accessibility: Written clearly for a general audience, with technical terms and concepts unpacked. Does not assume previous knowledge of the band.
Intellectual coherence: Provides evidence to support arguments and identifies theoretical concepts that illuminate the philosophical problem, question, or idea under consideration
Scholarly engagement: Demonstrates awareness of ongoing dialogues within relevant scholarly and/or community conversations
Completed essays will be approximately 2000-4000 words. Formatting and citations should follow the guidelines set in the Chicago Manual of Style (17th edition).
Submission Timeline
Abstracts due: January 18, 2019
Completed papers due: April 15, 2019
Contact
Questions can be addressed to:
Dr. Stephanie Jenkins
Assistant Professor
Oregon State University, School of History, Philosophy, and Religion
stephanie.jenkins@oregonstate.edu
Adam Chase of Jazz is PHSH embarks on a new allstar exploration of music with The DAB Sessions, premiering on January 10 at Brooklyn Bowl. Joining Chase are Aron Magner of The Disco Biscuits and Jacob Bergson of Nerve, two keyboardists from leading exploratory electro-jazz live bands, as well as bass prodigy Felix Pastorius and Antibalas saxophonist Morgan Price. The evening is presented by Instrument Find and will mark the debut of The DAB Sessions.
Get to know the players in The DAB Sessions:
Jacob Bergson is the multi talented keyboardist and producer for the world renown electronic band, NERVE. NERVE is a band led by famed masterful drummer JoJo Mayer that formed out of underground parties hosted by JoJo Mayer that led the way for electronic music to be performed on live instruments.
Aron Magner has been on the forefront of the electronic music scene since it first began to grow. As the keyboardist and founding member of The Disco Biscuits, Magner has been instrumental in the growing popularity of electronic music being performed by highly proficient live musicians.
When many people hear Felix Pastorius perform there are reasonable and obvious preconceived notions and expectations being that he is playing the same instrument as his legendary bass playing father, Jaco Pastorius. While the appreciation of the seemingly genetic talent is obvious, it is also obvious that Felix has put the time in to achieve his own voice on the instrument.
Adam Chase is a drummer that is multi-faceted and the visionary behind The DAB Sessions. Chase is a multi instrumentalist, vocalist, songwriting music director that entered the world of drums in the 1st grade when he had the opportunity to see a young Tony Royster Jr. make mastering the drums look easy.
Morgan Price is a multi-instrumentalist that found his way into the Dap Tones world with his saxophone, flute, and keyboard skills. His skills on tenor saxophone and baritone saxophone have led him to steady gigs with Antibalas and The Duke Ellington Orchestra.
MG3‘s Soulful Christmas Celebration will be held on Friday, December 21 at SALTspace in Syracuse, when Melissa Gardiner brings together an all-star band to perform funk and soul takes on your favorite Christmas classics.
MG3 is a jazz trio with added influence from the blues, gospel, soul, neo-soul, R&B, funk, and fusion. Their diverse repertoire of original music, jazz standards and covers always focuses on a strong groove, combined with creative reharmonization and beautiful soaring melodies.
Trombonist and vocalist Melissa Gardiner put together her jazz trio MG3 in Harlem in 2014. Since that time, they have become an in-demand act in Upstate New York. Besides Gardiner, the trio consists of organist William Gorman and Byron “Kidd” Cage on drums.
Together, they’ve opened up for artists such as Moonchild, Jane Monheit and Jonathan Scales, backed up artists such as Ronnie Leigh and Nancy Kelly and have played at the Rochester International Jazz Festival and most recently, won the grand prize at the Bucharest International Jazz Competition. As individuals, they’ve played with music royalty such as Aretha Franklin, Patti Austin, Dave Matthews Band, Benny Golson, Ernie Watts, Joe Louis Walker and more at venues and festivals all over the world.
They will be joined on December 21 by special guest singers Harper Sinclair, Gabrielle Gorman, Ariana Gates, Alto Phillip Young, Tenor Quinn Lawrence, Trumpeter Tom Killackey and Guitarist Stephen Pale.
The Monster EnergyOutbreak Tour is coming out of the gates strong in 2019. The prestigious touring brand just named multi-talented rapper, singer and songwriter, A Boogie wit da Hoodie, as the headliner for their upcoming winter and spring tour. The tour kicks off February 20 in Austin, TX and will make stops in Los Angeles, New York, Chicago, San Francisco, Atlanta and other major cities across the U.S.
Bronx native Artist Dubose, aka A Boogie, rose to stardom when his major label debut, The Bigger Artist, reached #1 on Billboard’s Emerging Artists chart and cracked the top 5 of the Billboard Top 200. Named by The New York Times as “the most promising young rapper the city has produced in some time,” and nominated by BET for 2018’s Best New Artist award, A Boogie is poised to prove that his accolades are well-deserved in 2019.
Amidst all the acclaim, A Boogie remains humble. Describing his excitement to connect with fans, A Boogie stated, “Partnering up with The Monster Energy Outbreak Tour marks a milestone moment in my career. I can’t wait to create memories with the fans that will live with them for a lifetime.”
Tickets for the Monster Energy Outbreak Tour will go on sale on Friday, December 7th at 10am local at www.outbreakpresents.com and www.aboogiehbtl.com, with pre-sale schedule as follows:
TOUR DATES:
2/20/19 AUSTIN,TX – EMO’S
2/21/19 DALLAS, TX – HOUSE OF BLUES
2/23/19 HOUSTON, TX – HOUSE OF BLUES
2/25/19 TAMPA, FL – THE RITZ
2/26/19 ATLANTA, GA – TABERNACLE
2/28/19 CHARLOTTE, NC – THE FILLMORE
3/1/19 RALEIGH, NC – THE RITZ
3/4/19 BALTIMORE, MD – SOUND STAGE
3/5/19 SILVER SPRING, MD – THE FILLMORE 3/7/19 NEW YORK, NY – TERMINAL 5
3/10/19 BOSTON, MA – HOUSE OF BLUES
3/12/19 TORONTO, ON – REBEL
3/13/19 CLEVELAND, OH – HOUSE OF BLUES
3/15/19 GRAND RAPIDS, MI – INTERSECTION
3/16/19 DETROIT, MI – THE FILLMORE
3/19/19 INDIANAPOLIS, IN – DELUXE
3/22/19 CHICAGO, IL – HOUSE OF BLUES
3/23/19 MINNEAPOLIS, MN – VARSITY THEATER
3/26/19 DENVER, CO – SUMMIT
3/28/19 LAS VEGAS, NV – HOUSE OF BLUES
3/29/19 PHOENIX, AZ – THE VAN BUREN
3/30/19 SAN DIEGO, CA – HOUSE OF BLUES
4/1/19 ANAHEIM, CA – HOUSE OF BLUES
4/2/19 LOS ANGELES, CA – THE BELASCO THEATRE
4/4/19 SAN FRANCISCO, CA – THE FILLMORE
4/5/19 SACRAMENTO, CA – ACE OF SPADES
4/8/19 VANCOUVER, BC – COMMODORE BALLROOM
Tis the season to enjoy live music and support a great cause, across New York State! Annually, NYS Music works with bands and promoters across the state to help those in our local communities who are less fortunate and in need of a healthy dose of cheer this holiday season. Combining live music performances and the spirit of giving during the holiday season are a natural combination, and we present these 4 Jam for Tots 2018 shows where fans are able to enjoy the best music across the state, and help kids out at each show.
Or stop by Putnam Place in Saratoga Springs all month long and drop off a toy!
In the Catskills, join John Pinder and the gang for Open Mic on the first Thursday of the month. The jam lends a hand to the Toys for Tots drive this month by asking musicians and patrons to bring along an unwrapped toy for a less fortunate child. Jam for Tots has become a cherished tradition at The Stewart House. The list opens up at 6:30pm, be sure to ask the bartender or the host John Pinder to get signed up! All are welcome. Be it a solo, duo, group, spoken word, or stand up session, head down to the Stewart House to share your talent.
It’s a Funk Night XMAS Ugly Sweater Party ft. Hayley Jane & Members of Kung Fu, West End Blend, Wurliday, & More! Come out and sing some funky XMAS classics with us at this special holiday rendition of NYS Music’s Albany Funk Night! 5$ off with a toy for our Jam n Tots drive.
On December 13, celebrate a Funk Night Christmas with an Ugly Sweater Party at Parish Public House in Albany! Join the band and sing some Christmas songs at this special holiday rendition of NYS Music’s Albany Funk Night! Take $5 off the cover charge when you bring a toy for our Jam for Tots drive.
The Funk Night Christmas lineup includes Hayley Jane, Beau Sasser (Kung Fu), Chris DeAngelis (Kung Fu), Justin Henricks (Wurliday), and Bryan Brundige and Phil Chow (The Chronicles). Tickets are $15, or $10 if you bring a toy.
Join two of Buffalo’s best groups, Intrepid Travelers and Folkfaces, as they team up for an incredible night of jam, rock and much more. Bring an unwrapped gift for a 2-12 year old and the gifts will be gathered by USMC representatives. Give back to those most in need this holiday season and enjoy a great show at the same time! $5 , 21+ unless accompanied by a parent/guardian
Let’s Be Leonard returns to Caffe Lena for their annual holiday show! Expect to hear your favorite Leonard boys performing the holiday classics sprinkled with their signature Leonard flavor!
Trombonist and vocalist Melissa Gardiner put together her jazz trio MG3 in Harlem in 2014. Since that time, they have become an in-demand act in Upstate New York. Besides Gardiner, the trio consists of organist William Gorman and Byron “Kidd” Cage on drums.
